Titles Comprise: 1. My Man Goddfrey 2. The Most Dangerous Game 3. The Outlaw
Resident Evil - Apocalypse (Dir. Alexander Witt 2004): The sequel to the 0 million hit Resident Evil: Apocalypse is again based on the wildly popular video game series and picks up where the first film ended. The zombies are back and so is Alice (Jovovich). Since being captured by the notorious Umbrella Corporation she has been subjected to biogenetic experimentation and has become genetically altered with super-human strengths senses and dexterity. Now she has teamed with other survivors of Earth ready to destroy any zombie in their path. After escaping from the Racoon City Medical Facility Alice searches for answers to the T-Virus and how to contain it. On the other side of town a woman named Jill Valentine plots her own escape while battling the undead and Matt Adison now transformed into a monster called The Nemesis who is bent on destroying all who live. Punisher (Dir. Jonathan Hensleigh 2004): Marvel Comics presents a second big-screen version of The Punisher with this action-packed adaptation from screenwriter-turned-director Jonathan Hensleigh. Frank Castle (Tom Jane) is a retired F.B.I. agent spurred into action after the merciless slaying of his wife father and son. Adopting the superhero guise of The Punisher Castle aims to wreak vengeance for his dead family by tracking down the culprits responsible for their demise. All clues point to Howard Saint (John Travolta) a ruthless businessman and nightclub owner whose son was mistakenly killed by Castle in a botched undercover operation back in his F.B.I. days. Unique amongst Marvel superheroes The Punisher possesses no special powers just remarkable strength parried with a blind determination to avenge his family. As he hunts down Saint Castle surrounds himself with three fellow societal outcasts to get the job done namely Joan (Rebecca Romijn-Stamos) Bumpo (John Pinette) and Dave (Ben Foster). Hellboy (Dir. Guillermo del Toro 2004): In the final days of World War II the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where an occult ceremony is taking place but not before a demon Hellboy has already been conjured. Joining the Allied forces Hellboy eventually grows to adulthood under the supervision of his adopted 'father' Trevor Bruttenholm serving the cause of good rather than evil. When the powerful and evil Nazi figure who unleashed Hellboy suddenly reappears in modern times he discovers that Hellboy is now working as a paranormal investigator at a secret U.S. government agency dedicated to protecting humanity from the forces of darkness. Now Hellboy must fight to solve the riddle of his own existence and prevent the destruction of mankind... Dark Horse Comics' popular cult superhero Hellboy makes the leap from the comic book pages to the big screen with Ron Perlman the only actor considered charismatic enough to convey the blood-red demon anti-hero cutting a cigar-chomping dash in the title role as Hellboy assisted by prosthetics from 6-time Oscar winning makeup artist Rick Baker.
A very loose retelling of the legendary story of Pat Garrett and Billy The Kid the film achieved notoriety thanks to the lead female Jane Russell. Aged just 19 when the film was made her ample physical attributes were such that the producer and director Howard Hughes spent thousands advertising the film in advance of its release with the slogan 'what are the two reasons for Jane Russell's rise to stardom?' The film was initially banned (which Hughes wanted) although this did not st
Jane Russell plays a busty siren who steals the heart of Billy the Kid in this Howard Hughes directed story which centres on the rivalrous tentative friendships between Billy Doc Holiday and Pat Garrett.THIS VERSION CONTAINS EROTIC SCENES BANNED IN 1941.
The Outlaw
The factual biography of the man who as a boy designed aeroplanes and went on to build a business empire of airlines hotels ans casinos and as a filmmaker produced some of Hollywood's most enduring films including Hell's Angels Scarface and The Outlaw. Yet behind the glamour the fame and the fabulous there lurked a darker side a sick isolated and deeply unhappy man who hid behind his image and ended up a prisoner of his own insanity.
This fantastic box set features some of the most iconic actresses like Monroe Judy Garland and Shirley Temple in some of their most revered films. Featuring: 1.The Outlaw 2.Home Town Story 3.The Last Time I Saw Paris 4.'Till The Clouds Roll By 5.The Little Princess 6.Royal Wedding 7.Rain 8.Smash Up 9.Of Human Bondage 10.Lady Of Burlesque For individual synopses' please refer to the individual products.
How To Marry A Millionaire: Three screen goddesses - Betty Grable Lauren Bacall and Marilyn Monroe - star as golddigging models blessed with fabulous looks but limited brain power. The three blondes pool their resources and conspire to nab millionaire husbands renting an expensive penthouse to lure in their likely prey. But with Rory Calhoun Cameron Mitchell David Wayne Fred Clark Alex D'Arcy and William Powell playing the desired millionaires the ladies are pushed to the end of their wits as they try to decide whom to wed.... 'How To Marry A Millionaire' was the first movie to be filmed in CinemaScope but 'The Robe' (1953 directed by Henry Koster) beat it to the cinemas. The Seven Year Itch: Marilyn Monroe proves that no man can resist her - especially a married man - in this sexy romp directed by Billy Wilder and heralded as one of the quintessential comedies of all time! When a seductive starlet (Monroe) moves in upstairs a married man (Tom Ewell) has his fidelity put to the test. Keeping his marriage vows in the face of her flirtations proves hilariously tough when challenged by the notorious ""Seven Year Itch."" Gentlemen Prefer Blondes: Lorelei Lee (Marilyn Monroe) and her friend Dorothy Shaw (Jane Russell) are a pair of showgirls Dorothy the sassy one looking for true love Lorelei the blonde hoping to marry a millionaire with her sights set on Gus Esmond a wealthy nerd stuck under his father's thumb. When Lorelei and Dorothy take a transatlantic cruise to Paris an undercover detective follows to find out if Lorelei is really a gold-digging schemer. Unfortunately the irrepressible Lorelei is a born flirt and soon finds herself in a compromising position with Sir Francis Beekman (Charles Coburn) owner of a diamond mine. The girls have to use all their wits to get out of trouble and still find love and marriage. Thanks to the talents of the luminous stars and director Howard Hawks plus stunning technicolor cinematography 'Gentlemen Prefer Blondes' emerges as one of the most charming entertaining musicals of the 1950s. Marilyn Monroe never more luminous sings her legendary musical number ""Diamonds Are a Girl's Best Friend"" (which later inspired Madonna's 'Material Girl' video). 'Gentlemen Prefer Blondes' is based on the hit Broadway musical which was adapted from the book by Anita Loos.
Episodes comprise: 1. Where's Spot 2. Spot Plays Hide And Seek 3. Spot's First Picnic 4. Spot's Treehouse 5. Spot Goes To The Playground 6. Spot In The Garden 7. Spot's First Walk 8. Spots Bath 9. Spot's Favourite Toy
The Paleface (Dir. Norman Z. McLeod 1948): The Wild West has never been wilder - or funnier - than in this classic six-shootin' farce which introduced the Academy Award winning song ""Buttons and Bows."" In one of his most popular roles Bob Hope plays ""Painless"" Peter Potter a timid correspondence school dentist earning a shaky living in the lawless West. When ""Painless"" is seduced into agreeing to a quickie marriage by the voluptuous Jane Russell he thinks his luck has changed. Little does he suspect that Russell is actually sharpshooter Calamity Jane hot on the trail of a dangerous renegade gang and that she is simply using ""Painless"" as her cover and unwitting dupe! This Old West burlesque brightened by Technicolor and uproarious slapstick went on to become one of Bob Hope's best-loved film vehicles and his biggest box office hit. Saddle up for the wild comic ride! Foxfire (Dir. Joseph Pevney 1955): Amanda Dartland accompanies her half-Apache husband Jonathan to a mining community where he will supervise the excavation of an almost mythical Apache treasure. His jealous rages and macho attitude cause her much misery while the excavation project is threatened by prejudice and fear. Amanda tries to bridge the cultural gap and Jonathan must do the same or he will lose her. Son Of Paleface (Dir. Frank Tashlin 1952): In this sequel to The Paleface Bob Hope and Jane Russell return as the lead characters. Hope plays Junior Potter who returns to claim his father's gold which is nowhere to be found. Throw in Russell as ""Mike"" the luscious head of a gang of thieves and Roy Rogers as a federal marshal hot on her trail. Road To Bali (Dir. Hal Walker 1952): Bob Hope Bing Crosby and Dorothy Lamour team up in their sixth ""Road"" picture Road To Bali which was the only film in the series to be shot in color. Hope and Crosby star as two out-of-work vaudeville performers who are on the lam. The two are hired by a South Seas prince as deep-sea divers in order to recover a buried treasure. They meet beautiful Princess Lala (Lamour) and vie for her affections. Of course the boys run into the usual perils such as cannibals a giant squid and numerous cameos from some of Hollywood's biggest stars. Director Hal Walker was no stranger to the three actors having directed the trio in Road To Utopia. The final ""Road"" picture Road To Hong Kong would be released 10 years later with Lamour only making a brief cameo appearance.
Thomas Jane stars as the ultra violent Marvel Comics vigilante, a man who begins to wage a one man war on organised crime following the death of his family.
John Ford's memorable screen version of John Steinbeck's epic novel of the Great Depression--often regarded as the director's best film--stars Henry Fonda as Tom Joad. After having served a brief prison sentence for manslaughter Joad arrives at his family's Oklahoma farm only to find it abandoned. Muley (John Qualen) a neighbor now nearly mad with grief tells Tom of the drought that has transformed the farmland of Oklahoma into a desert and of the preying land agents who have plowed under the shacks of the sharecroppers. Joined by former hellfire preacher Casy (John Carradine) Tom finds his extended family including Pa (Charles Grapewin) and his indomitable Ma (Jane Darwell) packing their ramshackle truck to seek work in the fields of California. As the family treks across the country their dissolution begins with the deaths of Tom's grandparents at close intervals. When they arrive in California the Joads find only an abundance of poverty-stricken migrants like themselves and little in the way of potential work. Yet ever resilient they maintain their dignity hoping for the best. Among the talented cast Fonda does perhaps the best work of his career as does Qualen in the film's most haunting sequence. Director of photography Gregg Toland captures the suffering and the weathered luminous nobility of the Joads and the other uprooted drifting families creating striking images equal to the best work of Dorothea Lange and Walker Evans. In a stirring film that stands as a microcosm of the depression experience of millions Ford gives poverty a human face in a way that was rare then and even rarer in the decades to follow as Hollywood films with a sense of class consciousness dwindled like a species nearing extinction.
The Outlaw:The Outlaw is a fascinating Western with a determindly off-beat story about Doc Holliday, Pat Garrett and Billy the Kid coming to conflict over Holliday's stolen horse and the voluptuous halfbreed played by Jane Russell. The script is often disarmingly tongue in cheek, and there is a weird eroticism to the film.;
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