Jon Baker (Shepard) and Frank Ponch Poncherello (Peña) have just joined the California Highway Patrol (CHP) in Los Angeles but for very different reasons. Baker is a beaten up pro motorbiker trying to put his life and marriage back together. Poncherello is a cocky undercover Federal agent investigating a multi-million dollar heist that may be an inside jobinside the CHP. The inexperienced rookie and hardened pro are teamed together, but clash more than click, so kickstarting a partnership is easier said than done. But with Baker's bike skills combined with Ponch's street savvy it might just work if they don't drive each other crazy along the way. Click Images to Enlarge
In this 12th-century version of Who's Afraid of Virginia Woolf?, Henry II of England (Peter O'Toole) and his wife, Eleanor of Aquitaine (Katharine Hepburn), meet on Christmas Eve to discuss the future of the throne. These two are having slight marital problems, as she is kept in captivity most of the year for raising a rebellion against him, and he flaunts his young mistress. Then there are the problems raised by their three treacherous and traitorous sons. James Goldman won an Oscar for the brilliant screenplay, based on his Broadway play. It is a tad wordy, as the action is kept to a minimum, but those words are sharp as daggers. The humour is wicked and black and delivered with very dry, dead-on precision. Sparks fly and the screen sizzles whenever Hepburn and O'Toole tango, which is often. Both were nominated for Academy Awards for their vigorous performances. (She won, he didn't.) There is also an infamous homoerotic exchange between Philip of France (Timothy Dalton) and Richard the Lionhearted (Anthony Hopkins). Both actors were making their feature film debuts. --Rochelle O'Gorman, Amazon.com
Paris 1792. Each day scores of the French nobility feed the guillotine. They are trapped in the capital: there is no escape. But rumours whisper of a league of young English gentlemen of unparalleled daring who risk their lives to spirit aristocrats across the Channel. They leave no trace behind them except a note from the ""Scarlett Pimpernel"" (Anthony Andrews). The ruthless spy master Chauvelin (Ian McKellen) is determined to stop the rescuers by fair means or foul - and desperately outnumbered the Scarlet Pimpernel and his men must use all their wits to evade capture and stay alive. With a dazzling all-British cast this glorious production of Baroness Orczy's classic adventure novel is one of the largest single television productions ever made - winning critical acclaim on its release and wowing generations of viewers for over two decades. Nominated for three Academy awards and winner of an Emmy award for Outstanding Costume Design.
Titles Comprise: All About Eve As Young As You Feel Bus Stop Don't Bother to Knock Gentlemen Prefer Blondes How to Marry a Millionaire Let's Make it Legal Let's Make Love Love Nest The Misfits Monkey Business Niagara River of No Return The Seven Year Itch Some Like it Hot There's No Business Like Show Business We're Not Married
In Some Kind of Wonderful, John Hughes crystallises, for good and ill, much of the stock material of the modern high-school romantic comedy. There is the outsider boy Keith (Eric Stolz) with artistic talent and sexual ambitions above his lowly status in a hierarchy based on wealth and popularity. There is Watts, (Mary Stuart Masterson) the tomboy next door, whose good looks and love for him he has somehow always failed to notice. And, most interestingly, there is Amanda Jones (Lea Thompson), who has parlayed her looks into running with the rich kids, but is starting to realise she has the worst of the bargain. There are some odd ambiguities here--all three take passive-aggressive behaviour to a level that is not entirely sympathetic--as well as some slick plotting: Keith's attempt to befriend Amanda by following her into detention brings him into contact with delinquents like Duncan, a terrifying skinhead who is more than he seems. In the end, there is just enough edge and invention here to keep it from being as crass and sentimental as films which have imitated its formula. On the DVD: Some Kind of Wonderful is presented in 1.78:1 visual aspect ratio and has Dolby 5:1 sound in English, surround sound in Italian and mono in German and Italian--it also has subtitles in those languages and Danish, Dutch, French, Norwegian, Swedish and Turkish and no other special features whatever. --Roz Kaveney
With angels crying in the toilets all because of a jealous Angel Gabriel it could only be the eagerly awaited performance of the Primary school nativity play - this time with a twist! The UK's finest comedy actors take the leading roles as the eight year old performers. Through the inevitable mishaps misunderstandings young egos fears of failure and fallings out the children's characters evolve into mirror images of thier parents the nativity play's audience. You'll be drawn i
Based on Caroline Graham's novels and featuring the stolid crime-solving skills of Detective Chief Inspector Barnaby, Midsomer Murders made their television debut in 1997 and continue to keep viewers happy with that potent whodunnit ingredient: spectacularly bloody murders in the most tranquil rural settings the Shires have to offer. Midsomer is a vaguely defined area of villages and hamlets with charming names like Badger's Drift and Goodman's Land. It also has the highest number of violent deaths per capita outside the average war zone. Serial killings abound to test the nerve of Barnaby (John Nettles) and his sidekick Sergeant Troy (Daniel Casey), a dullard easily perplexed by a world which refuses to stick to his black and white view of things. Nettles is excellent; there's a hint of Bergerac still, now heavier of jowl and broader of beam, though the chasing is necessarily limited and the DCI enjoys the home comforts of an understanding wife and a spirited daughter. "Every time I go into any Midsomer village, it's always the same thing", he huffs. "Blackmail, sexual deviancy, suicide and murder." Ain't it the truth? The murders are astonishing. Family feuds, jealousy, incest, industrial espionage, all erupt at regular intervals leaving a trail of bodies with throats slashed, limbs dismembered and blood absolutely everywhere. Rivers of sheer nastiness run deep beneath the superficially pastoral perfection of Midsomer. Thank goodness there are still men like dependable Barnaby to get to the bottom of things. Eventually. Sure of Barnabys eventual success, Midsomer Murders make for a cosy, even comforting, couple of hours curled up in front of the television. And they make a great showcase for star turns from the great stable of British character actors, too, from Celia Imrie and Elizabeth Spriggs to Imelda Staunton and Duncan Preston, who invariably turn this whimsical stuff into the tastiest possible ham.--Piers Ford
Roger Vadim's directorial debut And God Created Woman is more titillation than continental cool, but it broke box-office records and censorship taboos in its teasing display of sex and eroticism in the sunny vacation playground of the Saint-Tropez seashore. Vadim ushered in the era of continental attitudes toward sex and christened the voluptuous Brigitte Bardot (his wife) the world's original sex kitten: earthy, innocent, and all fleshy curves. Bardot is Juliette, a pouty child-woman orphan prone to nude sunbathing and playful flirting. Though pursued by a rich widower (Curt Jurgens) and attracted to the brawny fisherman Antoine (Christian Marquand), she marries Antoine's shy younger brother Michel (Jean-Louis Trintignant), an earnest, innocent kid hardly older than she but far less worldly. Despite her sincere efforts to "be good," Juliette gives in to Michel's advances, setting off a chain of events that ends in fraternal conflict. Vadim keeps the display of skin this side of an R rating, but only barely, teasing the male audience with skimpy outfits, barely concealing sheets, and often conveniently arranged scenery. Bohemian Bardot frolics through the film with nary a self-conscious moment, culminating in a passionate mambo, her pent-up frustration and sexual confusion exploding in a mad dance as bongos pound away on the soundtrack. Who needed Viagra in the '50s when Bardot was around? --Sean Axmaker
Based on the bestselling novel by Robert B. Parker. Selleck is Jesse Stone a former L.A. homicide detective who left behind the big city and an ex-wife to become the police chief of the quiet New England fishing town of Paradise Massachusetts. Stone's old habits die hard as he continues to indulge in his two favourite things - scotch and women. When a series of murders take place he's forced to face his own demons in order to solve the crimes.
Little Princess is full of energy charm and questions about how the world works. As with most little children she has an irrepressible curiosity and is delightfully stubborn when things don't go her way! But however demanding Little Princess gets you can't stay angry for long once she puts on her big smile and tries to make it all better. True to the spirit of Tony Ross's original books the positive message delivered with each story is wrapped up in a warm blend of humour a
Rachel is a quick-witted and lovable stay-at-home mom. Frustrated with the realities of preschool auctions, a lackluster sex life and career that's gone kaput, Rachel visits a strip club to spice up her marriage and meets McKenna, a stripper she adopts as her live-in nanny.
THE ULTIMATE PREDATOR JUST GOT SMARTER. From Renny Harlin, maximalist director of Die Hard II, Cliffhanger and The Long Kiss Goodnight, comes Deep Blue Sea, a shark-infested action-thriller where everyone is on the menu. At an isolated research facility in the middle of the ocean, a team of scientists, led by Susan McAlester (Saffron Burrows), are working on a cure for Alzheimer's by genetically altering the brains of sharks. When a shark escapes and attacks a pleasure boat, the company sponsoring the research threatens to pull its funding and sends corporate executive Russell Franklin (Samuel L. Jackson) to investigate. McAlester has just 48 hours to prove the value of her work, but her experiments have made the sharks smarter. No longer happy to be injected, prodded, and caged, they begin to turn the tables. As a freak storm causes chaos on the surface, making it impossible to leave, the facility is flooded and the scientists must fight to survive against the rising water and the hungry sharks that now swim freely through the corridors. Embracing action, horror and suspense with a knowing sense of humour and pushing them all as far as they can go, Deep Blue Sea is an adrenaline rush of pure entertainment presented in a stunning 4K restoration approved by director Renny Harlin. Come on in, the water's great! 4K ULTRA HD SPECIAL EDITION CONTENTS 4K restoration of the film from the original camera negatives by Arrow Films approved by director Renny Harlin 4K (2160p) Ultra HD Blu-ray presentation Original DTS HD-MA 5.1 and Dolby Atmos audio options Optional English subtitles for the deaf and hard of hearing Audio commentary by screenwriter Duncan Kennedy Audio commentary by filmmaker and critic Rebekah McKendry Archive audio commentary by director Renny Harlin and star Samuel L. Jackson From the Frying Pan into the Studio Tank, an interview with production designer William Sandell Beneath the Surface, a visual essay by film critic Trace Thurman When Sharks Attack: The Making of Deep Blue Sea, an archive featurette The Sharks of the Deep Blue Sea, an archive featurette Deleted scenes with optional audio commentary by director Renny Harlin Theatrical trailer Image gallery
Peter Ustinov makes his debut as Agatha Christie's brilliant Belgian detective Hercule Poirot in this lavish and star-studded follow-up to Murder On The Orient Express. As Poirot enjoys a luxurious cruise down the Nile a newlywed heiress is found murdered on board and every elegant passenger becomes a prime suspect. Can Poirot identify the killer and motive before the ship of clues reaches the end of its murderous journey? Bette Davis David Niven Angela Lansbury Maggie Smith Mia Farrow George Kennedy Olivia Hussey Simon MacCorkindale Jane Birkin Jack Warden and Lois Chiles co-star in this sumptuous Oscar-winning classic adapted by Anthony Shaffer (Sleuth) and filmed on location throughout exotic Egypt.
Forty-year-old Andy has done quite a few things in his life - but he's still got one experience to come.
Join the whimsical Ally McBeal both in and out of the courtroom to watch her defend and prosecute the most flamboyant and comical cases whilst at the same time falling in and out of relationships. The introduction of icy Nelle Porter (Portia de Rossi) often known as 'sub-zero Nelle' and the tempestuous Ling Woo (Lucy Liu) into the firm creates an ever intriguing element of love and hate in Season 2. Amusing to some but a cause of great anguish to others both of them capture the h
From Tina Fey and Robert Carlock, the Emmy-winning executive producers of 30 Rock, comes Unbreakable Kimmy Schmidt Season One. Rescued after 15 years in an underground doomsday cult, Kimmy (Ellie Kemper) decides to rebuild her life in New York City, armed with only a fifth-grade education and a firm belief that truly anything is possible. She quickly finds a roommate, Titus Andromedon (Emmy-nominee Tituss Burgess), a job working for a spoiled Manhattan mom, Jacqueline Voorhees (Emmy-nominee Jane Krakowski), and a new beginning. As she attempts to get all their lives on track, Kimmy and her friends will encounter new loves, ghosts from the past, servant robots, Daddy's Boys, teenage girls, a World War II veteran who once ate a zoo giraffe, makeovers, homemade karate videos and so much more. Click Images to Enlarge
Evelyn Waugh's Brideshead Revisited is a moving tragic story which chronicles the tempestuous journey of Charles Ryder through the tangled and stormy world of the aristocratic Marchmain family. It is an epic tale of his love - for his closest friend Sebastian Flyte for Sebastian's sister Julia Flyte and for an entire way of life. This classic visually stunning TV drama directed by Charles Sturridge and Michale Lindsay-Hogg was adapted for the screen by John Mortime
The year is 2020 and the world faces the ultimate threat. Not nuclear war or a terrorist attack but the eruption of a gigantic 'supervolcano' simmering beneath Yellowstone Park. The last eruption of this kind plunged the world into darkness for six years triggered the last Ice Age and reduced the human population to just 2 000 people. Scientists know that the molten lava bulging against the Earth's crust in Yellowstone will explode; it's just a question of when.This power
Jabez Stone is a hardworking farmer trying to make an honest living, but a streak of bad luck tempts him to do the unthinkable: bargain with the devil himself. In exchange for seven years of good fortune, Stone promises Mr. Scratch his soul. But when the troubled farmer begins to realize the error of his choice, he enlists the aid of the one man who might save him: the legendary orator and politician Daniel Webster. Directed with stylish flair by William Dieterle, All That Money Can Buy brings the classic short story by Stephen Vincent BeneÌt to life with inspired visuals, an unforgettable, Oscar-winning score by Bernard Herrmann, and a truly diabolical performance from Walter Huston as the devil.Product Features New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary by film historian Bruce Eder and Steven C. Smith, biographer of composer Bernard Herrmann New restoration demonstration Reading by actor Alec Baldwin of the short story by Stephen Vincent Benét on which the film is based Episode of the Criterion Channel series Observations on Film Art about the film's editing Comparison of the differences between the July 1941 preview version of the film, Here Is a Man, and the film's 1943 rerelease as The Devil and Daniel Webster The Columbia Workshop's radio adaptations of BeneÌt's short stories The Devil and Daniel Webster and Daniel Webster and the Sea Serpent, both featuring music by Herrmann Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by author Tom Piazza and a 1941 article by BeneÌt Illustration by Thomas Ott
Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. More self-consciously suave and formal than predecessor Sean Connery, he immediately re-established Bond as an uncomplicated and wooden fellow for the '70s. This film also marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine. If that's not depressing enough, there's even a good British director on board, Guy Hamilton (Force 10 from Navarone). The story finds Bond taking on an international drug dealer (Yaphet Kotto), and while that may be superficially relevant, it isn't exactly the same as fighting super-villains on the order of Goldfinger. --Tom Keogh, Amazon.comOn the DVD: Anyone old enough to remember the old milk marketing board commercials will relish the sight of James Bond exhorting everyone to "drink a pinta milka day" in one of the TV spots included here. Elsewhere in the special features, the characteristically in-depth "making of" featurette has a mixture of both contemporary and new interviews plus behind-the-scenes footage (the alligator-jumping sequence is positively hair-raising). The first of two audio commentaries is hosted by John Quark of the Ian Fleming Foundation and features a variety of cast and crew members, notably director Guy Hamilton; the second has writer Tom Mankiewicz on his own, who in between pauses has the occasional interesting thing to say. Overall another good package of features to accompany another excellent anamorphic print. --Mark Walker
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