Controversial, compelling and critically acclaimed, THE SHIELD reinvented the police genre and gave us one of the greatest antiheroes in television history. Vic Mackey, a corrupt cop, runs hie elite Strike Team under his own set of rules, bringing conflict to not only the streets of Los Angeles, but also within his precinct. THE SHIELD showcases acting, directing and writing of the highest caliber.
Teeming with gang-bangers, perverts, rapists and killers, The Shield is unabashedly adult TV drama; and even liberal viewers may flinch at plots involving child pornography and serial murder. The first series of this uncompromising police drama focuses on pugnacious detective Vic Mackey (Michael Chiklis), whose amoral Strike Team employs dubious tactics in the crime-ridden (and fictional) Farmington district of Los Angeles. Mackey and his maverick partners are at odds with seasoned detectives and beat cops, escalating tensions with precinct Captain Aceveda (Benito Martinez), a Latino with flexible scruples and a political agenda. The series invites viewers to form their own judgments regarding Mackey's volatile behaviour, which includes killing an undercover cop in the electrifying pilot episode. While each episode stands alone, the arc of the series incorporates Aceveda's campaign to end Mackey's career, the self-loathing of a homosexual rookie (Michael Jace) whose partner (Catherine Dent) is Mackey's occasional mistress, a straight-laced detective (Jay Karnes) yearning for respect, Mackey's compassionate attempt to rehabilitate a crack whore (Jamie Brown, giving the season's finest guest performance), the autism of Mackey's young son and the recklessness of his closest partner (Walton Goggins) and the vigilant stoicism of Det. Wyms (CCH Pounder), who's as sensibly upright as Mackey is corrupted. The Shield is excellent TV for those who can grasp its complexities; all others beware. --Jeff Shannon
Chuck Norris stars as the tough street fighting sheriff of a small town terrorised by a psychotic killer. Norris is faced with the dilemma of stopping a superhuman killing machine made virtually indestructible through a brilliant feat of genetic engineering...
A single mum must either tell her son the ugly truth about his real Dad or find the perfect stranger to play his father in this moving Scottish drama.
A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a wealthy executive.
The second of the terrific Stewart/Mann Westerns is characteristic of their pairings: adult themes played out against prairie vistas in which betrayal and violence can erupt at any time. Formerly a vicious Missouri raider Stewart now leads a wagon train through Indian raids and hijackings to the new boom town of Portland where he becomes embroiled in the conflict between wealthy miners and farmers.
An animated Christmas feature that takes place in a rural farming community in Tennessee. A young calf named Annabelle is born on Christmas Eve. Upon meeting Santa Claus, she becomes fascinated with reindeer and their ability to fly, and wishes to fly herself. At the same time, having been gifted with the temporary ability to speak, she befriends her farmer's grandson Billy, who suffers from muteness. Annabelle and Billy learn the true value of friendship and realize that with faith and a willingness to overcome great odds, anybody can achieve their dreams. Billy magically gains the ability to speak and Santa Claus grants Annabelle's wish of flying by turning her into one of his reindeer.
Annabelle's Wish is a magical animated feature based on the legend that on Christmas Eve Santa Claus gives all animals a speaking voice just for one night. A loveable calf named Annabelle born on Christmas Eve has a very special wish: to fly like on of Santa's reindeers. A special friendship forms between Annabelle and Billy a young boy who cannot talk. Along with a friendly bunch of barnyard animals they contend with Billy's mean Aunt and the bullies in the neighbourhood. Annabelle shows the true meaning of Christmas by making one very special wish come true.
Everything good about the first season of The Shield is intensified in the second. For detective Vic Mackey (Michael Chiklis) and his amoral strike team, these 13 episodes follow "the money train," a stockpile of Armenian mob money ripe for the taking. Mackey's team plots to steal this criminal fortune while under pressure from Capt. Aceveda (Benito Martinez), whose political campaign is threatened by a civilian auditor (Lucinda Jenney) assigned to uncover corruption in "the Barn." The uneasy alliance between Aceveda and Mackey provokes the suspicion of Wyms (CCH Pounder), whose by-the-book vigilance is rewarded while Dutch (Jay Karnes) endures a slump that worsens the Barn's sullied reputation. After being horribly disfigured by Mackey, a vile Mexican druglord (Daniel Pino) plots a territorial coup, prompting the strike team's finest police work while Mackey struggles to save his failing marriage. Post-9/11 tensions erupt when beat cop Danny (Catherine Dent) justifiably shoots an armed Arab civilian, and newlywed Julien (Michael Jace) copes with (literal) gay-bashing following his church-sponsored sexual reorientation. As always, The Shield supports these plotlines with gritty casework, including a brutal kidnapping, homicide, and gangland warfare. Every episode (shot in grainy 16mm) meets the series' high standard of excellence, but "Greenlit," "Homewrecker" (featuring the death of a recurring character), and "Dominoes Falling" are standouts, while the controversial "Co-Pilot" offers a retrospective look at the Barn's volatile origins. Writing and direction are consistently superb, and Pounder deserves honorable mention among the brilliant cast, striking a stoical balance of world-weary wisdom, procedural diligence, and righteous indignation. Bonus features comprise a virtual film school for anyone seeking a career in television. While the commentaries explore the nuts and bolts of series development, the "Directors' Roundtable" (with creator Shawn Ryan, Scott Brazil, Peter Horton, and Paris Barclay) is a revealing, frequently hilarious study of the rigors of fast-paced production; "Sound Surgery" presents a track-by-track analysis of sound, music, and dialogue; and "Wrap Day" is a celebratory tribute to the series' hard-working cast and crew. It's all good, and guaranteed to stoke anyone's appetite for Season Three. --Jeff Shannon
Based on the best-selling crime novel from a series by Denise Mina set in Glasgow in 1982 Paddy Meehan is a young girl in a world of men; a feisty 'copy boy' in the sexist hard-boozing cutthroat world of journalism. Paddy dreams of being an investigative reporter and she grabs the opportunity when a young boy Brian Wilcox is kidnapped and found murdered. Paddy sees connections to a year-old crime that nobody else sees and she is determined to make it her story. But when Paddy crosses the line she becomes outcast from her devoutly Catholic family and puts the lives of her colleagues as well as her own at risk. The closer she gets to the murderer the closer she gets to murder; and the price of achieving her dream will prove greater than she can ever imagine.
Vincent King (Sean Kanan) and his wife Mary Shelley (Juliet Landau) are two deranged cinephiles who decide to create the ultimate homage to classic horror films by shooting a snuff movie. When a group of college students led by the studious Emily (Danica McKellar) sails to the King's remote island to study the local wildlife the homicidal couple inherit the perfect cast for their horrific project.
New York detective Henry Smith has been given the task of investigating the murder of a priest. This murder turns out to be the first in a series of gruesome killings. Harry has got his own problems can he solve the case before time runs out...?
Tales Of The Unexpected Vol 1
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