Tintin is the world's most famous boy reporter. With his faithful dog Snowy at his side the intrepid pair travel the globe to investigate exciting cases. Along the way they encounter a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others.
Roger Corman directs this gangster thriller, using docu-drama styles to depict the notorious gangland killings in 1929. Al Capone (Jason Robards) is consolidating his grip on Chicago's underworld, with only the Moran gang standing in his way. After Capone wipes them out in the St Valentine's Day shootings, the film goes on to explore how the murders affected the lives of those involved.
There's really been only one rival to James Bond: Derek Flint in the swinging-60s action-comedies Our Man Flint (1966) and In Like Flint (1967). That's because of James Coburn's special brand of American cool. He's so cool, in fact, that he doesn't care to save the world. That is, until he's personally threatened. He's a true libertarian, with more gadgets and girls than Bond, but with none of his stress or responsibility. Our Man Flint finds our unflappable hero thwarting mad scientists who control the weather--and an island of pleasure drones. Lee J Cobb costars as Flint's flustered superior, and Edward Mulhare plays a British nemesis with snob appeal. For fans of Austin Powers, incidentally, the funny-sounding phone comes from the Flint films. However, Our Man Flint's best gadget remains the watch that enables Flint to feign death. There's a great Jerry Goldsmith score, too. There was bound to be a sequel, and In Like Flint delivers the same kind of zany fun as its predecessor. Flint is recruited once again by Lee J Cobb to be the government's top secret agent, this time to solve a mishap involving the President. It turns out, the Chief Executive has been replaced by an evil duplicate. The new plan for world domination involves feminine aggression, and Flint, with his overpowering charisma, is just the man to turn the hostile forces around. In Like Flint is still over the top, but some of the novelty has worn off, and it doesn't have quite the same edge as the original. Even Jerry Goldsmith's score is a bit more subdued. But the film still has James Coburn and that funny phone. --Bill Desowitz
Flint's back! In Action... In Danger... In the Virgin Islands... Where the Bad Guys... Are Girls! 007 is a great number. And Austin has his powers but nobody is really ""In Like Flint!"" He's back in the ultimate spy spoof this time going head-to-head with a group of wealthy and powerful female tycoons who have discovered a way to brainwash women through beauty salon hairdryers! And if that's not enough they then replace the President with their surgically reproduced clone a
It Happened One Night (1934) Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly) who wants to stop her from marrying a worthless playboy. En route to New York Ellie gets involved with an out-of-work newsman Peter Warne (Gable). When their bus breaks down the bickering couple set off on a madcap hitchhiking expedition. Peter hopes
Take a non-stop flight with an all-star cast to a world of tension-filled human drama in this trend-setting box office blockbuster. Based on Arthur Hailey's runaway best seller the emotion-charged adventure stars Burt Lancaster as the manager of a glamorous international airport who must juggle personal crisis with professional responsibilities as he attempts to keep his blizzard torn facility open to rescue a bomb-damaged jetliner. The lavish Ross Hunter production co-stars a ve
Tintin is the world's most famous boy reporter. With his faithful dog Snowy at his side the intrepid pair travel the globe to investigate exciting cases. Along the way they encounter a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others.
Tintin the world's most famous boy reporter embarked on his very first adventure in 1929. From the beginning he was accompanied by his faithful dog Snowy and for more than half a century this intrepid pair journeyed to exploits around the world. Along the way they encountered a colourful cast of characters who have become familiar to generations of children and adults: Captain Haddock Thompson and Thomson Professor Calculus and Oliveira da Figueira among many others. The eternal
In the film that began her legendary career Jean Harlow stars in this romantic comedy directed by Academy Award winner Frank Capra (Best Director: It Happened One Night 1935; Mr. Deed Goes To Town 1937; You Can't Take It With You 1939). Written to showcase her talent looks and charm 'Platinum Blonde' is a glorious spoof of the newspaper business in New York City during the Depression; Ann Schuyler (Harlow) a wealthy socialite meets reporter 'Stew' Smith (Robert Williams) a
When a prominent businessman is accused of murdering a prostitute his wife turns to an investigative reporter for help in clearing her husband's name. Instead she is drawn into a vacuum of betrayal passion and obsession where no relationship is as it seems...
When Bernardo Bertolucci went to the Himalayas to film Little Buddha, so the anecdote runs, he was disappointed by the scenery. Somehow, the real thing didn't quite live up to what he'd been led to expect by Powell and Pressburger's Black Narcissus. It's not hard to see why he felt let down. Their film is almost ridiculously gorgeous--a procession of saturated Technicolor, Expressionist angles, theatrical lighting and overwrought design. It has a good claim to being the high watermark of lushness in the British cinema (and, incidentally, every original foot of it was actually shot in Britain). No wonder it took the Oscar for colour cinematography (shot by Jack Cardiff) as well as for art direction and set decoration (created by Alfred Junge).Audiences loved it on its first release, but the critics were cooler: hadn't the story been upstaged by the baroque images? Well, probably, but that's not altogether a bad thing, since the plot--quite faithful to Rumer Godden's popular novel --isn't wholly free of corn. A group of five Anglican nuns, led by Sister Clodagh (Deborah Kerr) establish a school and hospital in a former harem among the Himalayan peaks. The wind blows, the drums pound, the Old Gods stir, and one by one the celibate sisters succumb to unchaste thoughts, above all Sister Ruth (Kathleen Byron, terrific in the role), so consumed by erotic yearning for the one Englishman in sight (David Farraar) she puts on crimson lipstick, wears her wimple-free tresses like an early Goth and takes a downward turn. (Black Narcissus features the greatest scene involving a nun and a high place this side of Hitchcock's Vertigo and Jacques Rivette's La Religieuse.) Silly, to be sure, but also sublime at times and as curiously entertaining as it is picturesque. --Kevin Jackson
Stuart St. Paul's adaptation of the classic Thomas Hardy short story 'The Melancholy Hussar'. Deserting German Hussar Matthaus Singer (Barr) falls madly in love with solicitor's daughter Frances Groves (Fielding) whereby she is torn by her duty and her desire. Frances' father (Shepard) would prefer her to marry the weasly suitor Humphrey (Sessions). The passion flows but will the heart be stronger than the outside forces set on keeping the lovers apart?
Roger Corman's most ambitious and expensive production his only film for a major studio is a violent and lurid account of the events leading up to one of the most infamous events in American crime history. Detailing the bitter and brutal rivalry between feuding Chicago mob bosses Al Capone and ˜Bugs' Moran, Corman's vividly realised film features terrific performances from Jason Robards, Ralph Meeker and George Segal, and remains one of Corman's best films. Special Features 4K restoration from the original negative Original mono audio Roger Corman Remembers (2014, 4 mins): the director discusses the making of The St. Valentine's Day Massacre Scenes of the Crime (2018, 14 mins): a critical analysis by Barry Forshaw, film historian and author of American Noir The Man of a Thousand Voices (2018, 11 mins): a new appreciation of the great voice actor Paul Frees by Ben Ohmart, author of Welcome, Foolish Mortals: The Life and Voices of Paul Frees Super 8 version: original cut-down home cinema presentation Original theatrical trailer Roger Corman trailer commentary (2013, 3 mins) Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard of hearing
Peter Wintonick whose Manufacturing Consent: Noam Chomsky and the Media is one of the bestselling documentaries of all time has directed this unique 'documentary of documentaries' shot with lightweight equipment in vrit style in widescreen digital video. Rich in footage from classics such as Primary (J F Kennedy) Lonely Boy (Paul Anka) Jane (Jane Fonda) Don't Look Back (Bob Dylan) Nanook of the North and the Blair Witch Project
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