A collection of David Lean's finest films. Include: 1. The Sound Barrier (1952) 2. Hobsons Choice (1954) 3. Blithe Spirit (1945) 4. Brief Encounter (1945) 5. Great Expectations (1946) 6. Oliver Twist (1948) 7. Madeleine (1950) 8. The Passionate Friends (1949) 9. This Happy Breed (1944)
WHAT WE HAVE is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.
Scott Walker: 30 Century Man explores Scott Walker's music and career from his early days as a jobbing bass player on the Sunset Strip to mega-stardom in Britain's swinging 60's pop scene and finally to his transformation into a composer of true genius; an uncompromising and serious musician working at the peak of his powers. Featuring interviews with friends collaborators and fans including among others: David Bowie Radiohead Jarvis Cocker Brian Eno Damon Albarn Neil Hannon Marc Almond Alison Goldfrapp Sting Dot Allison and many more Scott Walker: 30 Century Man paints a fascinating portrait of the ultimate cult artist. Exclusive behind the scenes footage of the making of Walker's new album 'The Drift' his first album in 10 years will delight fans whilst introducing new audiences to a man who has inspired god-like devotion from his fans worldwide.
In a remote part of New England. Two teenagers on a camping trip see what looks like a meteorite fall from the sky and land nearby. Investigating they discover the Deadly Spawn - a toothsome alien-being that quickly disposes of them before setting off in search of more food. Hiding in a nearby town its terror is fully unleashed upon the unwary inhabitants... Released by Vipco in 1983 The Deadly Spawn became an immediate hit scaring audiences all over the U.K. With the release o
An art house movie that asks questions about the morality of art both on and off screen, The Pornographer is a hard-hitting yet strangely unmoving film. Very much a product of the French school of intellectual cinema, the filmmaker of the title is Jacques Laurent (played by Jean Pierre Leaud), a one-time director of adult films who, finding himself down on his luck, is forced to return to his old medium. Far from being a gaudy Boogie Nights style exposé of an unknown world, the film focuses on Laurent's inner turmoil and his rapidly disintegrating relationship with his wife, as well as his restored one with his son Joseph (Jeremie Renier). Director Betrend Bonello handles this material well, if overdoing the art house clichés a little, but the problem with the film (or for some its strong point) comes with the fairly hardcore sex scenes, presented as part of Laurent's movie. While intended to reflect the emptiness of the character's soul, it is hard to see past them as just an attention-grabbing device. Then again, can a film about pornography legitimately not feature sex? One suspects that this debate will run and run and, in its way, The Pornographer has much to say on the subject. On the DVD: The Pornographer's intended release fell foul of the BBFC, who objected to one particularly explicit scene, a continuing argument that provides much of the material for the DVD's extra features. There is a reproduction of the BFFC ruling, a statement in reply from Bonello (which demonstrate the similarities he shares with his fictional counterpart, certainly when it comes to a vision of erotica) and an excellent essay from critic Pierre Perrene. In addition there are biographies, the cinematic trailer and an option to view the film with or without English subtitles. Whatever the moral questions involved, Bonello's film is a visual treat and his stylish eye is well represented by this format. --Phil Udell
TWO WOMEN finally gets the release it deserves, pristinely restored and re-mastered in HD, doing justice to this neo-realist masterpiece which won Sophia Loren an Oscar for Best Actress' the first ever in a foreign-language film. Uniquely, this release is presented in two versions: one in Italian, and one in English, dubbed by Loren herself. TWO WOMEN tells the story of a young widow, Cesira (Sophia Loren) and her 12 year old daughter who flee war-ravaged Rome to Cesira's native village in Ciociaria. Yet, as the allied forces push back the German occupation, the two women fall victim to a devastatingly brutal act at the very hand of the country's liberators.
A successful academic's life is changed forever when a whirlwind affair throws his life into disarray, in François Truffaut's celebrated romantic drama. Strongly influenced by the work of Jean Renoir and Alfred Hitchcock, La Peau douce is one of Truffaut's most subtle and engaging films - an exhilarating and suspenseful vision of masculinity in crisis. Featuring a trio of exceptional lead performances and bold Raoul Coutard camerawork, this underrated masterpiece thrills and beguiles all the way until its shocking conclusion.
From its sung opening credits, Hawks and Sparrows (Uccellacci e uccellini) is a wonderfully free-form picaresque fable that lampoons politics, religion and the state of modern Italy, as the beloved comic actor Totò, Pasolini regular Ninetto Davoli and a talking crow wander the landscape through a gauntlet of unexpected encounters. Pigsty (Porcile) is one of his most controversial works, interspersing the mute wanderings of cannibalistic savages against a barren, volcanic earth with the tale of Julian (played by Nouvelle Vague icon Jean-Pierre Léaud), his radically politicised fiancée Ida (Anne Wiazemsky, Au Hasard Balthazar), and the financial machinations of his father Herr Klotz in contemporary industrialised Germany. Both films demonstrate a restless, pioneering artist's exploration of the natural world contrasted with the societal structures that govern human life. Visually inspired and playing by no-one's rules other than his own, these two brilliant works by Pasolini are presented on Blu-ray for the first time in a new limited edition.
A Hollywood remake of French hit Les Visiteurs featuring the same male leads and director. Thibault (Jean Reno) is a brave medieval knight who likes riding horses rescuing damsels in distress and ordering his servant Andre (Christian Clavier) around. Now he is about to marry the most beautiful princess in the kingdom (Christina Applegate). But on the eve of his wedding a horrible tragedy occurs and a wizard's terrible mistake means that suddenly Thibault and Andre find themselves sp
Influential director Jacques Becker's final film, Le Trou is also amongst his very best. Hailed as a masterpiece by Truffaut, it remains a compelling work, superbly directed and photographed with a remarkable attention to detail. 1947. A young man, Gaspard Claude (Marc Michel), is convicted for the attempted murder of his wife, although he is innocent of the crime. He is sent to the notorious Santé Prison in Paris and is placed in a cell with four hardened criminals. The latter have decided to escape from the prison by digging their way out of their cell. Reluctantly, they take Gaspard into their confidence and labour digging their way out of their cell. Then, just when escape appears certain, Gaspard is called away to see the prison governor
Sullivan Stapleton and Jaimie Alexander star in this one-hour action thriller from Berlanti Productions (The Flash, Arrow) and writer/executive producer Martin Gero. Stapleton stars as hardened FBI agent Kurt Weller, who is drawn into a complex conspiracy when a mysterious woman, with no memories of her past, is found in Times Square her body completely covered in intricate cryptic tattoos. As Weller and his teammates at the FBI -- Edgar Reade, Tasha Zapata and the tech-savvy Patterson -- begin to investigate the veritable road map of Jane Doe's tattoos, they are drawn into a high-stakes underworld that twists and turns through a labyrinth of secrets and revelations -- with the information exposing a larger conspiracy of crime, while bringing her closer to discovering the truth about her identity.
Action superstar Jean-Claude Van Damme is back and at his hard-hitting best as Ben Archer an ex-mob enforcer seeking revenge against a ruthless Chinese kingpin responsible for his wife's brutal murder. When Archer joins forces with his old underworld friends an all-out war is waged against the Chinese Triads... Hong Kong favourite Simon Yam faces off against the Muscles From Brussels in this pulse-pounding action thriller!
Jean-Claude Van Damme stars as an official appointed second-in command to the US ambassador to a tumultuous Eastern European country. When the ambassador is murdered in an attempted coup it's down to JC and a small group of US marines to fend off the attackers!
Exiled to a video-only release when its distributor balked after the flop of Jean-Claude Van Damme's previous film Knock Off, this lavish adventure deserved a chance at theatrical success. Action icon Van Damme recasts himself as a tragic romantic hero in this entertaining old-fashioned adventure with a modern sensibility. "The Muscles from Brussels" is no Brando, but he acquits himself nicely as a cocky boxer who double-crosses a Marseilles mobster and joins the French Foreign Legion when his half-baked plan backfires with tragic consequences. Surrounded by a better than usual cast (including Steven Berkoff as a Teutonic drill sergeant, Jim Carter as the ruthless ganglord, and Nicholas Farrell as a gentleman soldier with a taste for gambling and a dark past), Van Damme's dour performance sometimes gets lost in the colourful characters around him. But that's okay--there's adventure enough to go around and he's willing to share it. The Marseilles scenes evoke a quaint movie past with their smoky bars and shadowy streets, but the film is reborn as an ambitious, stoic platoon drama in the sands of French Morocco. Legionnaire alludes to classic films from Beau Geste to Casablanca to Lawrence of Arabia, but ultimately marches its own macho course, revelling in testosterone-driven heroics and bonding-under-fire while acknowledging the irony of its colonial mission ("We're the intruders", realises one soldier). It's a calculated risk for Van Damme (who also co-wrote and co-produced), but if Legionnaire never quite grasps the epic scope it's reaching for, it remains one of his best films, an handsome, exciting and surprisingly grim desert adventure. --Sean Axmaker, Amazon.com
A fantastic box set featuring a quartet of beauties from Ealing Studios. Includes: 1. Whisky Galore (Dir. Alexander Mackendrick 1949) 2. Champagne Charlie (Dir. Alberto Cavalcanti 1944) 3. The Maggie (Dir. Alexander Mackendrick 1954) 4. It Always Rains on Sunday (Dir. Robert Hamer 1947)
Murder On The Orient Express: The first of several lavish Christie adaptations from producers John Brabourne and Richard Goodwin introducing Albert Finney as the first screen Hercule Poirot. This 1974 production of Agatha Christie's 1934 classic is a judicious mixture of mystery murder and nostalgia. Which member of the all-star cast onboard the luxurious train perforated the no-good American tycoon with a dagger twelve times? Was it Ingrid Bergman's shy Swedish missionary; or Vanessa Redgrave's English rose; Sean Connery as an Indian Army Colonel: Michael York or Jacqueline Bisset; perhaps Lauren Bacall; Anthony Perkins or John Gielgud as the victim's impassive butler. Finney spreads unease among them with subdued wit and finesse. Arguably the most successful screen adaptation of a Christie novel in addition to Bergman's Oscar for Best Supporting Actress 'Murder On The Orient Express' achieved nominations for Best Actor Screenplay Photography Costume Design and Music Score. (Dir. Sidney Lumet 1974) Death On The Nile: Peter Ustinov makes his debut as Agatha Christie's brilliant Belgian detective Hercule Poirot in this lavish and star-studded follow-up to Murder On The Orient Express:. As Poirot enjoys a luxurious cruise down the Nile a newlywed heiress is found murdered on board and every elegant passenger becomes a prime suspect. Can Poirot identify the killer and motive before the ship of clues reaches the end of its murderous journey? Bette Davis David Niven Angela Lansbury Maggie Smith Mia Farrow George Kennedy Olivia Hussey Simon MacCorkindale Jane Birkin Jack Warden and Lois Chiles co-star in this sumptuous Oscar-winning classic adapted by Anthony Shaffer (Sleuth) and filmed on location throughout exotic Egypt. (Dir. John Guillermin 1978) The Mirror Crack'd: Mirror mirror on the wall who is the murderer among them all? The year is 1953. The small English village of St. Mary Mead home to Miss Jane Marple is delighted when a big American movie company arrives to make a movie telling of the relationship between Jane Grey and Elisabeth I starring the famous actresses Marina Rudd and Lola Brewster. Marina arrives with her husband Jason and when she discovers that Lola is going to be in the movie with her she hits the roof as Lola and Marina loathe each other on sight. Marina has been getting death threats and at a party at the manor house Heather Babcock after boring Marina with a long story drinks a cocktail made for Marina and dies from poisoning. Everybody believes that Marina is the target but the police officer investigating the case Inspector Craddock isn't sure so he asks Miss Marple his aunt to investigate... (Dir. Guy Hamilton 1980) Evil Under The Sun: Evil is everywhere. Even in paradise... Hercule Poirot is called in to investigate a case for an insurance company regarding firstly a dead woman's body found on a moor and then a important diamond sent to the company to be insured turns out to be a fake. Poirot discovers that the diamond was bought for Arlena Marshall by Sir Horace Blatt and Arlena is on her honeymoon with her husband and step-daughter on a tropical island hotel. He joins them on the island and finds that everybody else starts to hate Arlena for different reasons - refusing to do a stage show stopping a book and for having an open affair with Patrick Redfern another guest in full view of his shy wife. So it's only a matter of time before Arlena turns up dead strangled and Poirot must find out who it is.... (Dir. Guy Hamilton 1982)
Flintstone's Christmas Carol
A writer tries to reveal what is happening in Nazi Germany and Fascist Italy but is unable to do so. Frustrated he retires to a lighthouse in the Great Lakes where he is haunted by the ghosts of travellers who were shipwrecked many years earlier. Eventually he is persuaded to return to the world...
Conceived by the legendary Italian producer Alfredo Bini, the multi-director portmanteau film Let's Wash Our Brains: RoGoPaG (Laviamoci il cervello: RoGoPaG) brought together four esteemed directors of European cinema to contribute comic episodes reflective of the swinging post-boom era. The resulting omnibus collectively examines social anxieties around sex, nuclear war, religion, urbanisation - and the promise of a modern cinema.Roberto Rossellini's Illibatezza (Virginity) follows an airline stewardess plagued by an obsessed American tourist whose 8mm camera enables the indulgence of a personal, and solipsistic, vision of the Ideal. Jean-Luc Godard's Il nuovo mondo (The New World) takes place in an Italian-dubbed Paris beset by nuclear fallout, and wittily chronicles the changes that take place in the lives - and medicine cabinet - of a handsome young couple. Pier Paolo Pasolini's scandalous La ricotta (Ricotta, as in the curded cheese) presents the goings-on around a film shoot devoted to the Crucifixion and presided over by none other than Orson Welles (playing a kind of stand-in for Pasolini himself); it is this episode that landed Pasolini with a suspended four-month prison sentence. Lastly, Ugo Gregoretti's Il pollo ruspante (Free-Range Chicken) depicts a middle-class Milanese family flirting with the purchase of real-estate and engaging catastrophically with an antagonistic consumerist infrastructure.
The Woman Next Door (1981) Madame Jouve the narrator tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day a couple Philippe and Mathilde Bauchard moves into the next house. This is the accidental reunion of Bernard and Mathilde who had a passionate love affair years ago. The relationship revives... A somber study of human feelings. The 400 Blows (1959) For his feature-film debut critic-turned-director Franois Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre Laud as Antoine Doinel Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble) Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness which he reveals in a fragmented series of monologues. Shoot the Pianist (1960) Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother Chico a crook takes refuge in the bar because he is chased by two gangsters Momo and Ernest. We will discover that Charlie's real name is Edouard Saroyan once a virtuose who gives up after his wife's suicide. Charlie now has to deal wih Chico Ernest Momo Fido (his youngest brother who lives with him) and Lena... Jules and Jim (1962) Acclaimed French director Franois Truffaut's third and for many viewers best film is an adaptation of a semi-autobiographical novel by Henri-Pierre Roch. Set between 1912 and 1933 it stars Oskar Werner as the German Jules and Henri Serre as the Frenchman Jim kindred spirits who while on holiday in Greece fall in love with the smile on the face of a sculpture. Back in Paris the smile comes to life in the person of Catherine (Jeanne Moreau); the three individuals become constant companions determined to live their lives to the fullest despite the world war around them. When Jules declares his love for Catherine Jim agrees to let Jules pursue her despite his own similar feelings; Jules and Catherine marry and have a child (Sabine Haudepin) but Catherine still loves Jim as well. Anne and Muriel (1971) Story of two British sisters who are in love with the same Frenchman over a period of 20 years. Screenplay by Francois Truffaut Jean Grault Based on the novel by Henri-Pierre Roche. Finally Sunday! (1963) Claude Massoulier is murdered while hunting at the same place than Julien Vercel an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers that Marie-Christine Vercel Julien's wife was Massoulier's mistress Julien is very suspected. But his secretary Barbara Becker while not quite convinced he is innocent defends him and leads her private investigations...
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