Pixar's latest pixel-perfect creation follows a family of undercover superheroes who are forced to leave their quiet suburban life to save the world.
Oscar-winning drama with an all-star cast exploring the interwoven relationships of the residents of a plush Berlin hotel...
Lieutenant Diamond (Cornel Wilde, The Naked Prey) is determined to bring down mob boss Mr Brown (Richard Conte, Thieves Highway), even if it means jeopardising his own career, but the feeling is mutual and the unscrupulous gangster is more than willing to operate outside the law to get his man. The confrontation escalates, leading to some wince-inducing set-pieces involving such handy props as a radio and a hearing aid. This masterpiece from Joseph H. Lewis (Gun Crazy, Terror in a Texas Town), drenched with sleazy innuendo, came late to the film noir cycle, but is now considered one of the defining examples of the genre, not least thanks to some extraordinary chiaroscuro lighting by the great cinematographer John Alton (already an Oscar-winner for An American in Paris) and a heartbreaking performance by Jean Wallace (No Blade of Grass) as Brown s troubled girlfriend. The film also boasts a menacing early performance from a pre-stardom Lee Van Cleef (The Good, the Bad and the Ugly) as one of Brown s henchmen. When the film was revived in London in the mid-seventies, a polemically breathless Time Out review called it almost certainly the greatest movie ever made... as heady as amyl nitrate andas compulsive as stamping on insects . SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation transferred from original film elements Uncompressed mono 1.0 PCM audio soundtrack Optional English subtitles for the deaf and hard of hearing Commentary by noirchaeologist Eddie Muller Geoff Andrew on The Big Combo, the critic and programmer offers an introduction to and analysis of the film Wagon Wheel Joe, a visual essay on director Joseph H. Lewis by filmmaker David Cairns Original Screenplay (DVD/BD-ROM content) International poster gallery Trailer for Lewis final, noir-themed film, Terror in a Texas Town Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow
Includes the following classics: Lift to the Scaffold Les amants Zazie dans le Metro Le Feu Follet Le souffle au coeur Lacombe, Lucien Black Moon My Dinner with Andre Au Revoir les Enfants Milou en Mai
Includes the following classics: Lift to the Scaffold Les amants Zazie dans le Metro Le Feu Follet Le souffle au coeur Lacombe, Lucien Black Moon My Dinner with Andre Au Revoir les Enfants Milou en Mai
The legend of King Arthur and the Knights of the Round Table as told from the perspective of Lancelot.
Paris... As You Have Never Seen It Before! John Radek (Franchot Tone) is an impoverished Parisian medical student who overhears Billy Kirby (Robert Hutton) saying that he wished somebody would murder his wealthy aunt so that he could collect the inheritance. Radek decides to kill the old lady and her maid but is surprised by an incredibly short sighted burglar Heurtin (Burgess Meredith). When Heurtin stumbles over the dead body he unwittingly incriminates himself and becomes the focal point if the police investigation. Inspector Maigret (Charles Laughton) has to solve one of his most infamous cases as he pursues the murdered across the rooftops and streets of Paris. As the two protagonists play a deadly game of cat and mouse Maigret confronts his suspect in a stunning climax on top of the Eiffel Tower.
Police Lt. Diamond is told to close his surveillance of suspected mob boss Mr. Brown because it's costing the department too much money with no results. Diamond makes one last attempt to uncover evidence against Brown by going to Brown's girlfriend, Susan Lowell.
Titles comprise: Man On The Eiffel Tower (1949): A criminal genius orchestrates a complex game of murder ensnaring everyone around him in his web of deceit. After a wealthy American is murdered a poor street vendor found with blood on his hands is the obvious suspect. Inspector Maigret discerns that there is more to the story and begins to decipher hidden clues buried beneath the surface. When the detective and the mastermind come face to face they engage in a thrilling battle of wills. The killer leads the police on a furious chase through the streets and rooftops of Paris lashing out as the noose grows tighter around him. Winterset (1936): A young man returns to New York City 15 years after his father was tried and executed for a murder he did not commit. His search to find the real killers brings him to the slums of the city where he falls in love with a young girl Marianne and uncovers the truth he's been searching for his entire life. Adapted from the Broadway play by Maxwell Anderson and nominated for two Academy Award Winterset is a moody journey into the dark arms of malice murder and retribution. A rain-drenched testament to the tortured human condition. Second Chorus (1941): A marvelously delightful 1930's style song and dance spectacular the likes of which would be wiped away by the December bombing of Pearl Harbor Second Chorus finds Fred Astaire as a struggling bandleader chased by a collection agent (Paulette Goddard). She serves the papers he chases her. She wangles him an audition with Artie Shaw which Burgess Meredith hilariously sabotages. A rich sugar daddy (the marvelous Charles Butterworth) smoothes things over with Artie and through it all Fred and Paulette dance and sing. For what more could you ask?
People come. People go. Nothing ever happens, one world-weary patron (Lewis Stone) of Berlin's finest hotel comments. Movie audiences knew better. They were witnessing the glorious comings, goings and intersecting stories of a starry array billed as the greatest cast in stage or screen history! Ruined aristocrat John Barrymore. Terminally ill clerk Lionel Barrymore. Ruthless tycoon Wallace Beery. Scheming stenographer Joan Crawford. And disillusioned ballerina Greta Garbo. Teaming them was a masterstroke whose success fostered more star-packed extravaganzas. The radiant film captured the 1931-32 Best Picture Academy Award. What a grand showcase of the allure and style of classic movie-making! Special Features: Commentary by Jeffrey Vance and Mark A. Viera Behind the Story: Short Feature: Checking out: Grand Hotel Behind the Story: Short Feature: Hollywood Premiere of Metro Goldwyn Mayer’s Grand Hotel Behind the Story: Short Feature: Nothing ever happens Behind the Story: Short Feature: Just a word of warning Trailer: Grand Hotel (1932) Trailer: Week-End at The Waldorf (1945)
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