Inspired by a true incident during World War II in 'The Train' Burt Lancaster plays a French Resistance fighter doggedly attempting to stop a train used by the Nazis (led by Paul Scofield as Colonel Von Waldheim) to steal precious French art treasures in the summer of 1944. Featuring spectacular action sequences expertly directed by John Frankenheimer 'The Train' is a truly thrilling war film. The Oscar-nominated screenplay by Franklin Coen and Frank Davis superbly recreates the te
Jeanne Moreau (Jules et Jim) stars as the titular bride, who after marrying her love sees him murdered on the steps outside the church. From here she enacts her ruthless revenge on the group of men responsible. Undoubtedly an influence on Quentin Tarantino's Kill Bill, François Truffaut's The Bride Wore Black was itself influenced by the director's idol, Alfred Hitchcock. Adapting celebrated crime writer Cornel Woolrich (who was also the author of the short story Hitchcock's Rear Window is based on) Truffaut's film is a deliciously entertaining tale that was one of the director's biggest hits. Alongside Moreau, the film boasts a sensational cast, including Michael Lonsdale, Jean-Clude Brialy, Charles Denner and Michel Bouquet among others, and features a score by the maestro, Bernard Herrman (Psycho). Product Features High-Definition digital transfer Original uncompressed mono PCM audio Archival interviews with François Truffaut and Jeanne Moreau (1968, 1969) Appreciation by filmmaker Kent Jones (Hitchcock/Truffaut) Barry Forshaw on Cornel Woolrich and the adaptation Trailer Optional English subtitles
Jeanne Moreau (Jules et Jim) stars as the titular bride, who after marrying her love sees him murdered on the steps outside the church. From here she enacts her ruthless revenge on the group of men responsible. Undoubtedly an influence on Quentin Tarantino's Kill Bill, François Truffaut's The Bride Wore Black was itself influenced by the director's idol, Alfred Hitchcock. Adapting celebrated crime writer Cornel Woolrich (who was also the author of the short story Hitchcock's Rear Window is based on) Truffaut's film is a deliciously entertaining tale that was one of the director's biggest hits. Alongside Moreau, the film boasts a sensational cast, including Michael Lonsdale, Jean-Clude Brialy, Charles Denner and Michel Bouquet among others, and features a score by the maestro, Bernard Herrman (Psycho). Limited Edition Special Features High-Definition digital transfer Original uncompressed mono PCM audio Archival interviews with François Truffaut and Jeanne Moreau (1968, 1969) Appreciation by filmmaker Kent Jones (Hitchcock/Truffaut) Barry Forshaw on Cornel Woolrich and the adaptation Trailer Optional English subtitles Reversible sleeve featuring designs based on original posters Limited edition booklet featuring new writing on the film, archival writing by Truffaut and more
Michel Deville's sleek drama of eroticism and murder was released in 1985 in France to great acclaim. It has all the ingredients required for an intriguing thriller: sex dishonesty voyeurism murder and a stunning cast. A rich business man and his young wife Julia hire David to teach guitar to their teenage daughter Vivianne. Julia quickly seduces David and they begin a steamy affair which unbeknownst to them is being filmed by the next door neighbour whom David has befriended.
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p on the Blu-ray New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
In matters of the heart it's anyone's guess. Va Savoir is an elegant and utterly charming comedy about the romantic misadventures of Camille and Ugo - a theater director and his leading lady - whose already complicated relationship becomes exponentially more difficult when they become entangled in the lives of four other people. As funny as it is touching as smart as it is silly Va Savoir is an endearing and delightful comedy of the heart and soul.
She was a bride when the violence happened... Now she's a widow and it's going to happen again. An engrossing enigmatic tale of passion and revenge this 1969 Golden Globe Nominee from director Francois Truffaut and co-writer Jean Louis Richard. The bewitching Jeanne Moreau is remarkable as a woman who will stop at nothing to avenge her husband's death. Julie (Moreau) a beautiful young bride has just married her childhood sweetheart and love of her life. But just moments after the ceremony her beloved is murdered on the steps of the church. Emotionally distraught Julie becomes obsessed with her bridegroom's death and begins a descent into madness as she relentlessly pursues the men responsible. One by one Julie sees to their demises and with each murder more bone-chilling and diabolically clever than the last the question is not who will be next - but rather how they will meet their ghastly end.
How To Draw A Bunny [Ntsc]
The vision of environmental/conceptual artists Christo and Jeanne-Claude creates a whirlwind of controversy in many of the communities where they install their work. Known for projects as seemingly incomprehensible as surrounding islands around Miami in flamboyantly pink fabric and using fabric to disguise the Pont-Neuf in Paris the pair aim to change the way people view their surroundings - both natural and manmade. In a series of films spanning their creations from 1974 to 1995 le
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