When MTV gave Tom Petty a special video award in 1994 it was a very public acknowledgment of the imagination and hard work that has gone into a series of videos that have pushed the limits of a medium struggling to grow from a promotional tool to a genuine art form. Here are the best videos of Tom Petty and the Heartbreakers a powerful document of the early evolution of a new kind of art - and some rockin' tunes by a great band.
A remake of the classic Peter Cook & Dudley Moore comedy, with Brendan Fraser as the young man given seven wishes in order to turn his life around from Liz Hurleys sultry Satan.
You've never seen anything quite like Powder - an uplifting must-see film about an extraordinary human being with supernatural powers. Harassed by classmates who won't accept his shocking appearance a shy young man known as Powder struggles to fit in. But the cruel taunts stop when Powder displays a mysterious power that allows him to do incredible things. This phenomenon changes the lives of all those around him... in ways they could never imagine!
On remote Isla Nuba entrepreneur John Hammond (Richard Attenborough) has built the ultimate theme-park, populated by genetically engineered dinosaurs painstakingly reconstructed from DNA extracted from prehistoric amber... and, of course, frogs! Adapted from Michael Crichton's novels, Steven Spielberg's Jurassic Park blockbusters became a cultural and commercial phenomenon thanks in part to the enduring appeal of all things prehistoric. But the films' extraordinarily realistic digital dinosaurs also showcased the spectacular computer-generated effects that have since become ubiquitous in Hollywood filmmaking. Indeed, in the years since 1993 it is debatable whether any films have revolutionised special effects to such an extent, and this DVD box set offers the perfect opportunity to relive both movies' visual and aural splendour (the original film was also the first to be released with a DTS soundtrack). Given their rather insipid human prey (including Dickie Attenborough and Jeff Goldblum) there is little doubt that the dinosaurs are the real stars, from the benign majesty of the towering brachiosaurus to the reptilian menace of the velociraptors. Most memorable of all is the T-rex, displaying a spine-chilling combination of physical ferocity and child-like bewilderment in the face of its reincarnation in the modern world. While Jurassic Park still retains a unique power and a seminal place in film history, Spielberg's The Lost World sequel exceeds its predecessor in almost every respect: the digital dinos are more populous, faster and meaner, the set-pieces have more bravura, and the special effects raise the benchmark even higher in blending CGI and live action spectacle. Overall, the first film's sense of awe and almost stately contemplation of its own visual splendour are replaced with a more visceral style and darker tone, as the raptors and rexes attack with a predatory ferociousness more reminiscent of Aliens than Godzilla. Highlights include the T-rexes' cliff-top assault on a trailer van, the trails of attacking raptors as they move silently through a field of tall grass, and the safari-style dinosaur round-up by the marauding hunters, led by a grizzled Pete Postlethwaite. --Steve Napleton
New York psychologist Dr Bill Capa (Bruce Willis) is stunned when an old friend and colleague is brutally stabbed to death. Capa believes the vicious murderer to be one of the members of a therapy group. While all around him falls apart he finds Rose (Jane March) and they embark on a reckless and passionate affair of erotic sexual discovery. But is there more to Rose than meets the eye? He will only know if he survives long enough to find out...
Harry (Daniels) and Lloyd (Carrey) are too lame to live (and too dense to die) as a pair of deliriously dim-witted pals on a cross-country road trip to return a briefcase full of cash to it's rightful owner. Along the way they'll confound cops kidnappers and anyone and everyone who has the misfortune of crossing their paths in this comic caper for every idiot in the family!
Barney - Land Of Make Believe - Special
The fourth series of Babylon 5 begins on a high point with Centauri Prime in the grip of the insane Emperor Cartagia (Wortham Krimmer) and a run of six shows leading to the climax of the war against the Shadows in "Into the Fire". If this colossal narrative is resolved a little too easily and the ultimate aim of the Shadows turns out to be a tad disappointing, it's still one of the most powerful slices of space opera ever to grace the small screen. In the aftermath the sheer scale drops back a little but the pace never slows as the rest of the year plays out in one relentless cycle of conspiracy, betrayal and conflict, Babylon 5 siding with the rebel Mars colony against the totalitarian Earth regime. Meanwhile, Delenn finds herself increasingly in conflict with her own people and, paralleling her relationship with Sheridan, Garibaldi becomes involved with his ex-fiancée Lise Hampton (Denise Gentile); in addition, an intense platonic love grows between Ivanova and Marcus Cole. On an unstoppable wave fuelled by roller-coaster plot twists and spectacular action shows from "No Surrender, No Retreat"--when Sheridan avows to overthrow EarthGov--to "Rising Star"--when the aim is realised--this series of Babylon 5 achieved a consistent excellence rare in television. Yet within that run "Intersections in Real Time" stands out as a bold experiment; essentially a two-hand drama taking place entirely within one dimly lit room. Then in "The Deconstruction of Falling Stars", a descendant of humanity one million years hence reviews excerpts from the history of Babylon 5. In one sequence set in 2762 a Brother is devoted to the preservation of history some time after the "Big Burn". In a homage to Walter M Miller's SF classic A Canticle for Leibowitz, Sheridan and Delenn have themselves become the stuff of legend. --Gary S DalkinOn the DVD: All 22 episodes of Season 4 of Babylon 5 are presented on six DVDs. Anamorphically enhanced for widescreen TV, the picture is significantly stronger than on the original TV broadcasts, if not up to blockbuster movie standards. The remixed Dolby Digital 5.1 soundtrack is punchy and richly impressive, if again not quite state-of-the-art. As with previous seasons the main extras are three commentaries. The first, by actors Bruce Boxleitner, Jerry Doyle, Peter Jurasik and Patricia Tallman, finds these leading cast members having a great time joshing around on Falling Towards Apotheosis and failing to say anything very interesting. Series creator and writer J Michael Straczynski and director Michael Vejar discuss The Face of the Enemy, the conversation tending towards a technical scene-by-scene analysis, while by far the most interesting commentary is J Michael Straczynski alone on The Deconstruction of Falling Stars. JMS covers many aspects of the show, going into depth explaining both his ideas behind the series and the practicalities of realising his vision. Celestial Sounds is an interesting but too-short five-minute look at the scoring process with composer Christopher Franke, complemented by a powerful six-minute musical suite. The package also includes a six-minute introduction, a three-minute gag reel and video data files of characters, organisations and places. An Easter egg offers a comparison between untextured and completed CGI models of Babylon 5 itself. There is an optional French soundtrack, plus English, English for Hearing Impaired, French and Netherlands subtitles. --Gary S Dalkin
When two men get laid off they're forced to become stay-at-home dads when they can't find jobs. Until, that is, they decide to open their own day-care centre.
This multi-award winning TV comedy show is set in the offices of 'Globelink News' a TV new company whose millionaire tycoon owner prefers a more sensationalist stance in presenting the day's events... Each episode of the show was recorded close to transmission allowing script changes to incorporate maximum topicality! Episodes comprise: 1. In Place of Alex 2. Sally's Accountant 3. Henry's Lost Love 4. Helen'll Fix It 5. Sally's Libel 6. Lady Merchant 7. The New
I Spit on Your Grave, writer-director Meir Zarchi's controversial story of rape and revenge, has lost none of its ability to shock viewers since it first gained notoriety in 1978. Camille Keaton (grand-niece of Buster Keaton and, later, Zarchi's wife) stars as a young woman who is terrorised and then brutally assaulted by four men while on vacation. After slowly pulling herself together, she methodically tracks down and butchers each of the perpetrators. Zarchi's film has been consistently accused of celebrating violence against women, and while the rape scenes are graphic, they also lack the voyeuristic qualities that earmark other similarly plotted exploitation films. If anything, Zarchi is guilty of awkward scripting; the dialogue is leaden, and Keaton's transformation from victim to avenger is too swift. But to label him a pornographer is wrong, and while the film is challenging--perhaps more than most audiences can bear--its depiction of the psychology of violence is undeniably powerful. --Paul Gaita
When Curious George meets Kayla a magician's homesick elephant he decides to help her visit her brothers and sisters in California. But when the magician's dogged security chief DannoWolfe becomes convinced George has masterminded an elephant 'napping he begins an all-out investigation to track down the missing pachyderm. With Wolfe hot on their heels George Kayla and Ted (The Man with the Yellow Hat) travel by train truck and even an engineless school bus on a comical cross-country trip to reunite Kayla with her family.
Riding Giants is more than another blissful surfing movie. It's an outstanding documentary about one era in American alternative lifestyles, when surfing was well-suited to a radical culture of social dropouts. Using an amazing array of amateur film clips, shot for the most part in Hawaii and California from the late 1950s and early '60s, director Stacy Peralta traces the rise of surfing's appeal to young men looking to test themselves in an unorthodox (and sexy) milieu--of "living life to the fullest," as former surfer-turned-screenwriter John Milius (Big Wednesday) puts it at one point. Lengthy chapters on the glories of Oahu's Makaha and the "superstition and dread" that accompanied the big-wave challenge of Waimea Bay are riveting and sometimes heroic, particularly told through the memories of surf legend Greg Noll. Great material, too, about the deadly wonders of surfing Mavericks, California, where the rocks will get one if the violent tides don't. --Tom Keogh, Amazon.com
Arthurian mythology and modern-day decay seem perfect complements to each other in Terry Gilliam's drama/comedy/fantasy The Fisher King. Shock jock Jack Lucas (Jeff Bridges) makes an off-handed radio remark that causes a man to go on a killing spree, leaving Lucas unhinged with guilt. His later, chance meeting with Parry (Robin Williams), a homeless man suffering from dementia, gets him involved in the unlikely quest for the Holy Grail. The rickety and patently unrealistic stand that insanity is just a wonderful place to be and that the homeless are all errant knights wears awfully thin, but, there are numerous moments of sad grace and violent beauty in this film. The screenplay by Richard LaGravenese launched his successful career and his smart wordplay helped garner Mercedes Ruehl an Oscar as Lucas' girlfriend. --Keith Simanton
In the gap between seasons four and five of Babylon 5, fans suffering withdrawal symptoms were sated by this first TV movie. As a prequel to the series' timeline, creator J. Michael Straczynski had an awful lot of continuity to consider. Amazingly, there's only one inconsistency throughout (a matter of who met whom and when), making this an essential part of the overall storyline. The tale is told cleverly from the future as the remembrances of Londo (Peter Jurasik), who is now Emperor of a dying Centauri homeworld. He looks back at the beginnings of the Earth-Minbari war and links together many clues strewn throughout the shows' early years. We see exactly how Delenn contributed to the first blows, the death of dignitary Dukhat, and most importantly what really happened to Sinclair (Michael O'Hare) at the Battle of the Line. The FX showcased by the battle are genuinely spectacular, but overshadowed by the make-up department which had the thankless task of making everyone look younger. Their best success is on an uncredited Claudia Christian who appears as an 18-year-old Susan Ivanova dealing with the death of her brother. Being a prequel there's little in the way of a surprise finale, but there's plenty of intrigue along the way. --Paul Tonks
When her abducted son finally returns home after 5 years Gail Carlson feels as if her prayers have been answered. However her nightmare is far from over when she is confronted with the emotional and mental trauma her son has endured.
Disney loved to mix live action with animation (Mary Poppins, Bedknobs and Broomsticks), but this 1977 effort falls on its face. The turn-of-the-century story concerns an orphaned boy whose only friend is a cartoon monster. While the latter is entertainingly rendered, the rest of the film strains to be enchanting and the cast overreaches in a big way. Not for anybody over the age of ten. --Tom Keogh
Psychological thriller in which a man has a horrific nightmare in which he sees himself killing a complete stranger but when he wakes up he begins to suspect that his dream was real after all. Detective Vince Grayson agrees to investigate and the trail takes them to a sinister mansion where Cliff discovers a mirrored room exactly like the one in his dream. When they discover that the owner of the mansion is a hypnotist Grayson has to race against time to unravel the mystery before Cliff's fragile psyche breaks down completely.
In The Mirror Has Two Faces Barbra Streisand stars as Rose a lecturer in Romantic Literature with no romance of her own. Jeff Bridges longs for a platonic partner he can respect yet maintain a safe physical distance from. Set up by Rose's sister they meet and intellectual sparks fly and they soon find unexpected passion getting in their way in this delightfully sparkling comedy.
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