Dark secrets, family torments and two murders swirl around the stoic, hardened figure of Dolores Claiborne (Kathy Bates), a housekeeper accused of murdering her employer of 22 years. Then there was that timely accident that took Dolores's husband (David Strathairn) during the solar eclipse of 1975. Yet with all the sombre suffering that follows Dolores like a miasma of pain, none of it compares with the heartache of a relationship she has with her grown daughter (Jennifer Jason Leigh). Although this flick is rife with horror, it is not of the supernatural kind, but rather of the torment only real people can impose on one another. The script is full of colourful language, and director Taylor Hackford successfully weaves several plot threads and psychological dilemmas throughout this engrossing tale without diminishing any of them. He not only culls intense performances from his cast, but he also brings to life the landscape around them. When Dolores Claiborne's best-kept secret is finally given up, it occurs under the surreal backdrop of a solar eclipse that is a truly sensational bit of cinematography. --Rochelle O'Gorman
A somewhat contrived screenplay doesn't stop this thriller from serving up some of the most spectacular fire sequences ever committed to film. Like any Ron Howard production Backdraft is impressively slick and boasts a stellar cast, including Kurt Russell and William Baldwin. The actors play sibling rivals who have been at odds since the death of their firefighter father years earlier. Robert De Niro is the veteran fire inspector who is tracking a series of mysterious and deadly arsons and Donald Sutherland is effectively creepy as the former arsonist who understands the criminal psychology of pyromaniacs. Rebecca De Mornay, Scott Glenn and Jennifer Jason Leigh are featured in supporting roles. Backdraft is a triumph of stunt work and flaming special effects. --Jeff Shannon
Bridget Fonda (Jackie Brown, A Simple Plan) and Jennifer Jason Leigh (The Hitcher, The Hateful Eight) star in Barbet Schroeder's (Reversal of Fortune, Mad Men) erotic psychological thriller Single White Female. When Allie (Fonda) breaks off her engagement, she is delighted to find a supportive new roommate in Hedy (Leigh). But when Hedy's behaviour becomes increasingly obsessive, and a series of violent events begin to occur, Allie fears that Hedy is not all she claims to be. Beautifully photographed by Luciano Tovoli (The Passenger, Suspiria), and with a powerful score by Howard Shore (The Silence of the Lambs, Videodrome), Single White Female is one of the most stylish suspense thrillers of the nineties. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remaster Original English stereo audio Audio commentary with director Barbet Schroeder, editor Lee Percy, and associate producer Susan Hoffman (2018) New York Interview: Barbet Schroeder (2018): the director discusses the production and release of Single White Female Upstairs with Graham Knox (2018): actor Peter Friedman recalls his casting and relates some anecdotes from the set The Fiancé Sam Rawson (2018): in-depth interview with actor Steven Weber SWF Seeks Writer (2018): screenwriter Don Ross looks back on his adaptation of John Lutz's novel and working with Schroder She'll Follow You Anywhere (2024): the critic, broadcaster, and author of Unlikeable Female Characters Anna Bogutskaya dissects and contextualises the film within the context of the erotic thriller Original theatrical trailer Image gallery: promotional and publicity material New and improved English translation subtitles Limited edition exclusive book with a new essay by Georgia Humphreys, archival essays, a contemporary article on the making of the film, and full film credits UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All extras subject to change
Before he became an overrated filmmaker, Cameron Crowe (Jerry Maguire) was a reporter for Rolling Stone who was so youthful looking that he could go undercover for a year at a California high school and write a book about it. He wrote the script for this film, based on that book, and it launched the careers of several young actors, including Jennifer Jason Leigh, Judge Reinhold, Phoebe Cates, and, above all, Sean Penn. The story line is episodic, dealing with the lives of iconic teen types: one of the school's cool kids, a nerd, a teen queen, and, most enjoyably, the class stoner (Penn), who finds himself at odds with a strict history teacher (a wonderfully spiky Ray Walston). This is not a great movie but very entertaining and, for a certain age group, a seminal movie experience. --Marshall Fine
A corporate troubleshooter (Kate Mara) is sent to a remote, top-secret location, where she is to investigate and evaluate a terrifying accident. She learns the event was triggered by a seemingly innocent human, who presents a mystery of both infinite promise and incalculable danger.
You can take this 1992 thriller one of two ways: it's either a highly suspenseful movie about an unfortunate young woman's psychological breakdown, or it's a glossy slasher movie starring two of Hollywood's best young actresses. Or maybe it's both at the same time-or perhaps it's the clever and well-acted thriller for its first hour before resorting to the routine shocks of a cheap horror flick. However you look at it, there's no denying that this is a dynamite showcase for Jennifer Jason Leigh as the flatmate from hell who becomes the bane of Bridget Fonda's existence. First she picks up Fonda's mannerisms, then starts to borrow her wardrobe, cuts her hair to resemble Fonda's, and even "borrows" her roommate's boyfriend for a deceitful night of lovemaking. By that point Fonda's totally freaking out (wouldn't you?), and, well, that's when the whole thing gets a little too silly. Still, this is a nifty little shocker, and director Barbet Schroeder brings more intelligence and style to the material than it really deserves. Add that to the fine performances by the battling roommates and you've got a movie that will make you think twice before inviting total strangers to live with you. --Jeff Shannon, Amazon.com
Christian Bale headlines this dark drama about a tortured lathe operator who is blamed for an accident.
Director David Cronenberg's eXistenZ is a stew of corporate espionage, virtual reality gaming, and thriller elements, marinated in Cronenberg's favourite Crock-Pot juices of technology, physiology and sexual metaphor. Jennifer Jason Leigh is game designer Allegra Geller, responsible for the new state-of-the-art eXistenZ game system; along with PR newbie Ted Pikul (Jude Law), they take the beta version of the game for a test drive and are immersed in a dangerous alternate reality. The game isn't quite like PlayStation, though; it's a latexy pod made from the guts of mutant amphibians and plugs via an umbilical cord directly into the user's spinal column (through a BioPort). It powers up through the player's own nervous system and taps into the subconscious; with several players it networks their brains together. Geller and Pikul's adventures in the game reality uncover more espionage and an antigaming, proreality insurrection. The game world makes it increasingly difficult to discern between reality and the game, either through the game's perspective or the human's. More accessible than Crash, eXistenZ is a complicated sci-fi opus, often confusing, and with an ending that leaves itself wide open for a sequel. Fans of Cronenberg's work will recognize his recurring themes and will eat this up. Others will find its shallow characterisations and near-incomprehensible plot twists a little tedious. --Jerry Renshaw, Amazon.com
Returning to the city of his birth for inspiration, legendary maverick director Robert Altman helms an evocative, bullet-riddled tribute to the music and movies of his youth in Kansas City, a Depression-era gangster flick as only he could make one. Blondie O'Hara (Jennifer Jason Leigh) resorts to desperate measures when her low-level hood husband Johnny (Dermot Mulroney) gets caught trying to steal from Seldom Seen (Harry Belafonte), a local crime boss operating out of jazz haunt The Hey-Hey Club. Out on a limb, Blondie kidnaps laudanum-addled socialite Carolyn (Miranda Richardson), hoping her influential politician husband can pull the right strings and get Johnny out of Seldom Seen's clutches. Nominated for the Palme d'Or at Cannes, and featuring a remarkable soundtrack performed live by some of the best players in contemporary jazz, one of Altman's most underrated and idiosyncratic films finally makes its long-awaited Blu-ray⢠debut. SPECIAL EDITION CONTENTS High Definition Blu-ray⢠(1080p) presentation Original 2.0 and 5.1 DTS-HD MA audio English subtitles for the deaf and hard of hearing Audio commentary by director Robert Altman Newly filmed appreciation by critic Geoff Andrew Gare, Trains et Déraillement, a 2007 visual essay by French critic Luc Lagier, plus short introduction to the film narrated by Lagier Robert Altman Goes to the Heart of America and Kansas City: The Music, two 1996 promotional featurettes including interviews with cast and crew Electronic press kit interviews with Altman, Leigh, Richardson, Belafonte and musician Joshua Redman, plus behind-the-scenes footage Four theatrical trailers TV spots Image gallery Reversible sleeve featuring original and newly commissioned artwork by Jennifer Dionisio FIRST PRESSING ONLY: Illustrated collectors' booklet featuring new writing by Dr Nicolas Pillai, original press kit notes and an excerpt from Altman on Altman
When a bus breaks down in the desert the passengers decide to stage a production of Shakespeare's 'King Lear' to pass the time until they are rescued. However jealousies and divisions between members of the group threaten the security of all... Intellectual and offbeat horror film from acclaimed Danish director Kristian Levring adhering to the 'Dogme95' principles of film making.
Christian Bale headlines this dark drama about a tortured lathe operator who is blamed for an accident.
An innocent flat share ad opens the door to murderous unrelenting terror in this pulse-pounding psychological shocker. After an unfaithful fiance leaves her abruptly single young New Yorker Allie Jones (Bridget Fonda - 'Jackie Brown') advertises for a flat-mate to share her spacious apartment. But when mousy Hedra Carlson (Jennifer Jason Leigh - 'Dolores Clairbourne') moves in she doesn't just take over Allie's spare bedroom. She takes over her clothes her boyfriend her identity... and then tries to take her life. Before Allie's eyes Hedra makes a startling transformation - the perfect room-mate becomes the perfect nightmare.
Based on the humorous bestselling novel Fast Times at Ridgemont High details the individual struggles of teenagers as they deal with independence success sexuality money maturity school and just making it through the formative year. Features music by The Go-Go's Graham Nash Jim Buffet Stevie Nicks Tom Petty The Cars and Quarterflash.
A man goes on a journey into the future where he can foresee his death in this thriller.
Hudsucker Industries is flourishing. Profits are stupendous and stock is at an all-time high. So when their founder Waring Hudsucker leaps to his death from the 44th floor his board of directors is thrown into panic. Hudsucker has not left a will and his majority shareholding in the company must therefore soon be offered for sale to the public. But scheming Vice President Sidney J. Mussburger (Paul Newman) has a plan. He'll install a complete imbecile as Chairman and devalue the stock to a level where the rest of the board can acquire controlling interests for themselves. Enter inexperienced college leaver Norville Barnes (Tim Robbins) a modest mail-room worker who suddenly finds himself elevated to Company Chairman. Not surprisingly such a tale of rags-to-riches soon attracts considerable interest from the press in the form of gorgeous star reporter Amy Archer (Jennifer Jason Leigh). As stock values plummet everything appears to be going according to plan - until Norville actually does the unimaginable and invents a brilliant company-saving idea... something that captures the imagination of an entire nation.
Best friends. Bitter rivals. Sisters. Based on the Pulitzer Prize-winning best-selling novel A Thousand Acres (penned by Jane Smiley) follows the saga of the Cook family headed by the indomitable patriarch Larry Cook (Jason Robards). Cook's kingdom is a fertile farm that spans 1 000 acres but the seeds of its destruction are sown when he impulsively decides to distribute it among his three daughters Ginny (Jessica Lange) Rose (Michelle Pfeiffer) and Caroline (Jenn
On a business trip to Cincinnati, Michael Stone is amazed to discover a possible escape from his desperation in the form of an unassuming Akron baked goods sales rep, Lisa, who may or may not be the love of his life.
A little guilt goes a long way... Having not slept for a year lathe operator Trevor Reznick (Christian Bale) is dying of insomnia. Why he can't sleep he can't remember. His every waking minute has become an unrelenting nightmare of confusion paranoia guilt anxiety and terror; each of which is part of an escalating series of clues that will lead him to the source of his mysterious affliction... Method actor Christian Bale who favours total immersion in the roles he plays lost an astonishing 63 pounds from his already lean frame in order to convey the shockingly gaunt physique of the main character. Exhausting in his preparation close to the point of permanent physical damage Bale is the centrepoint of this extraordinary film.
A collection of films from acclaimed Oscar-winning siblings Joel and Ethan Coen. The Big Lebowski: The Dude Jeff Lebowski (Jeff Bridges) is unemployed and laid-back. That is until he becomes a victim of mistaken identity two thugs breaking into his apartment in the errant belief that they are accosting Jeff Lebowski the Pasadena millionaire. In hope of getting a replacement for soiled carpet the Dude visits his wealthy namesake and with buddy ex `Nam' veteran Walter (Joh
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