Baywatch Hawaiian Reunion, like the 11-year television series itself, is a guilty pleasure short on story credibility but long on action, hardbody appeal, and hot passions. The hyperdrive plot finds Mitch Buchannon (David Hasselhoff), presumed dead at the end of season 10, alive and well and in love with a woman named Allison (Alexandra Paul), who bears a spooky resemblance to Mitch's late lover, Stephanie. Wedding plans that include the old Baywatch lifeguard crew (Pamela Anderson, Yasmine Bleeth, Billy Warlock, etc.) are set for Hawaii, but in a Wrath of Khan-like twist, a villain (Cary-Hiroyuki Tagawa) from the old show's second season turns up with an elaborate plan to kidnap and endanger Mitch's guests. The script is shameless, of course, but the outré element is fun to watch, including a subplot in which Mitch's former wife (Gena Lee Nolin)--suspicious of Allison's true motives--gets into a spectacular catfight with her ex's new lady.--Tom Keogh
A sweeping love story about a 1940s romance between two teens from very different worlds.
The dramatised story of how Jimmy Perry and David Croft overcame BBC management scepticism, focus groups and cast constipation to get the much-loved series onto air. Running from Perry's initial idea in 1967 until the transmission of the first episode in 1968, this affectionate and witty film shows the beginnings of Perry and Croft's writing partnership and the casting woes, personal clashes and production difficulties that put the show's very existence in jeopardy. It reveals to fans and newcomers alike what went on behind the scenes in the making of Dad's Army and is a true love letter to British creativity.
Far too many film versions of the The Four Feathers have been made over the years, which is especially surprising considering that this 1939 Korda brothers production is surely definitive. The film simultaneously celebrates and pokes fun at British imperialism, showing the kind of dogged stiff-upper-lippery that forged an empire, but also the blinkered attitudes and crass snobbishness of the ruling classes (and those plummy accents--did people ever really talk like that?). Whatever political subtext may or may not be read into it, though, the film is best celebrated for its magnificent vistas: partially made on location in the Sudan, as well as at the famous Denham Studios, this is British cinema from the days when it thought to rival Hollywood for sheer spectacle. Vincent Korda's production design and the glorious early colour cinematography are helped greatly by fellow Hungarian émigré Miklos Rozsa's epic score. John Clements is the notional hero, the man who is determined to show the world he is not a coward after resigning his commission (even though it would surely have saved everyone a lot of bother if he had just stuck with it) but the film is stolen by Ralph Richardson, magnificent as an officer struck blind and led to safety by Clements' Harry Faversham. The latter scenes when Richardson's Captain Durrance realises the truth and its implications are the most poignant and emotionally truthful in the film. C Aubrey Smith is delightful as the old buffer who relives his battles on the dinner table; to a modern audience, however, the "blackface" casting of John Laurie as the Khalifa strikes a discordant note. But adjusting some expectations for its vintage, this is a triumph of derring-do and far and away the most gripping version of this oft-told story on film. --Mark Walker
John Huston was only one of five directors on Casino Royale, the expensive, all-star 1967 spoof of Ian Fleming's 007 lore. David Niven is the aging Sir James Bond, called out of retirement to take on the organised threat of SMERSH and pass on the secret-agent mantle to his idiot son (Woody Allen). The amazing cast (Orson Welles, Peter Sellers, Deborah Kerr and others) is wonderful to look at, but the film is not as funny as it should be, and the romping even starts to look mannered after a while. The musical score by Burt Bacharach, however, is a keeper. --Tom Keogh, Amazon.com
The robbery should have taken ten minutes. Eight hours later it was the hottest thing on live TV. And it's all true. On a hot Brooklyn afternoon two optimistic losers set out to rob a bank. Sonny (Al Pacino) is the mastermind Sal (John Cazale) is the follower and disaster is the result. Because the cops crowds TV cameras and even the pizza man have arrived. The ""well-planned"" heist is now a circus. Based on a true incident this thriller earned six Academy Award nomina
Based on a novel by Susan Isaacs, Shining Through is uncomfortably close to Alfred Hitchcock's Notorious. This World War II drama concerns a love affair between a spy (Michael Douglas) and a secretary (Melanie Griffith) that goes south when duty turns him cold and pushes her into dangerous, behind-the-lines intelligence work. Liam Neeson plays the gentleman Nazi unwittingly providing Griffith with cover as domestic help. The best parts of the film are the twists and turns in the romance (Douglas is very good at playing a character who can turn off all feeling at will) at the beginning; the German scenes are less compelling despite such high stakes for the heroine. The climax--taking us back to Notorious whether it wants to or not--is quite gripping, largely due to Douglas's performance.--Tom Keogh
Beginning with the 1997 cult classic that rocked movie-goers and encouraged a new generation of thrill-seekers to avoid a backpacking trip to the wilds of Latin America, the ANACONDA series hits BluRay from 88 Films with each film restored in gloriously gory HD. For the original film, starring Oscar winner Jon Voight (MIDNIGHT COWBOY), pop sensation J-Lo, Ice Cube (THREE KINGS), Eric Stoltz (PULP FICTION) and Owen Wilson (ZOOLANDER), audiences were introduced to a group of hunted and helpless explorers who encounter a legendary giant reptile whilst sailing upstream in the legendary wilds of Colombia's epic rainforest. ANACONDA wrapped itself around audiences over two decades ago and is sure to slither its way into the hearts of horror buffs of a new generation. For ANACONDAS: THE HUNT FOR THE BLOOD ORCHID (2004), the veteran fear-filmmaker Dwight Little (HALLOWEEN 4: THE RETURN OF MICHAEL MYERS) gave audiences not just one giant carnivorous serpent but an entire gang of them! Adding even more fright to the formula, the sequel ups the stakes of survival - and was followed by ANACONDA 3: OFFSPRING (2008) in which cult legend David Hasselhoff (STARCRASH) attempts to avoid becoming a snake snack whilst discovering that scientific misdeeds has resulted in the creation of an inflated and very dangerous new forked-tongue antagonist. Finally comes ANACONDAS: TRAIL OF BLOOD (2009), headlined by the great John Rhys-Davis (LORD OF THE RINGS) and packing-in more squish and screams than ever before!! The snake is ready to strike... dare you chow down on this feast of slithery fear on BluRay? Special Features Disc One: Anaconda (1997) HD Transfer in Original 2.35:1 Aspect Ratio Optional English Subtitles English DTS-HD MA 5.1 Audio Commentary by Genre Expert Scott Harrison A Blockbuster with Bite - The Legacy of Anaconda: Interview with Critic Kim Newman Slithery Story - Remembering the Effects of Anaconda: An Interview with SFX Supervisor Steve Johnson Squeeze Play - Producing Anaconda: An Interview with Producer Leonard Rabinowitz A Franchise with Fangs - Remembering the Anaconda Movies - Interview with Tremors Expert Jonathan Melville Original Theatrical Trailer Disc 2: Anacondas - The Hunt For the Blood Orchid (2004) HD Transfer in Original 2.40:1 Aspect Ratio Optional English Subtitles English DTS-HD MA 5.1 Audio Commentary by Genre Expert Scott H Deleted Scenes Special Effects Toolbox - Creating Anacondas Featurette Original Theatrical Trailer Disc 3: Anaconda 3 - Offspring (2008) / Anacondas - Trail of Blood (2009) HD Transfers in Original 1.85:1 Aspect Ratio Optional English Subtitles English DTS-HD MA 5.1 Audio Commentary by Genre Expert Scott H Also Includes: Limited Edition (3000) Slipcases Enclosed Fold-Out Digipack with new Paintings from Acclaimed artist, Jeremy Pailler Extensive Booklet Notes by Film Journalists Dave Wain and Matty Budrewicz
Francis Ford Coppola's 1974 seminal neo-noir thriller THE CONVERSATION symbolises the uneasy line between technology and privacy a topic more relevant than ever today. Nominated for 3 Academy Awards® and winner of the prestigious 1974 Cannes Film Festival Palme D'or THE CONVERSATION is a tense, paranoid thriller, regarded as one of Coppola's greatest films. Harry Caul (Gene Hackman) is an expert surveillance expert in San Francisco. His routine wiretapping job turns into a nightmare when he hears something disturbing in his recording of a couple; he may have captured something a lot more important than adulterous goings-on. His investigation of the tape and how it might be used sends Harry spiralling into a web of secrecy, murder and paranoia. THE CONVERSATION is a harrowing psychological thriller that co-stars Cindy Williams, Frederic Forrest and Harrison Ford.
A gripping true crime yarn, a juicy slice of overheated New York atmosphere and a splendid showcase for its young actors, Dog Day Afternoon is a minor classic of the 1970s. The opening montage of New York street life (set to Elton John's lazy "Amoreena") establishes the oppressive mood of a scorching afternoon in the city with such immediacy that you can almost smell the garbage baking in the sun and the water from the hydrants evaporating from the sizzling pavement. Al Pacino plays Sonny, who, along with his rather slow-witted accomplice Sal (John Cazale, familiar as Pacino's Godfather brother Fredo), holds hostages after a botched a bank robbery. Sonny finds himself transformed into a rebel celebrity when his standoff with police (including lead negotiator Charles Durning) is covered live on local television. The movie doesn't appear to be about anything in particular, but it really conveys the feel of wild and unpredictable events unfolding before your eyes, and the whole picture is so convincing and involving that you're glued to the screen. An Oscar winner for original screenplay, Dog Day Afternoon was also nominated for best picture, actor, supporting actor (Chris Sarandon, as a surprise figure from Sonny's past), editing, and director (Sidney Lumet of Serpico, Prince of the City, The Verdict and Running on Empty). --Jim Emerson
A viral outbreak on a remote South Pacific island lures a secret expedition to investigate. The natives there are dying from a lethal cocktail of neurotoxins and the most likely cause is a venomous spider bite. The suspect - a previously unknown species of arachnid. Now a terrifying predator with a voracious appetite and a killer instinct is hunting ex-Navy pilot Lauren Mercer and her team of soldiers and scientists. To make matters worse the thing is multiplying at a ferocious r
Disney/Pixar's "Toy Story 2" picks up as Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggin, owner of Al's Toy Barn, kidnaps Woody.
Shaun The Sheep: Two's Company
In World War II North Africa an actor is set the task of posing as Field Marshal Montgomery in an effort to confuse the Nazis. Based on a true story.
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barrelled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man, while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set-piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker
Doctor Jonathan Dempsey is sent to Scotland to destroy the myth surrounding the Loch Ness monster. The daughter of his new girlfriend said to possess special mystic powers changes his life forever....
Matt Damon returns as the amnesiac assassin Jason Bourne who must return to the world he has so tried to leave behind him when a murder is committed in his name.
The complete high-octane, ultra-violent Death Race trilogy with monster cars, machine guns, and bone crunching crashes. These action-packed explosive movies will have you gripping your seat at every twist and turn. Welcome to the most evil spectator sport on Earth... Welcome to Death Race. Death Race Special Features: Feature Commentary Picture in Picture Warden's Angle Elevated Angle Feature Angle Frank's Interior Angle Ground Angle Joe's Interior Angle Pit Crew Angle Behind the Wheel: Dissecting the Stunts Start Your Engines: Making a Deathrace Death Race 2 Special Features: Feature Commentary Deleted Scenes Deleted Shots Montage The Race Begins: The Evolution of Death Race Cheating Death: The Stunts of Death Race 2 Fast Cars and Firearms: The Cars of Death Race 2
A sweet-natured, small-town guy inherits a controlling stake in a media conglomerate and begins to do business his way.
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