Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Special Features: LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET - An exploration of the development and production of the film as told by the cast and crew. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: I. THE PRINCIPLE OF BELIEF - Christopher Nolan talks about why he wanted to make this film and the twists he wanted to bring to the spy genre. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: II. MOBILIZING THE TROUPE - The filmmakers to talk about casting and what the actors brought to their roles. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: III. THE APPROACH - The company discusses how Nolan's filmmaking philosophies and in-camera approach applied to the challenges in this film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IV. THE PROVING WINDOW - A look at the cinematography and the unique ways they shot the movie. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: V. THE ROADMAP - Examining the ways the cast and crew kept track of the continuity across multiple perspectives and timelines. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VI. ENTROPY IN ACTION - Breaking down the complex action in the film and the stunt requirements for the actors. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VII. TRAVERSING THE GLOBE - Exploring the logistics of travelling and shooting in real locations as well as capturing the epic marine sequences in different countries around the world. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VIII. HOW BIG A PLANE? - The story of the dramatic crashing of a real 747. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IX. THE DRESS CODE - Costume Designer Jeffrey Kurland takes us through some of the iconic costumes from the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: X. CONSTRUCTING THE TWILIGHT WORLD - A look at the practical sets designed and built by Nathan Crowley's team and the techniques they used to enhance the scope and scale of the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XI. THE FINAL BATTLE - Inside the epic sequence which had the cast and crew using everything that they had learned on the film to pull it off. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XII. COHESION - Nolan discusses his approach of involving the composer and the editor early on in the pre-production and all the way through the completion of the film to truly integrate them into the creative process. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XIII. DOESN'T US BEING HERE NOW MEAN IT NEVER HAPPENED? - The cast and crew discuss the unique experience of working on the film.
The original BBC radio adventures of Arthur Dent (an ape-descendant whose anger at the apparently inexplicable destruction of his home planet Earth, situated in an obscure corner of the outer spiral arm of the galaxy, is expressed in frequent irritation at friendly automatic doors and vending machines) and his travelling companions, Ford Prefect (an itinerant towel-carrying hitch-hiker originally from a small planet somewhere in the vicinity of Betelgeuse), Zaphod Beeblebrox (the notorious ex-Galactic President and patron of Eccentrica Galumbits, the triple-breasted whore of Eroticon Six) and Marvin the Paranoid Android (who's still suffering from that terrible pain in all the diodes down his left side) proved to be such a success for the BBC that its transition to TV was (almost) inevitable. In 1981 several key members of the radio cast made the move to the small screen. Simon Jones' bewildered Arthur Dent remains the central character, shambling around in his dressing gown (a fact easy to forget on radio); Mark Wing-Davey's Zaphod Beeblebrox is the same as his boastful radio persona, even if the second head utterly fails to convince. Unfortunately, newcomers David Dixon (as Ford Prefect) and the irritating Sandra Dickinson (as Trillian) are no match for their radio predecessors.The problem here is not so much the low-budget look as the script itself, which is lovingly faithful to the radio series in a way that Douglas Adams' novels aren't. The Hitchhiker's Guide to the Galaxy was a lucid, satirical, occasionally profound, utterly unique comic invention on radio. As such, it has nothing to gain from TV. The script needs no visual elaboration--that's best left to the listener's own imagination. Only the animated renditions of the Guide itself enhance Peter Jones' wonderfully dry narration; otherwise--paradoxically, perhaps--by supplying images the concept is oddly diminished here.On the DVD: A suitably eclectic not to say eccentric collection of extra features makes this a wholly satisfying two-disc set, neatly packaged in a fold-out slipcase. On the second disc there's an hour-long "making of" documentary from 1992 featuring contributions from the cast and crew, including Douglas Adams; and then there's even more in a 20-minute section entitled "Don't Panic!". A fascinating behind-the-scenes peek at filming as the clock runs out on studio time and a look at the recording of the original radio series complete the first part. Then navigate to the "Outer Planets" to find outtakes, a deleted scene, Zaphod's animatronic second head on Tomorrow's World and Peter Jones's witty and shambolic introduction to the first episode, plus more besides. The series itself is presented in standard 4:3 ratio and Dolby stereo. --Mark Walker
Stomping out their usual cuteness and carbon copying Disney's grand animation style to a tee, directors Don Bluth and Gary Goldman (An American Tail) create a successful musical comedy from the story of the lost Russian princess. Adapting the story of imperialism and revolution is tricky, and subsequently the film's opening is weak. Once Anya (voiced by Meg Ryan, sung by Liz Callaway) is a teenager and on her own (suffering from some degree of amnesia), Anastasia is quite pleasing though never refreshingly new. 20th Century Fox's big-money gamble to horn in on Disney's realm is worthy. The songs, especially the recurrent "Once Upon a December" by Broadway team Lynn Ahrens and Stephen Flaherty, are better than Disney's recent efforts. It's worth picking up the soundtrack. The mix of cell animation and computer work is vivid. The collection of vocal talent is also strong, from John Cusack (as Dimitri, who wants to earn the reward by bringing Anya to Paris) to Hank Azaria as an amusing albino bat. Kelsey Grammer helps turn a roly-poly sidekick into a warm and strong supporting character. The biggest drawback is Bluth/Goldman's insistence on having a typical villain. Surprisingly, the story would be strong enough without one and the undead corpse of Rasputin (Christopher Lloyd) is unneeded and unoriginal. --Doug Thomas
Enjoy all the spellbinding episodes of pretty teen witch Sabrina Spellman (Melissa Joan Hart) and her talking black cat, Salem (voice of Nick Bakay), as they conjure up outrageous mischief. Sabrina The Teenage Witch⢠brilliantly combines the supernatural world of magic with the normal life of a teenage girl. Enjoy all 162 spellbinding episodes in this 24 - disc, 7- season collection, now on DVD!
Roman Polanski's adaptation of the Shakespearean tragedy Macbeth remains one of the most infamous for a number of reasons: the copious amounts of bloody gore, its expert use of location settings (filmed in North Wales) and Lady Macbeth's nude sleepwalking scene. Despite its notoriety, though, this does remain one of the more compelling film adaptations of the Scottish tragedy, if one of the more pessimistic takes on the story of Macbeth and his overreaching ambition. If you think the play is normally a bit of a downer, you haven't seen Polanski's bleak version of it, made in reaction to the murder of his wife, Sharon Tate, by the Manson "family". Jon Finch (Hitchcock's Frenzy) is a forceful Macbeth, bringing out the Scot's warrior instincts, and Francesca Annis is a memorable Lady Macbeth but the main thrust of the film belongs to Polanski's and noted British playwright and critic Kenneth Tynan's take on the play: extremely violent, nihilistic and visceral; this is down-in-the-dirt, no-holds-barred Shakespeare, not fussy costume drama. Pay close attention to the end, a silent coda that puts a chilling twist on all the action that has come beforehand and foreshadows more tragedy to come. --Mark Englehart
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange's help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who've ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
Gandhi is a great subject, but is Gandhi a great film? Undoubtedly it is, not least because it is one of the last old-school epics ever made, a glorious visual treat featuring tens of thousands of extras (real people, not digital effects) and sumptuous Panavision cinematography. But a true epic is about more than just widescreen photography, it concerns itself with noble subjects too, and the life story of Mahatma Gandhi is one of the noblest of all. Both the man and the film have profound things to say about the meaning of freedom and racial harmony, as well as how to achieve them. Ben Kingsley, in his first major screen role, bears the heavy responsibility of the central performance and carries it off magnificently; without his magnetic and utterly convincing portrayal the film would founder in the very first scene. Sir Richard Attenborough surrounds his main character with a cast of distinguished thespians (Trevor Howard, John Mills, John Gielgud and Martin Sheen, to name but four), none of whom do anything but provide the most sympathetic support. John Briley's literate screenplay achieves the almost impossible task of distilling the bewildering complexities of Anglo-Indian politics. Attenborough's treatment is openly reverential, but, given the saint-like character of his subject, it's hard to see how it could have been anything else. He doesn't flinch from the implication that the Mahatma was naïve to expect a unified India, for example, but instead lets Gandhi's actions speak for themselves. The outstanding achievement of this labour of love is that it tells the story of an avowed pacifist who never raised a hand in anger, of a man who never held high office, of a man who shied away from publicity, and turns it into three hours of utterly mesmerising cinema.On the DVD: The anamorphic (16:9) picture of the original 2.35:1 image has a certain softness to it that may reflect the age of the print, but somehow seems entirely in keeping with the subject . Sound is Dolby 5.1. The extras are fairly brief, but worthwhile: original newsreel footage of Gandhi includes an astonishingly patronising British news account of his visit to England; in a recent interview, Ben Kinglsey chats enthusiastically about the film and the difficulties he experienced bringing the character to life. The dull "making-of" feature is simply a montage of stills. --Mark Walker
After tragedy forces yound Prince T'Challa to assume Wakanda's throne, he is faced with the ultimate test, putting the fate of his country and the entire world at risk. Pitted against his own family, the new king must rally his allies and release the full power of Black Panther to defeat his foes and embrace his future as an Avenger. Features: Play Movie With Director Ryan Coogler's Intro Featurettes From Page To Screen: A Roundtable Discussion Marvel Studios: The First Ten Years - Connecting The Universe Exclusive Sneak Peek At Ant-Man And The Wasp Gag Reel Deleted Scenes Audio Commentary
After tragedy forces yound Prince T'Challa to assume Wakanda's throne, he is faced with the ultimate test, putting the fate of his country and the entire world at risk. Pitted against his own family, the new king must rally his allies and release the full power of Black Panther to defeat his foes and embrace his future as an Avenger.
The years have endowed Saturday Night Fever with a powerful, elegiac quality since its explosive release in 1977. It was the must-see movie for a whole generation of adolescents, sparking controversy for rough language and clumsily realistic sex scenes which took teen cinema irrevocably into a new age. And of course, it revived the career of the Bee Gees to stratospheric heights, thanks to a justifiably legendary soundtrack which now embodies the disco age. But Saturday Night Fever was always more than a disco movie. Tony Manero is an Italian youth from Brooklyn straining at the leash to escape a life defined by his family, blue collar job and his gang. Disco provides the medium for him to break free. It was the snake-hipped dance routines which made John Travolta an immediate sex symbol. But seen today, his performance as Tony is compelling: rough-hewn, certainly, but complex and true, anticipating the fine screen actor he would be recognised as 20 years later. Scenes of the Manhattan skyline and the Brooklyn Bridge, representing Tony's route to a bigger world, now have an added poignancy, adding to Saturday Night Fever's evocative power. It's a bittersweet classic. On the DVD: Saturday Night Fever is presented in 2.35:1 anamorphic widescreen with a Dolby Digital 5.1 surround soundtrack, both of which help to recapture the unique atmosphere of the late 1970s. The main extra is a director's commentary from John Badham, with detailed descriptions of casting and the improvisation behind many of the scenes, plus the unsavoury reality behind Travolta's iconic white disco suit. --Piers Ford
On one side is an army of gunmen dead set on springing a murderous cohort from jail. On the other is Sheriff John T. Chance (John Wayne) and two deputies: a recovering drunkard (Dean Martin) and an old codger (Walter Brennan). Also in their ragtag ranks are a trigger-happy youth (Ricky Nelson) and a woman with a shady past (Angie Dickinson) - and her eye on Chance. Director Howard Hawks lifted the Western to new heights with Red River and does it again here. Product Features On-Disc Special Features 4K: Commentary by Director John Carpenter and Historian/Critic Richard Schickel BD: 2 Slam-Bang All-New Featurettes: Documentary Commemoration: Howard Hawks' Rio Bravo, Featurette Old Tucson: Where the Legends Walked Career Profile The Men Who Made the Movies: Howard Hawks Theatrical Trailer
Marvel's Captain America: Civil War finds Steve Rogers leading the newly formed team of Avengers in their continued efforts to safeguard humanity. But after another incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability, headed by a governing body to oversee and direct the team. The new status quo fractures the Avengers, resulting in two campsone led by Steve Rogers and his desire for the Avengers to remain free to defend humanity without government interference, and the other following Tony Stark's surprising decision to support government oversight and accountability.
A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive
She's back. The Thirteenth Doctor is returning for the thirteenth series, a six-part Event Serial. Since their last epic battle in Revolution of the Daleks, the Doctor (Jodie Whittaker) and Yaz (Mandip Gill) have been exploring the universe together but with the Doctor now questioning everything about her past she will undoubtedly be searching for answers. This adrenalin fuelled, universe-spanning series will also see an addition to the TARDIS with actor and comedian John Bishop (Accused) joining the cast as Dan Lewis. Dan will quickly learn there's more to the Universe than he could ever believe. Jacob Anderson (Game of Thrones, Broadchurch) is also set to make his debut on Doctor Who as recurring character, Vinder. Jacob's new role will see him join forces with the Doctor, Yaz and Dan as the Doctor faces her biggest ever adventure. Series 13 will introduce some terrifying new adversaries and the return of truly iconic old enemies. Expect action, fun, scares and extraordinary new worlds as the Doctor and her friends confront a deadly evil.
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
Harry, a drifter (Don Johnson, Miami Vice) rolls into town and talks his way into a job at a car dealership where he becomes caught between two beautiful women, the bosss conniving wife Dolly (Virginia Madsen, Candyman) and Gloria (Jennifer Connelly, Requiem for a Dream) a naive young accountant whose life is complicated by blackmail. When Harry plans to rob the local bank, he becomes enmeshed in a lethal web of lust, greed and extortion, whose only escape is murder. Adapted from Hell Hath No Fury by Charles Williams, The Hot Spot is a dusty, sweaty modern noir that updates the pulp formula of twists and turns with an intensity to match director Dennis Hoppers earlier film roles. Directed by Hopper (Easy Rider, Out of the Blue) with verve, the stellar cast are supported by William Sadler (The Shawshank Redemption), Charles Martin Smith (The Untouchables) and Jack Nance (Eraserhead) accompanied by a brilliant soundtrack featuring Miles Davis, John Lee Hooker, Taj Mahal and original music by Jack Nitzsche. Product Features Coming Soon
Nativity Rocks! returns to St Bernadette's Primary School as the staff and students work together to win the coveted prize of Christmas Town of the Year' by performing a spectacular rock music-themed nativity. Celia Imrie reprises her role as headmistress Mrs Keen, starring alongside a host of British talent including Simon Lipkin, Daniel Boys, Helen George, Hugh Dennis, Anna Chancellor, Ruth Jones, Meera Syal, Bradley Walsh and Craig Revel Horwood.
She's back. The Thirteenth Doctor is returning for the thirteenth series, a six-part Event Serial. Since their last epic battle in Revolution of the Daleks, the Doctor (Jodie Whittaker) and Yaz (Mandip Gill) have been exploring the universe together but with the Doctor now questioning everything about her past she will undoubtedly be searching for answers. This adrenalin fuelled, universe-spanning series will also see an addition to the TARDIS with actor and comedian John Bishop (Accused) joining the cast as Dan Lewis. Dan will quickly learn there's more to the Universe than he could ever believe. Jacob Anderson (Game of Thrones, Broadchurch) is also set to make his debut on Doctor Who as recurring character, Vinder. Jacob's new role will see him join forces with the Doctor, Yaz and Dan as the Doctor faces her biggest ever adventure. Series 13 will introduce some terrifying new adversaries and the return of truly iconic old enemies. Expect action, fun, scares and extraordinary new worlds as the Doctor and her friends confront a deadly evil.
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