Nursing student Jenny Cole collects her car from the garage where it has just been serviced. On her way to visit her mother she picks up her infant niece and offers a ride to Ed an executive who is rushing to the airport and Dex a skateboarder whose skateboard was broken in a near collision with her car. Soon after entering onto the freeway Jenny realises that her accelerator has become stuck trapping them in the speeding car with no way to stop...they're out of control and on the
Kids will enjoy the dinosaurs, gaudy prehistoric decor, and cartoon humour of The Flintstones in Viva Rock Vegas; but adults will find fewer morsels of entertainment, although the sly performance of Alan Cumming (Eyes Wide Shut) as the Great Gazoo, an alien sent to Earth to observe human mating behaviour is a highlight. The movie begins before Fred (Mark Addy from The Full Monty) and Wilma (Kirsten Johnston from Third Rock from the Sun) Flintstone ever met, back when Wilma was an unhappy rich girl seeking happiness in a less snobby environment. Running away from her smothering mother (Joan Collins!) and an oily suitor, Chip Rockefeller (Thomas Gibson from Dharma and Greg), she winds up at a drive-in restaurant where she meets Betty (Jane Krakowski from Ally McBeal), a waitress who thinks Wilma is actually homeless and invites the runaway to live with her. Our blue-collar heroes, Fred and Barney Rubble (Stephen Baldwin from The Usual Suspects), ask the girls out on a double date, and before long Fred and Wilma bond over bowling. But it turns out that Chip is in debt to a ruthless loan shark and needs Wilma's money, so he invites the couples to his new casino in Rock Vegas, where he plots nefariously to ruin their blossoming love. The plot holds no surprises and the dialogue is clumsy, but there's a blithe dimwittedness to the whole affair that makes it curiously inoffensive. --Bret Fetzer, Amazon.com
After a scientific experiment goes horribly wrong during a demonstration, a scientist finds himself trapped in an alternate reality that bears some similarities to our own, but has some striking differences. In this other reality the Second World War had never occurred, mankind had not yet travelled into Space and Mt. Everest had not yet been conquered, just to name a few things. In this other reality he is no longer a scientist but rather a well known author. He also finds that he is married to a beautiful woman who he instantly falls in love with but who his alternate self never cared for. He has some difficulty convincing anyone that he is not actually who they think he is. With the help of a physics professor who believes his story, he finally manages to convince his 'wife' that he is not the man she knew before. After a personal tragedy in this alternate world, he finds himself back in his own world and desperately trying to locate the woman he fell in love with in the other world. Little does she know, however, that her life depends on him finding her. Based on the story Random Quest by John Wyndham.
BAFTA-nominated comedy After Henry follows the comfortable middle-class lives of three women - except that for one of them life isn''t all that comfortable... Sarah has been left well provided for by her late husband but unfortunately she has also been left with a demanding mother and a prickly adolescent daughter who craves independence - just as long as mother is there to clear up the mess... Starring Prunella Scales (Fawlty Towers) as put-upon Sarah and Joan Sanderson (Please Sir!) as Eleanor her interfering waspish mother After Henry is written by multiple BAFTA nominee Simon Brett (Rosemary & Thyme) and directed by sit-com legend Peter Frazer-Jones (Man About the House George and Mildred).
The Woman In The Window
Featuring 10 films starring the 'Singing Cowboy'! Includes: 1. Heldorado (1946) 2. In Old Cheyenne (1941) 3. King Of The Cowboys (1943) 4. Sheriff Of Tombstone (1941) 5. Bad Man Of Deadwood (1941) 6. Rough Riders Round Up (1939) 7. Young Bill Hickok (1940) 8. My Pal Trigger (1946) 9. Old Caliente (1939) 10. Lone Ranger
Hoping to expose fatal flaws in the legal system a writer (Dana Andrews Laura) places a bet that he can have himself convicted of murder on purely circumstantial evidence by planting false clues at a crime scene before sensationally revealing his trick at the last minute. However a series of disastrous coincidences leaves him facing execution - and a frantic search for the true killer begins. Fritz Lang's ingenious thriller (his last Hollywood film and the companion-piece to While The City Sleeps) also stars Academy Award winner Joan Fontaine (Rebecca) and Arthur Franz (The Caine Mutiny).
A collection of films from famed actor and independent director John Cassavetes comprising: Shadows (1959): A depiction of the struggle of three black siblings to survive the mean streets of Manhattan 'Shadows' was Cassavetes' jazz-scored improvisational film exploring interracial friendships and relationships in Beat-Era (1950s) New York City made from a script entirely improvised by the talented cast heralding a vital new era in independent filmmaking. Faces (1968):
Do you remember when...The Burgermeister Meisterburger banned toys, and Kris Kringle became Santa Claus? Share the magic of this Original Christmas Classic told and sung by Fred Astaire!
Wade Whitehouse (Nick Nolte) is at a turning point in his life. People order him around everywhere he turns from his demanding boss to his ex-wife who won't let him see his daughter to his ageing violent alcoholic father (Academy Award winner James Coburn). For Wade the future looks bleak until his quiet New Hampshire town is shattered by the death of a Boston union official in a deer hunt led by Wade's friend Jack. The incident is written off as an accident but Wade suspects that Jack is guilty of murder. Solving the crime becomes Wade's obsession and his last opportunity to redeem himself in the eyes of the town his ex-wife his father and - most of all - himself. Featuring an impressive star cast Affliction is a tense and compelling psycho-drama from Paul Schrader screenwriter of Taxi Driver and Raging Bull and director of American Gigolo.
The 18th century, with its frills and bawds, was ideal territory for the Carry On movies: Carry On Dick is one of the few of the series where one notices the quality of the art direction in intervals between terrible old Talbot Rothwell jokes and the creaking of standard farce moments. Captain Fancy (Kenneth Williams) is sent to the remote village of Upper Denture to arrest Big Dick Turpin (Sid James) and makes the mistake of confiding in the local Rector, the Reverend Flasher (who is Big Dick's secret alter-ego). Dick has troubles of his own: his liaison with his housemaid and henchperson Harriet (Barbara Windsor) is perpetually interrupted by his amorous housekeeper Hattie Jacques). Meanwhile, Joan Sims struts around the plot as the proprietor of a touring show of scantily clad young women. This is not one of the best of the series--a certain mean-spiritedness creeps in to the humour as does the self-conscious awareness that 1974 was a date a little late for some of the more sexist jokes--but any film with Kenneth Williams discussing satin coats with his tailor has something going for it. On the DVD: Sadly, the DVD has no frills: it is presented in mono and 4:3 screen ratio.--Roz Kaveney
Toy Story 1 John Lasseter's Toy Story poses the universal and magical question of what do toys do when they are not being played with? Cowboy Woody (voiced by Tom Hanks), Andy's favourite bedroom toy, tries to calm the other toys during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he is the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar "For the development and inspired application of techniques that have made possible the first feature-length computer-animated film". In other words, the movie is great. Toy Story 2 Like the handful of other great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out that Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular 1960s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story.Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living for forever. Toy Story 2 was deservedly a huge box-office success. --Doug Thomas
With Dagon, director Stuart (Re-Animator) Gordon returns once more to author HP Lovecraft, this time for an adaptation of the novella The Shadow Over Innsmouth, with the setting switched from the coast of New England to the creepy Spanish fishing village of Inboca. After a sudden storm and a yacht-wreck, a bespectacled and bewildered Paul Marsh (Ezra Gooden) finds himself stranded in the literally fishy town, which has thrown over Catholicism to devote itself to the worship of the Philistine sea-god Dagon. His influence means that the inhabitants are transforming into pop-eyed, tentacled and gilled creatures. Though Gooden perhaps strikes too strident a note to convince as an everyday guy, director Gordon orchestrates the rising terrors well. These range from a supremely damp and uncomfortable hotel room through an impressive flashback about the rise of the Esoteric Order of Dagon to some sinister business with a mad-eyed mermaid (Macarena Gomez), human sacrifice and nasty surprises all round. Unfortunately, Gordon still can't quite distinguish between acceptably gruesome and downright nasty, especially when it comes to disposing of secondary female characters. On the plus side, Dagon boasts an excellent score, which even tries to set to music some of Lovecraft's invented language ("Ia Ia Cthulhu fh'tagn"). --Kim Newman
It's easy to understand why Arlington Road sat on the studio shelf for nearly a year. No, the film isn't awful; rather, it's an extremely edgy and ultimately bleak thriller that offers no clear-cut heroes or villains. In other words, Hollywood had no idea how to sell it. Director Mark Pellington's underrated directorial debut, Going All the Way, suffered the same fate, essentially because the film-maker's presentation of suburban America often shifts dramatically within the same film. Characters are usually miserable and bordering on meltdown, no situation is straightforward and things usually end badly. Arlington Road begins as an astute study of suburban paranoia. Michael Faraday (a face-pinched Jeff Bridges, who spends most of the film on the brink of tears) is a college professor who teaches American history courses on terrorism. He's been a conspiracy freak since his wife, an FBI agent, was killed during a botched raid that feels like a thinly fictionalised reference to the Waco tragedy. After saving the life of his next-door neighbour's child, he initially befriends the family (Tim Robbins and Joan Cusack), but soon believes the husband is a terrorist. The first half of the film mocks Faraday: he has no real evidence and is not the most stable of protagonists. Despite the fact that it was government paranoia that got his wife killed, Faraday repeats the same type of behaviour. Pellington shifts gears in the second half, however, and for a while, it seems that the film has simultaneously sunk into a cheap, high-octane brand of Hollywood entertainment and undermined its own point. But Arlington Road possesses a stunning ending that's a real gut punch, one that may leave you needing a second viewing to catch all of its smartly executed setup. --Dave McCoy
Candice Bergen, Joan Hackett and Elizabeth Hartman star in this 1960s drama directed by Sidney Lumet. As a group of girls prepare to graduate from private school and start their lives in the outside world, they embark upon romances and marriages, new paths and careers and battle sexual prejudices, family crises and financial difficulties. The cast also includes Shirley Knight, Joanna Pettet, Mary-Robin Redd, Jessica Walter and Kathleen Widdoes.
Alex Lee (Heche) is a loan officer at an international bank who is forced into moonlighting as a hooker when her own debts begin to mount. One night Alex encounters a new client financial racketeer Bruno (Walken) who becomes obsessed with Alex's dominating sexual performance. Fearing she may be working for the FBI Bruno sends his bodygaurd Tony (Bauer) to check her out. Meanwhile Bruno's estranged wife Virginia (Chen) meets Alex at her bank and the two women become instant
A British cargo ship carrying hundreds of refugees fleeing from Singapore is torpedoed by a Japanese submarine and sunk. Four survivors find themselves adrift on the high seas sharing a flimsy dinghy - a colonial businessman (Basil Sydney), an officer (Richard Burton), the ship's purser (Cy Grant) and a beautiful but mysterious young woman (Joan Collins).As the survivors fight to stay alive, the tensions - and attractions - between them grow stronger until they can't be contained any longer. Two of them share a fateful secret, which can never be revealed. The result is murder - and the start of a long, desperate search for true love...
Bellini's Norma, first performed in 1831, is one of the most glittering jewels in the bel canto repertoire, placing huge vocal demands on the soprano in the title role. The druid priestess who falls prey to human frail ties before redeeming her grace in the flames of the sacrificial fire must also be played with a high degree of dramatic truth. In the 20th century, two singers scaled new heights in combining these requirements: Maria Callas and Joan Sutherland. Sutherland's great achievement, preserved in this 1978 recording of Opera Australia's production at Sidney Opera House, was to render Norma a very human being, unravelling her complex reactions to the events which bring her personal world tumbling down around her. Using Bellini's deceptively simple melodies to tender effect, she reveals the essential purity of many of his greatest arias, not least "Casta diva": an equally valid alternative to Callas' pyrotechnics. Ronald Stevens as Norma's errant Roman lover Pollione and Margreta Elkins as Adalgisa, the unwitting agent of the priestess's ultimate downfall, strike vocal sparks in their duets with Sutherland. But this is essentially a treasurable record of one of the all-time great divas in a role that brought her some of her finest notices, with her husband and long-time collaborator Richard Bonynge in the conductor's box. On the DVD: In all respects, this is a solid offering with few frills. The only extra is an Arthaus trailer. The 4:3 picture format and PCM stereo-sound quality are adequate media for a theatrical performance which is very much of its time: crudely-edited plot explanations separate the acts and there is the imposition of some rather naff stills of the ill-fated lovers on flickering flames to suggest the pyre. But Sutherland's performance triumphs over all. --Piers Ford
Soon after their first meeting Matt and Casey's relationship turns into a love affair. Under pressure from their parents to break up they decide to hit the road in a desperate attempt to stay together....
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