Chinese superstar Zhang Ziyi (Memoirs Of A Geisha) stars in the latest film from master film maker Seijun Suzuki; a magical musical adaptation of a well known Japanese folktale. Ziyi stars as Tanuki-hime a raccoon spirit princess who falls in love with Amechiyo (Jo Odagiri) a human prince banished from his father's kingdom. With numbers ranging in style from Kabuki to operetta to rock 'n' roll and designs to set the imagination on fire Suzuki's dream project is one of the year's most vibrant entertainments. An extravaganza of sight sound music and romance that will amaze the senses and delight the heart.
Legends is one of the most musically accomplished supergroups of all time. With Eric Clapton on guitar Joe Sample of The Crusaders on keyboards virtuoso saxophone player David Sanborn and super session players Steve Gadd on drums and Marcus Miller on bass both of whom have done time in Clapton's band the group's pedigree is extraordinary. The Legends band was put together by Marcus Miller for a European tour in 1997. They never made an album and this concert at Montreux is the only record of their stunning collaboration. The music is an intoxicating blend of jazz blues and rock which gives each of the players a chance to shine but also emphasizes the wonderful chemistry they create as a group. Tracklist: 1. Full House 2. Groovin' 3. Ruthie 4. Snakes 5. Going Down Slow 6. The Peeper 7. In Case You Hadn't Noticed 8. Third Degree 9. First Song / Tango Blues 10. Put It Where You Want It 11. Shreveport Stomp 12. In A Sentimental Mood / Layla 13. Every Day I Have The Blues
The original and hippest version of Shaft cruised onto cinema screens in 1971. John Shaft (Richard Roundtree) is an African-American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Director Gordon Parks (The Learning Tree) seems fond of certain detective genre clichés (e.g., the hero walking into his low-rent office and finding a hood waiting to talk with him), but he and Roundtree make those moments their own. Shaft produced a couple of sequels, a follow-up television series, and a remake starring Samuel L. Jackson, but none had the impact this movie did. --Tom Keogh, Amazon.com Shaft's Big Score is the first sequel to the super-hip 1971 original. When a pal of detective John Shaft is murdered in a bombing, New York's coolest private eye finds himself caught in the middle of a power struggle between black and white gangsters over the numbers racket in Queens. Directed by Gordon Parks (who does a brief cameo as a croupier in an illegal casino) and written by Ernest Tidyman (both of whom made the original Shaft), this film lacks the pacing of its progenitor. Roundtree is at his best when he's questioning a woman he's just met about a suspect while at the same time beguiling her into the sack (ah, those lazy, crazy days of the sexual revolution). The finale--a shootout in a cemetery, followed by a car-boat-helicopter chase through Queens and up the Harlem River--is preposterously drawn-out: Shaft, impervious to machine-gun fire, winds up tripping, spraining his ankle, and limping while running from the chopper; two shots later, he's sprinting like a halfback. Look for late Muhammad Ali trainer Drew Bundini Brown as a wise-cracking mobster. --Marshall Fine, Amazon.comShaft in Africa, the second sequel to the original hit, foreshadows itself early on when Shaft, asked to go undercover in Africa to halt a modern-day slave trade, claims that he's not James Bond but strictly Sam Spade. Bond, however, is the operative model here, with John Shaft masquerading as an Ethiopian to infiltrate the slave business and bring it down. Yet everyone he encounters seems to know who he is and wants to kill him--but the string of dead bodies he leaves in his wake across two continents proves that no one is able to stop everyone's favourite hip private eye. Written by Stirling Silliphant, the film is long on action set pieces that are filmed with more energy than the previous movie, Shaft's Big Score. Given contemporary practices involving smugglers of illegal Chinese and Mexican immigrants, the plot isn't all that far-fetched. Roundtree, as usual, is the picture of unflappable cool--but don't get him mad. --Marshall Fine, Amazon.com
Academy Award-winning director Barry Levinson yet again returns to Baltimore for inspiration with the semi-autobiographical Liberty Heights. Set in 1954, it tells the story of two young Jewish boys and their experiences of growing up in an America trying to come to terms with a changing society. The film focuses both on the sweet and innocent (the relationship between younger brother Ben and sole black student Sylvia) and the darker, more vicious side of a nation in flux. The evils of racism form a backdrop to all the intertwining plot lines--not only white against black but also widespread anti-Semitism. The young, largely unknown cast are all excellent--especially Adrien Brody and Ben Foster as the brothers and Rebecka Johnston as the quietly knowing Sylvia. Taking its cue from the great teen movies of the past, the film buzzes with the vitality of youth and of a generation on the verge of a new dawn (music plays a huge part), placing the political problems of the age in the context of adolescence to great effect. This is not Levinson's most high-profile work but certainly one of his best. On the DVD: The music of the period features heavily in the movie and dominates much of the action, so much so that it is possible to watch Liberty Heights with a music-only soundtrack. The film moves effortlessly between light and shade, both metaphorically and physically. Fair attempts have been made to provide an interesting set of extras: a gallery of interviews with the cast and director, deleted scenes and a very brief on-set documentary. --Phil Udell
'Taggart' is the longest running police drama on TV. Thanks to its explosive storylines and tough-talking Glasgow detective Jim Taggart (Mark McManus) it has become a national institution with these next six feature length editions averaging nearly thirteen million viewers. Set Comprises: Evil Eye: A gypsy is found murdered in her caravan and Taggart and Jardine suspect a connection with a London jewel raid in which a young policeman was murdered. Rogues' Gallery: A body is found in a car that has just been put through a car crusher: Taggart and Jardine investigate a case that seems to link the world of drug pushers with the world of art and artists. Violent Delights: A sixth former Philip Dempster has a crush on his French Teacher the beautiful Francoise Campbell. When spying on her through his telescope he sees what looks like a murder take place in her bedroom. Taggart investigates the death of a young undertaker in a blazing car. Fatal Inheritance: When the verdict of ""Not Proven"" is returned in a murder trial Taggart decides to stay at the scene of the crime - a fashionable health farm. When another murder occurs there Taggart gets involved though officially he is not on the case. Death Benefits: Julia Fraser wife of a police sergeant is brutally murdered whilst he is on duty. During a search of their house a list of names is found. It appears that the people on the list are rapidly meeting with a series of accidents - and yet there is no connection between them except that they are on the list. Taggart is facing a race against time to find the connection. Gingerbread: The murder of his father sets Simon Barrow on a journey which moves from fairy-tale to nightmare. Taggart Jardine and Reid discover the bitter behind the sweet.
In a totally unexpected piece of casting, Blue Valley Songbird stars Dolly Parton as a country singer/songwriter with big hair, large breasts and lots of lippy. The comparison ends there, though, because here she plays Leana Taylor, a talented performer hampered by her provincial background (and unpleasant manager/boyfriend) who realises she must escape her small-town roots in order to achieve her true potential. This isn't the most taxing of narratives, but it's the music that counts here. This movie is of the "musical drama" genre--take a star musical performer, give them the lead role in a movie, then furnish them with every excuse to perform therein so long as it can be done as a realistic element within the overall story--and as such it's highly agreeable. Parton not only has buckets of musical talent but also has plausible acting skills, even if the viewer is bound to think that these are mainly to do with being Dolly Parton. In any event, the songs are excellent, so this is well worth watching even if you find yourself fast-forwarding until you see someone picking a guitar up.--Roger Thomas
Phone Booth A single phone call can change a man's life...or possibly end it. Stu Shepard is a self-centered New York City publicist who suddenly finds himself on the deadly end of a high-powered rifle scope. Now it's a real-time race against the clock as Stu must outwit a psychotic sniper in a frantic scramble from phone booth to freedom. The Siege When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make its bloody mark on the streets of New York it's up to FBI special agent Anthony Hub Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Speed Hold on tight for a rush of pulse-pounding thrills breathtaking stunts and unexpected romance in a film you'll want to see again and again. Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will explode!
Bodies banks and birds! Dennis (Bennett) and Hal (Holder) are inseparable. They are also irreverent boisterous highly sexed and eager to acquire a fortune by the most expedient method...robbery. The only problem is that they have to hide their loot. Fortunately Dennis works as an undertaker so a conffin seems like the perfect place to hide it. But the moment that they try to fit the loot and a stiff in to a coffin things start to go wrong...and soon the boys have trouble o
Scarface (Dir. Brian De Palma 1983): In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever depicted on film in this gripping crime epic inspired by the 1932 classic of the same title. Casino (Dir. Martin Scorsese 1995): Robert De Niro Sharon Stone and Joe Pesci star in Director Martin Scorsese's riveting look at how blind ambition white-hot passion and 24-carat greed toppled an empire. Las Vegas in 1973 is the setting for this fact-based story about the Mob's multi-million dollar casino operation - where fortunes and lives were made and lost with a roll of the dice... Carlito's Way (Dir. Brian De Palma 1993): Al Pacino is an ex-druglord fighting to escape his violent treacherous past in his crime-action tour de force from acclaimed director Brian DePalma. Sprung from prison on a legal technicality by his cocaine-addled attorney (Sean Penn) former drug kingpin Carlito Brigante (Pacino) stuns the local underworld when he vows to go straight. Taking a job managing a glitzy low-life nightclub he tracks down his onetime girlfriend (Penelope Ann Miller) and rekindles their romance promising he's changed for good. But Carlito's dream of going legitimate is undermined at every turn by murderous former cronies and even deadlier young thugs out to make a name for themselves. Ultimately however his most dangerous enemy is himself. Despite good intentions Carlito's misguided loyalties and an outmoded code of ""honour"" will plunge him into a savage life-or-death battle against the relentless forces that refuse to let him go.
Spider-Man returns to battle a host of new baddies in the third adventure based on the popular comic book hero.
A victim of bullying at a US military academy finds an ancient book of magic in a secret temple beneath the academy chapel. He sets out to get even with his tormentors with the aid of a computer and some black magic with bloody and horrific results.
A summer spent at music camp is all about fun, friends, and making music together, and Mitchie (Demi Lovato) can't wait to return to Camp Rock to see her friends (Alyson Stoner, Meaghan Martin) and spend some quality time with Shane (Joe Jonas). Unfortunately, greed, rivalry, and the relentless pursuit of perfection threaten to sour the whole Camp Rock experience when the new Camp Star across the water lures many of the Camp Rock campers and counselors away. The new enterprise promises industry exposure and higher pay and then challenges Camp Rock to a high-stakes final jam challenge that threatens to put the camp out of business. Mitchie rises to the challenge and takes on a huge leadership role, finding replacement counselors and working to create a winning show for the final jam, but the pressure to win affects everyone's camp experience, making it less about fun and the enjoyment of music and more about winning the competition. It also leaves Mitchie and Shane with virtually no time to spend together. Camp Rock 2 has an abundance of good, memorable songs presented with lots of energetic choreography. The characters are generally more likable and believable than they were in the original Camp Rock, but the plot could be more engaging: while viewers will certainly root for Mitchie and the camp to succeed, neither Mitchie nor this film's new characters (Chloe Bridges, Matthew "Mdot" Finley) inspire a particularly overwhelming emotional investment. Nonetheless, tweens and teens will love Camp Rock 2--they'll watch it repeatedly, memorize the words with the help of the rock-along special feature, and probably learn a few new dance moves. (Ages 7 and older) --Tami Horiuchi
I Spit on Your GraveA remake of the controversial 1979 cult classic I Spit on Your Grave retells the horrific tale of writer Jennifer Hills who takes a retreat from the city to a charming cabin in the woods to start on her next book. But Jennifer's presence in the small town attracts the attention of a few morally deprived locals who set out one night to teach this city girl a lesson. They break into her cabin to scare her. However what starts out as terrifying acts of humiliation and intimidation quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But before they can kill her Jennifer sacrifices her broken and beaten body to a raging river that washes her away. As time passes the men slowly stop searching for her body and try to go back to life as usual. But that isn't about to happen. Against all odds Jennifer Hills survived her ordeal. Now with hell bent vengeance Jennifer's sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her... only much much worse. I Spit on Your Grave 2Naturally beautiful Jessica (Dallender) has just settled into New York where she like many other young women is trying to make it as a model. But what starts out as an innocent and simple photo shoot soon turns into something disturbingly unthinkable! Raped tortured and kidnapped to a foreign country Jessica is buried alive and left to die. Against all odds she manages to escape. Severely injured she will have to tap into the darkest places of the human psyche to not only survive but to exact her revenge...
If you loved THE TEXAS CHAIN SAW MASSACRE and THE HILLS HAVE EYES then you are sure to pig-out with the sicko-shocks of eighties fright-favourite SLAUGHTERHOUSE. This corpse-ridden classic introduces one of the screen's most memorable madmen in Buddy a cleaver-wielding backwoods baddie who, along with his father Lester, doesn't take kindly to trespassers. Buddy was brought up killing and packing meat, but now his rage turns to teens and market-capitalists seeking to buy-out his dad's property. The end result is a tongue-in-cheek terror totem that returns from the VHS vaults to Blu-ray in this great new HD master scanned from the original negative by director Rick Roessler!
Buck Privates Come Home: Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building. The World Of Abbott And Costello: A compilation of clips from 19 Abbott & Costello features: The Wistful Widow of Wagon Gap In the Navy Hit the Ice Who Done It? Abbott and Costello Meet Frankenstein Mexican Hayride Hold That Ghost Abbott and Costello in the Foreign Legion Little Giant In Society Ride 'Em Cowboy The Naughty Nineties Buck Privates Come Home Buck Privates Abbott and Costello Meet the Keystone Kops Lost in Alaska Comin' Round the Mountain Abbott and Costello Go to Mars and Abbott and Costello Meet the Mummy.
Rugrats - The Movie With the birth of his new baby brother Dylan Tommy Pickles knew things were about to change but he never expected that being a big brother could be such an adventure. While attempting to return little Dil to the Hospital the Rugrats commandeer the Reptar Wagon and inadvertently get lost in the forest! It's a rollicking musical ride into a world beyond their backyard as the Rugrats encounter obstacles and some big surprises in their quest to get back home
At 150 years old Mel Darryl and Roy have a lot of growing up to do. The time has come for Santa to decide who is going to take over the reigns of the big sleigh but it's clear to him that the triplets are more interested in monkey business than the family business! So with the help of Snorkel his right-hand elf Santa and his wife Ms Claus decide to teach the triplets the true meaning of Christmas. Little does Santa know that Snorkel plans to overthrow the whole family and gain
A young woman lies dead in a Nottingham fl at. Her terrified sister is barricaded inside the bathroom. A young man in a bloodstained shirt is pulled over for speeding. It's 2.00am and the three of them only met at noon. What happened in those fatal hours? Using personal testimony, Murder revisits the missing moments in search of the truth. Intercut with CCTV footage, flashbacks and forensic evidence, the protagonists give their version of events, one after the other. The story grips tight and never lets go. But where does the truth lie when the different accounts don't add up?
Crusade: A March Through Time
The Canfields and McKays are locked in a bitter feud which Willie McKay has avoided while living in the city. During a trip to his old family home he meets Virginia and falls in love. However after coming into her house he realizes she is a Canfield. Virginia's family wants to kill Willie but their rigid social code prevents them from doing it while he's a guest in their home. Once he steps outside however it's a different story!
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