When a Great Dane puppy is raised with a litter of Dachshunds, it naturally thinks it's a Dachshund too--even when it grows to 10 times the size. Dean Jones and Suzanne Pleshette star as the hapless couple who took in the galumphing dog, which wreaks havoc on their house and home. The Ugly Dachshund is mostly a series of spectacular disasters (the doggy demolition of Jones's art studio will delight kids and reduce adults to nervous wrecks), but it's held together by the convincing domestic banter of Jones and Pleshette (who was quite a dish in 1965); the pair went on to star in a couple of other Disney live-action flicks, Bluebeard's Ghost and The Shaggy D.A.. Despite some racial and gender stereotypes, it's a good-natured and amusing movie in the Disney mold. Also featuring classic character actor Charlie Ruggles (Bringing Up Baby, The Parent Trap). --Bret Fetzer
Though the Charlie Chan film franchise has earned brickbats for its casting of Caucasian actors as the Asian sleuth, the movies have retained popularity among aficionados of '40s-era B-crime pictures, and the six-disc Charlie Chan Chanthology, all featuring Sidney Toler as Chan, should please that crowd. The Missouri-born Toler starred in 11 Chan pictures for Fox before purchasing the rights to the character from creator Earl Derr Biggers's widow and bringing it to budget studio Monogram, where he starred in 11 more Chans before his death in 1947 (Roland Winters replaced him in six more features until 1949). At Monogram, Chan became a Secret Service Agent (a move calculated to cut down on exotic locations and sets), and comedy was integrated into the plots via Mantan Moreland's chauffeur Birmingham Brown; Benson Fong also joined the cast as Number Three Son Tommy, with occasional appearances by daughter Frances (Frances Chan) and son Eddie (Edwin Luke, brother of Keye Luke, who played Number One Son Lee in the Fox Chans). Other than that, the six films collected here (the first six Chans for Monogram, and all but five directed by Phil Rosen) are largely indistinguishable from one another save for the murder victims and their demises. In The Secret Service, Chan investigates the death of a wartime inventor; a San Francisco socialite expires in The Chinese Cat; daughter Frances is involved in the murder of a psychic in Meeting at Midnight (a.k.a. Black Magic); another government scientist is killed in The Jade Mask, and death by remote control is the focus of The Scarlet Clue. Director Phil Karlson (Kansas City Confidential) adds some noirish atmosphere to The Shanghai Cobra, which has bank employees dying from apparent snakebites. Dated and controversial as they may be, the Chan films are engaging diversions for vintage mystery fans. No extras are featured in the set. --Paul Gaita
In The Foreign Legion: Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid. Meet The Keystone Cops: Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman a confidence man. They follow Gorman to Hollywood where as stunt men they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
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