Jennifer Garner plays a put-upon 80s teen who wakes up as an adult in this high-concept comedy.
This attempt to reunite the stars of White Men Can't Jump will most likely be remembered as the movie that allegedly inspired a number of copycat arsons in the New York subway system. In other words, the movie itself is too perfunctory to be remembered for any other reason. Woody Harrelson and Wesley Snipes share their established chemistry as a pair of stepbrothers who work the subway detail as undercover detectives in the NYPD. Woody's a compulsive gambler with a huge debt problem to contend with, and he's also competing with his brother for the attentions of their new and beautiful partner (Jennifer Lopez), who's been assigned to join their investigation of the subway crimes. They're also supposed to guard the daily money train (so named because it contains each day's worth of subway fares), but Woody gets the bright idea that it might be the solution to his money woes. What follows is standard-issue action fare for the mid-1990s--lots of violence, excessive profanity, and attempts at witty banter between the co-stars to make it all seem more entertaining than it really is. You'd need to be a serious Harrelson, Snipes, or Lopez fan to add this movie to your collection. For anyone else, one viewing ought to be enough. --Jeff Shannon
This gentle comedy almost seems like something out of Hollywood's Golden Age, a movie that might have been made by a talented contract director, perhaps featuring Don Ameche and Claudette Colbert. But in fact One Fine Day stars George Clooney as an investigative columnist for a New York newspaper and Michelle Pfeiffer as an architect. Both single parents, the two meet and bicker and develop a relationship over the course of a day while their young children play together. Michael Hoffman (Restoration) directs with a good sense of what's funny about harried caretakers and kids who do whatever they want to do. The story stretches out of shape a bit when Clooney's character has to rally to prove some point of corruption at City Hall; nobody involved seems quite up to making that subplot believable, but all that really matters about this very nice movie is the winning love story. --Tom Keogh
Brewster (Pryor) a lowly pitcher with the minor league Hackensack Bulls baseball team suddenly is left $300 million by a distant relative. But there's a catch; he must spend $30 million in thirty days without having any assets to show for it. And if he reveals it to a soul the real reason why he's throwing away all his cash he will forfeit everything! So aided and abetted by his team mate Spike (Candy) and a stream of hangers-on Brewster begins a spending spree that would bring a
Longing for a romantic Hollywood film that will make your heart leap but not have you reaching for the sick bucket? Try Benny & Joon. Few mainstream US films manage to walk the thin line between emotion and schmaltz, but here is one film that pulls it off admirably. In the wrong hands the concept of marrying love and mental illness could have been a disaster but, as with the low-budget British film Some Voices, Benny & Joon manages to extract genuine humour and warmth from the subject. As the brother and sister of the title, the relationship between Aidan Quinn and Mary Stuart Masterson is central to the story, Benny desperately trying to keep home and job together while looking after the sick Joon. Their lives take an unexpected turn with the arrival of Sam, a brilliantly comic turn by Johnny Depp, as gradually the characters learn that the happiness that all thought beyond them is within their grasp. Depp adds yet another character to his liturgy of slightly odd outsiders but plays it with such panache, this time drawing heavily on Buster Keaton, that you cannot help but fall for him. Indeed, there is not a single character here that you would not wish well. On the DVD: The usual scene selection and a very clear audio track, given the film's musical moments a huge boost. Few will probably be able to resist The Proclaimers' "(I'm Gonna Be) 500 Miles" which opens the film. Excellent picture quality too. --Phil Udell
Rich with ambiguity, this smooth adaptation of Scott Turow's bestselling mystery novel stars Harrison Ford as Rusty Sabich, the prosecuting attorney assigned to a case involving the murder of a beautiful, seductive lawyer (Greta Scacchi) with whom he'd been having a secret affair. After the investigation gets off to a slow start, damning evidence points to Rusty as the prime suspect. His career is destroyed when his superior and secondary suspect Raymond Horgan (Brian Dennehy) sets him up for the fall. Bonnie Bedelia plays Rusty's wife Barbara, who is not above suspicion herself. While Ford's performance rides a fine line between presumed innocence and possible guilt, director Alan J Pakula (All the President's Men) maintains a consistent tone of uncertainty that keeps the viewer guessing. --Jeff Shannon, Amazon.com
When Tim Burton and Michael Keaton announced that they'd had enough of the Batman franchise, director JoelSchumacher stepped in (with Burton as coproducer) to make this action-packed extravaganza starring Val Kilmer as the capedcrusader. Batman is up against two of Gotham City's most colourful criminals, the Riddler (a role tailor-made for funnyman Jim Carrey) and the diabolical Two-Face (Tommy Lee Jones), who join forces to conquer Gotham's population with a brain-draining device. Nicole Kidman plays the seductive psychologist who wants to know what makes Batman tick. Boasting a redesigned Batmobile and plenty of new Bat hardware, Batman Forever also introduces Robin the Boy Wonder (Chris O'Donnell) whose close alliance with Batman led more than afew critics to ponder the series' homoerotic subtext. No matter how you interpret it, Schumacher's take on the Batman legacy is simultaneously amusing, lavishly epic and prone to chronic sensory overload. --Jeff Shannon
Dare to be duped! The world of movie make-believe meets the gritty New York crime scene in this clever suspense movie. Bryan Brown and Brian Dennehy command the heart-pounding action in the first-class crackling excitement of F/X. Rollie Tyler (Brown) is the best special effects artist in showbiz. But this time it’s not the studios seeking him out it’s the Justice Department. His assignment: to stage the assassination of an important underworld witness. And after he pull
A little-known chapter of American labour history is brought vividly to life in this period drama from writer-director John Sayles. It's a fictional story about labour wars among West Virginia coal miners during the 1920s, but every detail is so right that the film has the unmistakable ring of truth. The tension begins when the Stone Mountain Coal Company of Matewan, West Virginia, announces a lower pay rate for miners, who respond by calling a strike under the leadership of a United Mine Workers representative (Chris Cooper). Proving strength in numbers, the miners are joined by black and Italian miners who initially resist the strike, and a fateful battle ensues when detectives hired by the coal company attempt to evict miners from company housing. Violence erupts in a sequence of astonishing, cathartic intensity, and Matewan achieves a rare degree of moral complexity combined with gut-wrenching tragedy. The film salutes a pacifist ideal while recognising that personal and political convictions often must be defended with violence. To illustrate this point, Sayles enlisted master cinematographer Haskell Wexler, who creates the film's authentic visual texture--a triumph of artistry over limited resources. The result is a milestone of independent filmmaking, and Matewan remains one of Sayles's finest achievements. --Jeff Shannon, Amazon.com
Originally made for American TV, Switching Goals stars Mary-Kate and Ashley Olsen as super-identical twins who are actually total opposites. OK, it's not the freshest concept in the universe, but the teen divas (who also exec produce--as they did in their Passport to Paris) are an undeniable favourite with little girls. Here, they're Sam, the athletic one, and Emma, the fashion-conscious one. Their indulgent dad (Eric Lutes) coaches a soccer team and their workaholic mother (Kathryn Greenwood) is a psychologist. Look for a switch, the truth to be revealed, and all to end well. This TV movie should appeal to girls between 4 and 10, especially if any of them are handy on the soccer pitch.--N.F. Mendoza, Amazon.com
As The Flamingo Kid amply demonstrates, there's always room for one more rites of passage film if it's made with care and affection. Garry Marshall's 1984 study of a young Brooklyn poker player who thinks the grass is greener at a Long Island beach club, nails the bad guy, realises he got it wrong and returns to the bosom of his "humble" family certainly satisfies on both counts. It also has a strong cast: Matt Dillon as Jeffrey, whose niggling aspirations create the inevitable barrier between himself and his parents; Richard Crenna as his prospective role model who turns out to have feet of clay; and Hector Elizondo as his bemused father. But Jessica Walter (Clint Eastwood's stalker from hell in Play Misty for Me) almost steals the show as an acid-tongued beach-club wife. If the whole thing lacks the depth and warmth of, say, Neil Simon's Brighton Beach Memoirs, it succeeds on its own merits as an homage to a more innocent time when a young man didn't need to stray far from his own tenement block in order to find himself, with the help of a suitably nostalgic early-1960s soundtrack of course. On the DVD: As far as extras go, this is a budget offering. There are detailed actor biographies but precious little on the film itself, apart from the snippet that Richard Crenna earned a Golden Globe award nomination. There is an adequate scene index and, for those who want to study Dillon in detail, a reasonable stills gallery. The picture is presented in standard format, and hardly distinguishable from ordinary VHS or telecast quality, but the stereo audio certainly helps pump out the period soundtrack. --Piers Ford
In Chances Are the irresistible romantic comedy of two lifetimes Cybill Shepherd stars as Corinne Jeffries a beautiful young woman whose picture-perfect marriage comes to a shattering halt when her husband Louie dies unexpectedly. Fortunately Louie gets a second shot at life when he agrees to be ""recycled"" back to earth as the newborn Alex Finch. But fate crosses Alex's path twenty-three years later when he meets Corinne's daughter Miranda and is suddenly flooded wi
Sometimes the hero of the story just ends up being you! In this thrill a minute Western Pecos Bill (Swayze) helps a young lad save his family's farm. They then embark on a journey where plenty of danger and surprises are waiting for them!
Set among the Italian-American community of Manhattan and adapted by Vincent Patrick from his own novel, 1984's The Pope of Greenwich Village just about gets by on its charm. It stars Mickey Rourke as Charlie, a small-time grafter who is on the point of making his big move and breakaway. Unfortunately, the pull of family ties means that he's hampered by his cousin Paulie (Eric Roberts), an ambitious and excitable idiot who manages to cock up absolutely everything he turns his hand to, bringing down Charlie with him every time. After he gets the pair of them sacked from a restaurant, Paulie helps set up a safecracking deal with older hand Kenneth MacMillan. Trouble is, theyre robbing the local mafia boss. Rourke and Roberts' relationship is modelled closely on that of Harvey Keitel and Robert DeNiro in Scorcese's Mean Streets, only without quite the same harrowing consequences. This being the 1980s there's much De Niro-esque methodology, which generally consists of repeating lines at least twice ("Fix your tie! Fix your tie!"). The element of improv sees the film veer off course occasionally, while Darryl Hannah is her usual oddly semi-detached self in the role of Rourke's girlfriend. However, it's Roberts' performance as the exasperating and energetic Paulie which carries the film, with solid support from numerous Goodfellas and Sopranos regulars. On the DVD: The Pope of Greenwich Village arrives on disc in a decent enough but hardly pristine print. The sole extra is the original trailer, which means the only real benefit of acquiring this on DVD is storage convenience. --David Stubbs
Billboard Dad: One's a surfer. The other's a high diver. When these two sisters team up to find a new love for their newly single Dad it's a fun-loving eye-catching California adventure gone wild. Mary-Kate and Ashley star in this fabulously funny love-struck comedy filled with crazy schemes and cool surprises. Determined to find their Dad Max a new love the girls paint a personals ad on a giant billboard in the heart of Hollywood. After a few disastrous dates Max finally
This box set features the following films: Death And Vengeance (Dir. Brian Dennehy) (1997): A multiple murder has occurred in a suburban cemetery in broad daylight. Most of the victims are Russian immigrants whose friends and relatives refuse to cooperate in the investigation conducted by Jack Reed. A Search For justice (Dir. Brian Dennehy) (1994): Brian Dennehy returns as dedicated police officer Jack Reed who investigates a brutal murder case while battling corruption within his own department. One Of Our Own (Dir. Brian Dennehy) (1995): When two rogues shoot at Sarah the Police think it is the usual case of hoodlumism. But the same two men try again to kill her killing instead a policeman. The girl is then entrusted to Jack Reed and begins to live with his family. So while Silvera is searching for the murderers Jack becomes convinced that Phil Brenner former lover of Sarah could be involved in the attempted murders.
Golden Globe-winner Brian Dennehy is back as star director and co-writer of a hard-hitting crime-thriller featuring Jack Reed Chicago's toughest and most incorruptible cop. Jack Reed is investigating the brutal murder of a 'biker babe' while simultaneously battling corruption within his own department. Besieged by cops and criminals alike Reed wonders just who he can trust - and who exactly is undermining all his efforts.
Available for the first time on DVD! Things look bad for Laurel when her ex-husband's pretty new and much younger wife Melanie is murdered after the two have a fight. Her lawyer is frustrated because he knows Laurel is innocent but her lies keep her the number one suspect. Laurel has a secret which she is not prepared to reveal - that Melanie seduced Laurel's 16-year-old son and was pregnant to him. The son enraged that she would choose his father over him shot her. But will Laurel continue to take the blame for her son even to the chair?
Down With Love: When best-selling feminist author Barbara Novak (Zellweger) becomes the target of dashing playboy Catcher Block (McGregor) the sparks they generate will fly you to the moon and back! Set in the early sixties every frame pops with 60's technicolour. One Fine Day: In this charming romantic comedy three-time Academy Award nominee Michelle Pfeiffer and ""ER"" star George Clooney find that opposites attract whether they like it or not... Melanie Parker (P
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