The hit of the 1969-1970 season, Department S was an attempt on the part of television company ITC to create a "with-it" follow-up to the The Saint and Man in a Suitcase series which were starting to look staid by then. The department of the title is notionally part of Interpol, a group managed by the first of many black TV top cops (here Denis Albana Peters), and assigned all the bizarre cases The Avengers hadn't handled. Often they would come up against modern variations on the classic "locked-room" or "paradox" mysteries so favoured in crime fiction, mysteries which verge on the sort of phenomena The X Files would later specialise in (except no aliens appear in Department S). The supposed leads are Action-Man-type Stewart Sullivan (Joel Fabiani) and English-rose computer whiz Annabelle Hurst (Rosemary Nichols), but the break-out character is the flamboyant Jason King (Peter Wyngarde), a mystery writer and puzzle-solver notable for his Fu Manchu facial hair and an enormous wardrobe of safari suits, ruffled shirts, flared trousers and velvet jackets. King was the only male character on TV to be as fashion-conscious as the Avengers girls, and his preening peacock attitudes--along with the scripts' above-average mysteries--made this essential viewing for the Age of Aquarius. Volume One includes the following episodes: "Six Days", in which a missing airliner turns up but the passengers have no idea that they've lost six days, with Peter Bowles; and "The Trojan Tanker", in which a mystery woman is found in a luxury suite concealed inside an oil tanker, with Simon (Doomwatch) Oates. --Kim Newman
19 Songs: 28 Performances: 72 minutes of live Clash footage Now fully restored in HD with all new 5.1 surround sound. Filmed as a fictional documentary Rude Boy the movie follows punk (Ray Gange) as he quits his job in a West End sex shop to become a roadie for the most exciting band in the country - The Clash. Capturing THE CLASH during their 'Clash On Patrol’ & 'Sort It Out' UK tours of 1978 Rude Boy is an unparalleled film document of one of the best live bands ever. Follow the band as they tour the length and breadth of the country and headline the legendary 'Rock Against Racism Carnival' in London's Victoria Park. Gain exclusive access to the rehearsal rooms and the recording studio as they lay down tracks to their second album 'Give 'Em Enough Rope' Set against the backdrop of late 70's Britain Rude Boy is a unique piece of film making and is by far the best document of the music and attitude of the times. Bonus Features: Audio Commentary from Producers/Directors David Mingay and Jack Hazan Interview with 'Rude Boy' Ray Gange Interview with Clash Road Manager Johnny Green Interview with Film-Maker and Cameraman Jack Hazan Interview with Film-Maker David Mingay 2 Bonus Live Tracks that never made the final cut 4 Deleted Scenes 1980 Theatrical Trailer 1980 30 Second Radio Ad 'Just Play The Clash' Separate Song Menu Clash Discography with Original Sleeve Artwork Clash Image Gallery The Clash Live In Munich 3rd October - 7 Songs plus Backstage Interview Original Promotional Fanzine from 1980 Rude Boy Photo Book
Thicker Than Water' is a story of rival 'top dogs' from inner-city gangs who form an uneasy alliance during a bloody turf war and features a kicking soundtrack by some of rap's hottest stars. When the mixing equipment of DJ (Mack 10) goes up in flames and a record company executive double-crosses Lonzo (Fat Joe) the two become allies to achieve their dream of becoming music producers. DJ and Lonzo turn to Gator (CJ MAC) a successful drug-lord living the high life in New Orleans to raise the money they need and for a while the partnership is a success. But when someone rats to the police their relationship falls apart as the old rivalry resurfaces and threatens to destroy everything they've worked for...
Howard Hughes with the assistance of Howard Hawks directed this racy version of the Pat Garrett vs Billy The Kid story. The publicity campaign surrounding the film's release was a masterpiece. Armed with stills of 19-year-old Jane Russell revealing a remarkable dcolletage (while stopping to pick up a pair of milk pails!) producer/director Howard Hughes spent tens of thousands of dollars purposely to agitate the censors and arouse public indignation. He released the film independently in San Francisco in 1943 after United Artists refused to distribute it; it was quickly closed down by civic groups. Meanwhile legendary publicist Russell Birdwell leased thousands of billboards from coast to coast for three years plastering a suggestive photo of the scantily clad Russell reclining on a bed of hay gun in hand. By 1946 when Hughes finally re-released the film audiences flocked to theatres: Jane Russell was now a Hollywood star and you can see why!
Comedy greats Jimmy Jewel and Hilda Baker star as Eli Pledge and his sister Nellie in the classic award-winning comedy Nearest and Dearest. Eli - an aging lothario - and Nellie - virtuous to the last but in possession of a wonderfully flexible grip on the English language - inherit clapped out condiment company Pledge's Purer Pickles from their father. Much hilarity ensues amongst the malaproprisms bolshie workforce and none-too-subtle double entendres as the siblin
This special edition of Joe Strummer The Clash And Beuyond seeks to explore and identify the music and the reasons behind the split of one of the most iconic punk rock groups of the day The Clash. The DVD features rare footage and exclusive interviews with Joe Strummer Mick Jones Paul Simonon Topper Headon and many others!
Anti-Clock, Jane Arden and Jack Bond's last collaborative work, mixes pioneering video techniques with pin-sharp colour footage in order to create a densely woven, dream-like narrative which explores issues of personal identity and social conformity. Based on Jane Arden's extraordinary writings on the limitations of rational thought, this groundbreaking films has remained unseen since its last public screening in 1983 and is presented here in a new transfer from the original 16mm negative, along with a selection of never-before-seen special features.
Filmmaker Julien Temple chronicles the life of the antiestablishment icon known to the world as Joe Strummer.
Pop stars and movies don't normally make the best combinations; despite featuring three musicians trying their hands at the acting game On the Line is a delightful movie. The biggest draw will undoubtedly be Lance Bass and Joey Fatone of US boy band N*SYNC and while many critics may be ready with their pot shots the pair not only bring a surprisingly deft acting ability to the screen but a chemistry clearly borne of years together in a band. The film bravely refuses to play the predictable teen comedy card, opting instead for a more mature tale of romance. On the Line succeeds not only thanks to the performances but because its theme of lost opportunities is a universal one. Certainly not a film without its faults (Bon Jovi guitarist Richie Sambora's cameo is simply dreadful), On the Line has the courage of its convictions and at least tries to do something other than the expected. The result is an enjoyable effort and one that suggests Bass and Fatone may well have a prosperous future ahead of them when that Justin Timberlake fellow inevitably dumps them to go solo. On the DVD: On the Line is certainly a diverting if not startling DVD package. The commentary from director Eric Bross and the excellent Emmanuelle Chriqui is lively and informative. There is a selection of deleted and alternative scenes as well as outtakes. The HBO special is fine, if essentially one long advert for the movie. Unsurprisingly, the film enjoys a high-profile soundtrack (unwisely including the odd N*SYNC tune, rather blurring the edges of credibility) and the audio quality is suitably superb. --Phil Udell
Comedy greats Jimmy Jewel and Hilda Baker star as Eli Pledge and his sister Nellie in the classic award-winning comedy Nearest and Dearest. Eli - an aging lothario - and Nellie - virtuous to the last but in possession of a wonderfully flexible grip on the English language - inherit clapped out condiment company Pledge's Purer Pickles from their father. Much hilarity ensues amongst the malaproprisms bolshie workforce and none-too-subtle double entendres as the siblin
Scarface (Dir. Brian De Palma 1983): In the spring of 1980 the port at Mariel Harbour was opened and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami... wealth power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name - Scarface! Al Pacino gives an unforgettable performance as Tony Montana one of the most ruthless gangsters ever d
1947: the members of SADUSEA (Song And Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets...
Filmed as a fictional documentary Rude Boy follows punk Ray as he quits his job in a West End Sex shop to become a roadie for the most exciting live band in the country - The Clash 19 Songs 28 Performances 72 mins of Live Clash Footage.
Lola Versus captures the obsessions, confusions, and neuroses of contemporary urban middle class consciousness. Lola (Greta Gerwig) thinks her life is perfect--until her fiancé Luke (Joel Kinnaman) breaks up with her mere weeks before their wedding. What follows is a comic floundering, what might be a 21st-century update to 1970s "finding herself" movies like An Unmarried Woman, only the men are just as sensitive and self-absorbed as the women. Fortunately, the filmmakers keep a sense of perspective and humour about it all, and just as fortunately the movie is grounded in the unusual presence of its lead actress. Gerwig is strikingly beautiful, a fusion of a 1920s movie star and a Renaissance Madonna, but projects ordinariness. When juxtaposed with typical movie stars, she seems awkward and goofy, but when she's the centre of a movie, it all becomes suffused with her sweet approachability. The rest of the cast gets in tune, including Bill Pullman and Debra Winger as Lola's earnest, supportive parents and Hamish Linklater as Lola's best friend, Henry. The ending feels a bit tacked on, as if suddenly trying to harness the movie to a particular agenda, but the rest of Lola Versus enjoyably spins and wobbles in ways that resist easy labelling. --Bret Fetzer
Academy Award-winning director Barry Levinson yet again returns to Baltimore for inspiration with the semi-autobiographical Liberty Heights. Set in 1954, it tells the story of two young Jewish boys and their experiences of growing up in an America trying to come to terms with a changing society. The film focuses both on the sweet and innocent (the relationship between younger brother Ben and sole black student Sylvia) and the darker, more vicious side of a nation in flux. The evils of racism form a backdrop to all the intertwining plot lines--not only white against black but also widespread anti-Semitism. The young, largely unknown cast are all excellent--especially Adrien Brody and Ben Foster as the brothers and Rebecka Johnston as the quietly knowing Sylvia. Taking its cue from the great teen movies of the past, the film buzzes with the vitality of youth and of a generation on the verge of a new dawn (music plays a huge part), placing the political problems of the age in the context of adolescence to great effect. This is not Levinson's most high-profile work but certainly one of his best. On the DVD: The music of the period features heavily in the movie and dominates much of the action, so much so that it is possible to watch Liberty Heights with a music-only soundtrack. The film moves effortlessly between light and shade, both metaphorically and physically. Fair attempts have been made to provide an interesting set of extras: a gallery of interviews with the cast and director, deleted scenes and a very brief on-set documentary. --Phil Udell
Phone Booth A single phone call can change a man's life...or possibly end it. Stu Shepard is a self-centered New York City publicist who suddenly finds himself on the deadly end of a high-powered rifle scope. Now it's a real-time race against the clock as Stu must outwit a psychotic sniper in a frantic scramble from phone booth to freedom. The Siege When a crowded city bus blows up in Brooklyn and a campaign of terror begins to make its bloody mark on the streets of New York it's up to FBI special agent Anthony Hub Hubbard (Washington) and U.S. Army General William Devereaux (Willis) to find out who's responsible and put an end to the destruction. Speed Hold on tight for a rush of pulse-pounding thrills breathtaking stunts and unexpected romance in a film you'll want to see again and again. Keanu Reeves stars as Jack Traven an LAPD Swat team specialist who is sent to defuse a bomb that a revenge-driven extortionist (Dennis Hopper) has planted on a bus. But until he does Jack and passenger Sandra Bullock must keep the bus speeding through the streets of Los Angeles at more than 50 miles an hour - or the bomb will explode!
A victim of bullying at a US military academy finds an ancient book of magic in a secret temple beneath the academy chapel. He sets out to get even with his tormentors with the aid of a computer and some black magic with bloody and horrific results.
The Outlaw is a fascinating Western with a determindly off-beat story about Doc Holliday Pat Garrett and Billy the Kid coming to conflict over Holliday's stolen horse and the voluptuous halfbreed played by Jane Russell. The script is often disarmingly tongue in cheek and there is a weird eroticism to the film.
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