Gilda, are you decent? RITA HAYWORTH (The Lady from Shanghai) tosses her hair back and slyly responds, Me? in one of the great star entrances in movie history. Gilda, directed by CHARLES VIDOR (Cover Girl), features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (Paths of Glory's GEORGE MACREADY), as well as the former flame of his bitter henchman (3:10 to Yuma's GLENN FORD), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino's glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs. BLU-RAY SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack Audio commentary from 2010 by film critic Richard Schickel New interview with film noir historian Eddie Muller Appreciation of Gilda from 2010 featuring filmmakers Martin Scorsese and Baz Luhrmann Rita Hayworth: The Columbia Lady, a 2000 featurette on Hayworth's career as an actor and dancer Trailer PLUS: An essay by critic Sheila O'Malley
A tough hard-drinking gold prospector agrees to pick up his partner's fiance but winds up with a beautiful substitute. When both partners begin vying for her favour trouble inevitably breaks out!
*Titles to be confirmed
Among Stanley Kubrick's early film output The Killing stands out as the most lastingly influential: Quentin Tarantino credits the film as a huge inspiration for Reservoir Dogs and just about any movie or TV show that plays around with its own internal chronology owes the same debt. This sort of convoluted crime caper had really kicked off with John Huston's The Asphalt Jungle in 1950. From then on, nouveau noir scripts kept trying to find new ways of telling very similar stories. Here the novel Clean Break is adapted for the screen in a jigsaw-puzzle structure that caught Kubrick's eye. With a dry narration we're introduced to the key players in a racetrack heist as it's being planned, but the story bounces back and forth between what happens to each of them during and before the big event. All of this keeps the audience guessing as to exactly how it will go wrong, while the downbeat telling, the unsympathetic characters and the excessively dramatic score clearly foretell that it will go wrong from the start. The denouement is comically daft no matter how many times you see it. On the DVD: The Killing is a no-frills DVD transfer, in 4:3 ratio and with its original mono soundtrack. Criminally, just one trailer is all that's been dug up as an extra. --Paul Tonks
A meteor crashes in the desert near a small Arizona town and research scientist John Putnam (Richard Carlson) thinks it's a spaceship but no one will believe him except his loyal girlfriend Ellen (Barbara Rush). Weird evidence begins to back up his theory however from the strange behavior of some of the locals to the slime trails the ghostly noises in the phone lines and the apparitions of hideous alien eyes swooping down on passing cars. Director Jack Arnold (Creature Fro
Hit The Ice: Flash Fulton (Bud Abbott) and Weejie McCoy (Lou Costello) take pictures of a bank robbery. Lured to the mountain resort hideout of the robbers and accompanied by Dr. Bill Elliott (Patric Knowles) and Peggy Osborn (Elyse Knox) they also meet old friend Johnny Long (Himself) and his band and singer Marcia Manning (Ginny Simms). Dr. Elliott and Peggy are being held in a remote cabin by the robbers but Weejie rescues them by turning himself into a human snowball that becomes an avalanche that engulfs the crooks. Lost In Alaska: Set in San Francisco at the turn of the century the comic duo undertake rescue missions as firemen.
Howard Hughes with the assistance of Howard Hawks directed this racy version of the Pat Garrett vs Billy The Kid story. The publicity campaign surrounding the film's release was a masterpiece. Armed with stills of 19-year-old Jane Russell revealing a remarkable dcolletage (while stopping to pick up a pair of milk pails!) producer/director Howard Hughes spent tens of thousands of dollars purposely to agitate the censors and arouse public indignation. He released the film independently in San Francisco in 1943 after United Artists refused to distribute it; it was quickly closed down by civic groups. Meanwhile legendary publicist Russell Birdwell leased thousands of billboards from coast to coast for three years plastering a suggestive photo of the scantily clad Russell reclining on a bed of hay gun in hand. By 1946 when Hughes finally re-released the film audiences flocked to theatres: Jane Russell was now a Hollywood star and you can see why!
The legendary Rita Hayworth sizzles with sensuality and magnetism as she sings ""Put the blame on Mame"" and delivers a dazzling performance as the enticing temptress Gilda. In the story of Gilda Johnny Farrell (Glenn Ford) goes to work for Ballin Mundson (George MacReady) the proprietor of an illegal gambling casino in a South American city and quickly rises to become Mundson's ""main man"". All is well until Mundson returns from a trip with his new bride Gilda - a woman from Johnn
Big Sam and the Big Adventure! A tough Alaskan gold digger (John Wayne) agrees to pick up his partner's (Stewart Granger) fiancee but winds up bringing back a beautiful substitute instead. With both men vying for her favor trouble inevitably breaks out between the best friends exacerbated by a shifty con-man (Ernie Kovacs) hoping to steal the men's gold claim. The Duke is in usual macho form in this entertaining Alaskan adventure based on the play 'Birthday Gift' by Laszlo
Buck Privates Come Home: Two ex-soldiers return from overseas--one of them having smuggled into the country a French orphan girl he has become attached to. They wind up running into their old sergeant--who hates them--and getting involved with a race-car builder who's trying to find backers for a new midget racer he's building. The World Of Abbott And Costello: A compilation of clips from 19 Abbott & Costello features: The Wistful Widow of Wagon Gap In the Navy Hit the Ice Who Done It? Abbott and Costello Meet Frankenstein Mexican Hayride Hold That Ghost Abbott and Costello in the Foreign Legion Little Giant In Society Ride 'Em Cowboy The Naughty Nineties Buck Privates Come Home Buck Privates Abbott and Costello Meet the Keystone Kops Lost in Alaska Comin' Round the Mountain Abbott and Costello Go to Mars and Abbott and Costello Meet the Mummy.
The Outlaw is a fascinating Western with a determindly off-beat story about Doc Holliday Pat Garrett and Billy the Kid coming to conflict over Holliday's stolen horse and the voluptuous halfbreed played by Jane Russell. The script is often disarmingly tongue in cheek and there is a weird eroticism to the film.
Department of Weights and Measures Inspector Johnny Cave finds himself in the midst of deceitful government officials when he takes over for his boss whom the officials have beaten and put in the hospital. Cave quickly acts to turn everyone in but his corrupt counterparts refuse to go quietly. Soon he exposes the hidden government agenda that has his coworkers bilking the American taxpayers out of several thousand dollars per year by stealing an equally small amount from everybod
The publicity campaign surrounding The Outlaw's release was a masterpiece. Armed with stills of 19-year-old Jane Russell revealing a remarkable dcolletage (while stopping to pick up a pair of milk pails!) Producer/Director Howard Hughes spent tens of thousands of dollars purposely to agitate the censors and arouse public indignation. He released the film independently in San Francisco in 1943 after United Artists refused to distribute it; it was quickly closed down by civic groups.
A very loose retelling of the legendary story of Pat Garrett and Billy The Kid the film achieved notoriety thanks to the lead female Jane Russell. Aged just 19 when the film was made her ample physical attributes were such that the producer and director Howard Hughes spent thousands advertising the film in advance of its release with the slogan 'what are the two reasons for Jane Russell's rise to stardom?' The film was initially banned (which Hughes wanted) although this did not st
Jane Russell plays a busty siren who steals the heart of Billy the Kid in this Howard Hughes directed story which centres on the rivalrous tentative friendships between Billy Doc Holiday and Pat Garrett.THIS VERSION CONTAINS EROTIC SCENES BANNED IN 1941.
The Outlaw
The factual biography of the man who as a boy designed aeroplanes and went on to build a business empire of airlines hotels ans casinos and as a filmmaker produced some of Hollywood's most enduring films including Hell's Angels Scarface and The Outlaw. Yet behind the glamour the fame and the fabulous there lurked a darker side a sick isolated and deeply unhappy man who hid behind his image and ended up a prisoner of his own insanity.
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