Brimming over with style, intelligence and flashing wit, this splendid, irresistible film from director Rob Reiner is one of the best-loved romantic comedies of all time.
Arguably the finest film of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this film's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi films (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. --Mark Walker Total Recall, director Paul Verhoeven's mega-budget sci-fi action blockbuster from 1990, began its production life as a very different film. An adaptation of the Philip K Dick short story "We Can Remember It for You Wholesale", it was originally conceived with Richard Dreyfuss starring as a Walter-Mitty-like character that experiences a variety of artificially induced fantasies. But with Arnold Schwarzenegger on board, the final version took a rather different direction. The Austrian Oak plays a normal working man who discovers his entire reality has been invented to conceal a scheme for planetary domination on Mars. Oscar-winning special effects and violent action propel the twisting plot, in which Arnold manipulates his manipulators in a world of dazzling high technology. Verhoeven (Robocop, Starship Troopers) indulges his usual penchant for gratuitous bloodshed, but the film has enough cleverness to rise above its excesses. --Jeff Shannon, Amazon.com
In Zack Snyder's Justice League, Bruce Wayne aligns forces recruiting a team of metahumans to protect the world from an approaching threat of catastrophic proportions.
When Harlem P.I John Shaft first appeared on the movie scene, he was a 'shut your mouth' detective to reckon with, a fact underscored by Isaac Hayes' Oscar - winning Best Original Song (1971). Richard Roundtree plays the hard-hitting, street- smart title role, hunting for a kidnap victim in Shaft (1971) and seeking a friend's murderer in Shaft's Big Score! - mixing it up with mob thugs each time. Finally, there's Shaft in Africa, with our hero bringing down a slavery cartel. Shaft's the name. Excitement's the game! Special Features: Behind The Scenes Documentary Soul In Cinema: Filming Shaft On Location Shaft: The Killing (1973 TV Episode) Theatrical Trailers
The winner of the audience award at this year's Edinburgh Film Festival.
Maybe "nobody's perfect", as one character in this masterpiece suggests. But some movies are perfect, and Some Like It Hot is one of them. In Chicago, during the Prohibition era, two skirt-chasing musicians, Joe and Jerry (Tony Curtis and Jack Lemmon), inadvertently witness the St Valentine's Day Massacre. In order to escape the wrath of gangland chief Spats Colombo (George Raft), the boys, in drag, join an all-woman band headed for Florida. They vie for the attention of the lead singer, Sugar Kane (Marilyn Monroe), a much-disappointed songbird who warbles "I'm Through with Love" but remains vulnerable to yet another unreliable saxophone player. (When Curtis courts her without his dress, he adopts the voice of Cary Grant--a spot-on impersonation.) The script by director Billy Wilder and I.A.L. Diamond is beautifully measured; everything works, like a flawless clock. Aspiring screenwriters would be well advised to throw away the how-to books and simply study this film. The bulk of the slapstick is handled by an unhinged Lemmon and the razor-sharp Joe E. Brown, who plays a horny retiree smitten by Jerry's feminine charms. For all the gags, the film is also wonderfully romantic, as Wilder indulges in just the right amounts of moonlight and the lilting melody of "Park Avenue Fantasy". Some Like It Hot is so delightfully fizzy, it's hard to believe the shooting of the film was a headache, with an unhappy Monroe on her worst behaviour. The results, however, are sublime. --Robert Horton
True to the spirit of a great Disney classic, this extraordinary film bursts with music and adventure from Just Around the Riverbend, and now, for the first time, witness it all in high definition on Blu-ray.Along the edgewaters of Virginia, Pocahontas, the free-spirited daughter of Chief Powhatan, watches as a mysterious shipload of English settlers arrives, led by the greedy Governor Ratcliffe and the courageous Captain John Smith. Along with her playful pals, Meeko, a mischievous raccoon, and feisty hummingbird, Flit, Pocahontas develops a strong friendship with Captain Smith. But when tensions mount between their two very different cultures, Pocahontas seeks the lively wisdom of Grandmother Willow to help her find a way for everyone to live together in peace.Winner of two Academy Awards (1995) for Best Song ('Colours Of The Wind) and Best Musical Score, Pocahontas surrounds you with the riches of another glowing winner in Disney's animated hit parade!
Doc Martin box set, every episode to date.
An ultimately futile attempt to make lightning strike twice, this so-called spin-off from 1993's blockbuster The Fugitive avoids the label of "sequel" by forging ahead without the first film's star, Harrison Ford. The idea is to showcase the return of Tommy Lee Jones in his Oscar-winning role as tenacious U.S. Marshal Sam Gerard, this time testing his mettle against a covert government operative (Wesley Snipes) accused of murdering two secret service attachés. Unfortunately, Jones and the entire cast have been trapped in a rambling plot, and the underdog status that made Ford such a compelling hero is sacrificed to an evenly matched and eventually tiresome game of cat and mouse, with a villain whose identity is far too predictable. With no dramatic build-up and several superfluous characters to distract its focus, the film's momentum plays out like a rote exercise compared to the high stakes of the earlier film. --Jeff Shannon
Eureka is a seemingly ordinary place whose residents lead ordinary lives... at least to the naked eye. Shrouded in secrecy the picturesque town is actually a community of scientific geniuses secretly relocated by the government to conduct top-secret research. This hit series smartly roots itself in reality as the drama of the townsfolk stems from life's myriad of everyday challenges. But with the population's unique talents troubled psyches and limitless resources these small-town concerns have a way of becoming big-time problems. It is at that intersection where human frailty and super-science collide - that Eureka begins. Let this Complete Series Collection take you to another place as you watch every episode from each of the five seasons back-to-back and uninterrupted! Special Features: Hard of Hearing Subtitles on Season 5 Audio Commentaries Podcast Commentaries Deleted Scenes Extended Scenes Gag Reels Outtakes Made in Eureka Happenings Around Town The Second Season Sci-Fi.com Web Casts Inside the Writer's Room Creating a Musical Personality Finishing Touch: The Visual Effects in Eureka The Mythology of Eureka Anatomy of an Episode: Jack of All Trades Ode to Carl the Jeep This Song is on the House A Fond Farewell
Michael Felgate (Hugh Grant), an elegant, debonair Englishman who runs an auction house in New York, is head-over-heels in love for the first time in his life.
There was a rare magic on the big screen in 1995, when the people at Pixar came up with the first fully computer-animated film, Toy Story, and their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty that it's hard to find the film anything less than irresistible. Brighter and more colourful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warriors--and brings them back to the colony. Unfortunately they are just travelling performers, afraid of conflict. As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybird, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick insect and Michael McShane as a pair of unintelligible woodlice. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big soft spot for Flik. More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise in store for the villain. However, the film--a worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy invasion in Saving Private Ryan. --Doug Thomas
When LeBron James and his son are trapped in a digital space by a rogue A.I., it's Tunes vs Goons in the higheststakes challenge of his life that will redefine the bond with his son.
When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and opens the door to the spirit world forcing them to choose who to trust: the dead or the living.
Exiled from their home nations, four strangers from separate corners of the earth agree to undertake a dangerous mission to transport unstable dynamite through the dense jungle of South America in order to earn their passage home. When the slightest bump in the road could equal instant death, the real question is not whether these men will survive this nerve-shredding ordeal but who will they have become if they return at all? After the success of The French Connection and The Exorcist, William Friedkin began work on his biggest project to date. Seizing the moment, he embarked on an ambitious and lengthy shoot in the dense jungles of the Dominican Republic and like Werner Herzog with Fitzcoraldo and Francis Ford Coppola on Apocalypse Now, Friedkin battled the elements, came face-to-face with nature and emerged victorious. Now, 40 years since its release, Sorcerer is regarded by critics and ï¬lmmakers alike as a true lost cinematic masterpiece a feat of ï¬lmmaking that encapsulates the revolutionary artistry of 1970s American cinema that is a triumph to behold Special Features: Sorcerers A Conversation with William Friedkin and Nicolas Winding Refn (74 mins) The Mystery of Fate A letter from director William Friedkin Newly commissioned artwork to celebrate the 40th Anniversary Reversible sleeve containing the newly commissioned and original theatrical artwork
John Carpenter's classic Escape from New York has been stunningly restored in 4K. The year is 1997 and in a police state future the island of Manhattan has been turned into a maximum security prison. The rules are simple: once you're in, you don't come out. But when the President of the United States (Donald Pleasance) crash lands an escape pod into the centre of the city after fleeing a hijacked plane, a ruthless prison warden (Lee Van Cleef) bribes ex-soldier and criminal Snake Plisskin into entering the hazardous Manhattan and rescuing the distraught president from the twisted world of New York and from the demented clutches of its new ruler The Duke (Isaac Hayes) in John Carpenter's cyber-punk, action, suspense spectacular. The 2018 restoration of ESCAPE FROM NEW YORK was made from the 35mm original camera negative. A full 4K 16bit workflow was applied to create a 4K DCP, UHD version and a new HD version which were produced with the same high technological standards as today's biggest international film releases. The restoration and new UHD version was colour graded and approved in Los Angeles by the Cinematographer, Dean Cundey. Extras include: Purgatory: Entering John Carpenter's ESCAPE FROM NEW YORK: A brand retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with writer Nick Castle, cinematographer Dean Cundey, composer Alan Howarth, production designer Joe Alves, special visual effects artist/model maker Gene Rizzardi, production assistant David De Coteau, photographer Kim Gottleib-Walker, Carpenter biographer John Muir, visual effects historian Justin Humphreys, and music historian Daniel Schweiger. Snake Plissen: Man of Honor featurette from 2005 featuring interviews with John Carpenter and Debra Hill Deleted Opening Sequence Snake's Crime with Optional Audio Commentary Photo gallery incl. Behind the Scenes Original Trailers Audio Commentary with actor Kurt Russell & director John Carpenter Audio Commentary with Producer Debra Hill and production designer Joe Alves Big Challenges in Little Manhatten: Visual effects featurette from 2015, features interviews with both Dennis Skotak, Director of Photography of Special VFX, and Robert Skotak, Unit Supervisor and Matte Artist I am Taylor - Interview with actor Joe Unger from 2015 Audio Commentary with actress Adrienne Barbeau & DOP Dean Cundey
A BRAND NEW RESTORATION James Cameron's epic action, sci-fi masterpiece starring Schwarzenegger in his most iconic role, has been stunningly restored by Cameron himself. First hitting our screens in 1991 with ground-breaking special effects, this version will take the seminal blockbuster to the next level of effects and into the 21st century for a new generation of fans. It has been 10 years since the events of Terminator. Sarah Connor's ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he's still a child. Sarah and John don't have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun Extras: NEW - T2: Reprogramming The Terminator documentary (including exclusive interviews with Arnold Schwarzenegger, James Cameron, Edward Furlong and many more) 2 feature Commentaries; 23 members of Cast & Crew (1993)/ director James Cameron & co-author William Wisher The making of T2 1993 Seamless Branching of the Theatrical cut, Director's Cut and Special extended edition 2 Deleted Scenes with audio commentary Trailers NEW T2:3D trailer (2017) T2 theatrical trailer This time there are two'/ Same make new mission'/ Building the perfect Arnold
Baby Bink is out on the town for the day visiting wonderous places and seeing fantastic sights. The only problem is he is travelling alone. Frantically hunted by his mother and turned into a celebrity by the media Baby Bink is cool calm collected and totally unaware of the havoc he wreaks this daytrip is a hilarious mix of comedy and groundbreaking special effects.
A young lad finds friendship with a gang of skinheads in this tough and gritty movie from director Shane Meadows.
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