Director Richard Linklater turned his free-range verite sensibility on the 1970s in Dazed and Confused after changing the world with the generation-defining Slacker. As before, his all-seeing camera meanders across a landscape studded with goofy pop culture references and poignant glimpses of human nature. Only this time around, he's spreading a thick layer of nostalgia over the lens (and across the soundtrack). It's as if Fast Times at Ridgemont High was directed by Jean-Luc Godard. The story deals with a group of friends on the last day of high school, 1976. Good-natured football star Randall "Pink" Floyd navigates effortlessly between the warring worlds of jocks, stoners, wannabes and rockers with girlfriend and new-freshman buddy in tow. Surprisingly, it's not a coming-of-age movie, but a film that dares ask the eternal, overwhelming, adolescent question, "What happens next?". It's a little too honest to be a light comedy ("If I ever say these were the best years of my life, remind me to kill myself.") But it's also way too much fun to be just another existential-essay-on-celluloid. --Grant Balfour
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! In Horror of the Blood Monsters vampires are overrunning Earth (cheaply), so John Carradine leads a space mission (rocket footage from another film) to the planet the bloodsuckers come from, and the astronauts vaguely interact with tinted black and white footage from a Filippino prehistoric epic. It makes no sense whatsoever. --Kim Newman
Western Swing violinist Bob Wills performs his unique blend of country blues Big Band and country western music in this biographical documentary featuring appearances by Mel Tillis Eldin Shamblin Clarence Cagle and others. Performances include: Sittin' On Top Of The World Home In San Antone Lone Star Rag Goodbye Liza Jane Time Changes Everything San Antonio Rose and more...
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