""I'm trying to make an intelligent film about murder whilst actually doing the murders...."" Julian Richards' independent slasher horror film is a disturbing journey through the mind of Max Parry a mild-mannered wedding photographer with a rapacious hunger for human flesh...
The Reichsfuhrer-SS Heinrich Himmler was Adolf Hitler's most loyal henchman and one of the most feared men of WWII. Surprisingly, he had only one problem... He had no stomach for murder! When the Reichsfuhrer-SS becomes physically ill during the execution of Russian POW's on the Eastern front in 1941. Ruthless, careerist SS General Hans Shellenberg rats Himmler out to the Fuhrer, Adolf Hitler. Hitler tests his loyal Heinrich forcing him to commit the murder of a Polish prisoner named Danuta with his own hands. Thus awakening the Monster within him that will horrify the world for generations to come! Himmler may please his Fuhrer in 1941, but what awaits him after he commits suicide in 1945 is nothing less than Hell itself. See what happens when Himmler meets Erebus, the gatekeeper of Hell! See the nightmarish suffering that awaits the infamous Nazi leader who murdered millions!
The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'.
Mother Fitch and her girls have an insatiable taste for men; their flesh that is. The Delta Delta Pi sorority girls are not only the most popular and wealthy on campus but also the most deadly. Now as they prepare for the 20th Anniversary Homecoming a meddlesome student Tobias has enlisted the help of DPP Charter Member Rhonda Cooper. Together they attempt to end the soroity's reign of terror that grips this California campus.
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! In Horror of the Blood Monsters vampires are overrunning Earth (cheaply), so John Carradine leads a space mission (rocket footage from another film) to the planet the bloodsuckers come from, and the astronauts vaguely interact with tinted black and white footage from a Filippino prehistoric epic. It makes no sense whatsoever. --Kim Newman
Possibly the best horror film ever made this brilliant adaptation of Ira Levin's best-selling novel is the story of a loving young New York city couple who are experiencing their first child. Like most first time mothers Rosemary experiences confusion and fear. Her husband an ambitious but unsuccessful actor makes a pact with the devil that promises to send his career skyward. Director Roman Polanski elicits uniformly extraordinary performances from the all-star cast. Ruth Gord
Robocop: A sadistic crime wave is sweeping across America. In Old Detroit the situation is so bad a private corporation Omni Consumer Products (OCP) has assumed control of the police force. The executives at the company think they have the answer - until the enforcement droid they create kills one of their own. Then an ambitious young executive seizes the opportunity. He and his research team at Security Concepts create a law enforcement cyborg from the body of a slain officer. All goes well at first. Robocop stops every sleazeball he encounters with deadly piercing and sometimes gruesome accuracy. But there are forces on the street and within Security Concepts itself that will stop at nothing to see this super cyborg violently eliminated... Terminator: In 2029 giant super-computers dominate the planet hell-bent on exterminating the human race! And to destroy man's future by changing the past they send an indestructible cyborg - a Terminator - back in time to kill Sarah Connor (Linda Hamilton) the woman whose unborn son will become mankind's only hope. Can Sarah protect herself from this unstoppable menace to save the life of her unborn child? Or will the human race be extinguished by one mean hunk of mutant metal? Rollerball (1975): Set in 2018 Rollerball is a sensation glimpse of a future where the world is ruled by six giant corporations; a place where there is no war no poverty and no unrest but also no free will and no God. There is still a place for violence in this antiseptic world of plenty and mankind''s vicious and sadistic impulses are vented in the Rollerball arena a violent and deadly game broadcast world-wide to satisfy the bloodlust of millions. James Caan is outstanding as Jonathan E the game''s greatest player a man whose devastating talent threatens to make him a hero - and a threat to the Corporations'' grip on power. When Jonathan is asked to retire he refuses electing instead to captain his team to the world finals in an escalating spiral of carnage.
Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with "a Dennis Hopper film". Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by the modern art frills of the chase plot. The film opens with LA-based conceptual artist Jodie Foster, looking chunkily terrific just before her adult career took off, suffering a minor breakdown on the freeway and happening on a gangland execution. Pint-sized mob boss Joe Pesci sets his killers on her but the crooks ineptly murder Foster's boyfriend (Charlie Sheen, taking a very early bath). Pesci calls in Hopper, a professional hitman who immerses himself in Foster's life and art in order to track her down only to develop an obsessive crush on the woman. When he finds her, he gives her the choice between getting rubbed out or becoming his property. Hopper retains the knack for finding odd-looking byways of rural America, but is uncomfortable with helicopter chases and shoot-outs. The leads, despite great chunks of missing story, are both interesting--Foster sexily vulnerable and Hopper doing a wry New York drawl as the sax-playing hit man. Catchfire also offers an amazing supporting cast of the director's friends, including Dean Stockwell, Vincent Price, Catherine Keener (Being John Malkovich), Tony Sirico (The Sopranos), Bob Dylan (with a chainsaw), Helena Kallianotes (Five Easy Pieces), Julia Adams (The Creature from the Black Lagoon), and John Turturro.On the DVD: the film itself comes in a good-looking widescreen transfer, but the lack of special features let the disc down, with only feeble notes for three cast members (and no Smithee filmography). --Kim Newman
A young cowboy (Wayne) breaks out of jail after being falsely accused of murder and must prove his innocence before the authorities lock him back up...
In a format that ought to be widely emulated, this Composers of Our Time feature comprises a portrait of American composer John Adams, followed by a concert that places his music in a suitable context. Adams has come a long way from the Harvard graduate who travelled to San Francisco in the early 1970s, taking a number of menial jobs while he discovered his own idiom. Those years are vividly recalled by the composer, and the seven-part documentary also features extracts from three of his stageworks, all of which are controversial but relevant in their choice of topics and handling of issues. David Jeffcock's direction makes the most of some stunning West Coast scenery, and the only real drawback here is the plodding, clichéd narration. The concert portion was filmed live at the Chatelet in Paris, and features the Ensemble Intercontemporain and Jonathan Nott, currently their Music Director and a conductor with a future. André Trouttet is the scintillating soloist in Adams' stylish if vacuous clarinet concerto Gnarly Buttons, while the musically more substantial Chamber Symphony is given virtuoso treatment, as are Steve Reich's classic Eight Lines and arrangements of two Player Piano Studies by Conlon Nancarrow. On the DVD: Composers of Our Time: John Adams comes with options of PCM Stereo, Dolby Digital 5.0 or DTS 5.0, while the 16:9 picture format captures Bob Coles' perceptive direction in full. Subtitles are in English, French, German and Spanish, and there are three related Arthaus trailers. It all adds up to a stimulating and informative package. --Richard Whitehouse
The all time classic tale of a massive escape from a World War Two German Prisoner of War camp released as a two disc DVD set with a host of extra features.
In 1945 during the final death throes of the Third Reich a crack division of SS Shock Troops went down aboard their ship. They had supposedly drowned beneath several fathoms of ocean. Yet there was one thing about them the world didn't know: they couldn't die as they had never been alive in the first place. Genetically engineered and adaptable to battle conditions anywhere (even under water) these were the Gestapo outfits known as the Death Corps pathological murderers and criminals with an innate desire for violence...
This Western adapted from a serial follows a young man in search of his father's killer known as 'The Wrecker'...
A documentary focusing on music legend John Adams.
A young cowboy (Wayne) breaks out of jail after being falsely accused of murder and must prove his innocence before the authorities lock him back up...
Jessica Cameron works for a high-powered Los Angeles ad agency. Her husband Matthew is a successful attorney. Although they are happy with their career-driven lives they reconsider their values after Matthew's old college pal Alex drops in for a visit. The guest convinces Matthew to come to the rescue of a homeless shelter that a cold-blooded developer has been trying to shut down. However a major complication develops for the lawyer when he learns that his wife's company represents the villain in another capacity.
The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'.
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