When Cirque du Soleil first ventured beyond Canada's borders, its powerful, singularly ambitious "reinvention of the circus" seemed quixotic. Inspired by European precedents, this was a big top downsized to a more intimate, single ring, as the French-Canadian troupe jettisoned animals, banished the usual fright-wigged clowns in favour of funny folks versed in (gulp) pantomime, and focused on acrobats, contortionists and illusionists. Conventional wisdom would have held that such esoterica was doomed, but anyone lucky enough to catch that initial Cirque production (or, for that matter, any of its subsequent offerings) knows just how wrong conventional wisdom can be.Cirque's creative brain trust, including "guide" Guy Laliberte and director Franco Dragone, have crafted each production as an extended performance piece framed by recurrent characters, unified production design and underlying themes. Already mesmerising visual tableaux and astonishing illusions are given an added poignancy (and, occasionally, true gravity) by the productions' underlying comments about society, conformity, beauty and emotion; even without such conscious motifs, however, Cirque's sheer artistry is never less than riveting.Quidam revolves around an Everychild, living with self-absorbed (and deliberately archetypal) parents, who is whisked away to a vividly surreal world where Cirque's remarkable acrobats and artists take literal flight. Their tools are often prosaic--oversized flying rings, an open steel wheel large enough for a single inhabitant, skateboards, ropes--yet the resulting images are stunning. Injecting further drama and atmosphere is the score (here by musical director Benoit Jutras), which is as far removed from traditional circus music as Cirque's "acts" are from Barnum & Bailey. Performed with synthesisers, electric guitar, solo reed instruments, percussion and voice (often singing in a kind of Esperanto that's tantalising yet foreign), Cirque's music can be dismissed as New Age only until heard in its intended context. Quidam can't quite achieve the sheer, enveloping wonder that its theatrical source does, but for fans of Cirque du Soleil's unique performance art, this latest presentation sustains the troupe's magic. --Sam Sutherland, Amazon.com
Jack Ford leads a special forces unit back to the United States to hunt down Jake Gabriel a soldier who has been infected with the werewolf virus that turns man into wolf. Little does Jack know that three of the female soldiers in his unit have also been infected and have already transformed into she-wolves. The she-wolves forces of evil and Ford's special ops forces of good are pitted against each other in the race to save mankind from turning into wolves.
It was the knight of their lives... A tough street gang and rock band with determination and musical ambition are aware of the struggle they face to succeed as a band whilst surviving an ongoing feud with a rival gang....
Bean - The Ultimate Disaster Movie: When the Royal National Gallery of London is asked to send their finest scholar to oversee the unveiling of Whistler's Mother in California they send their most inept and detested employee in a desperate attempt to get him out of their lives. That employee is Mr. Bean - the master of disaster! Within days of his arrival Mr. Bean destroys virtually everything he comes into contact with be it the career and marriage of his host or America's greatest painting. Forget volcanoes and alien invasions - horror now has a human face. Johnny English: Rowan Atkinson plays bumbling Johnny English the last remaining British spy and Brtain's last hope. With the assistant of his sidekick Bough he must investigate the mysterious theft of The Crown Jewels. The prime suspects are Pascal Sauvage a mysterious French entrepeneur and the enticing Lorna Campbell. Johnny must get to the truth without denting the nation's pride... or his Aston Martin!
Ken Marks (Kenn Scott) finds a dangerous enemy on his first day at his new school - an enemy who makes his living as the champion of an illegal fighting operation. School caretaker and ex-cop Billy Grant (Billy Blanks) takes on the task of training Ken to defend himself - but what Billy doesn't know is that the man behind it all is the one man from his past who wants him dead. The action is fast and the kickboxing is furious!
Since the beginning of time monstrous Demons and noble Guardians have battled for Earth - the everlasting gift of the one great Mother creator of all life. A deep hatred burns between Demon and Guardian; the Guardians prevented the Demons from destroying humanity and the world itself. Eons later Neo-Shinjuku City: few Demons or Guardians remain to continue their epic war. Humans rule the Earth with no real memory of either Demons or Guardians. Yet deep within the dark underworld
Men Of Honour: One of those rare films that grabs you by the gut and never lets go 'Men Of Honour' was inspired by the life of Carl Brashear (Cuba Gooding Jr.) an African American who dared to dream of becoming a U.S. Navy Master Diver. Despite a bigoted training officer (Robert De Niro) and a tragic shipboard accident Carl never gives up and achieves the impossible in an incredible finish that will leave you cheering. Tigerland: Roland Bozz after being conscripted into the US army joins a platoon of other young soldiers preparing to fight in Vietnam. He has no interest in fighting for his country and tries to get sent home as a trouble maker but his superiors mistake his defiance as intelligence and he soon gets a chance to try his hand at leadership... The Thin Red Line: A powerful front line cast including Sean Penn Nick Nolte Woody Harrelson and George Clooney explodes into action in this hauntingly realistic view of military and moral chaos in the Pacific during World War II. Nominated for seven Academy Awards including Best Picture and Best Director (Terrence Malick) The Thin Red Line is an unparalleled cinematic masterpiece.
The Bogey Man had been banned since 1982. The Bogey Man is the chilling story of concentrated evil and its gruesome effect on a small American farming community. The evil is so great that even exorcism cannot stop the blood-bath. As a young girl Lucy witnessed her brother murder her mother's lover. In an attempt to recover her psychological turmoil she later visits the house and finds the demons have not left.
Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Special Features Looking At The World In A New Way: The Making Of Tenet - An Exploration Of The Development And Production Of The Film As Told By The Cast And Crew. Looking At The World In A New Way: The Making Of Tenet: I. The Principle Of Belief - Christopher Nolan Talks About Why He Wanted To Make This Film And The Twists He Wanted To Bring To The Spy Genre. Looking At The World In A New Way: The Making Of Tenet: Ii. Mobilizing The Troupe - The Filmmakers To Talk About Casting And What The Actors Brought To Their Roles. Looking At The World In A New Way: The Making Of Tenet: Iii. The Approach - The Company Discusses How Nolan&Rsquo;S Filmmaking Philosophies And In-Camera Approach Applied To The Challenges In This Film. Looking At The World In A New Way: The Making Of Tenet: Iv. The Proving Window - A Look At The Cinematography And The Unique Ways They Shot The Movie. Looking At The World In A New Way: The Making Of Tenet: V. The Roadmap - Examining The Ways The Cast And Crew Kept Track Of The Continuity Across Multiple Perspectives And Timelines. Looking At The World In A New Way: The Making Of Tenet: Vi. Entropy In Action - Breaking Down The Complex Action In The Film And The Stunt Requirements For The Actors. Looking At The World In A New Way: The Making Of Tenet: Vii. Traversing The Globe - Exploring The Logistics Of Travelling And Shooting In Real Locations As Well As Capturing The Epic Marine Sequences In Different Countries Around The World. Looking At The World In A New Way: The Making Of Tenet: Viii. How Big A Plane? - The Story Of The Dramatic Crashing Of A Real 747. Looking At The World In A New Way: The Making Of Tenet: Ix. The Dress Code - Costume Designer Jeffrey Kurland Takes Us Through Some Of The Iconic Costumes From The Film. Looking At The World In A New Way: The Making Of Tenet: X. Constructing The Twilight World - A Look At The Practical Sets Designed And Built By Nathan Crowley & Team And The Techniques They Used To Enhance The Scope And Scale Of The Film. Looking At The World In A New Way: The Making Of Tenet: Xi. The Final Battle - Inside The Epic Sequence Which Had The Cast And Crew Using Everything That They Had Learned On The Film To Pull It Off. Looking At The World In A New Way: The Making Of Tenet: Xii. Cohesion - Nolan Discusses His Approach Of Involving The Composer And The Editor Early On In The Pre-Production And All The Way Through The Completion Of The Film To Truly Integrate Them Into The Creative Process. Looking At The World In A New Way: The Making Of Tenet: Xiii. Doesn't Us Being Here Now Mean It Never Happened? - The Cast And Crew Discuss The Unique Experience Of Working On The Film.
Its creator made it in her own image. The military made it deadly. Now only one man can stop her! The perfect wartime machine Eve III is an android armed with a nuclear warhead designed to infiltrate any hostile area. When she is caught in the crossfire of a bank robbery she locks into battlefield mode and will self-destruct unless her creator and a counter-insurgency expert can overcome their personal differences and stop her.
With his 1956 play 'Look Back in Anger' British dramatist John Osborne renewed the emotional and rhetorical intensity of English theatre. Unfortunately misunderstanding and controversy surrounded most of his career. This program reconstructs Osborne's life and artistic journey using rarely seen archival films and firsthand accounts from the author's inner circle. A veritable who's who of the London stage appears here-including Laurence Olivier Albert Finney Nicol Williamson Rich
Three Londoners head off into the depths of the English countryside to share some Christmas cheer but posh soap star Julian (Cole) tabloid journalist Jade (Brand) and Latino shag monster Carlos (Rudolf) get more than they bargained for when their Yuletide trip becomes a drug fuelled orgy of violent horror! As lusty farm girl Sam (Page 3 model Jodie Shaw) loses her mind on Angel Dust all hell breaks loose when her inbred pig farmer family take their savage revenge...
In 1588 a Spanish ship from the defeated Armada puts into a British port for repairs. The dastardly Captain Robeles (Lee) instructs his men to persuade the villagers that the invaders were successful and that the British should bend to the Spanish will. When this fails and an organised resistance is formed Robeles resorts to ever more terrifying means to quell the insurrection while his ship is being repaired...
A scientific experiment designed to create a superhuman being has gone wrong. The creators become trapped in a remote desert outpost pursued relentlessly and mercilessly by their own creation. James Stockton the scientist whose research was used despite his protests to create the monster is called the outpost to help undo the horror that now lurks somewhere within the dark halls. James together with his son and daughter soon find themselves trapped inside with the others trying desperately to survive. And with the outpost sealed from within there is no way out...
In desperation Oz and Elliot decide to reply to a telephone dating advert to kick-start their non-existent love lives. Their prayers are answered when two gorgeous girls agree to meet them on a blind date. Whilst fanning the flames of passion the two boys find themselves playing with fire. A fun-filled roller coaster ride begins as the boys get more than they bargained for in their search for love. Chic flick with bite!
Pam Grier stars as Della Wilder a sexy sharp-tongued single mum and maverick cop who considers it a job perk to torment all women-abusing men who have the misfortune of crossing her path. She and partner Harlan Lee (Romano Orzari) are assigned a case that at first glance seems clear-cut: the murder of a woman who had destroyed the career of her gynaecologist and lover Dr. Sam Charney (Rutger Hauer). The murder of Doctor Charney's ex-wife leads detective Wilder to uncover a series
Shot in Bulgaria and Canada, with a "Wes Craven Presents" caption--that doubtless has something to do with the producer being Craven's son--Mind Ripper started out as The Hills Have Eyes, Part 3 but turned into yet another re-run of the plot about the genetically-engineered super-being-cum-brain-eating-monster who gets loose in an underground research station and slaughters scientists one by one in grisly fashion. After most of the original cast members are killed, craggy Lance Henriksen turns up with his family to provide a fresh set of characters to be chased, menaced, jumped on, cranially sucked and splattered. The monster, acronymed THOR (Dan Blom), is a would-be suicide volunteered for a new serum created by the sinister GenTec Corporation. He turns into a bald steroid case with yellow contact lenses and a Cronenbergian brain-leeching tentacle tongue, and meagre attempts are made at wringing pathos out of his plight (uniquely, the monster has an irrelevant dream sequence in which he is killed by the heroine). It's competent but formulaic stuff, with reliable Henriksen carrying more than his weight at the head of a cast of then-unknowns, some of whom (Giovanni Ribisi, Natasha Gregson Wagner) have gone on to improve their careers. On the DVD: there are frame captures passed off as a photo gallery and the trailer; and the picture is fullscreen. But what else can you expect?--Kim Newman
When a young trouble maker is released from jail he returns home. He finds that his tearaway pals have joined a supervised motorcycle club The Skyriders. He soon finds himself up against his old rival the person who put him inside....
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