Holiday Inn is the perennial Christmas-season favourite from 1942 that teams Bing Crosby and Fred Astaire as entertainers (and rival suitors of Marjorie Reynolds) running an inn that is only open on holidays. It's a great excuse for lots of singing and dancing, seamlessly wrapped in a catchy story, and Astaire's frequent director Mark Sandrich (Top Hat, Shall We Dance) doesn't let us down. The Irving Berlin numbers (each one connected to a different holiday) are winners, with Crosby's warm performance of "White Christmas" a movie touchstone. --Tom Keogh
Join Littlefoot Cera Spike Ducky Petrie and shy newcomer Ali on their most exciting adventure ever! It's an all-new song-filled animated classic on the continuing story of The Land Before Time. A herd of migrating Longnecks has important news of weather changes in the regions beyond the Great Valley. What was once dry land has become 'The Land of Mists'. Strange new creatures have begun to appear in these rainy marshes while still others have moved into the high trees f
Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humour with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon
After a family tragedy turns her life upside down, 16-year-old high schooler Tooru Honda takes matters into her own hands and moves out... into a tent! Unfortunately for her, she pitches her new home on private land belonging to the mysterious Souma clan, and it isn't long before the owners discover her secret. But, as Tooru quickly finds out when the family offers to take her in, the Soumas have a secret of their own when hugged by the opposite sex, they turn into the animals of the Chinese Zodiac!
12 Dogs of Christmas - It's Christmas time and it looks to be a dismal season for motherless 12-year-old Emma O'Connor who has been sent to her unwelcoming Aunt Delores. On her arrival Emma is caught in the middle of a town war over the 'No Dogs allowed' law. With the help of her schoolmates, an unlikely band of grown-ups and a diverse canine corps of over 60 dogs, Emma attempts to win over the citizens of Doverville by staging a holiday pageant, 'The 12 Dogs of Christmas', and in doing so, may save not only the dogs but herself. 12 Dogs of Christmas 2 - The dogs of Doverville are in trouble again... but Emma is back to save them in a song-filled, seasonal extravaganza. Mean-spirited mogul Finneas plots to shut down the local puppy orphanage, unless Emma can come up with the money to save it. With the help of some friends, she races against time to put together a musical holiday event that just might save the day
After several excursions into supernatural horror, Dario Argento returned to the homicidal frenzy that made his reputation with this mystery that plays more like a grown-up slasher movie than a detective thriller. Anthony Franciosa stars as Peter Neal, a best-selling horror novelist whose promotional tour in Italy takes a terrible turn when a mysterious killer recreates the brutal murders from his book with real-life victims. The first to die are so-called "deviants", Neal's own friends and finally there comes a promise that the author himself is next on the list. Columbo it ain't, but Argento has always been more concerned with style than story and his execution of the crimes is pure cinematic bravura. From the simple beauty of a straight razor shattering a light bulb (the camera catches the red-hot filament slowly blacking out) to an ambitious crane shot that creeps up and over the sides of a house under siege in a voyeuristic survey that would make Hitchcock proud, Argento turns the art of murder into a stylish spectacle. He even lets his kinkier side show with flashbacks of an adolescent boy and a teasing dominatrix in red stiletto heels that become a key motif of the film. The objects of Argento's homicidal tendencies are traditionally lovely, scantily clad Italian beauties, and with self-deprecating humour he even inserts a scene in which Neal is taken to task for the misogynist violence of his stories--an accusation Argento himself has weathered for years. --Sean Axmaker
A triple bill from actor/writer/director Christopher Guest: Waiting For Guffman (1996): The sometimes dry sometimes bubbling satire of Middle America which chronicles Corky Corkoran's efforts to put on a spectacle commemorating the town of Blain's 150th anniversary. A mockumentary style film Corky drafts an odd assortment of local talent to bring his historical revue to life including the local dentist and a travel agent couple. The film spoofs the 'artistic' pretensions of
John Travolta is the Urban Cowboy, breakin' hearts and bustin' mechanical bulls in one of his most electrifying film roles. By day, Bud Davis (Travolta) toils at a Texas oil refinery; at night, he trades his hard hat for a Stetson and heads to Gilley's, Houston's most popular nightclub.There, he meets a pretty two-stepper named Sissy (Debra Winger) who thinks Bud is a real cowboy. But Bud's got to prove it when a dangerous ex-con (Scott Glenn) schemes to rob Gilley's and steal Sissy's heart. Travolta and Winger make an unforgettable screen couple in this compelling, Texas-sized look at a country-western way of life. Featuring a hit soundtrack and musical appearances by Mickey Gilley, Johnny Lee, Bonnie Raitt and The Charlie Daniels Band.Product FeaturesGood Times With Gilley: Looking Back At Urban Cowboy Deleted Scenes Outtakes Rehearsal Footage
Stop On By And Give Afterlife A Try. Zach Galligan (Gremlins) teams up with special effects wizard Bob Keen (Alien Highlander) to star in this spine-tingling horror. Mark and his college class decide to have a little fun and attend a 'private' midnight showing at the new waxwork museum. Admission is free... but getting out may cost them their lives! Join them in this roller-coaster ride into terror in Waxwork.
Jonathan Miller's film of Kingsley Amis' comic novel (adapted for the screen by George Melly), casts Hayley Mills (Whistle Down the Wind, Twisted Nerve) as a naïve young girl who moves from the North of England to teach in a London school and finds herself fending off the advances of a number of lusty suitors, including Oliver Reed, John Bird and Noel Harrison. As much a document of its time as a satire on the sexual mores (and confusions) of the period, Miller's still remarkably fresh debut feature is buoyed by its terrific cast and a typically excellent Stanley Myers score. Product Features High Definition remaster Original mono audio A New Era Revisited (2019, 15 mins): in-depth interview with celebrated actor Hayley Mills Now and Then: Jonathan Miller (1967, 42 mins): archival interview featuring the polymath director in conversation with broadcaster Bernard Braden Make a Film Like You (2019, 8 mins): production manager Denis Johnson Jnr and assistant director Joe Marks recalls the making of Take a Girl Like You Isolated music & effects track Original theatrical trailers Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard of hearing
U.S. Customs agent Robert 'Bob' Mazur (Bryan Cranston) goes deep undercover to infiltrate Pablo Escobar's blood-soaked drug trafficking scene plaguing the nation in 1985 by posing as slick, money-laundering businessman Bob Musella.
The cops. The cars. The clothes. The music. From executive producer Michael Mann (Heat Collateral) comes the first season of the explosive groundbreaking detective show that redefined the word cool. Set against the seamy and steamy Miami underworld ride shotgun with suave Vice cops Sonny Crockett (Golden Globe winner Don Johnson) and Rico Tubbs (Phillip Michael Thomas) as they battle a never-ending gallery of criminals drug dealers and lowlifes. Episodes comprise: 1. Brother's Keeper (Parts 1 & 2) 2. Heart of Darkness 3. Cool Runnin' 4. The Hit List 5. Calderone's Demise 6. One-Eyed Jack 7. No Exit (a.k.a. Three-Eyed Turtle) 8. The Great McCarthy 9. Glades 10. Give a Little Take a Little 11. Little Prince 12. The Milk Run 13. Golden Triangle (Part 1) (a.k.a. Score) 14. Golden Triangle (Part 2) 15. Smuggler's Blues 16. Rites of Passage 17. The Maze 18. Made for Each Other 19. The Home Invaders 20. Nobody Lives Forever 21. Evan 22. Lombard
Set during the Second World War two Irish brothers arrive in London to launch an IRA bombing campaign but one of them begins to have doubts about their mission. John Mills and Dirk Bogarde play the brothers.
THE INTERNSHIP Vince Vaughn and Owen Wilson team up to crash the digital world in this laugh-out-loud buddy comedy that clicks! Trying to reboot their obsolete careers old-school salesmen Billy (Vaughn) and Nick (Wilson) talk their way into an internship programme at the state-of-the-art Google campus vying for a handful of spots among tech-savvy college students who are half their age and twice as smart. The competition is fiercely funny as Billy and Nick break all the rules in a hilarious quest to land the dream jobs they’ve been searching for! THE WATCH Ben Stiller Vince Vaughn Jonah Hill and Richard Ayoade take male bonding to hilarious new heights in this outrageous no-holds-barred comedy that gets funnier every time you watch! There’s trouble brewing in peaceful Glenview Ohio. That’s why four civic-minded citizens armed with flashlights walkie-talkies and spiffy new jackets have teamed up to safeguard their community. But the guys find more than they bargained for when they uncover an alien plot to destroy Earth and now these bumbling heroes are Glenview’s only chance to save the neighbourhood — and the world — from annihilation! DODGEBALL You’ll dodge duck dip dive . . . and laugh out loud watching VINCE VAUGHN and BEN STILLER settle their differences in a winner-takes-all dodgeball competition. Under the painful tutelage of legendary ADAA champ Patches O’Houlihan (Rip Torn) Peter LaFleur (Vaughn) and his Average Joes take on the Purple Cobras led by egomaniacal fitness guru White Goodman (Stiller). It’s an over-the-top underdog tale filled with hilarious gags and BALLS-OUT FUN!
Aaron Sorkin's American political drama The West Wing, set in the White House, has won innumerable awards--and rightly so. Its depiction of a well-meaning Democrat administration has warmed the hearts of countless Americans. However, The West Wing is more than mere feel-good viewing for sentimental patriots. It is among the best-written, sharpest, funny and moving American TV series of all time. In its first series, The West Wing established the cast of characters who comprise the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The issues broached in the first series have striking, often prescient contemporary relevance. We see the President having to be talked down from a "disproportionate response" when terrorists shoot down a plane carrying his personal doctor, or acting as broker in a dangerous stand-off between India and Pakistan. Gun control laws, gays in the military, Fundamentalist pressure groups are all addressed--the latter in a most satisfying manner ("Get your fat asses out of the White House!")--while the episode "Take This Sabbath Day" is a superb dramatic meditation on Capital punishment. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. This is wonderful and addictive viewing.--David Stubbs
The Wedding Date (Dir. Clare Kilner 2005): In this sparkling romantic comedy Debra Messing plays Kat a never-married New Yorker who is invited to her parents' London home for her younger sister's wedding. What should be a joyous occasion bodes disaster for Kat however when she discovers that the best man will be none other than her ex-fianc who two years before inexplicably dumped her. In a desperate attempt to face the ordeal with dignity Kat hires Nick (Dermot Mulroney) a charming and handsome professional male escort to pose as her new boyfriend and escort her to the wedding. Even more valuable to Kat than Nick's good looks and charisma is his keen insight into human behavior--a well-learned trick of his trade. Over the course of the weekend Nick takes on the role of the bride's therapist the father's ideal son-in-law the groom's new best friend and the object of every woman's affection. For Kat what starts out as a pretend relationship with Nick begins to turn into something entirely unexpected: a second chance at love. My Big Fat Greek Wedding (Dir. Joel Zwick 2002): In this hit ethnic comedy Toula (Nia Vardalos) is a thirty-year-old ugly duckling whose life is going nowhere while she works long hours in her family's Greek diner (called Dancing Zorba's). She then decides to give herself a radical makeover lands a new job in her aunt's travel agency and falls for a hunky sensitive vegetarian teacher (John Corbett). They soon decide to get married but her family have a history of getting hitched exclusively to other Greeks. My Big Fat Greek Wedding is a warm funny comedy adapted by writer/star Vardalos from her own one-woman show. The Wedding Singer (Dir. Frank Coraci 1998): It's 1985 and Robbie Hart (Adam Sandler) is the ultimate master of ceremonies until he is left at the altar at his own wedding. Devastated he becomes a newlywed's worst nightmare - an entertainer who can do nothing but destroy other people's weddings. It's not until he meets a warm-hearted waitress named Julia (Drew Barrymore) that he starts to pick up the pieces of his heart. The only problem is Julia's about to have a wedding of her own and unless Robbie can pull off the performance of a lifetime the girl of his dreams will be gone forever...
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
All the world's a stage for a wannabe actor who's always playing the fool! John Gordon Sinclair is Robert, an aspiring actor willing to do anything for that elusive big break. But with his agent signing him up as a stuntman, he is more likely to break his neck. Meanwhile his girlfriend has to wait in the wings Certain that it's only a matter of time before he makes it, struggling actor Robert throws himself into every role, taking break a leg' a bit too literally! Fiancée Sue (Gina McKee, Notting Hill) is always on hand to support and encourage him,whilst his less-than-capable agent Desmond (Victor Spinetti, A Hard Day's Night) desperately tries to flog his talent unsuccessfully. Adapted with much skill from the radio show and given added depth and humour The Scotsman
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