'The Grifters' tells the story of three desperate con artists based in the seedy underworld of Los Angeles
From the star of Nearest and Dearest comes Not On Your Nellie - one of the major comedy successes of the 1970s. When blunt Northern lass Nellie Pickersgill (Hylda Baker) comes to London to look after her ailing father she isn't expecting to have to look after his pub too - a situation made worse by the fact that she''-s a teetotaller and can''-t abide drink! Not only is The Brown Cow a bit of a handful but so is its clientele: wide-boy Charlie London Underground worker Ali and the gurus of camp - fashion store owners George and Gilbert. This set contains both the complete second and third series the latter of which was cut short to just four episodes when Hylda Baker broke her ankle during recording. Episode Comprise: Disc One - Series Two Brief Encounter High Society Requiem for a Heavyweight Do Unto Others The Lady with the Lamp Feeling the Draught Disc Two - Series Three Be Prepared A-Haunting We Will Go The French Correction Called to the Bar
Cary Grant is John Robie, reformed jewel thief who was once known as The Cat, in this suspenseful Alfred Hitchcock classic; presented here newly remastered from a 4K film transfer. When Robie is suspected of a new rash of gem thefts in the luxury hotels of the French Riviera, he must set out to clear himself. Meeting pampered heiress Frances (Grace Kelly), he sees a chance to bait the mysterious thief with her mother's (Jessie Royce Landis) fabulous jewels. His plan backfires, however, but Frances, who believes him guilty, proves her love by helping him escape. In a spine-tingling climax, the real criminal is exposed. Product Features New - Filmmaker Focus: Leonard Maltin On To Catch A Thief Behind The Gates (2009): Cary Grant And Grace Kelly Commentary By: Dr. Drew Casper, Hitchcock Film Historian Original Theatrical Trailer
All 94 episodes from the six series of the acclaimed comedy/drama! Join Carrie Samantha Miranda and Charlotte as they plot a course through Manhattan's tricky social scene in a search for the perfect relationship - or orgasm!
A 1987 espionage thriller, The Whistle Blower stars Michael Caine as Frank Jones, a businessman and regular patriotic war veteran whose son Bob (Nigel Havers) is a Russian linguist who works at GCHQ. Bob begins to express doubts to his father about aspects of his work; days later, police report to Frank that his son has died in a fall. A verdict of accidental death is recorded. However, in the midst of his grief, Frank is puzzled by aspects of the death and decides to conduct his own investigation. In so doing he finds himself pitted against an utterly unscrupulous Secret Service prepared to stop at nothing, including murder, to cover up their operations. Set at the time when concerns about GCHQ were at their height and the Cold War had yet to thaw, many of the film's concerns seem, years subsequently, to be thankfully dated. Moreover, it's hard to believe that the bumbling British Secret Services would actually be capable of organising a convivial soiree in a brewery, let alone orchestrate the sort of skulduggery they perpetrate here. Still, with a cast that features all the usual British suspects (Sir John Gielgud, James Fox, Gordon Jackson) there's no doubting the pedigree of The Whistle Blower, which, despite its ostensibly uncomfortable message, actually makes for very agreeable comfort viewing. Michael Caine is especially fine as Michael Caine. --David Stubbs
Leonardo DiCaprio stars as the eccentric industrialist and Hollywood film mogul Howard Hughes in this glamorous biopic from Martin Scorsese.
Set early in the 22nd century 'Enterprise' focuses on a history of the galactic upheaval that leads to the formation of The Federation. Its compelling stories of team bravery and individual heroism are sure to answer countless questions for both die-hard fans of the series and neophytes to the 'Star Trek' universe. Starring a fresh young cast this exciting new chapter continues to push the edge of the visual envelope with the kind of state of the art special effects that have made 'Star Trek' a global phenomenon. Through their struggles humans Vulcans and numerous others together will learn to work and live in harmony. Like their forefathers before them they strive for a better life and boldly go where no one has ever gone before! Episodes comprise: 1. The Xindi 2. Anomaly 3. Extinction 4. Raijin 5. Impulse 6. Exile 7. The Shipment 8. Twilight 9. North Star 10. Similitude 11. Carpenter Street 12. Chosen Realm 13. Proving Ground 14. Stratagem 15. Harbinger 16. Doctor's Orders 17. Hatchery 18. Azati Prime 19. Damage 20. The Forgotten 21. E2 (E Squared) 22. The Council 23. Countdown 24. Zero Hour
The Remains of the Day is one of Merchant-Ivory's most thought-provoking films. Anthony Hopkins is a model of restraint and propriety as Stevens, the butler who "knows his place"; Emma Thompson is the animated and sympathetic Miss Kenton, the housekeeper whose attraction to Stevens is doomed to disappointment. As Nazi appeaser Lord Darlington, James Fox clings to the notion of a gentleman's agreement in the ruthless political climate before World War Two. Hugh Grant is his journalist nephew all too aware of reality, while Christopher Reeves gives a spirited portrayal of an American senator, whose purchase of Darlington Hall 20 years on sends Stevens on a journey to right the mistake he made out of loyalty. As a period drama with an ever-relevant message, this 1993 film is absorbing viewing all the way. On the DVD: the letterbox widescreen format reproduces the 2.35:1 aspect ratio with absolute clarity. Subtitles are in French and German, with audio subtitles also in English, Italian and Spanish, and with 28 separate chapter selections. The "making-of" featurette and retrospective documentary complement each other with their "during and after" perspectives, while "Blind Loyalty, Hollow Honour" is an interesting short on the question of appeasement and war. The running commentary from Thompson, Merchant and Ivory is more of a once-only diversion. --Richard Whitehouse
There's a new friend at Peppa's playgroup - meet Mandy Mouse! Mandy is very sporty and loves to play games with Peppa and friends. There are also two other new friends at playgroup, Peggi and Pandora Panda, who are identical twins. They love to solve mysteries just like their Daddy, Police Officer Panda. How exciting to have so many new friends! Plus more fun stories... Piggy tales 1. Mandy Mouse 2. Lots of Muddy Puddles 3. The Panda Twins 4. Chinese New Year 5. Recorders 6. Miss Rabbit's Relaxation Class 7. Father's Day 8. Funny Music 9. Buttercups, Daisies and Dandelions 10. The Marble Run 11. Grandpa Pig's Metal Detector 12. World Book Day
Classic BBC comedy starring Dawn French (French & Saunders) and written by Richard Curtis (Love Actually, Four Weddings and a Funeral). Geraldine Granger is not your run-of-the-mill village vicar. She is a bubbly, young reverend overseeing an eccentric congregation in a rural community. She and her off-the-wall parishioners bring us unconventional laughs in Richard Curtis' award-winning divine comedy. Includes Series 1-3, plus the Easter Special (1996) and Christmas Specials (1996 & 1997).
The United States Championship is a title that has been a staple of sports entertainment for over four decades! From the inaugural champion Harley Race to the creator of the U.S. Open Challenge, John Cena, this exclusive set features the greatest United States Championship matches of all time, featuring Superstars like Nature Boy Ric Flair, Rowdy Roddy Piper, Lex Luger, Magnum T.A, Stone Cold Steve Austin, Eddie Guerrero, Dolph Ziggler, Cesaro, The Miz, Daniel Bryan, and more! See why the United States Championship is a symbol of excellence and witness the legacy of greatness it has left behind!
Sean Connery made his final - officially-speaking - appearance as 007 in this riveting adventure which would lay the groundwork for Mr Moore's incarnation as the suave super-spy. While investigating mysterious activities in the world diamond market 007 (Sean Connery) discovers that his evil nemesis Blofeld (Charles Gray) is stock-piling the gems to use in his deadly laser satellite. With the help of beautiful smuggler Tiffany Case (Jill St. John) Bond sets out to stop the madman - as the fate of the world hangs in the balance!
In Carry On Follow That Camel, Sergeant Bilko himself, Phil Silvers, lends lustre and trademark spectacles to this 1967 desert spectacle following the adventures of a group of foreign legionnaires who find themselves besieged by a bloodthirsty band of Bedouins. Silvers plays Sergeant Nocker, a rogue cast firmly in the Bilko mould, who takes a dislike to new recruit Jim Dale, a young upper class gent forced to join the legion following disgrace at a cricket match. He's accompanied, naturally, by his faithful manservant (Peter Butterworth), with the pair showing a fine disregard for the austere requirements of the Foreign Legion. However, once they reach an agreement with Sergeant Nocker, they can join forces to repel the Bedouins, led, not unpredictably, by Bernard Bresslaw. This is vintage Carry On, in spite of Sid James' absence. Kenneth Williams' performance is subdued by having to deliver the usual puns ("zere are a couple of points I still need to go over", he informs busty Joan Sims) in a mangled French accent but Silvers gets into the right mode of delivering broad comedy with subtle inflections. Peter Butterworth draws the short straw this time and must feature in the obligatory cross-dressing scene, while Charles Hawtrey is a splendidly unconvincing hardened legionnaire. As for Bresslaw, can any other British actor, with the exception of Sir Alec Guinness, have distinguished himself in such a variety of multi-ethnic roles? On the DVD: Sadly, there are no extra features except scene selection. The picture ratio is 4:3. --David Stubbs
When straight-laced fire superintendent Jake Carson (John Cena) and his elite team of expert firefighters (Keegan-Michael Key, John Leguizamo and Tyler Mane) come to the rescue of three siblings (Brianna Hildebrand, Christian Convery and Finley Rose Slater) in the path of an encroaching wildfire, they quickly realize that no amount of training could prepare them for their most challenging job yet babysitters. Unable to locate the children's parents, the firefighters have their lives, jobs and even their fire depot turned upside down and quickly learn that kids much like fires are wild and unpredictable. Bonus Features Storytime With John Cena What it Means to Be A Family The Real Smokejumpers: This Is Their Story
David Lynch's Lost Highway is one of the most puzzled over movies of the 1990s. After Twin Peaks and Wild at Heart audiences were prepared for more questions than answers. But this mystery is without doubt the most sinister and disturbing of all his work, which is to say it's arguably the most worthy of puzzling out. Bill Pullman goes to jail for murdering his wife Patricia Arquette the Brunette. He metamorphoses into Balthazar Getty who falls for Patricia Arquette the Blonde. They're involved in many bad things. Getty morphs back to Pullman who's left with neither girl, but a lot of explaining to do about how Robert Loggia was involved with both and who/what on earth Robert Blake is. There are no straight answers. It might just be possible to twist the film into a Moebius strip and work out half the chronology, but that would be missing the point. Lynch makes paintings that move and if they happen to tell a tale (thank you The Straight Story), that's just a happy by-product. This film is "about" a lot of things: obsession, the impossible notion of owning a partner, why tailgating is wrong. Beyond that, it's about nothing more than enjoying just how sensually delicious everything looks and sounds on Lynch's Highway. On the DVD: Lost Highway is presented on disc in Lynch's preferred 2.35:1 ratio (anamorphically enhanced), even if it isn't the cleanest of transfers. Sound however, is only two channel stereo, whereas 5.1 mixes do exist elsewhere. The teaser trailer is hardly worth the effort. --Paul Tonks
Fury From the Deep is the missing sixth serial of the fifth season of Doctor Who, which was first broadcast in six weekly parts from March to April 1968. Starring Patrick Troughton as the Doctor, the story concerns a colony of sentient, parasitic seaweed, last seen in the eighteenth century, returning to attack a number of gas instillations in the North Sea in an attempt to take over humanity. No full episodes of this story exist within the BBC archives, and only snippets of footage and still images are around to represent the story. However, off-air recordings of the soundtrack do exist, thus making the animation of a complete serial possible once again. The six new animated episodes are being made in full colour and high definition. The DVD/Blu-ray release will also include those surviving clips from the original 1968 production.
The globe-spanning conflict between otherworldly monsters of mass destruction and the human-piloted super-machines built to vanquish them was only a prelude to the all-out assault on humanity in Pacific Rim Uprising. John Boyega (Star Wars: The Force Awakens) stars as the rebellious Jake Pentecost, a once-promising Jaeger pilot whose legendary father gave his life to secure humanity's victory against the monstrous Kaiju. Jake has since abandoned his training only to become caught up in a criminal underworld. But when an even more unstoppable threat is unleashed to tear through our cities and bring the world to its knees, he is given one last chance to live up to his father's legacy by his estranged sister, Mako Mori (Rinko Kikuchi)who is leading a brave new generation of pilots that have grown up in the shadow of war. As they seek justice for the fallen, their only hope is to unite together in a global uprising against the forces of extinction. Jake is joined by gifted rival pilot Lambert (The Fate of the Furious' Scott Eastwood) and 15-year-old Jaeger hacker Amara (newcomer Cailee Spaeny), as the heroes of the PPDC become the only family he has left. Rising up to become the most powerful defense force to ever walk the earth, they will set course for a spectacular all-new adventure on a towering scale.
Jonathan Creek may have left his windmill and the world of professional magic behind but as he settles down for what ought to be a quiet married life there are still plenty of bizarre mysteries to tax his unique deductive powers. In the first of three new episodes as he and his beautiful wife Polly leave the city to move into her deceased parents' sprawling old house in the country the dust has barely settled when Creek is called upon to investigate a brutal and baffling murder attempt in a West End London theatre. The leading actress in a spooky Gothic musical has been found stabbed unconscious and left for dead in an empty dressing room from which no assailant could possibly have escaped. But just as challenging are a number of other ghostly events that begin to occur in the village where Creek and Polly have now made their home ... and which in the weeks to come will provide yet more classic puzzles for the lateral-thinking detective to unravel.
Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script). Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he's just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin
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