Commemorate the 30th Anniversary of John Wayne's death with this Special Edition DVD. Helltown Helltown (aka Born to the West) begins with cowboys Dare Rudd (John Wayne) and his sidekick Dink Hooley (Syd Saylor) down on their luck after a few poker games gone wrong. The pair decides to head off to Wyoming to ask Dare's Cousin Tom Filmore (John Mack Brown) a rich coffee baron and bank owner for money. Tom needs Dare to drive his cattle to market but he is worried about whether he can trust Dare to fend off the local cattle rustlers resist the power tables or even steal his girl. This is a classic early John Wayne film and a must see for all Wayne fans. Bigger Than Life Celebrate the life of one of the greatest movie icons and legends of all time 'John Wayne' aka 'The Duke' in this fascinating and in-depth biography. Take a journey back to his humble beginnings to his place as a legend in movie history. This documentary is a testimony to the screen icon and traces his career and his personal life away from the lights camera and action. On screen he was part of some of the best loved westerns of all time including 'The Searchers' and 'She Wore a Yellow Ribbon'. Including rare archive footage and interviews this is the definitive look back at one of the most defining film careers of all time.
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
A valuable tool for all high school junior high and youth league coaches and players. Be a champion and learn from the legends of the game! Learn Drills & Mechanics Winning Techniques & Strategies & Develop Mental Toughness! This comprehensive 10-volume series teaches fundamental coaching techniques drills on the field demonstrations game footage and winning championship philosophy. Learn from these outstanding coaches who believe in the fundamentals and know how to teach them. This Series Features: Joe Paterno John Cooper Frank Beamer Boyd Epley Bobby Bowden Phil Fulmer Frank Solich Bob Toledo Mack Brown Tom Osborne This program teaches fundamental techniques drills and championship philosophy. Learn how to improve your technique and learn from one of the legends of the game. Prior to being named head coach at Texas Mack Brown was the headcoach at North Carolina where he led them to 6 straight bowl games and 8 straight winning seasons.
Bradbury dug out the plotline he'd used so often and to such good effect in his son Bob Steele's vehicles. Wayne plays frontiersman Ted Hayden who spends most of the picture searching for the man who killed his parents. Along the way he tames spoiled heroine Fay Winter (Virginia Brown Faire) and rediscovers his long-lost brother Spud (Billy O'Brien). John Wayne's fistfights with chief heavy Yakima Canutt aren't in the same league as his later Canutt-supervised stunt sequences but they're pretty good by their own standards.
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
Ladder 49: (Dir. Jay Russell) (2004): What does it take for a man to run into a burning building when everyone else is running out? Why do firemen leave their families each morning to risk their lives for strangers? The film chronicles Baltimore firefighter Jack Morrison (Joaquin Phoenix) as he makes the transition from inexperienced rookie to seasoned veteran. As he struggles to cope with a risky demanding job that often shortchanges his wife and kids he relies on the support of his mentor and chief Mike Kennedy (John Travolta) and his second family - the brotherly bond between the men of the firehouse. But when Jack becomes trapped in the worst blaze of his career his life and the things he holds important - family dignity courage - come into focus. As his fellow firemen of Ladder 49 do all they can to rescue him Jack's life hangs in the balance. Guardian: (Dir. Andrew Davis) (2006): In an effort to find his place in life a troubled young man enlists in the Coast Guard where he's taken in by a renowned rescue swimmer who's hardened by the loss of his team from an accident years back. Unfortunately for the pair the past is about to re-incarnate itself...
Our Town: Follows the lives and events of two families in a woodsy New Hampshire village from the year 1900 through 1913. William Holden and Martha Scott both reprising their roles from the Broadway production meet as teenagers and succumb to adolescent affections before maturing marrying and bearing a child of their own. The Star Packer: Fast-paced western adventure with Wayne playing the marshall who must straighten out a gang of criminals while still finding tim
DESPITE THE REVIEWS FROM AMAZON.COM ON HERE, this set contains these 5 movies:- ANGEL AND THE BADMAN: Gunslinger Quirt Evans is injured & found by Penelope Wirth & her father Thomas, a Quaker family with values & a way of living in contrast to Quirt Evans'. Quirt & Penelope are drawn to each other, although Quirt has no intention of embracing the Quaker lifestyle. He does, however, intervene to convince a rancher to restore their water supply, even if the family would not have approved of his methods. Evans' rival Laredo Stevens is unimpressed with the new, peaceful Quirt Evans, whilst local Marshall Wistful McClintock stokes up trouble between the two men, certain he'll get one or the other (the survivor) brought to justice in the end...Widely regarded as one of the most romantic of all John Wayne's films, this marked his first production credit. HELL TOWN: A carefree cowhand finally wants to settle down, but before he can he gets involved with rustlers.... McLINTOCK: He Tamed The West But Could He Tame Her? Cattle baron, banker & model citizen George McLintock has the world in his hands. The only thing missing is his wife, Katherine, who left him two years earlier, suspecting him of adultery. In an effort to get on with his life, McLintock saves a beautiful but impoverished widow from resettlement & hires her as his cook, welcoming both her & her two children into his home. Sparks begin to fly & McLintock's simple & serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls, gunfire, an Indian attack, the engagement of his only daughter & the return of Mrs McLintock! SAGEBRUSH TRAIL: A young cowboy breaks out of jail after being falsely accused of murder & must prove his innocence before the authorities lock him back up... HIS PRIVATE SECRETARY: Dick Wallace, a millionaire's son, tends to chase rather dubious women causing his father to despair of him. When he really falls in love his father assumes the girl is a gold digger...
Jack Hill's SWITCHBLADE SISTERS is the outlandish action-packed story of a tough gang of teenage girls -- the all-female Dagger Debs -- who are looking for love and fighting for turf on the mean streets of the city! Bad girls to the core these impossibly outrageous high school hoodlums go where they want ... and create mayhem wherever they go! A riotously entertaining mix of sex jealousy and massive firepower that critics loved -- don't miss your chance to see one of the wildest films ever made!
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