Pitch Black The daylight can burn you but the darkness will kill you! Experience the psychological terror when a group of marooned passengers must face a pack of terrifying creatures whose only weakness is the light. With little power and dwindling numbers the doomed passengers turn to a vicious convict (Vin Diesel) with an appetite for destruction and eerie eyes that can guide them through the darkness... The Chronicles Of Riddick The wanted criminal Riddick arrives
Vin Diesel creates a cult icon as Riddick in this epic sci-fi adventure. The new Special Edition DVD comes complete with a range of exclusive extra features.
John Thaw takes the first starring role of his career in 'RedCap' in which he plays Sergeant John Mann of the Royal Military Policess Special Investigation Branch. Made in 1964 at a time when the British army was still highly active Redcap's scripts cover investigations in Germany Aden Cyprus and Borneo. Featuring guest stars of the calibre of Keith Barron ('Duty Free') Leonard Rossiter ('Rising Damp') Ian McShane (Deadwood Lovejoy)) and David Burke (The Adventures Of Sherlock Holmes)); Redcap was a series brimming with quality. Not seen since its original transmission this set contains the entire first series of thirteen episodes featuring scripts from Troy Kennedy Martin and Roger Marshall (who both worked extensively on 'The Sweeney') and Leon Griffiths (who created 'Minder'). The series was recently 're-imagined' with former Eastenders star Tamzin Outhwaite as the lead. Episodes comprise: 1. It's What Comes After 2. A Town Called Love 3. Epitaph for a Sweat 4. Misfire 5. Corporal McCann's Private War 6. The Orderly Officer 7. Night Watch 8. The Boys of B Company 9. A Regiment of the Line 10. The Man they Did 11. A Question of Initiative 12. A Place of Refuge 13. The Patrol
Two dangerously mismatched convicts are thrown into a wild race to outwit outrun and outgun vicious enemies on both sides of the law in this high-impact thriller bristling with adventure mind-blowing stunts and non-stop action! After escaping from a prison chain gang Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) find themselves handcuffed together - and at each other's throats! Relentlessly hunted through the Georgia wilderness the reluctant allies fight their way int
A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.
After serving time for murder Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did and so as the town gossips tales of Josh's part spiral out of control!
Audry (Adrienne Shelly) is a Long Island teenager beset with worries - college, parents, nuclear war and frustrated by small town life. When mysterious Josh (Robert Burke) arrives and goes to work as a mechanic for Audrey's father, she feels overwhelmingly attracted to him, despite town rumours that he's a murderer.
John Garfield delivers an Oscar-nominated performance in this story of driving ambition in and out of the ring. Garfield stars as Charley Davis a strong-willed young prizefighter whose ruthless quest for a shot at the title forces him to mortgage his humanity to a Mafia-run boxing syndicate -- plunging him into a whirlpool of deceit double-dealing -- and death. But when faced with the chance to regain his self-respect Charley climbs into the ring one last time... Widely regarde
Pitch Black Owing a major debt to Alien and its cinematic spawn, Pitch Black is a guilty pleasure that surpasses expectations. As he did with The Arrival, director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon Dark Fury Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas The Chronicles of Riddick Bigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy roles that waste the talents of Thandie Newton (as a Necromonger conspirator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff Shannon
Under intense scrutiny, the debut season of Enterprise earned a passing grade from critics and Star Trek fans alike. Voyager ended its seven-season run just four months earlier, and fans were skeptical when Enterprise premiered (on Sept. 26, 2001, on UPN) with a theme song ("Where My Heart Will Take Me," composed by Diane Warren and performed by Russell Watson) that defied Trek's revered theme-music tradition. This and other early reservations were dispelled when "Broken Bow" got the series off to a satisfying start, beginning in the year 2151 and establishing a pre-Federation focus on humanity's delicate relationship with the Vulcans, the controversial launch of the NX-01 Enterprise on an exploratory mission, and the potentially devastating consequences of the mysterious Temporal Cold War involving a time-traveling splinter group of the Suliban, a nomadic alien race. While establishing a testy relationship between Enterprise Capt. Jonathan Archer (Scott Bakula) and his smart-and-sexy Vulcan Sub-Commander, T'Pol (Jolene Blalock, in a short-banged wig and form-fitting "cat-suit" that were later redesigned), the series introduced engineer "Trip" Tucker (Connor Trineer), whose surprise pregnancy in "Unexpected" made him a fan favorite; communications officer Hoshi Sato (Linda Park); helmsman Travis Mayweather (Anthony Montgomery); weapons expert Lt. Malcolm Reed (Dominic Keating), and chief surgeon Dr. Phlox (John Billingsley), a well-mannered Denobulan recruit from Earth's Interspecies Medical Exchange. As a "prequel' series that predates the original Star Trek by 150 years, Enterprise built upon established Trek lore with episodes involving Vulcans ("Breaking the Ice"), Klingons ("Sleeping Dogs"), the blue-skinned Andorians ("The Andorian Incident," "Shadows of P'Jem"), and the Ferengi ("Acquisition") while offering stand-alone episodes (notably "Dear Doctor," "Fortunate Son," and "Shuttlepod One") that further acquainted fans with the Enterprise regulars. Early Trek technology is also introduced (including "phase pistols" and the rarely-used, still-risky transporter), and the series drew strength from what many felt would be its primary weakness: unwritten history and the initial indecisiveness of Archer's bold foray into the unknown. Ending with a dazzling "Shock Wave" cliffhanger that leaves Archer stranded in a decimated Temporal Cold War future, Enterprise set a strong foundation for the events of Season Two. --Jeff Shannon, Amazon.com
An adaptation of Rudyard Kipling's classic tale. Kim (Ravi Sheth) is a happy-go-lucky but street-wise fifteen year-old urchin in India in the 1890s. He lives by his wits but his kind heart has earned him the nickname of 'Friend of All The World'. There are two main influences on Kim's life: Mahbub Ali (Bryan Brown) the tough wily Afghan owner of a horse-train and a saintly old train-loving Buddhist Lama (Peter O'Toole) whom he meets in Lahore. Following a chance meeting with the British Maverick Regiment and its chaplain Kim learns that he is the son of a deserter...
Rose (Laura Dern) is a girl with a lot of love to give. The problem is she's not particular who she gives it to and worse when she moves in with the Hillyer family her generosity starts running wild. In no time at all Daddy Hillyer (Robert Duvall) has his hands full resisting her amorous advances and 13 year old Buddy (Lukas Haas) has his hands full keeping up with her lessons in love. And then there's the boys from the town - drooling fighting and making fools of themsleves a
A compelling drama about scandal celebrity and sex - written by and starring Kay Mellor. Part-time lap dancer Sharon Harrison goes on a rare night out with the girls but when she claims that she's been drugged and raped by none other than Jamie Gillam the famous Castlefield football player he readily admits to having consensual sex but denies rape. When Sharon suddenly drops her case against Jamie Maxine Norris becomes suspicious and confides in her aunt determined to find out
When a supernatural force causes Elizabeth a young story editor for the local paper to investigate an old house she finds herself to be the only hope for a family of long dead ghosts yearning to tell the story of their massacre. But when the father of the family who is still living hears about her visits he takes precautions to make sure that the truth is never told.
A box set featuring: 'Gold' based on the novel by Wilbur Smith and the story of a group of businessmen who decide to flood a gold mine in South Africa. 'Call Of The Wild' Jack London's classic tale of the Klondike Gold Rush as we follow the lives of the dog Buck and his master John Thornton. 'Treasure Island' Robert Louis Stevenson's classic tale of a young boy's search for buried treasure.
Ladder 49: (Dir. Jay Russell) (2004): What does it take for a man to run into a burning building when everyone else is running out? Why do firemen leave their families each morning to risk their lives for strangers? The film chronicles Baltimore firefighter Jack Morrison (Joaquin Phoenix) as he makes the transition from inexperienced rookie to seasoned veteran. As he struggles to cope with a risky demanding job that often shortchanges his wife and kids he relies on the support of his mentor and chief Mike Kennedy (John Travolta) and his second family - the brotherly bond between the men of the firehouse. But when Jack becomes trapped in the worst blaze of his career his life and the things he holds important - family dignity courage - come into focus. As his fellow firemen of Ladder 49 do all they can to rescue him Jack's life hangs in the balance. Guardian: (Dir. Andrew Davis) (2006): In an effort to find his place in life a troubled young man enlists in the Coast Guard where he's taken in by a renowned rescue swimmer who's hardened by the loss of his team from an accident years back. Unfortunately for the pair the past is about to re-incarnate itself...
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