Hitchcock's most notorious work remains terrifying after all these years, digitally presented, this reissue marks this milestone work's 50th Anniversary.
From the creators of the smash hit Angels In The Outfield comes a high-spirited comedy equally triumphant - THE BIG GREEN. When a new teacher introduces soccer to her uncoordinated students it kicks off the wildest and wackiest sports tournament anyone has ever seen. With the help of their out-of-shape town sheriff (hilarious Steve Guttenberg - Three Men And A Baby) the kids gain confidence and turn themselves into winners. Suddenly the residents of their sleepy country town bec
Is there anything scarier than clowns? Of course not. And who knows scary better than Stephen King? You see where we're going. It puts a malevolent clown (given demented life by a powdered, red-nosed Tim Curry) front and center, as King's fat novel gets the TV-movie treatment. Even at three hours plus, the action is condensed, but an engaging Stand by Me vibe prevails for much of the running time. The seven main characters, as adolescents, conquered a force of pure evil in their Maine hometown. Now, the cackling Pennywise is back, and they must come home to fight him--or, should we say, It--again. Admitting the TV-movie trappings and sometimes hysterical performances, this is a genuinely gripping thriller. As so often with King, the basic idea (the bond formed during a childhood trauma) is clean and powerful, a lifeline anchored in reality that leads us to the supernatural. --Robert Horton
Every decade has its own kind of cop show and in the 1960s and early 70s following years of national love and acclaim for Dixon of Dock Green it came time for a new breed of policeman to take to the screen. Set in Newtown a fictional setting to the North of Liverpool it captures a time when coppers were leaving the beat for fast-paced response vehicles - the Z-Cars of the title. These colour episodes from 1972 make up our first collection capturing some of the characters and crimes that shaped the long ago decade of old-school policing when the concept of a crime family was up to three generations of burglars shoplifters and smash-and-grabbers. Z-Cars was also innovative in reflecting a changing and challenging time for the police men and women themselves engaging with their own personal crises and their impact on the force. So sit back and buckle-up as we let the criminal underworld of Newtown know that Z-Cars on the way.
When Joaquin Phoenix's Baltimore fire fighter gets trapped in the worst blaze of his career, his fellow firemen do all they can to rescue him.
A grim, gritty South London housing estate makes an unlikley setting for a romantic fairy-tale, but Hetti MacDonald's gay teenage love story all but brings it off. Adapted by screenwriter Jonathan Harvey from his own stage play, Beautiful Thing tells how teenage loner Jamie falls for next-door neighbour Ste, one of the tough kids who bullies him at school. Amazingly, he finds his feelings reciprocated, and the two progress to a tender, tentative affair. Sidestepping conventional notions of working-class homophobia, the film succeeds in presenting its central relationship not as anything startlingly different, but simply as a teenage romance--with all the joy and heartbreak it implies--that happens to be between two 15-year-old guys. Problems of brutality and deprivation are acknowledged but never allowed to dominate, and under the influence of love even the harsh walkways and terraces of the estate take on a sunlit glow. --Philip Kemp
The Peanut Butter Falcon is a modern Mark Twain-esque adventure starring Shia LeBeouf (American Honey, Fury) as a small time outlaw turned unlikely coach who joins forces with Zak, a young man with Down Syndrome on the run from a nursing home with the dream of becoming a professional wrestler with Dakota Johnson (Susperia, Fifty Shades of Grey) as Zak's loving, but stubborn, carer. From writer/director duo Tyler Nilson and Michael Shwartz the film also stars Jon Bernthal (Baby Driver, Fury), Thomas Hayden Church (Sideways), Bruce Dern (Nebraksa), John Hawkes (Three Billboards Outside Ebbing, Missouri) and introducing Zack Gottsagen as Zack.
Innocuous, innocent and somewhat idiotic, Disney's bubbleheaded road-movie comedy Bubble Boy plays as a farcical remake of the 1976 cult TV-movie melodrama The Boy in the Plastic Bubble. Jake Gyllenhaal is the good-hearted innocent raised in a sort of human Habitrail of plastic rooms and rubber tunnels. To win back the girl of his dreams (Marley Shelton), he steps out of his indoor greenhouse and into a homemade Ziplock bubble suit. It's the usual story: naive innocent bounces down the highway like a beach ball with legs and wins over the wacky supporting cast of soft-hearted bikers, zombie-like teenage cultists and orphaned "freaks" through purity and pluck. The premise wears thin after a while, but Gyllenhaal keeps the film bounding along with goofy innocence and energetic eagerness. Swoosie Kurtz costars as his religious-zealot clinging mom. Watch for Fabio in an inspired cameo. --Sean Axmaker On the DVD: Bubble Boy contains a surprising amount of special features for what is essentially a B-movie comedy. These include a long winded multi-interview about the main star of the film, the Bubble suit itself; a director's diary, charting the events around the time of filming the movie; a "Production Design Gallery" including intricate pencil drawings and a story board of the Niagara Falls sequence. Along with this, director Blair Hayes and Jake Gyllenhaal offer a gabbled conversation rather than a commentary. --Nikki Disney
After Brian McDonald is found murdered on a beach, his sister, Sarah and his childhood friend Michael try to unravel the devastating mysteries surrounding his last few weeks alive, finding a side to her brother that they never expected...
The Holy Grail (1974): Yoiks! Here be the Python's tale of good King Arthur (Graham Chapman) and his knights as they quest for the Holy Grail. Watch as they face great odds and silly sods. See them wage battle against the fierce Killer Rabbit (""Run Away! Run Away!"") and (oh horrors!) see them confront the dreaded Knights Who Say ""Ni!"". Oh these be trying times. Can these good knights pass the test of valour and cut down yon tree with herring? Or will they blow themselves to smithereens with the Holy Hand Grenade? Courage Lancelot! Onward Galahad! A hysterical historical tour-de-farce from Terry Gilliam and Terry Jones. The Life Of Brian (1979): You could say this is one of the greatest comedies ever but the Monty Python team said it first! Life of Brian is all about (and here's the big surprise) the life of Brian who was born in a Bethlehem manger next door to Jesus. Three wise men believe he is the messiah but it becomes apparent that he is only Brian. It's written and performed by the Monty Python lads so you know what you're in for; if you don't put this disc down and go out while it's safe! The Meaning Of Life (1983): Those six pandemonium-mad Pythons are back with their craziest adventure ever! These naughty lads offer the usual tasteful sketches involving favorite bodily parts and functions the wonders of war the miracle of birth and a special preview of what's waiting for us in Heaven. Nothing is too sacred for the probing Python crew. After seeing them in action you'll never look at life in quite the same way again. It's far-out frank and jolly good fun!
BRAND NEW 4K RESTORATION She was an experienced climber, she trusted him to rescue her, but something went wrong high above the valley ï¬oor and Gabe Walker (Sylvester Stallone) has been blaming himself for her death ever since. Unable to deal with the tragedy, Gabe quit his job with the Rocky Mountain Rescue team and ï¬ed from his cherished mountains, leaving behind his self-esteem, his friends and the woman he loves. Now he must return to those dreaded peaks, where he ï¬nds himself trapped in a desperate battle against ruthless criminals, unforgiving nature and himself in Cliffhanger. Features: Commentary with Director Renny Harlin and Sylvester Stallone Technical Crew Commentary Personal Introduction from Renny Harlin Deleted Scenes Stallone on the Edge: The Making of Cliffhanger Special Effects: Sarah's Fall & The Helicopter Explosion Storyboard Comparisons Trailer Introduction from Renny Harlin
The definitive American television series of the 1990s. The X-Files comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realised in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonise Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans. --David Chute
Ealing Police Drama - The True Inside Story Of Scotland Yard's Crime Busters.
E.R. (Emergency Room): Season 14
From the director of "This Year's Love", a romantic comedy about single Londoners looking for love, against a backdrop of Salsa.
Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson
An out of work actor (Richard Lewis) and a just-jilted woman (Sean Young) find they are competing to return a lost dachshund to it's owner and collect the $5,000 reward. They go from Rome to Monte Carlo together but when they find the owner, he has been murdered and they are the prime suspects, along with a compulsive gambler (John Candy) and a hideous American (James Belushi).
This cute, 1989 comedy directed by Amy Heckerling (Fast Times at Ridgemont High) helped keep John Travolta busy during some fallow years and extended America's then-love affair with Bruce Willis, whose voice is the only part of him that appears. Kirstie Alley costars as an unwed mother in search of a suitable man to become her baby's father. Travolta is a cab driver who doesn't match her ideal, but he gets involved anyway. Half the fun comes from Willis's risible reading of the newborn's thoughts. Look Who's Talking was followed by two lesser sequels, Look Who's Talking Too and Look Who's Talking Now. --Tom Keogh
Everything a Monty Python fan could ever want in one gloriously fabulous, ludicrously definitive, outrageously luxurious 14 disc boxset! Includes: Monty Python's The Meaning Of Life Special Edition Monty Python's Life Of Brian Special Edition Monty Python And The Holy Grail Special Edition And Now For Something Completely Different The Complete Flying Circus TV Series 1-4
Carl Kolchak (McGavin) is a reporter for Chicago's Independent News Service; a magnet for situations involving the supernatural. Kolchak turned his investigative skills to vampires werewolves zombies and all manner of legendary creatures. Episodes Comprise: 1. The Ripper 2. The Zombie 3. They Have Been They Are They Will Be... 4. The Vampire 5. The Werewolf 6. Firefall 7. The Devil's Platform 8. Bad Medicine 9. The Spanish Moss Murders 10. The Energy Eater 11. Horror In The Heights 12. Mr R.I.N.G. 13. Primal Scream 14. The Trevi Collection 15. Chopper 16. Demon In Lace 17. Legacy Of Terror 18. The Knightly Murders 19. The Youth Killer 20. The Sentry
Please wait. Loading...
This site uses cookies.
More details in our privacy policy