Superstar Tom Hanks delivers one of his funniest performances in this legendary comedy. Hanks plays Rick, a school bus driver who has finally decided to tie the knot with his girlfriend Debbie (Tawny Kitaen). But first Rick must survive the wildest bachelor bash of all time, thrown by his party-animal buddies. Featuring a donkey, strippers, an Indian pimp and more, it s a night none of them will ever forget. Special Features Behind the Scenes An American Tradition Tom Hanks Interviews While the Men Play Original Theatrical Trailer
Leslie Banks stars alongside Alastair Sim, John Mills and a very young George Cole in this thrilling wartime espionage drama from award-winning director Anthony Asquith. Adapted from Geoffrey Kerr's smash West End play (which also starred Banks, Sim and Cole), Cottage to Let is presented here as a brand-new High Definition transfer from original film elements in its original theatrical aspect ratio. Working in secret for the Air Ministry at his remote country house laboratory, John Barrington is key to the ongoing war effort against the Nazis. Barrington's household, however, has been infiltrated by enemy agents - who plan to take him back to Berlin as prisoner. Special Features: Image gallery
La Belle et La Bete is one of the all-time great movie fantasies, and one of the most gorgeous pictures ever made. It was the first feature film by French director Jean Cocteau, a writer, poet and painter with ties to the surrealists. (In fact, his first film, The Blood of a Poet, was delayed after the scandal caused by L'Age D'Or, made by his fellow surrealists Luis Buñuel and Salvador Dali.) The haunting, surreal visuals (candelabra made of human hands, for example) and a sensitive performance by Jean Marais as the Beast imbue the film with an indelible, mythical power. --Jim Emerson, Amazon.com
Is it time, after the anonymous disaster of Mission to Mars, to give Brian De Palma's famously doomed film of Tom Wolfe's bulky novel Bonfire of the Vanities another chance? The uproarious ins and outs of the film's troubled production have become well-known via Julie Salamon's account of its making, The Devil's Candy, and fans of that might want to flick between page and screen to see just when Melanie Griffith caused untold continuity problems by having her breasts inflated. Techno buffs will surely appreciate the pointless but somehow wonderful trickery of an extended tracking shot at the outset that exists only to last a few seconds longer than the one in Orson Welles Touch of Evil (1958). Tom Hanks was rather better cast than was generally allowed, as "master of the universe" Sherman McCoy, who comes a cropper after a hit-and-run accident, since his nice-guy act shows intriguing cracks. And even Bruce Willis does his best on a hiding to nothing as the drunken writer. It is funny in parts, agonising in others, and misses Wolfe's tone--but somehow its failures might make it as symptomatic of the long-gone excesses of the early 90s as the novel was of the 80s. --Kim Newman
Nice concept, shaky execution--that about sums up the mixed blessings of British actor Peter Howitt's intelligent but forgivably flawed debut as a writer-director. It's got more emotional depth than most frothy romantic comedies and its central idea--the parallel tracking of two possible destinies for a young London professional played by Gwyneth Paltrow--is full of involving possibilities. It's essentially a what-if scenario with Helen (Paltrow) at the centre of two slightly but significantly different romantic trajectories, one involving her two-timing boyfriend (John Lynch)and the other with an amiable chap (John Hannah) who represents a happier outcome. That's the film's basic problem, however: the two scenarios are so romantically unbalanced (one guy's a total cad, the other charmingly sincere) that Helen inadvertently comes off looking foolish and needlessly confused. Still, this remains a pleasant experiment and Howitt's dialogue is witty enough to keep things entertaining. It's also a treat for Paltrow fans; not only does the svelte actress handle a British accent without embarrassing herself but she gets to play two subtle variations of the same character, sporting different wardrobes and hairstyles in a role that plays into her glamorous off-screen persona. --Jeff Shannon
Jim and Hilda Bloggs (Sir John Mills and Dame Peggy Ashcroft) are a middle-aged couple, who believe that the British government is in control as they prepare for Nuclear War. When the countdown begins they roll up their shirtsleeves and follow government guidelines that were actually distributed to households around Britain in the 1970s. They paint their windows white, build a fortress of doors and pillows, take the washing in and put away two packets of ginger nuts, one tin of pineapple chunks and a good supply of tea. This cautionary tale is both humorous and macabre in its consideration of one of the most horrific possibilities of modern life. When the Wind Blows is a story about love, tenderness, humanity and hope. Adapted by Raymond Briggs (The Snowman) from his best-selling book, When the Wind Blows features an original soundtrack by Roger Waters, and a title song by David Bowie. Extras: Presented in High Definition and Standard Definition Audio commentary with first assistant editor Joe Fordham and film historian Nick Redman Jimmy Murakami: Non-Alien (2010, 73 mins): feature-length documentary about the film's director Interview with Raymond Briggs (2005, 14 mins) The Wind and the Bomb (1986, 20 mins): the making-of When the Wind Blows Protect and Survive (1975, 51 mins): public information film about how to survive in the event of a nuclear attack Isolated music and effects track Fully illustrated booklet with a new introduction by Raymond Briggs, essays by Jez Stewart, Clare Kitson and Bella Todd and full film credits
Sequel to 'Saturday Night Fever' where Tony Manero older but not much wiser pursues his search for stardom on the Broadway stage...
Shakespeare's powerful tale of the wicked deformed King and his conquests, both on the battlefield and in the boudoir.
Babe (Dir. Chris Noonan 1995): Introducing a barnyard full of captivating characters unlike any you've ever met! There's Farmer Hoggett (James Cromwell); Fly the sheep dog; Rex her shepherding partner; Ferdinanad the quacky duck; Maa the elderly ewe; and the newest addition to Hoggett Farm Babe a most unusual Yorkshire piglet. It's a delightful story the whole family will love! The Borrowers (Dir. Peter Hewit 1998): Follows the adventures of the dauntless tiny Clock family parents Pod (Jim Broadbent) Homily (Celia Imrie) and their kids Peagreen and Arrietty - a family of tiny four inch tall people who live under the floorboards of a big house surviving by borrowing from the Human Bean family upstairs. The Borrowers turn dental floss into tightropes toaster handles into catapults socks into beds stamps into wall posters and when their world is facing extinction - in the form of Ocious P. Potter (John Goodman) their resourcefulness knows no bounds. Matilda: Unfortunately for Matilda her father Harry (Danny DeVito) is a used car salesman who bamboozles innocent customers and her mother Zinnia (Rhea Perlman) lives for bingo and soap operas. Far from noticing what a special child Matilda is they barely notice her at all! They bundle Matilda off to Cruncham Hall a bleak school where students cower before the whip hand and fist of a hulking monster headmistress Miss Trunchball (Pam Ferris). But amid Crunchem's darkness Matilda discovers remarkable skills - including a very special talent that allows her to turn the table on the wicked grown ups in her world!
All the action from the 20th annual wrestling extravaganza. Disc 1 - Wrestlemania XX feature program Disc 2 - Wrestlemania XX feature program Disc 3 - WWE Film Presents ""The Mania of Wrestlemania"" - Top 10 Matches of Wrestlemania special Wrestlemania Matches: Goldberg vs. Brock Lesnar Special referee: Stone Cold Steve Austin Word Heavyweight Championship Triple H vs. Chris Benoit vs. Shawn Michaels Undertaker vs. Kane WWE Championship Kurt Angle vs. Eddie Gu
The MummyIf you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by. The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny BrownThe Mummy Returns Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath). John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff ShannonThe Mummy: Tomb of the Dragon Emperor The third film in the The Mummy series freshens the franchise up by setting the action in China. There, the discovery of an ancient emperor's elaborate tomb proves a feather in the cap of Alex O'Connell (Luke Ford), a young archaeologist and son of Rick O'Connell (Brendan Fraser) and his wife Evelyn (Maria Bello, taking over the role from Rachel Weisz). Unfortunately, a curse that turned the emperor (Jet Li) and his army into terra cotta warriors buried for centuries is lifted, and the old guy prepares for world domination by seeking immortality at Shangri La. The O'Connells barely stay a step ahead of him (climbing through the Himalaya mountains with apparent ease), but the action inevitably leads to a showdown between two armies of mummies in a Chinese desert. The Mummy: Tomb of the Dragon Emperor has a lot to offer: a supporting cast that includes the elegant Michelle Yeoh, Russell Wong, and Liam Cunningham, the unexpected appearance of several Yeti, and a climactic battle sequence that is nightmarishly weird but compelling. On the downside, the charm so desperately sought in romantic relationships, as well as comic turns by John Hannah (as Evelyn's rascal brother), is not only absent but often annoying. Rarely have witty asides in the thick of battle been more unwelcome in a movie. Rob Cohen's direction is largely crisp if sometimes curious (a fight between Fraser and Jet Li keeps varying in speed for some reason), but his vision of Shangri La, in the Hollywood tradition, is certainly attractive. --Tom Keogh
In 19th-century England a peasant named John Durbeyfield discovers that he descends from a noble family the d'Urbervilles. He sends his eldest daughter Tess to live with Alec d'Urberville a rich cousin. It soon emerges that the illustrious name was purchased by Alec's father and emotional entanglements soon spiral out of control...
Internationally renowned director Franco Zeffirelli brings Verdi's masterpiece to the screen. Based on Shakespeare's enduring classic 'Otello' is an epic tragedy of jealousy and betrayal. When the scheming Iago (Diaz) believes Otello (Domingo) has overlooked him for promotion he wreaks a subtle and terrible revenge on his master convincing him that his young wife Desdemona (Katia Ricciarelli) is unfaithful. Otello realises the deception too late spiralling into madness and murd
The Bus of the title is the world's first nuclear-powered coach and this fabulous parody of early 70's disaster movies hits the mark with misfit stereotyped passengers rediscovering God sex and the will to live a saboteur from the oil companies and a cannibalistic driver all coming together for the maiden voyage of the block-long super-coach. The passengers on this fun-filled ride from New York to Denver including ensure that the one-liners come thick and fast in this very funn
There's something inescapably appealing about Krull, a camp Star Wars-meets-The Lord of the Rings knock-off, that encourages the viewer to overlook it's very many silly shortcomings and simply enjoy the fun. James Horner's rollicking music score--written soon after his similarly memorable contribution to Star Trek II: The Wrath of Khan--certainly helps, as does the epic-scale CinemaScope photography of the breathtaking Italian landscapes. The costumes and extravagant production design are also great to look at, and much of Derek Meddings' visual effects work still looks striking if not exactly state-of-the-art. Of the cast, Freddie Jones stands head and shoulders above all others as the Obi Wan Kenobi-meets-Gandalf character Ynyr: his trip to the centre of the spider's web is both genuinely scary and genuinely touching. The two romantic leads, Ken Marshall as the Luke Skywalker-meets-King Arthur clone Prince Colwyn and Lysette Anthony (with an overdubbed American voice) as his Leia-Guinevere Princess Lyssa, are mere formalities on which to hang the plot. Ironic fun can be had with the all-British supporting cast, which includes Todd Carty of Eastenders fame and Carry On's Bernard Bresslaw, as well as Robbie Coltrane, Liam Neeson and the gorgeous Francesca Annis. On the DVD: Krull comes to DVD in an anamorphic widescreen print, preserving the luscious CinemaScope look of the theatrical release. The Dolby 5.1 sound lives up to the picture. There are two commentary tracks: on the first, director Peter Yates talks through the movie, with contributions from other crew members and leads Ken Marshall and Lysette Anthony. Oddly, the second audio track is just a reading of an article that originally appeared in the November 1982 issue of Cinefantastique magazine. There's also a half-hour "making-of" featurette originally produced to promote the movie at the time, the usual trailer, stills gallery and three talent profiles. --Mark Walker
Shia LaBeouf stars as a budding Wall Street broker taken under the wing of the financial district's prodigal son, Gordon Gekko (Michael Douglas).
Francis Ford Coppola's 1974 seminal neo-noir thriller THE CONVERSATION symbolises theuneasy line between technology and privacy - a topic more relevant than ever today. Nominatedfor 3 Academy Awards® and winner of the prestigious 1974 Cannes Film Festival Palme D'orTHE CONVERSATION is a tense, paranoid thriller, regarded as one of Coppola's greatest films.Harry Caul (Gene Hackman) is an expert surveillance expert in San Francisco. His routinewiretapping job turns into a nightmare when he hears something disturbing in his recording ofa couple; he may have captured something a lot more important than adulterous goings-on. Hisinvestigation of the tape and how it might be used sends Harry spiralling into a web of secrecy,murder and paranoia.THE CONVERSATION is a harrowing psychological thriller that co-stars Cindy Williams,Frederic Forrest and Harrison Ford. Brand new artwork by Laurent Durieux. 2- disc Collector's edition. Rigid box packaging with magnetic closing. 64-page booklet with 4 new essays. Original soundtrack cassette tape. Orignal and new posters. EXTRAS - Q&A with Walter Murch, filmed at Curzon Soho, 2017. Behind the Scenes Stills Gallery. 50th Anniversary trailer. Feature commentary with writer/director Francis Ford Coppola. Feature Commentary with Editor Walter Murch Close-up on 'The Conversation'. Coppola dictates script- Opening Sequence- The Life of Harry Caul- The Convention- Introduction to Frank Lovista- Jack Tar Hotel- Police Station Ending. Harrison Ford screen test. Composer David Shire interviewed by Francis Ford Coppola. Interview with Gene Hackman (1973). Harry Caul's San Francisco: Locations Then & Now. No Cigar (1956 short, Francis Ford Coppola). Theatrical Trailer
Crime, intrigue... and a murder that was almost perfect!Appearing three years before his career-defining role in Black Narcissus, David Farrar plays a Fleet Street reporter who discovers an uncomfortable truth when he sets out to unravel a murder mystery. Anne Crawford, William Hartnell and silent-era idol John Stuart also feature among the top-line cast of this gripping and complex wartime thriller featured here in a brand-new transfer from the original film elements, in its original theatrical aspect ratio.Ellington, a keen editor and newspaperman, has been neglecting his wife for his work; she, bored with her own company and irked by her husband's selfish behaviour, has been carrying on a mild flirtation with man-about-town Paul Grayson. During one of her visits to Grayson's flat, a former girlfriend appears with disastrous consequences for all concerned...
A father, who wants to redeem himself in the eyes of his son, tries to bring a world-class assassin to justice.
From J.J. Abrams (Lost), Roberto Orci and Alex Kurtzman - the team that brought you Star Trek, Mission Impossible: III and Alias - and executive producers Jeff Pinkner and Bryan Burk comes a new drama that will thrill, terrify and explore the blurring line between science fiction and reality.When an international flight lands at Boston's Logan Airport and the passengers and crew have all died grisly deaths, FBI Special Agent Olivia Dunham is called in to investigate. When the search nearly kills her partner, Special Agent John Scott, a desperate Olivia searches frantically for someone to help, leading her to Dr. Walter Bishop, our generation's Einstein. There's only one catch: He's been institutionalized for the last 20 years, and the only way to question him requires pulling his estranged son, Peter (Joshua Jackson), in to help. Under Special Agent Phillip Broyles, our trio will discover that what happened on that fatal flight is only a small piece of a larger, more shocking truth.
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