Walt Disney Studios Home Entertainment invites you on an enchanting musical adventure through the deepest parts of New Orleans in the Oscar nominated The Princess and the Frog, available on Disney Blu-ray and DVD from 21st June 2010.
Perky teen starlet Hilary Duff wholeheartedly embraces the kind of earnest innocence all parents wish their daughters had. In Raise Your Voice, Terri Fletcher yearns to go to a prestigious music conservatory in Los Angeles. Her father won't let her because L.A. is a bad place, but her loving mom and kooky aunt sneak her away. Once there, she gets a sassy roommate-of-colour, geeky cool friends, a snooty rival, and a sexy British boyfriend. Of course, all conflicts with family and friends come to a head at a big competition at which Terri rediscovers herself. Formulaic? Yes. Bland? Yes. Will preteen girls enjoy it anyway? Maybe, because Duff plays it so sincere. --Bret Fetzer, amazon.com
Based on David McCullough's bestselling biography, the HBO miniseries John Adams is the furthest thing from a starry-eyed look at America's founding fathers and the brutal path to independence.
A chronicle of England's Golden Age during the late 16th century recounting the life and times of the remarkable Elizabeth I in a cycle of six plays. Academy Award-winning actress Glenda Jackson stars in one of the most popular and acclaimed Masterpiece Theatre presentations ever created the story of England's Queen Elizabeth I. Filled with palace intrigue royal romance and stunning historical detail it traces her reign from a young Princess through almost 50 years of rule over
BRUCE WILLIS IS JOHN McCLANE, a New York cop who flies to L.A. on Christmas Eve to visit his wife at a party in her company's lavish high-rise. Plans change once a group of terrorists, led by Hans Gruber (Alan Rickman), seize the building and take everyone hostage. McClane slips away and becomes the only chance anyone has in this beginning-to-end heart-stopping action thriller.
A tense conspiracy thriller that twists deeper and deeper into the hostile twilight world where politics meets the press, from Emmy-winning writer Paul Abbot (Cracker) and director David Yates (Harry Potter, Fantastic Beasts). Featuring an all-star cast including David Morrissey, John Simm, Bill Nighy, James McAvoy and Kelly Macdonald. Stephen Collins is an ambitious politician. Cal McAffrey is a well-respected investigative journalist and Stephen's ex-campaign manager. En route to work one morning, Stephen's research assistant mysteriously falls to her death on the London Underground. It's not long before rumours of an affair between Stephen and the assistant hit the headlines. Meanwhile a suspected teenage drug dealer is shot dead. Revelation upon revelation pile up in the aftermath of these two seemingly unconnected events, ultimately bringing to light shady dealings between the government and major corporate powers. Friendships are tested and lives are put on the line as an intricate web of lies unfolds.
The second best comedy ever made, Monty Python and the Holy Grail must give precedence only to the same team's masterpiece, The Life of Brian (1979). Even though most of this film's set-pieces are now indelibly inscribed in every Python fan's psyche, as if by magic they never seem to pall. And they remain endlessly, joyfully quotable: from the Black Knight ("It's just a flesh wound"), to the constitutional peasants ("Come and see the violence inherent in the system!") and the taunting French soldier ("Your mother was a hamster and your father smelt of elderberries!"). Not forgetting of course the migratory habits of European and African swallows... The film's mock-Arthurian narrative provides a sturdy framework for the jokes, and the authentic-looking production design is relentlessly and gloriously dirty. The miniscule budget turns out to be one of the film's greatest assets: Can't afford horses? Use coconuts instead. No money for special effects? Let Terry Gilliam animate. And so on, from Camelot ("it's only a model") to the rampaging killer rabbit glove puppet. True it's let down a little by a rushed ending, and the jokes lack the sting of Life of Brian's sharply observed satire, but Holy Grail is still timeless comedy that's surely destined for immortality. On the DVD: Disc One contains a digitally remastered anamorphic (16:9) print of the film--which is still a little grainy, but a big improvement on previous video releases--with a splendidly remixed Dolby 5.1 soundtrack (plus an added 24 seconds of self-referential humour "absolutely free"!). There are two commentaries, one with the two Terrys, co-directors Jones and Gilliam, the other a splicing together of three separate commentaries by Michael Palin, John Cleese (in waspish, nit-picking mood) and Eric Idle. A "Follow the Killer Rabbit" feature provides access either to the Accountant's invoices or Gilliam's conceptual sketches. Subtitle options allow you to read the screenplay or watch with spookily appropriate captions from Shakespeare's Henry IV, Part II. The second disc has lots more material, much of it very silly and inconsequential (an educational film on coconuts, the Camelot song in Lego and so on), plus a long-ish documentary from 2001 in which Palin and Jones revisit Doune Castle, Glencoe and other Scottish locations. Perhaps best of all, though, are the two scenes from the Japanese version with English subtitles, in which we see the search for the Holy sake cup, and the Ni-saying Knights who want... bonsai! --Mark Walker
Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time.
Languishing in the vaults for decades, during which time it became a semi-legendary show among TV fans of a certain age, Fireball XL5 (1962) was Gerry Anderson's second puppet-animation science fiction series, the direct forerunner of Stingray (1963) and Thunderbirds (1964). This is the show on which Anderson established the formula for his later classics: a pseudo-military organisation engaged in desperate Earth-saving adventures against overwhelming odds; superb model work; puppets with very obvious strings but endearing personalities; iconic music by Barry Gray; and absolutely massive explosions. Colonel Steve Zodiac pilots the coolest spaceship then seen on British TV, the titular Fireball XL5, and is joined by medical officer Venus, a forerunner of Lady Penelope voiced by Sylvia Anderson, and comedy relief Prof Matt Matic (David Graham). Along for the ride is Robert the Robot, a thinner version of Robbie the Robot from Forbidden Planet (1956), a character who would soon turn up in Lost in Space (1965). The plots are ridiculous, with typically Cold War-era aliens routinely bent on planetary destruction for no reason, and there's zero attention to even rudimentary astronomy or anything else approaching actual science. Yet the gadgets, vehicles and puppetry are first-rate and the fast-paced, action-filled episodes are relentlessly entertaining. It's a cult just waiting to be reborn, and essential viewing for all Anderson fans. On the DVD: Fireball XL5 is presented with all 39 episodes (they run 25 minutes each) on five discs. Despite the colourful packaging, the episodes are all black and white, and the 4:3 picture is generally fine, though there are occasional instances of over-compression, which results in artefacting on smooth walls and the like. Some shots look a little soft, but detail is usually strong, making the models and puppets look better than ever. The mono sound is fine, if unremarkable. There are no extras beyond optional subtitles. --Gary S Dalkin
Timothy Dalton makes his debut as secret agent 007 in this action-packed Cold War thriller.James Bond is given an assignment to guard the life of a high-ranking Russian defector. The trouble is, the defection is nothing but a scam to enable the pesky Russkie to perpetrate a perfidious arms deal. Along the way Bond hooks up with the delectable cellist Kara Malovy (Maryam D'Abo), who is not all that she seems to be...
Featuring all three series of Operation Good Guys. Series 1: A new fly-on-the-wall documentary series about an elite police unit's bid to snare one of Britain's most powerful crime lords. But things are not quite what they seem... Operation Good Guys is in fact an innovative and irreverent comedy. Blurring the line between fact and fiction it witnesses on camera the total breakdown professionally and personally of the Operation Good Guys team. Throughout the operation Th
Yoiks! Here be the Python's tale of good King Arthur (Graham Chapman) and his knights as they quest for the Holy Grail. Watch as they face great odds and silly sods. See them wage battle against the fierce Killer Rabbit (""Run Away! Run Away!"") and (oh horrors!) see them confront the dreaded Knights Who Say ""Ni!"". Oh these be trying times. Can these good knights pass the test of valour and cut down yon tree with herring? Or will they blow themselves to smithereens with the Holy H
Immerse yourself in a whole new dimension of family entertainment. Bring the 3D experience home with this hilariously uplifting adventure from the creators of Monsters Inc. and Finding Nemo. Part rascal, part dreamer, retired balloon salesman Carl Fredricksen is ready for his last chance at high-flying excitement. Tying thousands of balloons to his house, Carl sets off to the lost world of his childhood dreams. But unbeknownst to Carl, Russell, an overeager 8-year-old Wilderness Explorer who has never ventured beyond his backyard, is in the wrong place at the wrong time - Carl's front porch! Experience every thrilling moment of their adventure as it comes to life before your eyes in spectacular Disney Blu-ray 3D - Magic In A New Dimension that will send your spirits soaring Up, up and away!
All seven episodes of the BBC drama starring Sam Waterston as theoretical physicist J. Robert Oppenheimer, the man who led the team on the Manhattan Project to develop and build the first atomic bombs during WWII. A brilliant scientist, Oppenheimer is nevertheless suspected of communist sympathies by the government. Meanwhile, as he begins to realise the scale of the weapon he has helped to create, he becomes increasingly ambivalent, and even hostile, about its eventual use. The cast also includes Peter Banks, David Suchet and Colin Bennett.
The sixth season of Outlander sees a continuation of Claire and Jamie's fight to protect those they love, as they navigate the trials and tribulations of life in colonial America. Establishing a home in the New World is by no means an easy task, particularly in the wild backcountry of North Carolina and perhaps most significantly during a period of dramatic political upheaval.The Frasers strive to maintain peace and flourish within a society, which as Claire knows all too well is unwittingly marching towards Revolution. Against this backdrop, which heralds the birth of the new American nation, Claire and Jamie have built a home together at Fraser's Ridge. They must now defend this home established on land granted to them by the Crown not only from external forces, but also from the increasing strife and conflict in the community within their care.For the Frasers and their immediate family, then, home is more than simply a site in which they live, it is the place where they are laying the foundations for the rest of their lives. If Season 4 asked, What is home? and Season 5 asked, What are you willing to do to protect your home? then Season 6 explores what happens when there is disharmony and division among the inhabitants of the home you've created: when you become an outsider, or an 'outlander,' so to speak, marginalized and rejected in your own home.Product FeaturesIncludes 2 exclusive outlander untold bonus scenes Caitriona & Sam's Original AuditionsThe Shootout at Fraser's RidgeDeleted ScenesEpisode CommentariesA Look into the Animation: Outlander UntoldFamily Matters: The Ghosts of Trauma2 Blooper Reels
The world's most hilariously disaster-prone detective is back on the case as Peter Sellers stars in this merry masterpiece of sheer slapstick sleuthing fun! When the priceless Pink Panther diamond is stolen yet again the inimitable Inspector Jacques Clouseau is saved from an unwilling early retirement and sent off to the country of Lugash to investigate. Certain that the heist is the work of a suave jewel thief known as The Phantom Clouseau unleashes his formidable array of outlan
The Jungle Book 2 adds an all-new chapter to one of the best loved animated classics of all time. When Mowgli sneaks away to the jungle, the chase is on to see who will find Mowgli first - his old pals, his new family, or the man eating tiger Shere Khan.
From visionary filmmaker Spike Lee comes the incredible true story of an American hero. It's the early 1970s, and Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The young detective soon recruits a more seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation of a lifetime. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream. Produced by the team behind the Academy-Award® winning Get Out.
Made in 1984, The Hitcher is an update--in spirit at least--of Steven Spielberg's first feature film, 1971's Duel. Here C Thomas Howell plays a guy taking a drive-away car from Chicago to San Diego. On a whim, in the rain, and against his better judgment, he picks up a hitchhiker (Rutger Hauer). The hitcher quickly admits to being a murdering psychopath and once Howell finally gets him out of his car, he is pursued with all the vengeance of the ancient furies. We're never sure if the hitcher is a figment of his imagination, making Howell a schizophrenic killer, or if he's real and Howell is the random victim of a wandering madman, which is how his potential new girlfriend (Jennifer Jason Leigh) thinks of him. Either way, The Hitcher is great fun, kinda scary and teetering on the brink of "must see". --Andy Spletzer
Footnotes in film books are likely to reduce this swashbuckling adventure down to a simple description: it was the first movie to star Leonardo DiCaprio after the phenomenal success of Titanic. As such, The Man in the Iron Mask automatically attracted a box-office stampede of Leo's young female fans, but critical reaction was deservedly mixed. Having earned his directorial debut after writing the Oscar-winning script for Mel Gibson's Braveheart, Randall Wallace wrote and directed this ambitious version of the often-filmed classic novel by Alexandre Dumas. DiCaprio plays dual roles as the despotic King Louis XIV, who rules France with an iron fist, and the king's twin brother, Philippe, who languishes in prison under an iron mask, his identity concealed to prevent an overthrow of Louis' throne. But Louis' abuse of power ultimately enrages Athos (John Malkovich), one of the original Four Musketeers, who recruits his former partners (Gabriel Byrne, Gérard Depardieu, and Jeremy Irons) in a plot to liberate Philippe and install him as the king's identical replacement. Once this plot is set in motion and the Musketeers are each given moments in the spotlight, the film kicks into gear and offers plenty of entertainment in the grand style of vintage swashbucklers. But it's also sidetracked by excessive length and disposable subplots, and for all his post-Titanic star power, the boyish DiCaprio just isn't yet "man" enough to be fully convincing in his title role. Still, this is an entertaining film, no less enjoyable for falling short of the greatness to which it aspired. --Jeff Shannon
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