Governments multinational corporations and religious organizations have secretly wielded tremendous power by holding back critical data or spreading misinformation to further their own aims. This program exposes the almost inconceivable stories of deceit conspiracy sanctioned piracy and scientific knowledge hidden from the world for far too long! Noah's Ark Found? In 1960 a joint U.S./Turkish expedition sets out to investigate the aerial sighting of a boat-shaped object in the Ararat Mountains of Eastern Turkey. Though this investigation bears little fruit the stage is set for explorer and archeologist Ron Wyatt. Thirty-five years later at 6 300 feet above sea level he assembles the proof that may establish the half-buried boat-shaped object as the remains of the legendary 'Noah's Ark'. Tunguska: The Russian Roswell Just prior to the Russian Revolution a mysterious 40-megaton explosion lays waste nearly 200 square kilometers of Earth in the desolate northlands of Siberia. The official story alleges the impact of an asteroid but no known scientific explanation can account for the metal fragments found at the site the lack of an impact crater or the high level of radiation present. Was it an asteroid? Or could it have been the explosion of an extraterrestrial craft? Scientifically speaking each conclusion has equal merit. Stolen Glory: The Cover-Up of Cosmonaut Vladimir Ilyushin On April 12th 1961 the Soviet Union reports the successful launch orbit and reentry of the first man in space. Cosmonaut Yuri Gagarin. With the collapse of Communism and the rise of freedom in the Russian Federation recent access to documents in the Kremlin archives reveal a story intended to remain buried forever. Yuri Gagarin the international icon of triumphant Communism was not the first man in space. Join us for a visit with Vladimir Ilyushin the unsung hero of the first manned Soviet space mission.
Tracklist: 1. Going Down Slow - Long John Baldry 2. Do Not Change - Tower Of Power 3. You Are Still A Young Man - Tower Of Power 4. Mobile Line - John Sebastian 5. Welcome Back - John Sebastian 6. Jug Band Music - John Sebastian And David Bromberg 7. Loving You - John Sebastian And David Bromberg 8. Daydream - John Sebastian And David Bromberg 9. Because - Bonnie Koloc 10. Blue Skies - Bonnie Koloc 11. With You By My Side - Bonnie Koloc
She can't (and won't) drive 55.... Stephen King's novel about the twisted love affair between a boy and his car gets transferred to the screen, courtesy of suspense master John Carpenter. Although lacking some of the more outré supernatural elements of the source material, this high-octane cinematic tune-up more than delivers the goods, horror-wise (Christine's midnight rampages will never be forgotten)--as well as being a sly exposé of the random cruelties within the high-school pecking order. Keith Gordon (who has gone on to become a stellar director in his own right, with films such as A Midnight Clear and Mother Night to his credit) gives a wonderfully controlled central performance. Carpenter's atmospheric original score is backed up by a well-chosen collection of rock classics, including George Thorogood's "Bad to the Bone" (the titular character's all-too-apt theme song). --Andrew Wright
The second series of Red Dwarf is, as Danny John-Jules says in the accompanying DVD commentary, "the one where it really went good". First broadcast in the autumn of 1988, these six episodes showcase Rob Grant and Doug Naylor's sardonic, sarcastic humour to perfection. The writing has matured, no longer focussing solely on SF in-jokes and gags about bodily functions, instead allowing the humour to develop from the characters and their sometimes surprisingly poignant interactions: Lister's timeless love for Kochanksi, for example, or Rimmer's brief memory-implanted love for one of Lister's ex-girlfriends. The cast had gelled, too, and there's even more colour this year as the drab sets are spiced up, a little more money has been assigned to models and special effects, and the crew even go on location once in a while. "Kryten" introduces us to the eponymous house robot (here played by David Ross), although after this first episode he was not to reappear until Series 3, when Robert Llewellyn made the role his own. Then in "Better Than Life" the show produced one of its all-time classic episodes, as the boys from the Dwarf take part in a virtual reality game that's ruined by Rimmer's tortured psyche. Other highlights include "Queeg", in which Holly is replaced by a domineering computer personality, the baffling time travel paradox of "Stasis Leak", the puzzling conundrum of "Thanks for the Memory", and the astonishingly feminine "Parallel Universe". On the DVD: Red Dwarf, Series 2 has another chaotic and undisciplined group commentary from the cast, all clearly enjoying the opportunity to reminisce. The second disc has a host of fun extras, including an "A-Z of Red Dwarf", outtakes, deleted scenes, a Doug Naylor interview, model shots, and the full, unexpurgated "Tongue Tied" music video. As with the first set, the animated menus are great fun and the "Play All" facility is the most useful little flashing button ever created. --Mark Walker
Autopsy - A Love Story: The world of the deceased is the world of Charlie Bickle a loner who searches for love wherever he can. His friends are the John and Jane Does of the city that he collects for the county coroner. These are the nameless people that everyone has forgotten the suicides the overdoses the unsolved homicides that for the right bribe can end up with Charlie and his partner Dale. Their business is a far more sinister one harvesting these corpses for their o
John Crichton's explosive journey through the Uncharted Territories continues as Scorpius reveals that the plans for the wormhole technology harvested from Crichton's brain have a far deadlier purpose. As the universe prepares for war Moya's crew have to decide where their loyalties lie... 3.11: INCUBATOR Scorpius' work into Wormhole Technology is finally making headway - until one of the prototype crafts is stolen by a test pilot who flies it to Moya. Linfer the pilot offers the technology to Crichton - in exchange for Moya itself. But is the deal as straightforward as it seems? 3.12: MELTDOWN When Talyn narrowly avoids a fatal attraction to a sun the crew find themselves being affected by a fluid released by the craft as a defence measure. With Crais constantly enraged and Crichton and Aeryn at each other's... well just at it... it falls to Stark to discover what is drawing Talyn in... 3.13: SCRATCH 'N' SNIFF Crichton D'Argo Chiana and Jool alight on a pleasure planet LoMo for some rest and recreation. When Chiana and Jool go missing Crichton and D'Argo are approached by Raxil a wily alien with information on their whereabouts. Hoping for help retrieving her own 'mate' Raxil leads them to Fe'tor a notorious Freslin maker; Freslin being a drug Fe'tor extracts from sentient beings including his captives Chiana and Jool. 3.14: INFINITE POSSIBILITIES - Part I: Daedalus Demands An Ancient - again taking the form of Crichton's father Jack - appears on Talyn and accuses Crichton of sharing wormhole stabilising technology with the Charrids a vicious race who have formed an alliance with the Scarrans. Crichton realizes that Furlow the mechanic from Dam-Ba-Da depot who once repaired Crichton's module and had a mercenary interest in wormhole technology is the real guilty party. With a Scarran Dreadnought heading towards Dam-Ba-Da to collect Furlow's data Jack must unlock the wormhole technology in Crichton's brain in order to build the ultimate weapon - but must first confront the evil Scorpius Clone in Crichton's mind.
Earth Alien
Governments, multinational corporations and religious organisations have secretly wielded tremendous power by holding back critical data or spreading misinformation to further their own aims. This program exposes the almost inconceivable stories of deceit, conspiracy, sanctioned piracy and scientific knowledge hidden from the world for far too long!; ; Monopoly Men:; During the Wilson presidency, the U.S. government sanctions the creation of the Federal Reserve. Thought by many to be a govern...
It's clear from the opening episodes of its third season that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions. Farscape is a whole galaxy away from the clean, cosy world of Star Trek. On the DVD: Farscape's third season is being released as both standard two-disc sets and strictly limited deluxe editions: the latter are handsomely packaged with a variety of collectable extras, in this case a Farscape watch, limited edition prints and a photo album. The discs are the same as the standard Volume 3.1. --Mark Walker
The 21st Century is when it all changes and you've got to be ready... - Captain Jack Harkness. Set in modern-day Cardiff Torchwood stars John Barrowman as Captain Jack from Doctor Who. Captain Jack and a group of renegade criminal investigators are charged by the British government to find and retrieve alien technology and respond to any extra-terrestrial threats posed to Earth! Episodes Comprise: 1. Everything Changes 2. Day One 3. Ghost Machine 4. Cyberwoman 5. Small Worlds 6. Countrycide 7. Greeks Bearing Gifts 8. They Keep Killing Susie 9. Random Shoes 10. Out Of Time 11. Combat 12. Captain Jack Harkness 13. End Of Days
A satanic voodoo priestess raises the dead commanding them to bring her live victims ripe for sacrifice in this sickening chiller.
Diplomatic Siege: General Steve Mitchell is assigned by the U.S. Pentagon's Security Council to update the Embassy's computer system in Romania. Together with his stepson Mitchell flies to Bucharest where he learns that his partner on the mission is one-time lover Erica Long. From their position in the secret computer room of the Embassy Mitchell uses the surveillance cameras to look around the building. To their horror they watch as Serbian Liberation Front terrorists storm the building's lobby guns blazing. Phoenix: Harry Collins is a veteran Phoenix Arizona police detective with as many vices as virtues. Still Harry lives by a strict moral code which complicates things when his gambling debts start to spiral out of control. The situation goes from bad to worse when Harry hatches a scheme with three fellow cops. The plan is to rip off Louie the sleazy local strip-club owner to pay off Harry's bookie and split what's left. Harry's last chance for redemption may be his relationship with bar-owner Leila but even this is at risk as he goes after the one big score that might enable him to escape his sordid past. The Runner: Bad luck follows Edward Harrinton. Addicted to the bright lights of Las Vegas he gambles his way further and further into debt. Down on his luck he accepts a job offer from his shady uncle. The job is running for Deep Throat the most notorious gangster in Vegas placing bets and collecting the winnings. But Edward isn't too good at keeping hold of cash. His blossoming romance with beautiful waitress Karina means he stands to lose more than just a few dollars. The stakes just got a whole lot higher!
A darkly comic ride, this intense and original 1991 offering from the Coen brothers (Fargo, Blood Simple) gleefully attacks the Hollywood system and those who seek to sell out to it, portraying the writer's suffering as a loony vision of hell. John Turturro (Miller's Crossing, Jungle Fever) plays the title character, a pretentious left-wing writer from New York City who is brought to 1930s Hollywood to write a script for a wrestling movie for palooka actor Wallace Beery. Fink thinks the job is beneath him, but his desire for acceptance gets the better of him, and he suddenly finds himself holed up in a fleabag hotel in Los Angeles, where he is almost immediately afflicted with writer's block. Various distractions begin to enter his life, first in the form of a famous southern writer (John Mahoney) whom Fink idolises, and then his neighbour in the hotel, a seemingly amiable salesman played by John Goodman (Sea of Love, Raising Arizona). The writer turns out to be a self-loathing drunk whose secretary (Judy Davis) is the one actually doing the writing. And the neighbour, the working-class hero who Fink made his reputation writing about, may have a horrifying secret of his own. Equal parts social commentary and hilarious farce, and winner of the Best Picture, Actor, and Director prizes at the Cannes Film Festival, Barton Fink is a visionary and original comic masterpiece not to be missed. --Robert Lane
Molecular biologist Michael Dorn is accidentally infected with a new virus he is developing and his life takes a dramatic turn for the worse. The virus which he believed was designed as a cure for HIV harbors something far more sinister-turning it's victims into vampires. Now a treat to the very organization for which he worked Michael is on the run a tortured soul living off the streets as he battles to come to terms with his violent existence as a blood-lusting predator. With malicious bounty hunter Lance and junkie vampire Gage in pursuit Michael knowing the true heinous potential of the virus must decide the fate of the world.
Java has more active volcanoes than any place on earth. To the Javanese they are both givers and takers of life. Meena pays his yearly homage by joining hundreds of thousands in the spectacular Hindu ceremony of Kesodo in the active crater of Mount Bromo so the gods will grant another year free of eruptions. Sometimes it works sometimes not. On neighbouring volcano Kawa Ijen the relationship between mountain and man is more tense. Muslim Dowee and his fellow miners daily dice with death from poisonous fumes or eruption to carve great slabs of yellow sulphur from the live crater - to be used to refine sugar. John Paul Davidson uses spectacular aerial footage to interweave these Javanese lives and their mountains to powerful effect.
Set in 1944 France an American Intelligence Squad locates a German Platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men isolated from the war at present put aside their differences and spend Christmas together before the surrender plan turns bad and both sides are forced to fight the other. Based on the novel by William Wharton
With the third season well under way by now it's clear that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions. All the principal actors know their characters inside and out by now, and delight in showing off their many weaknesses and flaws. Refreshingly, the crew of Moya are a squabbling, bickering, selfish bunch most of the time, who somehow and against expectations manage to pull together (just) at the crucial moment. The writing has matured, too, remaining as witty as ever but equally unafraid to push both genre and censorship boundaries as villains bloodily torture their victims (usually Crichton) and the main characters become more and more obsessed about their sex lives (or lack thereof). Farscape is a galaxy far, far away from the clean, cosy world of Star Trek.--Mark Walker
Throughout its consistently strong third season its clear that Farscape has developed into a grown-up show. There's a new self-confidence and a new maturity here that's entirely welcome after the often wildly erratic tone of the second season. The production design and high-quality effects work remain true to the show's original quirky style, although both the look and the more adult-themed scripts are have become progressively darker. It's also clear that anyone who has not followed Farscape extremely closely from the very first episode of Season One will be utterly baffled by the convoluted plotting and complex character interactions.--Mark Walker
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