THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING: With the help of a courageous Fellowship of friends and allies, Frodo embarks on a perilous mission to destroy the legendary One Ring.THE LORD OF THE RINGS: THE TWO TOWERS: In the middle chapter of this historic movie trilogy, the Fellowship is broken, but its quest to destroy the One Ring continues.THE LORD OF THE RINGS: THE RETURN OF THE KING: The final battle for Middle-earth begins. Frodo and Sam, led by Gollum, continue their dangerous mission toward the fires of Mount Doom in order to destroy the One Ring.Featured In-PackTheatrical and Extended Editions in 4K Ultra HDLimited New Book Packaging with faux-leather finish, gold foil, and embossingNoble Collection One Ring Replica AUDIO LAUNGUAGES - THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING: Extended Version: Dolby Atmos-TrueHD: English, DTS-HD Master Audio: Castilian Spanish 6.1, French 5.1, German 6.1, Italian 6.1 Theatrical Version:Dolby Atmos-TrueHD: English, DTS-HD Master Audio: French 5.1, Italian 5.1 THE LORD OF THE RINGS: THE TWO TOWERS: Extended Version: Dolby Atmos-TrueHD: English, DTS-HD Master Audio: Castilian Spanish 6.1, French 5.1, German 6.1, Italian 6.1 Theatrical Version: Dolby Atmos-TrueHD: English, DTS-HD Master Audio: Castilian Spanish 5.1, Dolby Digital: Czech 6.1, German 6.1 THE LORD OF THE RINGS: THE RETURN OF THE KING: Extended Version: Dolby Atmos-TrueHD: English, DTS-HD Master Audio: Castilian Spanish 6.1, French 5.1, German 6.1, Italian 6.1 Theatrical Version: Dolby Atmos-TrueHD: English, DTS-HD Master Audio: Castilian Spanish 5.1
When a girl is given the horse of her dreams the pair form a bond of love and trust that will last forever. Polly and her Black Beauty share wondrous adventures and face hardship and danger with brother Bertie Merry Legs the pony and the other residents of their lush country estate. All of the splendor and excitement of Anna Sewell's classic novel are thrilling to boys and girls.
Princess Diaries (Dir. Garry Marshall 2001): Academy Award'' Winner Julie Andrews enchanting newcomer Anne Hathaway and Hector Elizondo (Pretty Woman) lead a charmed cast in Disney's The Princess Diaries a hilarious hip and heartwarming modern day Cinderella story. Mia Thermopolis (Hathaway) is a bright but terribly shy and gawky teenager whose goal in life is to survive each school day with a minimum of attention and embarrassment. Unfortunately her wish to be invisible is thwarted when her estranged grandmother arrives and delivers the shocking news that she's a real-life princess - heir to the throne of Genovia! Furious and incredulous the reluctant royal agrees to take princess lessons and make the biggest decision of her life - in three weeks. And so begins a comical transformation towards poise and princess-ness when she finds herself in the middle of a media storm jealous schoolmates and a plot to take over her country. Funny uplifting and affirming - your entire family will thoroughly enjoy this crown jewel. The Princess Diaries 2: Royal Engagement (Dir. Garry Marshall 2004): As a teenager ugly duckling Mia (Anne Hathaway) learned that she was actually a princess. Now that the Princess has completed college in America she is returning to her country Genovia. Since Mia is turning 21 Queen Clarisse (Julie Andrews) plans to step down and give her granddaughter the throne. But evil Viscount Mabrey (Jonathan Rhys-Davies) believes his nephew is the rightful heir and Parliament decides that Mia will have to abide by an age-old Genovian law: no Queen shall rule without a husband. Mia has just thirty days to marry if she is to retain the throne that her family has held for over 500 years. The kindhearted but clumsy princess also has to win over the Genovian people and survive the constant paparazzi. Although a charming Englishman (Callum Blue) seems to fit the arranged marriage bill Mia also finds herself drawn to the very man that is vying for the throne the dashing Nicholas (Chris Pine). But can she trust her foe's intentions? Will Mia follow her heart or sacrifice love for her country?
As Sauron's evil threatens the whole of Middle-Earth, Frodo and Sam edge nearer to Mount Doom while the Fellowship must defend the human city of Minas Tirith in Peter Jackson's third and final instalment of the Tolkein trilogy.
Indiana Jones and the Raiders of the Lost Ark It's said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with `70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn't disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there's real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century's most infamous criminals (the Nazis). Now that's entertainment. --Sam Graham Indiana Jones and the Temple of Doom It's hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas' 1980s adventure trilogy, to be just that. That doesn't mean it's a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it's also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man's chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character's shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim
Five friends spend one lost weekend in a mix of music, love and club culture.
Experience Director Peter Jackson's Middle-Earth Trilogies on Newly Remastered Blu-ray. Includes Theatrical Versions of All 6 Films. THE HOBBIT: AN UNEXPECTED JOURNEY⢠Follow Bilbo Baggins, who along with the Wizard Gandalf and 13 Dwarves, led by Thorin Oakenshield is swept into an epic and treacherous quest to reclaim the lost Dwarf Kingdom of Erebor. THE HOBBIT: THE DESOLATION OF SMAUG⢠Bilbo and the Dwarves escape the giant Spiders and Wood-elves of Mirkwood before encountering the mysterious Bard, who smuggles them into Lake-town. Finally reaching the Lonely Mountain, they confront the Dragon Smaug. THE HOBBIT: THE BATTLE OF THE FIVE ARMIES⢠The Dwarves of Erebor have reclaimed their homeland, but face the consequences of unleashing Smaug. As five great armies go to war, Bilbo fights for his life, and the races of Dwarves, Elves and Men must unite or be destroyed. THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING⢠4 Academy Awards® (2001): Best Cinematography, Makeup, Score and Visual Effects. With the help of a courageous Fellowship of friends and allies, Frodo embarks on a perilous mission to destroy the legendary One Ring. ⢠THE LORD OF THE RINGS: THE TWO TOWERS⢠2 Academy Awards® (2002): Best Sound Editing and Visual Effects In the middle chapter of this historic movie trilogy, the Fellowship is broken, but its quest to destroy the One Ring⢠continues. THE LORD OF THE RINGS: THE RETURN OF THE KING⢠11 Academy Awards® (2003): Best Picture, Director (Peter Jackson), Adapted Screenplay, Art Direction/Set Direction, Costume Design, Editing, Makeup, Score, Original Song Into the West, Sound Mixing and Visual Effects The final battle for Middle-earth⢠begins. Frodo and Sam, led by Gollum, continue their dangerous mission toward the fires of Mount Doom in order to destroy the One Ring.
Volume One of Not the Nine O'Clock News comprises 98 minutes of early material from the sketch show that ran between 1979 and 1982. Starring Rowan Atkinson, Griff Rhys-Jones, Mel Smith and Pamela Stephenson and coscripted by Richard (Blackadder) Curtis among others, it wasn't especially ground-breaking by the standards of Monty Python or contemporary series such as The Young Ones, but it did provide some pretty blunt belly-laughs at the major social and political concerns of the era: Thatcher, Reagan, police brutality, the prospect of nuclear war. The latter makes for an excellent Question Time spoof, in which, with the four-minute warning having sounded, a panel of politicians continue bleating on their own agenda ("Three million people are going to die unemployed!"). Atkinson's stuff is among the best here, be it as a hideous young Tory, or as Gerald the Gorilla, now civilised to a fault by the captor who caught him in the wild. ("Wild? I was livid!") The much-repeated bit of him walking into a tree, however, doesn't work as he clearly anticipates the collision. While the musical elements look inevitably dated and a lengthy sketch on darts players boozing reaches the "Yeah, we get the point" mark long before it reaches its end, it's surprising how topical much of this material remains decades on--a sketch involving an agonising gay vicar springs to mind--while time hasn't eroded the quality of much of the writing. On the DVD: Not the Nine O'Clock News on disc comes with no extra features. --David Stubbs
British comedy at its best Please Sir is fondly remembered by an entire generation of TV viewers. Starring John Alderton as the idealistic teacher Bernard Hedges who is put in charge of the worst class ever come back to school and relive the hilarity with Please Sir!.
The BAFTA-winning adaptation of Quentin Crisp's best-selling autobiography, The Naked Civil Servant features an arguably career-best performance by John Hurt as Crisp a flamboyant homosexual trying to live an openly gay lifestyle in the intolerant pre-war years. Funny, tragic and, at times, heart-warming, this unflinching story of an unconventional man is strongly directed by the multi-award-winning Jack Gold. It is featured here in a brand-new restoration from original film elements, in its original full-screen aspect ratio. SPECIAL FEATURES: Commentary with John Hurt, director Jack Gold and executive producer Verity Lambert Seven Men: Quentin Crisp a Granada profile from 1971 Mavis Catches Up with Quentin Crisp an interview from 1989 Image gallery Philip Mackie's original script [PDF]
Get ready for edge-of-your-seat thrills in Raiders of the Lost Ark. Indy (Harrison Ford) and his feisty ex-flame Marion Ravenwood (Karen Allen) dodge booby-traps, fight Nazis and stare down snakes in their incredible worldwide quest for the mystical Ark of the Covenant. Experience one exciting cliffhanger after another when you discover adventure with the one and only Indiana Jones.
The second best comedy ever made, Monty Python and the Holy Grail must give precedence only to the same team's masterpiece, The Life of Brian (1979). Even though most of this film's set-pieces are now indelibly inscribed in every Python fan's psyche, as if by magic they never seem to pall. And they remain endlessly, joyfully quotable: from the Black Knight ("It's just a flesh wound"), to the constitutional peasants ("Come and see the violence inherent in the system!") and the taunting French soldier ("Your mother was a hamster and your father smelt of elderberries!"). Not forgetting of course the migratory habits of European and African swallows... The film's mock-Arthurian narrative provides a sturdy framework for the jokes, and the authentic-looking production design is relentlessly and gloriously dirty. The miniscule budget turns out to be one of the film's greatest assets: Can't afford horses? Use coconuts instead. No money for special effects? Let Terry Gilliam animate. And so on, from Camelot ("it's only a model") to the rampaging killer rabbit glove puppet. True it's let down a little by a rushed ending, and the jokes lack the sting of Life of Brian's sharply observed satire, but Holy Grail is still timeless comedy that's surely destined for immortality. On the DVD: Disc One contains a digitally remastered anamorphic (16:9) print of the film--which is still a little grainy, but a big improvement on previous video releases--with a splendidly remixed Dolby 5.1 soundtrack (plus an added 24 seconds of self-referential humour "absolutely free"!). There are two commentaries, one with the two Terrys, co-directors Jones and Gilliam, the other a splicing together of three separate commentaries by Michael Palin, John Cleese (in waspish, nit-picking mood) and Eric Idle. A "Follow the Killer Rabbit" feature provides access either to the Accountant's invoices or Gilliam's conceptual sketches. Subtitle options allow you to read the screenplay or watch with spookily appropriate captions from Shakespeare's Henry IV, Part II. The second disc has lots more material, much of it very silly and inconsequential (an educational film on coconuts, the Camelot song in Lego and so on), plus a long-ish documentary from 2001 in which Palin and Jones revisit Doune Castle, Glencoe and other Scottish locations. Perhaps best of all, though, are the two scenes from the Japanese version with English subtitles, in which we see the search for the Holy sake cup, and the Ni-saying Knights who want... bonsai! --Mark Walker
Timothy Dalton makes his debut as secret agent 007 in this action-packed Cold War thriller.James Bond is given an assignment to guard the life of a high-ranking Russian defector. The trouble is, the defection is nothing but a scam to enable the pesky Russkie to perpetrate a perfidious arms deal. Along the way Bond hooks up with the delectable cellist Kara Malovy (Maryam D'Abo), who is not all that she seems to be...
Yoiks! Here be the Python's tale of good King Arthur (Graham Chapman) and his knights as they quest for the Holy Grail. Watch as they face great odds and silly sods. See them wage battle against the fierce Killer Rabbit (""Run Away! Run Away!"") and (oh horrors!) see them confront the dreaded Knights Who Say ""Ni!"". Oh these be trying times. Can these good knights pass the test of valour and cut down yon tree with herring? Or will they blow themselves to smithereens with the Holy H
The Jungle Book 2 adds an all-new chapter to one of the best loved animated classics of all time. When Mowgli sneaks away to the jungle, the chase is on to see who will find Mowgli first - his old pals, his new family, or the man eating tiger Shere Khan.
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play. After the death of her bullying husband, the not-so-aged and downtrodden housewife Thelma Caldicot (Pauline Collins) is shipped off to the Twilight Years Rest Home by her money grabbing son and manipulative daughter in law. Appalled by the conditions, Mrs Caldicot decides to take matters into her own hands Review One Flew Over the Cuckoo's Nest for OAP's --hotdog Magazine A showcase performance by Pauline Collins --Empire
A two-week stay in the country excludes the troublesome class 5C but their leader is able to convince the headmaster that it's just what they need... Based on the the original TV series starring John Alderton and Joan Sanderson this is classic seventies comedy at its finest. It also features the vocal talents of Cilla Black with 'La La La Lu'.
The BAFTA-winning adaptation of Quentin Crisp's best-selling autobiography, The Naked Civil Servant features an arguably career-best performance by John Hurt as Crisp a flamboyant homosexual trying to live an openly gay lifestyle in the intolerant pre-war years. Funny, tragic and, at times, heart-warming, this unflinching story of an unconventional man is strongly directed by the multi-award winning Jack Gold. It is featured here in a brand-new High Definition restoration from original film elements, in its original fullscreen aspect ratio. SPECIAL FEATURES: Feature version [HD - Blu-ray exclusive]: in full widescreen with the ad-breaks removed Commentary with John Hurt, director Jack Gold and executive producer Verity Lambert Seven Men: Quentin Crisp a Granada profile from 1971 Mavis Catches Up with Quentin Crisp: an interview from 1989 Image gallery Philip Mackie's original script (PDF)
The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker
Okay, sure, if you're a ten-year-old girl, this sequel to Disney's 2001 hit will completely transfix you. How could it not? Bubbly Mia (Anne Hathaway), the American teenager who in the first film learned she was actually European royalty, finishes college and--whoosh!--heads off to Genovia, where shes given a closet full of fabulous clothes and jewelry in preparation to rule the kingdom under the tutelage of grandmother Julie Andrews. Throw in a horse and a volatile but innocent romantic attraction to the dreamy young stud (Chris Pine) who's also vying for the throne, and you have the kind of stuff that prepubescent girls rhapsodize about at slumber parties. Oh--and there's a slumber party here, too, featuring a bevy of cute, international young princesses mattress-surfing down a giant slide. Resistance is futile. For the rest of us, though, director Garry Marshall has managed to make his Laverne & Shirley days seem positively Shakespearean in comparison. The movie is precious, padded (two hours!), and pandering twaddle; Andrews, in her role as Queen Mother, is even shoehorned into a faux-hip-hop duet with Disney Channel favorite Raven (one of many, many grueling moments intended to sell the soundtrack). Then the film takes a maddening left turn three-quarters of the way into the plot and decides that, despite all the preceding consumption and connubial fantasies to the contrary, it's really about feminine emancipation. But dont worry--what causes you to smack your forehead in frustration will go right over the heads of its hypnotized target market. --Steve Wiecking
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