The tale of a gang killing near a south-east London council estate
New York, 1941. Socially conscious script writer Barton Fink (John Turturro) has been a big hit on Broadway. Now Tinsel Town is taking notice. Hired by Hollywood to write a wrestling picture, Barton quits the city smog for movie stardom. L.A. has got the Barton Fink feeling. Barton Fink has got writer's block. Enlisting the help of able assistant Audrey (Judy Davis), and amiable neighbour Charlie Meadows (John Goodman), Fink finds the real-life inspiration he seeks comes from the most sinister of sources. From master movie makers the Coen Brothers (Blood Simple, No Country For Old Men), comes the unanimously acclaimed Barton Fink. The biting, offbeat story of Hollywood heartache, faceless movie moguls and headless corpses.
Big Jake is not one of the Duke's classics, but it's a diverting picture nonetheless. Everyone seems to think that Jacob McCandles is six-feet under ("I thought you was dead" is a running line throughout), so some bad men kidnap his grandson. They want a piece of the family fortune and will kill to get it. Patrick Wayne, the Duke's own son, plays one of Big Jake's kids, and together they start out after the boy's abductors. Richard Boone makes a worthy adversary to Jake's larger-than-life figure, and the final confrontation between the two contains some great gritted-teeth dialogue. Maureen O'Hara is barely in the feature, sharing the same fate as Bobby Vinton as the boy's father, who seems to be onscreen just to get shot. --Keith Simanton
John Mills stars as Alfred Polly recently sacked from his job he inherits money from his father thus enabling him to take a bike tour of the country. He falls in love but it all goes wrong so Alfred ends up marrying his cousin Miriam. They set up a draper's shop in a small town. Miriam sours they face bankruptcy and boredom and Mr Polly comes to hate his life. In utter despair he decides to commit suicide but even this goes wrong and he is forced to take to the road again.
Between Heaven and Hell There's Always Hollywood! John Turturro shines in the lead role in Barton Fink the Coen Brothers' (Miller's Crossing Fargo) hilarious satire set in the 1940s Hollywood. Fink is a New York playwright who reluctantly relocates to Hollywood to write screenplays. Ordered to write a low budget screenplay about wrestling Fink manages to type one sentence and then...nothing! Although his chatty insurance salesman neighbour Charlie (John Goodman) helps out by teaching Fink about wrestling the clock ticks the temperature rises and Fink's life spins more and more out of control. Barton Fink received three 1991 Oscar nominations-(Best Supporting Actor-Michael Lerner Best Art Direction/Set Direction and Best Costume Design) and also won Best Actor (Turturro) and Best Director (Joel Coen) as well as the coveted Palme d'Or at Cannes.
Paw Patrol Best In Snow Collection Sleigh through Adventure Bay in these 3 snow-filled collections with over 20 rescues! Get ready for chills and thrills as the PAW Patrol saves Christmas, an annual snow show, a daring snowboarder and lost penguins. Plus, the pups track down a mysterious snow monster!
How a legend was born! Ruthless. Shameless. Clueless! Celebrity interviewer Jiminy Glick (Martin Short) tackles the big screen with his first feature film: a wildly irreverent laugh-till-it-hurts movie experience. Hungry for an A-list interview that could launch him into the gossip-page stratosphere the small-time journalist with big aspirations and an even bigger appetite drags his wife and kids across the country to the star-studded Toronto Film Festival. But in between t
Pee-Wee's Big Adventure: When Pee-wee Herman's idyllic world is destroyed by the theft of his fire-engine red bicycle, the pre-pubescent adult sets out on a manic cross-country odyssey to recover his most valued possession. Director Tim Burton makes his feature-film debut with this comic masterpiece./p> Beetlejuice: A couple of home-loving ghosts need to be rid of a group of pretentious, trendsetting humans, who have taken over their house and made 'living' extremely difficult. They enlist the aid of a bio-exorcist in the hope that he can scare the unwanted guests away. Batman: After witnessing his parents brutal murder as a child, millionaire-philanthropist Bruce Wayne pledges his life to fighting crime disguised as Batman. His long-time nemesis, the Joker, has sinister plans for the citizens of Gotham City. His greed is matched by his obsession with photojournalist Vicki Vale. But Batman is there to counter the Joker's every move. With the fate of Gotham and Vicki in the balance, will good or evil prevail? Batman Returns: Batman the Caped Crusader is pitted against the demented, ravenous Penguin; a pitiful, orphaned psychopathic freak who once went on a baby-killing spree, and a 'power' hungry capitalist villain, Max Shreck. As the two criminals plot to gain domination over Gotham City, Batman must plot to stop them. In the highly stylized Batman Returns, Batman is thrown a third enemy, a terrible distraction: the slinky, sharp-clawed Cat Woman./p> Mars Attacks: When a shiny silver flying saucer lands in the Nevada desert, a group of skull-faced Martians exit the gleaming craft. Although they claim to be peaceful, they promptly vaporize a gathering of unfortunate Earthling s, kicking off a bizarre high-tech war with wild special effects. Sweeney Todd: Benjamin Barker (Johnny Depp) is living a simple life with his wife Lucy and his daughter when the lust of a judge (Alan Rickman) throws their lives into chaos. The judge has Barker deported to Australia, and many years later he returns to England with revenge in his heart. Corpse Bride: Set in a 19th century European village, this stop-motion, animated feature follows the story of Victor (voiced by JOHNNY DEPP), a young man who is whisked away to the underworld and wed to a mysterious Corpse Bride, while his real bride, Victoria, waits bereft in the land of the living. Though life in the Land of the Dead proves to be a lot more colorful than his strict Victorian upbringing, Victor learns that there is nothing in this world, or the next, that can keep him away from his one true love. Charlie & The Chocolate Factory: Acclaimed director Tim Burton brings his vividly imaginative style to the beloved Roald Dahl classic Charlie and the Chocolate Factory, about eccentric candy-maker Willy Wonka and Charlie Bucket, a good-hearted boy from a poor family who lives in the shadow of Wonka's extraordinary factory.
Marriage, sex, drugs, fast cars and fights and loads and loads of affairs these are all the ingredients that make this one of the DVD and TV highlights this April.
Harry returns for his second year at Hogwarts School of Witchcraft and Wizardry along with his best friends Hermione and Ron. He ignores warning s not to go back to Hogwarts by a mysterious house elf named Dobby. Soon into the school year strange things start happening...
When the public unwrapping of an allegedly ancient Egyptian mummy turns out to reveal the fresh corpse of a contemporary gentleman it is clear to Dr. Joseph Bell and Doyle that foul play is at hand. After a post mortem proves that the deceased was indeed the victim of a brutal murder the doctor and his friend resolve to discover the killer. In their search they become acquainted with a Canadian art collector who appears to be equally keen to solve the riddle of the mummy. But can
Director John Carpenter presents a romantic science fiction odyssey starring Jeff Bridges in his Oscar(R)-nominated role as an innocent alien from a distant planet who learns what it means to be a man in love. When his spacecraft is shot down over Wisconsin, Starman (Bridges) arrives at the remote cabin of a distraught young widow, Jenny Hayden (Karen Allen), and clones the form of her dead husband. The alien convinces Jenny to drive him to Arizona, explaining that if he isn't picked up by his mothership in three days, he'll die. Hot on their trail are government agents, intent on capturing the alien, dead or alive. En route, Starman demonstrates the power of universal love, while Jenny rediscovers her human feelings for passion.
In Unbreakable, writer-director M. Night Shyamalan reunites with Sixth Sense star Bruce Willis, comes up with another story of everyday folk baffled by the supernatural (or at least unknown-to-science) and returns to his home town, presenting Philadelphia as a wintry haunt of the bizarre yet transcendent. This time around, Willis (in earnest, agonised, frankly bald Twelve Monkeys mode) has the paranormal abilities, and a superbly un-typecast Samuel L. Jackson is the investigator who digs into someone else's strange life to prompt startling revelations about his own. David Dunn (Willis), an ex-jock security guard with a failing marriage (to Robin Wright Penn), is the stunned sole survivor of a train derailment. Approached by Elijah Price (Jackson), a dealer in comic book art who suffers from a rare brittle bone syndrome, Dunn comes to wonder whether Price's theory that he has superhuman abilities might not hold water. Dunn's young son Joseph (Spencer Treat Clark) encourages him to test his powers and the primal scene of Superman bouncing a bullet off his chest is rewritten as an amazing kitchen confrontation when Joseph pulls the family gun on Dad in a desperate attempt to convince him that he really is unbreakable (surely, "Invulnerable" would have been a more apt title). Half-convinced he is the real-world equivalent of a superhero, Dunn commences a never-ending battle against crime but learns a hard lesson about balancing forces in the universe. Throughout, the film refers to comic-book imagery--with Dunn's security guard slicker coming to look like a cape, and Price's gallery taking on elements of a Batcave-like lair--while the lectures on artwork and symbolism feed back into the plot. The last act offers a terrific suspense-thriller scene, which (like the similar family-saving at the end of The Sixth Sense) is a self-contained sub-plot that slingshots a twist ending that may have been obvious all along. Some viewers might find the stately solemnity with which Shyamalan approaches a subject usually treated with colourful silliness offputting, but Unbreakable wins points for not playing safe and proves that both Willis and Jackson, too often cast in lazy blockbusters, have the acting chops to enter the heart of darkness. --Kim Newman
The feature debut of the great Bob Fosse based on the Broadway hit, Sweet Charity is a musical re-imagining of Federico Fellini's Nights of Cabiria, starring the wonderful Shirley MacLaine as a taxi dancer looking for love and escape in hippy-era New York. Special Features: 4K restoration of the 157-minute Roadshow version, complete with Overture, Entr'acte and Exit Music 4K restoration of the general release version, with the original and alternative endings Alternative 2.0 stereo, 4.0 stereo and 5.1 surround soundtrack options Audio commentary with film historians Lee Gambin, Alexandra Heller-Nicholas and Cara Mitchell (2020) The John Player Lecture with Shirley MacLaine (1971): archival audio recording of the celebrated actor in conversation at London's National Film Theatre From Stage to Screen: A Director's Dilemma (1969): original promotional film featuring interview material with Bob Fosse and rare behind-the-scenes footage The Art of Exaggeration (1969): original promotional film profiling the work of famed costume designer Edith Head Interview with Sonja Haney (2020): audio recording of the dance assistant in conversation with Lee Gambin Now and Then: Sammy Davis Jr (1968): archival interview featuring the actor and singer in conversation with broadcaster Bernard Braden Super 8 version: original cut-down home-cinema presentation Image gallery: publicity and promotional material Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 80-page book with new essays by Pamela Hutchinson and Bill Rosenfield, Neil Simon on Sweet Charity, archival press coverage of the film's release including an interview with Shirley MacLaine, extracts from the pressbook, Federico Fellini on Sweet Charity, an overview of contemporary critical responses, and film credits Limited edition exclusive double-sided poster UK premiere on Blu-ray Limited edition of 3,000 copies
Dr Dolittle (Dir. Betty Thomas 1998): Treat yourself to a healthy dose of Eddie Murphy's untamed animal magnetism in the smash hit comedy that'll make you roar howl and hoot with laughter! A successful physician and devoted family man John Dolittle (Murphy) seems to have the world by the tail until a long-suppressed talent he possessed as a child - the ability to communicate with animals - is suddenly reawakened... with a vengeance! Now every creature within squawking distanc
Ebulliently imaginative and far more cleverly presented than you would expect from a TV miniseries, this adaptation of Gulliver's Travels succeeds by never pandering to the lowest common denominator. Closely based on Jonathan Swift's 1726 classic, it is enhanced by dazzling special effects from Jim Henson Productions and a superb, multi-ethnic cast. The biggest surprise is Ted Danson in the title role--one of his best performances, even if he is the only person in England with an American accent. He conveys amusement, amazement and intelligence as he travels from one strange country into another. Not that anyone back in Blighty believes Mr Gulliver's tales of little people or giants. The story is told in flashback from an insane asylum, where he is forcibly confined. This far outshines several previous adaptations of Swift's satirical novel. --Rochelle O'Gorman, Amazon.com
NASCAR racing sensation Ricky Bobby must battle a flamboyant French Formula One driver in this new comedy.
Based on Alex Haley's bestseller, the 1977 TV mini-series Roots told the harrowing story of one man's ancestors, commencing with African warrior Kunta Kinte, captured, transported to America, stripped of his dignity, his rights, and even his name. He tries but fails to escape before accepting he can never return to Africa. He marries and bears a daughter, Kizzy, who is callously sold, then raped by her new "master". However, her son, Chicken George, a resourceful dab hand with gamecocks, lives long enough to see his own children attain a liberty of sorts following the Civil War. Roots is told in the same, accessible televisual language as The Waltons or Bonanza, yet it is never bland or evasive. It leaves no doubt as to the torment and abuse suffered by blacks, and although the series' conclusion is fictionally satisfying, for many of the black characters their only hope lies in generations yet unborn. It is sturdy enough drama but its greatest, most revolutionary effects were social. It persuaded American audiences to regard their history from a black perspective, and to see how--against odds far more desperate than those the pilgrims faced--Africans laid claim to their status as free African-Americans. Roots was massively popular, triggering a craze for genealogy and paving the way for series like 1979's Holocaust, which similarly raised the public's awareness of the slaughter of the Jews under Hitler. Most importantly, Roots changed forever the way black people were depicted on American TV. On the DVD: Roots is presented in 1:33:1 format and is visually extremely well-preserved. Extra features include a "Roots Family Tree", a copious, informative audio commentary featuring members of cast and crew, and a documentary, "Remembering Roots". Although this consists only of interviews, these convey the extraordinary emotional grip this project had on those who took part in it.--David Stubbs
She's a lawyer. He's a cop. Some former KGB-types with a wide variety of slippery accents and enough sophisticated technological surveillance gadgets to make one wonder how the Soviet Union could have possibly failed, want her dead. The cop (William Baldwin) is the only man who can save her. It helps that the high-powered attorney is played by Cindy Crawford, who gives new meaning to the phrase "habeas corpus." So the plot doesn't make any sense: first, they try to kill her, no questions asked. Then they capture her and spill their guts about all the details of their nefarious plan. Logic is not what Fair Game is about. It's about explosions, car crashes and more explosions. The only pauses in the action are for showers (one for Baldwin, two for Crawford) and a change of clothing (Crawford slips out of a tight T-shirt into an even tighter tank top). The best feature of the DVD is the addition of a Gallic track. With very little actual sex in the movie, having the main characters conversing in French definitely adds some sauciness to the dialogue scenes. --Richard Natale, Amazon.com
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