"Actor: John Eliot Gardiner"

• Gluck - Alceste (Gardiner, Monteverdi Choir) | DVD | (24/11/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £11.99

  When the historic Theatre du Chatelet in Paris re-opened after a period of extensive refurbishment the first two productions mounted in the theatre were Gluck''s Alceste and Orph''e et Eurydice. Both operas were sung in their French versions and were mounted and designed by Robert Wilson and conducted by John Eliot Gardiner. This was the first time Wilson and Gardiner had collaborated and their individual credentials combined to produce an exceptional result. American polymath Wilson was responsible for some of the most ambitious avant-garde performance projects of the 1970s and 80s.Since the mid-1980s he has increasingly brought his prodigious creativity to works fiom the standard dramatic and operatic repertoire transforming them into his own unmistakably minimalist yet grandiose visions. His styled classical interpretations of Alceste and Orph''e bear his trademarks of an uncluttered stage and the arresting use of colour and light. They are not so much timeless as in Robert Wilson''s words ''full of time''. With their minutely rehearsed gestures at once formal and poetic the singers have the grace and elegance of Balanchine or Martha Graham dancers. A key figure in the revival of Early Music John Eliot Gardiner has long been a champion of Gluck''s French operas and is a great Gluck conductor. He received enormous critical acclaim for his musical direction of both Orph''e and Alceste at the Chatelet as did his orchestras and chorus. He sought to rid the operas of any vestiges of remoteness or venerable respectability and to release the huge emotional charge that lies behind the beauty of Gluck''s classical sobriety. The stories are after all he says not only poignant and deeply moving they have an immediate and contemporary relevance: they portray two married couples striving to protect their union and their love plumbing the very depths of their emotional strength and summoning the courage to make huge personal sacrifices. ''If presented in a way that''s immediate and with tremendous intensity and truth of expression then all the dross and superficiality of the stage action falls away and you''re left with what''s actually a very visceral connection between two living people.'' Television''s top opera director Brian Large worked closely with Robert Wilson and John Eliot Gardiner to ensure that the translation of live performance to the small screen is of the highest artistic and techcal standard. John Eliot Gardiner chose Gluck''s 1776 French version of Alceste for Robert Wilson''s production conducting the piece for the first time with his period-instrument ensemble the English Baroque Soloists. The excellent Monteverdi Choir provides the chorus and unusually they sing fiom the pit with dancers taking their place on stage. They give magnificently persuasive expression to the horror and compassion demanded by the drama. The 'Greek geometric perfection of Robert Wilson''s various tableaux is beautifully realised with his eye for striking theatrical symbol creating an intriguing visual arena for one of Gluck''s most elevated and sublime works. Soprano Anne Sofie von Otter one of the finest singers of her generation takes the title role of Alceste Queen of Thessaly who offers to die at the hands of the gods in place of her husband Admete (Paul Groves) so that the people will not lose their king. To universal astonishment she is saved from the Underworld by Hercule (Dietrich Henschel) whose action is sanctioned by Apollon (Ludovic T''zier) in a dramatic deus ex machina.

• Mozart: Cosi Fan Tutte --Gardiner | DVD | (14/10/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  A performance of Mozart's 'Cosi Fan Tutte' performed by the Monteverdi Choir and the English Baroque Soloists. Conducted by John Eliot Gardiner.

• Bach: Cantatas | DVD | (02/11/2001) from £20.00   |  Saving you £-0.01 (N/A%)   |  RRP £19.99

  Taking the Bach Cantatas as a basis for a year-long pilgrimage in 2000, conductor Sir John Eliot Gardiner led the Monteverdi Choir and English Baroque Soloists on an emotional and artistically triumphant world tour to celebrate the 250th anniversary of the composer’s death. Many of the Cantatas were performed in religious buildings throughout Europe and even in New York, at appropriate times in the liturgical calendar. These performances feature Cantatas 179, 199 and 113, all composed for the 11th Sunday after Trinity, in marvellously dramatic interpretations by the Choir and soloists including soprano Magdalena Kozen, alto William Towers, tenor Mark Padmore and Stephan Loges. Gardiner’s mission to expose the delicacy of emotion at the heart of Bach’s deceptively simple melodies pays dividends in settings which range from baroque German cathedrals to the austere bleakness of Iona. Filmed by BBC Wales, the concerts create a moving spiritual journey in which the music itself is allowed to take centre stage thanks to the passion of the performances and, above all, to Gardiner’s vision of Bach’s continuing relevance in the modern world at the beginning of a new millennium. On the DVD: thanks to the crystal clarity of the PCM Stereo soundtrack and Surround Sound, it’s possible to reproduce at home the distinctive acoustics of the different venues where the cantatas are performed. The picture quality (anamorphic 16:9 ratio) makes for the standard television viewing experience but it’s the music which counts. Extras include a 60-minute documentary explaining Gardiner’s vision for the pilgrimage, with further performance extracts, giving a sense of the sheer size and ambition of the project--not least the logistical issues of moving a large group of performers around such a diverse range of locations. It also shows the extent to which the performers become absorbed by Bach’s music and through it, discover new aspects of their own spirituality. Extensive booklet notes include full texts of the featured Cantatas and the double-sided disc allows viewing in PAL or NTSC format.--Piers Ford

• Gluck - Orphee Et Eurydice (Gardiner) | DVD | (24/11/2008) from £7.32   |  Saving you £2.93 (48.35%)   |  RRP £8.99

  When the historic Theatre du Chatelet in Paris re-opened after a period of extensive refurbishment the first two productions mounted in the theatre were Gluck''s Alceste and Orph''e et Eurydice. Both operas were sung in their French versions and were mounted and designed by Robert Wilson and conducted by John Eliot Gardiner. This was the first time Wilson and Gardiner had collaborated and their individual credentials combined to produce an exceptional result. American polymath Wilson was responsible for some of the most ambitious avant-garde performance projects of the 1970s and 80s.Since the mid-1980s he has increasingly brought his prodigious creativity to works fiom the standard dramatic and operatic repertoire transforming them into his own unmistakably minimalist yet grandiose visions. His styled classical interpretations of Alceste and Orph''e bear his trademarks of an uncluttered stage and the arresting use of colour and light. They are not so much timeless as in Robert Wilson''s words ''full of time''. With their minutely rehearsed gestures at once formal and poetic the singers have the grace and elegance of Balanchine or Martha Graham dancers. A key figure in the revival of Early Music John Eliot Gardiner has long been a champion of Gluck''s French operas and is a great Gluck conductor. He received enormous critical acclaim for his musical direction of both Orph''e and Alceste at the Chatelet as did his orchestras and chorus. He sought to rid the operas of any vestiges of remoteness or venerable respectability and to release the huge emotional charge that lies behind the beauty of Gluck''s classical sobriety. The stories are after all he says not only poignant and deeply moving they have an immediate and contemporary relevance: they portray two married couples striving to protect their union and their love plumbing the very depths of their emotional strength and summoning the courage to make huge personal sacrifices. ''If presented in a way that''s immediate and with tremendous intensity and truth of expression then all the dross and superficiality of the stage action falls away and you''re left with what''s actually a very visceral connection between two living people.'' Television''s top opera director Brian Large worked closely with Robert Wilson and John Eliot Gardiner to ensure that the translation of live performance to the small screen is of the highest artistic and techcal standard. John Eliot Gardiner chose to use Berlioz''s 1859 revision of Orphee which adapted the tenor role of Gluck''s 1774 score for the contralto voice of Pauline Viardot adjusting the register for a mezzo-soprano. Underlining his preference for this version he performed the opera with the nineteenth-century period instruments of his Orchestre Revolutionnaire et Romantique. His regular chorus the Monteverdi Choir excelled vocally and dramatically in its elegant contribution to the drama. The Greek legend of Orpheus has captured the imaginations of many creative artists over the centuries. In this recording Magdalena Kozena brings to the role expressiveness exceptional virtuosity and a rare emotion. Madeline Bender as Eurydice is possessed of a touching grace and beauty while Patricia Petibon is deliciously mischievous as Amour. All three of these young singers are among the cream of a new generation of operatic talent.

• Christmas Oratorio - Johann Sebastian Bach | DVD | (03/12/2001) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

  The Christmas Oratorio, Bach's six-part cantata cycle, was presented by The Monteverdi Choir under the direction of John Eliot Gardiner at the Heiderkirche in Weimar in December 2000 as the culmination of a year-long pilgrimage. Gardiner's mission had been to perform Bach's complete canon of liturgical cantatas, in appropriate religious settings, to celebrate the 250th anniversary of the composer's death. This is a magical record of a splendid musical occasion. Although the Oratorio is seasonal, the tale and the manner of its telling repay repeated listening regardless of the time of year. The commitment of Gardiner, his singers and musicians is deeply moving and is heightened by the splendid Baroque surroundings. The story, related largely by tenor Christoph Genz, is a rich tapestry of musical textures, ranging from the celebratory pastoral opening to the poignancy of many of the solo passages (soprano Claron McFadden's bell-like tones soar, in particular). In one of the accompanying brief documentaries, Gardiner says that at a time when we're weighed down with wallpaper music, Bach provides a means of escape through his sacred music. The proof is in the holistic nature of this piece, with its combined senses of nature at work and order, represented by the discipline of the music itself, of almost mathematical proportions. Sublime. On the DVD: two discs each contain three parts of the Oratorio with a short documentary providing some useful background to Gardiner's pilgrimage and an exploration of his belief that through music, "Bach tells us what it's like to be a human being as part of the universe." The picture format is 16:9 and provides ample digital quality; the setting inevitably imposes its own limits on the viewing experience. The segment for the "Third Day of Christmas" features a choice between the concert camera and the conductor camera so you can vary the picture, but this is really just a gimmick soon forgotten if you're mainly interested in the music. You can listen to the soundtrack in LCPM stereo (best), AC3 Digital 5.1 and DTS 5.1 surround. --Piers Ford

• Art Of Conducting - Great Conductors Of The Past | DVD | (07/10/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  This unique programme features sixteen great conductors of the 20th Century in rehearsal and performance. Fascinating archive footage is accompanied by first-hand recollections of these legendary conductors by some of today's most eminent musicians. Conductors included: Sir John Barbirolli Sir Thomas Beecham Leonard Bernstein Fritz Busch Wilhelm Furtwangler Herbert von Karajan Otto Klemperer Serge Koussevitsky Arthur Nikisch Fritz Reiner Leopold Stokowski Richard Strauss

• John Eliot Gardiner - In Rehearsal | DVD | (13/06/2002) from £21.58   |  Saving you £-1.59 (N/A%)   |  RRP £19.99

  The In Rehearsal series continues to offer fascinating insights into the technique of conducting with this film about John Eliot Gardiner rehearsing Bach's Cantata BWV63 (Christen, ätzet diesen Tag). The venue is EMI's Abbey Road Studios, so there are the obligatory hackneyed shots of that zebra crossing at the beginning, but there's nothing else hackneyed about the rest of this engrossing film. The devil is in the detail: what Gardiner says about Bach and period performance (enlightening though it is) is less interesting than the way he says it. After one rousing chorus, for example, he leaves everyone breathless in silence while he digs some dirt from his fingernails before giving them a cool "Well done". A mild contretemps with the first trumpet leads to an interview in which the brass player nervously and darkly hints at even greater conflict under the surface of the rehearsal. It's remarkable to hear the sublime music-making that results despite, or perhaps because of, the tension: Gardiner continually urges the musicians to swing the beat and feel the pulse as if it were a dance, and they do. One quibble: the names of the soloists aren't credited anywhere, so here they are: Ann Monoyios, Sara Mingardo, Rufus Müller and Stephan Loges. On the DVD: John Eliot Gardiner in Rehearsal is presented in 4:3 ratio, with PCM Stereo sound format. The picture quality is clear without being lustrous, but perfectly adequate for the needs of the subject. The disc has subtitles available in English, German, French and Spanish. --Warwick Thompson

• Hector Berlioz - Les Troyens (Theatre du Chatelet, Paris 2003) | Blu Ray | (01/01/2010) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

• Berlioz Rediscovered - Gardiner | DVD | (16/07/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £16.99

  This new DVD brings together two concert performances with Gardiner a leading Berlioz interpreter conducting his Orchestre Revolutionnaire et Romantique. This is a new and unique coupling of two fabulous live concerts! The Symphonie Fantastique is a glorious orchestral tour de force which is central to the repertoire of every major orchestra. It is performed here on original instruments in its original 1830's orchestration in the atmospheric old hall of the Paris Conservatoire where it was first heard. The other work is the first performance of the newly discovered Messe Solennelle. Written when Berlioz was just 20 years old it was thought lost until its rediscovery in 1992. The first performance of this large-scale Mass for 150 years was filmed in London's Westminster Cathedral and is a very special musical occasion. Gardiner's period-instrument orcehstra gives characteristically idiomatic performances of these seminal works (which are also linked thematically through Berlioz's extensive re-use of material from the Messe).

• Weihnachtsoratorium BWV 248 - Christmas Oratorio Part 1 To 6 | DVD | (31/12/2007) from £26.98   |  Saving you £-6.99 (N/A%)   |  RRP £19.99

  A performance of Bach's Christmas Oratorio recorded in Herderkirche in Weimar in 1999. John Eliot Gardiner conducts the Monteverdi Choir and the English Baroque Soloists.

• Manon Lescaut - Glyndebourne Festival Opera - Puccini | DVD | (07/05/2007) from £15.72   |  Saving you £5.26 (41.32%)   |  RRP £17.99

  Manon Lescaut Puccini's first major success is a work of impassioned emotions based on the 18th-century novel by Abb Prvost depicting the doomed infatuation of Chevalier des Grieux for beautiful fun-loving Manon. Puccini clothes the story in warmly passionate music that makes a direct appeal to the listener's emotions. This production by Graham Vick for Glyndebourne Festival Opera which was filmed in 1997 stars Romanian soprano Adina Nitescu as the ill-fated Manon American tenor Patrick Denniston as Des Grieux and Italian baritone Roberto de Candia as Lescaut. The conductor is John Eliot Gardiner.