In South Africa a young Indian lawyer is booted off a train for refusing to ride second-class. Upon his return to his native India and fed up with the unjust political system he joins the Indian Congress Party which encourages social change through passive resistance. When his ""subversive"" activities land him in jail masses of low-skilled workers strike to support his non-violent yet revolutionary position. Back in India Gandhi renounces the Western way of life and struggles to organize Indian labor against British colonialism. A strike costs many British soldiers their lives so the crown responds by slaughtering 1 500 Indians. Enraged the ascetic spiritual leader continues to preach pacifism until he has lead India out from under the tyranny of British imperialism.
Greenaway collaborated with English painter/polymath Tom Phillips to create this visually impressive attempt to bring Dante's Inferno to the television screen. Bob Peck plays Dante, as narrator; his guide, the Roman poet Virgil, by Sir John Gielgud, and Dante's muse, Beatrice, is portrayed by Joanne Whalley. The Divine Comedy was originally written at the beginning of the fourteenth century, when its author was 35, or 'halfway through the journey of this life'. The political and national turmoil of Italy at the time forced Dante Alighieri, ambassador, diplomat and governor, to re-assess his life and embark on a spiritual journey. The three stages of this journey are the three books of the Comedy (the prefix Divine was added later): Inferno, Purgatorio and Paradiso. There is little doubt that the Inferno is the most widely known of these three; Dante's vision of a multi-layered hell, with its graphic depiction of the various grotesque punishments meted out to its inhabitants, is horrific yet compelling on both the page and the screen. Although the allegorical value of Dante's original vision may be less immediately relevant to this late twentieth century society there is a universality to the sins and the sinners that we encounter on his journey.The eight Cantos of the film are not conventionally dramatised, rather they are illuminated with layered and juxtaposed imagery and a soundtrack which comments, counterpoints and clarifies. There are visual footnotes delivered by relevant expert authorities, and these often perform the function of narration as well as illustration. The result is a dazzling video journey through Dante's underworld.
She would settle for nothing less... Susan Traherne (Streep) has been irreparably changed by her wartime experiences as a Resistance fighter. She sets out in the post-war world to make her way to what she wants no matter who is hurt or how.
George Bernard Shaw was an Irish dramatist literary critic socialist spokesman and a leading figure in 20th century theatre. The George Bernard Shaw Collection includes the following 10 star-studded productions: 1. Arms and the Man 2. The Man of Destiny 3. The Devil's Disciple 4. Mrs Warren's Profession 5. You Never Can Tell 6. Pygmalion 7. Androcles and the Lion 8. Heartbreak House 9. The Millionairess 10. The Apple Cart
The great sorcerer Merlin (Sam Neill) has returned to Camelot a kingdom now at war since the theft of the Holy Grail which was its greatest gift and protection. With the help of Jack a cheeky young beggar-thief empowered with his own unruly magic the fight begins against the evil Rauskaug and the Lady of the Lake (Miranda Richardson)! They must find the Grail restore it to its rightful place and b ring Camelot back to its glory days. Merlin awakes after 50 years to find the Kingdom in disarray. Evil walks throughout the land and it seems all hope is lost. A young beggar thief Jack comes into Merlin's rooms where it's discovered he possesses magical abilities that may just be the key to finding the Holy Grail. This epic picture was also released under the title Merlin's Apprentice.
Throughout the 1930s Jessie Matthews was Britain's best-loved musical film star, her dynamism and gamine charm beguiling audiences on both sides of the Atlantic. With a string of box-office hits spotlighting her unique talent, it's easy to see how she became so popular and why she remains so to this day.Showcasing some the era's finest cinema talent including actor-director (and Matthews' husband) Sonnie Hale, director Victor Saville and art director Alfred Junge the two films on this volume are presented as transfers from the original film elements, in their as-exhibited theatrical aspect ratios.THE GOOD COMPANIONS (1933)Jessie shares the bill with John Gielgud and Edmund Gwenn in JB Priestley's famous tale of a failing concert party and the three 'angels' who come together by chance to rescue it.Black and White / 108 mins / 1.33:1 / Mono / EnglishSAILING ALONG (1938)Kay is a star-struck young woman working on a Thames barge. When she's spotted by a producer her dream of fame comes true but will she still have time for her boyfriend?Black and White / 91 mins / 1.33:1 / Mono / English
The come-from-behind winner of the 1981 Oscar for Best Picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris Olympics: devout Protestant Eric Liddell (Ian Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who has to surmount the institutional hurdles of class prejudice and anti-Semitism. There's delicious support from Ian Holm (as Abrahams's coach) and John Gielgud and Lindsay Anderson as a couple of Cambridge fogies. Vangelis's soaring synthesised score, which seemed to be everywhere in the early 1980s, also won an Oscar. Chariots of Fire was the debut film of British television commercial director Hugh Hudson (Greystoke) and was produced by David Puttnam. --Jim Emerson
There will be days and days and days like this... Meryl Streep delivers one of her greatest performances in David Hare's adaptation of his own stage play which spans two decades in the life of a French Resistance operative who struggles to build a new life amid the apathy of post-war England. Featuring a stellar supporting cast and winning a brace of awards and nominations in 1985 this masterly feature is presented here in a brand-new transfer from the original film elements. At the end of World War Two Susan Traherne a young Englishwoman who has worked as a courier in Nazi-occupied France returns home full of hope for a golden future. Yet peacetime brings its own difficulties for Susan; she finds her marriage to a Foreign Office diplomat arid and unfulfilling and the seemingly trivial concerns of others leave her cold. As the danger and intensity – and undeniable excitement – of her wartime days give way to a new mundane life her fragile mental and emotional stability begins to crumble… Special Features: Original Theatrical Trailer Image Gallery Promotional Material PDF
Following the success of both The Count of Monte-Cristo and The Man in the Iron Mask, ITC re-teamed with Norman Rosemont Productions to produce what is arguably the definitive version of Victor Hugo's classic tale of injustice and redemption. Richard Jordan gives a career-best performance as the courageous Jean Valjean, alongside Anthony Perkins as the despicable Javert and a star-studded cast that includes John Gielgud, Ian Holm, Celia Johnson, Christopher Guard and Flora Robson. This classic drama is featured here as both a widescreen High Definition remaster of the theatrical version and the extended fullscreen version that was shown on ITV.Jean Valjean, cruelly sent to prison for stealing a loaf of bread, is finally free from captivity and intent on revenge. Persuaded to turn the other cheek he adopts a new identity and tries his best to become an honest man, though a chance encounter with the former Inspector of Prisoners sets both men on a path towards their shared, bloody fate.Product FeaturesBrand-new interviews with actors Christopher Guard and Timothy Morand, and 1st assistant director Bill WestleyTheatrical TrailerTextless MaterialImage GalleryLimited edition booklet written by Barry Forshaw
On the brink of Civil War, King Henry IV (John Gielgud) attempts to consolidate his reign while fretting with unease over his son’s seeming neglect of his royal duties. Hal (Keith Baxter), the young Prince, openly consorts with Sir John Falstaff (Orson Welles) and his company of “Diana’s foresters, Gentlemen of the shade, Minions of the moon”. Hal’s friendship with the fat knight substitutes for his estrangement from his father. Both Falstaff and the King are old and tired; both rely on Hal for comfort in their final years, while the young Prince, the future Henry V, nurtures his own ambitions. Orson Welles considered Chimes at Midnight his personal favorite of all his films. Perhaps the most radical and groundbreaking of all Shakespeare adaptations, the film condenses the Bard’s Henriad cycle into a single focused narrative. Its international cast comprises of Jeanne Moreau, Fernando Rey, Margaret Rutherford, and Ralph Richardson as the narrator, in addition to Welles and Gielgud. The film’s harrowing war scenes have proven especially influential, cited in Kenneth Branagh’s Henry V as well as Mel Gibson’s Braveheart.
A 1960's hipster secret agent is brought out of cryofreeze to oppose his greatest enemy into the 1990's where his social attitudes are glaringly out of place.
On the brink of Civil War King Henry IV (John Gielgud) attempts to consolidate his reign while fretting with unease over his sons seeming neglect of his royal duties. Hal (Keith Baxter) the young Prince openly consorts with Sir John Falstaff (Orson Welles) and his company of “Diana’s foresters Gentlemen of the shade Minions of the moon”. Hal’s friendship with the fat knight substitutes for his estrangement from his father. Both Falstaff and the King are old and tired; both rely on Hal for comfort in their final years while the young Prince the future Henry V nurtures his own ambitions. Orson Welles considered Chimes at Midnight his personal favorite of all his films. Perhaps the most radical and groundbreaking of all Shakespeare adaptations the film condenses the Bard’s Henriad cycle into a single focused narrative. Its international cast comprises of Jeanne Moreau Fernando Rey Margaret Rutherford and Ralph Richardson as the narrator in addition to Welles and Gielgud. The film’s harrowing war scenes have proven especially influential cited in Kenneth Branagh’s Henry V as well as Mel Gibson’s Braveheart.
The first of several lavish Christie adaptations from producers John Brabourne and Richard Goodwin introducing Albert Finney as the first screen Hercule Poirot. This 1974 production of Agatha Christie's 1934 classic is a judicious mixture of mystery murder and nostalgia. Which member of the all-star cast onboard the luxurious train perforated the no-good American tycoon with a dagger twelve times? Was it Ingrid Bergman's shy Swedish missionary; or Vanessa Redgrave's English rose; Sean Connery as an Indian Army Colonel: Michael York or Jacqueline Bisset; perhaps Lauren Bacall; Anthony Perkins or John Gielgud as the victim's impassive butler. Finney spreads unease among them with subdued wit and finesse. Arguably the most successful screen adaptation of a Christie novel in addition to Bergman's Oscar for Best Supporting Actress 'Murder On The Orient Express' achieved nominations for Best Actor Screenplay Photography Costume Design and Music Score.
Destined to remain a dubious footnote in books of movie trivia, Lion of the Desert--an occasionally impressive epic from 1981--was financed with a budget of $35 million by Libyan dictator Muammar Qaddafi, who previously attempted the role of movie producer with the critically roasted Mohammad: Messenger of God. This effort didn't fare much better (it grossed approximately $1 million worldwide), and although some of its wartime action sequences are intelligently filmed, it's not likely to gain much more of a reputation on home video. Under a shaggy Muslim beard, Anthony Quinn stars as Omar Mukhtar, the Arab hero and guerrilla fighter who defended Libya against Benito Mussolini and Italy's attempted conquests during World War II. As straightforward biography, the movie's got an admirable epic sweep, but a cliché-ridden script and uniformly bad performances (from a cast that includes John Gielgud, Oliver Reed and Rod Steiger) make this little more than a curiosity for those wanting to learn more about Libyan history. --Jeff Shannon, Amazon.com
This drama is based on the best-selling novel by Agatha Christie and starring Sir John Gielgud (Summer's Lease) Rula Lenska (Footballers Wives TV) Terence Alexander (Bergerac) Cheryl Campbell (William and Mary) and Christopher Scoular (A Dorothy L Sayers Mystery: Strong Poison). This stylish thriller is set in the midst of a high society weekend party. All appears to be going swimmingly until one of the guests fails to appear for breakfast and is later found dead. Broadcast at peak time on ITV in 1981 this is available for the first time on DVD in the UK.
Lord and Lady Braunceston are the impoverished landed gentry. 'Uncle Willy' is the eccentric Bishop whose church is threatened by greedy developers. Lady Anne is the daughter of the family and it's her impending marriage to the son of a wealthy neighbour which promises to be the salvation of the whole family... ... until the Bishop excels himself by managing to marry her to a penniless American at the wedding rehearsal. Things are looking black for everyone - then Ormiston the l
David Lynch creator of Twin Peaks and acclaimed director of 'Eraserhead' 'Blue Velvet' and 'Wild At Heart' directs this bizarre but true story of courage and human dignity. John Hurt gives the performance of a lifetime as John Merrick the worst freak known to Victorian medical science a man whose body is hideously distorted into a grotesque parody of an elephant. Rescued from a travelling freak show by Sir Frederick Treves Merrick gradually reveals himself to be a strangely sweet and gentle man remarkably unembittered by the degradation and torment he suffered at the circus. Beautifully shot by Freddie Francis and with an excellent supporting cast including Sir John Gielgud Anne Bancroft and Dame Wendy Hiller The Elephant Man is a compelling moving and enchanting story. The film was nominated for eight Oscars including Best Picture Best Director and Best Actor.
Destined to remain a dubious footnote in books of movie trivia, Lion of the Desert--an occasionally impressive epic from 1981--was financed with a budget of $35 million by Libyan dictator Muammar Qaddafi, who previously attempted the role of movie producer with the critically roasted Mohammad: Messenger of God. This effort didn't fare much better (it grossed approximately $1 million worldwide), and although some of its wartime action sequences are intelligently filmed, it's not likely to gain much more of a reputation on home video. Under a shaggy Muslim beard, Anthony Quinn stars as Omar Mukhtar, the Arab hero and guerrilla fighter who defended Libya against Benito Mussolini and Italy's attempted conquests during World War II. As straightforward biography, the movie's got an admirable epic sweep, but a cliché-ridden script and uniformly bad performances (from a cast that includes John Gielgud, Oliver Reed and Rod Steiger) make this little more than a curiosity for those wanting to learn more about Libyan history. --Jeff Shannon, Amazon.com
Featuring a score by Elmer Bernstein unique opening credits by Bond optical effects veteran Maurice Binder and gritty performances by Roger Moore and Ray Milland 'Gold' is a superb adaptation of Wilbur Smith's acclaimed novel concerning a group of greed-driven businessmen conspiring to flood a South African gold mine... ....spectacular underground sequences and a rousing finale - Halliwell's Film And Video Guide 1999.
1995 had already seen the box-office success of sword-wielding heroes in Rob Roy and Braveheart when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the evil knight Malagant (Ben Cross), and she must choose between marriage to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker (Ghost) keeps the action moving with exuberant spirit and glorious production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. --Jeff Shannon
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