Guardians of the Galaxy: From Marvel, the studio that launched the epic franchises of Marvel's Iron Man, Marvel's Thor, Marvel's Captain America and Marvel's Avengers Assemble, comes an unlikely new teamthe Guardians of the Galaxy. The Marvel Cinematic Universe expands into the cosmos when brash space adventurer Peter Quill steals a coveted orb and becomes the object of a relentless bounty hunt. To evade his enemies, Quill forges an uneasy truce with Rocket, a gun-toting raccoon; Groot, a tree-like humanoid; the deadly assassin Gamora; and the revenge-driven Drax. But when Quill discovers the true power of the orb, he must rally his ragtag band of misfi ts for a desperate battle that will decide the fate of the galaxy. Featuring amazing new characters and exclusive bonus features, this must-own blockbuster will have you hooked on a feeling of pure adrenaline! Guardians of the Galaxy Vol.2: Set to the all-new sonic backdrop of Awesome Mixtape #2, Marvel Studios' Guardians of the Galaxy Vol. 2 continues the team's adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill's true parentage. Old foes become new allies and fan-favourite characters from the classic comics will come to our heroes' aid as the Marvel Cinematic Universe continues to expand.
Stomping out their usual cuteness and carbon copying Disney's grand animation style to a tee, directors Don Bluth and Gary Goldman (An American Tail) create a successful musical comedy from the story of the lost Russian princess. Adapting the story of imperialism and revolution is tricky, and subsequently the film's opening is weak. Once Anya (voiced by Meg Ryan, sung by Liz Callaway) is a teenager and on her own (suffering from some degree of amnesia), Anastasia is quite pleasing though never refreshingly new. 20th Century Fox's big-money gamble to horn in on Disney's realm is worthy. The songs, especially the recurrent "Once Upon a December" by Broadway team Lynn Ahrens and Stephen Flaherty, are better than Disney's recent efforts. It's worth picking up the soundtrack. The mix of cell animation and computer work is vivid. The collection of vocal talent is also strong, from John Cusack (as Dimitri, who wants to earn the reward by bringing Anya to Paris) to Hank Azaria as an amusing albino bat. Kelsey Grammer helps turn a roly-poly sidekick into a warm and strong supporting character. The biggest drawback is Bluth/Goldman's insistence on having a typical villain. Surprisingly, the story would be strong enough without one and the undead corpse of Rasputin (Christopher Lloyd) is unneeded and unoriginal. --Doug Thomas
Guardians of the Galaxy: From Marvel, the studio that launched the epic franchises of Marvel's Iron Man, Marvel's Thor, Marvel's Captain America and Marvel's Avengers Assemble, comes an unlikely new teamthe Guardians of the Galaxy. The Marvel Cinematic Universe expands into the cosmos when brash space adventurer Peter Quill steals a coveted orb and becomes the object of a relentless bounty hunt. To evade his enemies, Quill forges an uneasy truce with Rocket, a gun-toting raccoon; Groot, a tree-like humanoid; the deadly assassin Gamora; and the revenge-driven Drax. But when Quill discovers the true power of the orb, he must rally his ragtag band of misfi ts for a desperate battle that will decide the fate of the galaxy. Featuring amazing new characters and exclusive bonus features, this must-own blockbuster will have you hooked on a feeling of pure adrenaline! Guardians of the Galxy Vol.2: Set to the all-new sonic backdrop of Awesome Mixtape #2, Marvel Studios' Guardians of the Galaxy Vol. 2 continues the team's adventures as they traverse the outer reaches of the cosmos. The Guardians must fight to keep their newfound family together as they unravel the mystery of Peter Quill's true parentage. Old foes become new allies and fan-favourite characters from the classic comics will come to our heroes' aid as the Marvel Cinematic Universe continues to expand. Bonus: Featurettes / Bonus Round: The Making Of Guardians Of The Galaxy Vol. 2 Featurettes / Guardians Inferno Music Video Gag Reel Deleted Scenes (4 in total) Audio Commentary Play Movie With James Gunn Visionary Intro
In a terrifying tale of the American Dream gone wrong, four friends find themselves trapped in their hometown in a reinvention of the George A. Romero classic, "The Crazies".
Cattle king John Chisum is determined to protect his empire against a land-grabbing developerin New Mexico's 1878 Lincoln County War...
Marvel's 'Guardians of the Galaxy' finds space adventurer Peter Quill the object of a bounty hunt after stealing an orb coveted by a treacherous villain, but when Quill discovers the power it holds, he must find a way to rally the quartet of ragtag rivals
Tyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert Hughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible--occasionally frighteningly so--that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here-and no doubt accurately so--is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. --N.F. Mendoza
Seven years after he earned his first screen credit as the writer of Fast Times at Ridgemont High, former Rolling Stone writer Cameron Crowe made his directorial debut with this acclaimed romantic comedy starring John Cusack and Ione Skye as unlikely lovers on the cusp of adulthood. The casting is perfect and Crowe's rookie direction is appropriately unobtrusive, no doubt influenced by his actor-loving, Oscar-winning mentor, James L. Brooks. But the real strength of Crowe's work is his exceptional writing, his timely grasp of contemporary rhythms and language (he's frequently called "the voice of a generation"), and the rich humour and depth of his fully developed characters. In Say Anything, Cusack and Skye play recent high-school graduates enjoying one final summer before leaping into a lifetime of adult responsibilities. Lloyd (Cusack) is an aspiring kickboxer with no definite plans; Diane (Skye) is a valedictorian with plans to further her education in Europe. Together they find unlikely bliss, but there's also turbulence when Diane's father (John Mahoney)--who only wants what's best for his daughter--is charged with fraud and tax evasion. Favouring strong performances over obtrusive visual style, Crowe focuses on his unique characters and the ambitions and fears that define them; the movie's a treasure trove of quiet, often humorous revelations of personality. Lili Taylor and Eric Stoltz score high marks for memorable supporting roles, and Cusack's own sister Joan is perfect in scenes with her on- and offscreen brother. A rare romantic comedy that's as funny as it is dramatically honest, Say Anything marked the arrival of a gifted writer-director who followed up with the underrated Singles before scoring his first box-office smash with Jerry Maguire. --Jeff Shannon
A Civil War tale based on the exploits of the notorious outlaw Quantrill. The Duke plays a U.S. Marshal out to stop the cutthroat raider and his band. Based on the novel by W.R. Burnett.
Various Artists - Ireland's Showband Legends
On the surface Max Carlyle (Wesley Snipes) has it all: a happy marriage two healthy children and a successful career as a commercial director. Until one night while on a trip to New York City a chance encounter leads to a passionate and uncharacteristic affair with a beautiful seductive and very married woman named Karen (Nastassja Kinski). Each vows to forget the affair but when Max returns home he slowly begins to withdraw from the people closest to him. One year later M
Big Jake is not one of the Duke's classics, but it's a diverting picture nonetheless. Everyone seems to think that Jacob McCandles is six-feet under ("I thought you was dead" is a running line throughout), so some bad men kidnap his grandson. They want a piece of the family fortune and will kill to get it. Patrick Wayne, the Duke's own son, plays one of Big Jake's kids, and together they start out after the boy's abductors. Richard Boone makes a worthy adversary to Jake's larger-than-life figure, and the final confrontation between the two contains some great gritted-teeth dialogue. Maureen O'Hara is barely in the feature, sharing the same fate as Bobby Vinton as the boy's father, who seems to be onscreen just to get shot. --Keith Simanton
Dracula appears at Dr. Edelman's office on the pretense of a cure for his vampirism his real intention is the Doctor's beautiful female assistant...
Directors Albert and Allen Hughes(The Book of Eli) and screenwriter Ttger Williams (The Perfect Guy) were barely into their twenties when they sent shock waves through American cinema and hip-hop culture with this fatalistic, unflinching vision of life and death on the streets of Watts, Los Angeles, in the 1990s. There, in the shadow of the riots of 1965 and 1992, young Caine (Panther's Tyrin Turner) is growing up under the influence of his ruthless, drugdealing father (Pulp Fiction's SAMUEL L. JACKSON, in a chilling cameo) and his loose-cannon best friend, O-Dog (Love Jones' Larenz Tate), leading him into a spiral of violent crime from which he is not sure he wants to escape, despite the best efforts of his grandparents and the steadfast Ronnie (The Matrix Revolutions' Jada Pinkett). Fusing grim realism with a propulsively stylish aesthetic honed through the Hughes brothers' work on rap videos, Menace II Society is a searing cautionary tale about the devastating human toll of hopelessness. Special Edition Features: Original 2.0 surround soundtrack, presented in DTS-HD Master Audio Two audio commentaries from 1993 featuring directors Albert and Allen Hughes Gangsta Vision, a 2009 featurette on the making of the film New conversation among Albert Hughes, screenwriter Tyger Williams, and film critic Elvis Mitchell New conversation among Allen Hughes, actor and filmmaker Bill Duke, and Mitchell Interview from 1993 with the directors Deleted scenes Film-to-storyboard comparison Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Craig D. Lindsey
When Phil Corey's band arrives at the Idaho ski resort its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored Karen Benson. When soloist Vivian Dawn quits Karen stages an ice show as a substitute.
Evil loves innocence. The story of Dr Jekyll and Mr Hyde is given a new twist when seen through the innocent eyes of Dr Jekyll's housemaid Mary Reilly. Mary (Julia Roberts) is sensitive to the needs and weaknesses of her master Dr Henry Jekyll (John Malkovich) and is prepared to do almost anything for him. Her trust is a blessing as the doctor embarks on a new dangerous experiment - one that will bring about a meeting between Mary and Dr Jekyll's sinister assistant Mr Hyd
A ratings hit for eight seasons on CBS, the action-mystery series Magnum, P.I. makes its DVD boxed set debut in an impressive five-disc package that offers not only the entire first season, but some rarely seen episodes. Positioned in the old Hawaii Five-O time slot (Thursdays at 9) in December of 1980, Magnum quickly became a hit, thanks to the combination of smart and witty scripting, gorgeous locations, and the considerable charm of lead Tom Selleck as former Naval Intelligence officer Thomas Magnum, who gives up his position to become a private investigator on Oahu with the help of fellow Vietnam vets T.C. (Roger E. Mosley) and Rick (Larry Manetti). Magnum also provided security for the lavish estate of wealthy (and never-seen) mystery writer Robin Masters, which gave him access to the author's expensive vehicles (including a prized Ferrari), much to the disapproval of Masters's manservant Higgins (Jonathan Hillerman). A rare series that skillfully blended action, humor, drama, and suspense, Magnum, P.I.'s first season gets the boxed set treatment its fans have been hoping for, with all 18 first-season episodes (including the two-part pilot, "Don't Eat the Snow in Hawaii") included on four discs. The fifth disc contains four rarely shown bonus episodes, including season 3's "Ki'ls Don't Lie," which featured a crossover plot with Simon and Simon, as well as its conclusion ("Emeralds Are Not a Girl's Best Friend"), which kicked off S&S's second season; the latter episode has never been aired as part of Magnum's syndicated package, which is another reason for fans to pick up and enjoy this long-awaited set. --Paul Gaita
An unmissable compendium of 8 classic musicals in one bumper DVD box set! Includes: 1. On The Avenue (Dir. Roy Del Ruth 1937) 2. Sun Valley Serenade (Dir. H. Bruce Humberstone 1941) 3. Daddy Long Legs (Dir. Jean Negulesco 1955) 4. The Gang's All Here (Dir. Busby Berkeley 1943) 5. Second Fiddle (Dir. Sidney Lanfield 1939) 6. Orchestra Wives (Dir. Archie Mayo 1952) 7. Dolly Sisters (Dir. Irvin Cummings 1945) 8. Pin Up Girl (Dir. H. Bruce Humberstone 1944)
Although it lacks the creepy subtleties of Stephen King's celebrated novel, George Romero's underrated adaptation of The Dark Half is among the best films based on King's fiction, with Romero taking care to honour the central theme while serving up some gruesome gore in the film's much-criticised finale. Inspired by King's own admission that he wrote several novels under the pseudonym Richard Bachman, The Dark Half explores the duality of a writer's impulse, ranging from literary respectability to the viscerally cathartic thrills of exploitative pulp fiction. Author and teacher Thad Beaumont (Timothy Hutton) finds himself torn between those extremes when he "kills" his profitable alter ego, George Stark (the bestselling dark half to Thad's light), who then assumes evil, autonomous form (again played by Hutton) to defend lethally his role in Thad's creative endeavours. Forced to wrestle with this evil manifestation of his own unformed twin, Thad must fight to protect his wife (Amy Madigan), their twin babies and himself. While Romero skilfully develops the twin/duality theme to explore the writer's dilemma, Hutton is outstanding in his dual roles, playing Stark (in subtly fiendish makeup) as a redneck rebel with a knack for slashing throats. Julie Harris adds class in a supporting role, and horror fans will relish Romero's climactic showdown, in which swarms of sparrows seal Stark's fate. It favours a pulp sensibility with clunky exposition to explain Stark's existence, but The Dark Half is a laudable effort from everyone involved. --Jeff Shannon, Amazon.com
When Phil Corey's band arrives at the Idaho ski resort, its pianist Ted Scott is smitten with a Norwegian refugee he has sponsored, Karen Benson. When soloist Vivian Dawn quits, Karen stages an ice show as a substitute.
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