Never Make A Bet You Can't Afford To Lose. Edward is a compulsive gambler who's lost everything and is forced to work as a numbers runner for Deepthroat a sadistic sociopath and big time professional gambler. From his high tech sanctuary Deepthroat takes perverse pleasure in putting Edward to the test...waiting for him to slip up and checking for every dollar. Edward tries to start a new life with his beautiful girlfriend but when some money is missing Deepthroat wants his payback and one last desperate gamble on human nature will decide their futures.
The Big Lebowski, a casually amusing follow-up from the prolifically inventive Coen brothers (Ethan and Joel), seems like a bit of a lark and the result was a box-office disappointment. It's lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hair-netted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. --Jeff Shannon
The war is over and Sam is a young man. He is unhappy working in the pit and has no respect for Alan Dakin his mother's ex-lover whose house he lives in. When his Grandfather dies he leaves Sam some property and appoints him trustee for his father. Nobody knows Sam's father Harry's whereabouts or even if he is still alive. Episodes comprise: A New World / Legacy / Shape Yourself Round It / Under A Cloud / Head And Heart
Stay Single And Live Forever.... Series Two of Sam adapted from the book by John Finch. Mark McManus stars as Sam in this fondly remembered TV series.... Episodes comprise: Stay Single And Live Forever / Credit / Sins Of The Father / The World As It Is
The Jack Bull was produced for and premiered on American television network HBO, but it's easily the most respectable job that feature director John Badham (Saturday Night Fever, WarGames) has done in the past two decades. The title refers to a metaphorical Jack Russell terrier that, once it's annoyed enough to close its jaws on something, will hang on to the point of death. This terrier is Myrl Redding (John Cusack), a horse breeder of limited means who has a deeply entrenched sense of justice. His independence galls Henry Ballard (L Q Jones), the crusty land baron out to set his brand on most of the countryside. Ballard insults and cheats Redding several times over and his men beat Redding's Indian horse trainer and friend (Rodney A Grant). When Redding seeks redress from the law, its agents can't be bothered as the local magistrate is in Ballard's pocket. So Redding musters a vigilante army to enforce his own law. Scratch this handsome but rigorously unromanticised Westerna full hour passes without a shot being fired--and you find the classic Heinrich von Kleist book Michael Kohlhaas transposed to Wyoming Territory on the eve of statehood. The script--by the star/producer's dad, Dick Cusack--is sturdy and uncompromising and willing to engage the knotty ambiguities of embracing vigilantism even in a just cause. Badham's decision to treat the authorities (Scott Wilson, Jay O Sanders, John Goodman) as period caricatures is regrettable but John Cusack is solid as a figure of utterly matter-of-fact integrity. --Richard T. Jameson, Amazon.com
Rat Race (Dir. Jerry Zucker 2001): Donald Sinclair owns the biggest snazziest flashiest high-rolling-est casino in Las Vegas. And to entertain some of his wealthiest patrons he's created the most original high stakes game that Sin City has ever seen! The contestants? Six teams. The jackpot? 2 million stuffed in a locker hundreds of miles away. The odds of winning? One in six. The rules? Well there's only one...Get there first. Thunderpants (Dir. Peter Hewitt 2002): From the director of The Borrowers comes a breezy comedy about a 10-year-old boy who dreams of becoming a spaceman. There's only one problem: he can't stop breaking wind. Black Night (Dir. Gil Junger 2001): When a medieval world theme park worker (Lawrence) is magically transported back to 14th century England he must do battle with an evil king deadly assassins and really bad plumbing...
Nothing is as it seems behind the well-trimmed hedges of the picturesque cottages in the idyllic English county of Midsomer. Beneath the tranquil surface of sleepy village life exist dark secrets scandals and downright evil. John Nettles stars as the humorous thoughtful and methodical Detective Chief Inspector Barnaby. The Smythe-Websters are a rich family whose wealth and power dominate the two local villages of Upper and Lower Warden Manor. The Head of the Manor's nephew Larry i
America's favourite dysfunctional family - Roseanne Conner (Roseanne Barr) husband Dan (John Goodman) her sister Jackie (Laurie Metcalf) and kids Becky (Lecy Goranson) Darlene (Sara Gilbert) and D.J. (Michael Fishman) - is back! In this top-rated third series Roseanne Conner and family continue to push the sitcom envelope as they deliver one of the most acclaimed and daring shows in television history. Relive all the classic hilarity as Roseanne explains the facts of life to Dar
Set against the Iranian hostage crisis of 1979 and 1980, Ben Afflecks Argo is a nerve-jangling footnote to the birth of Ayatollah Khomeinis Islamic Republic. The movie opens at the crest of the 1979 revolution--the storming of the US embassy in Tehran, and the escape of six diplomats to the precarious safety of the Canadian ambassadors residence. To the rescue is Tony Mendez--a composed CIA agent whose heroism remained classified until 1997--and his state-approved plan to get the stranded embassy staff out of Iran under a brazen cover story: theyre an innocent film crew on a location hunt for the fake sci-fi blockbuster Argo. Hollywood is usually pressed into the service of the state in the name of comedy (either burying dictators in Team America: World Police or just bad news in Barry Levinsons Wag the Dog), but Argo is a true story, and the tone of Affleck's Oscar-winning script is carefully split, switching between mounting tension in consular Tehran and a satire of the Hollywood machine as fronted by Alan Arkin and John Goodman--two raffish producers hired by Mendez to reverse-engineer some convincing buzz for the Argo movie. Affleck himself takes the role of Mendez, the steady-eyed agent betting everything on Hollywoods age-old efficiency at creating a media circus for a project long before it exists. History starts out as farce and ends up a tragedy, remarks Goodman, but Argo ends on a patriotic upbeat, and doesnt reflect much on history. It politely nods at the context of Irans attitude to the West, and were told about but not shown--bar the blank rage of the revolutionary mob--Irans anger at the Westerly flow of resources under Shah Pahlavi. Instead, Argo concentrates on the eggshell complexities of deception in plain sight, including a climactic set-piece in which Mendez team must fend their way through layers of suspicious Iranian airport security--with imminent capture, execution and political calamity only on the other side of their paper-thin pretext. It may have the ring of historical escapism, but Argo holds its nerve as a great Hollywood escape. --Leo Batchelor /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";}
Sam returns from the sea and finds many things in Skellerton have changed. He is upset about the loss of his grandfather. His mind strays back to his boyhood and he relives the actual day his father left and his last words. Arthur Corby in desperation asks Sam for help. Episode titles include: Land Half A Loaf Tow Steps Forward One Step Back Moving On
Nanny McPhee: Emma Thompson whose first screenplay won the 1995 Oscar for Sense and Sensibility returns to screenwriting with Nanny McPhee a motion picture adaptation of the ""Nurse Matilda"" books by Christianna Brand. Thompson the only person to have won Oscars for both acting and writing also plays the title role in Nanny McPhee opposite Colin Firth Kelly Macdonald and - in her first role for the big screen in two decades - Angela Lansbury. In this dark and witty fable Thompson portrays a person of unsettling appearance and magical powers who enters the household of the recently widowed Mr. Brown (Firth) and attempts to tame his seven exceedingly ill-behaved children. The children led by the oldest boy Simon (Love Actually's Thomas Sangster) have managed to drive away 17 previous nannies and are certain that they will have no trouble with this one. But as Nanny McPhee takes control they begin to notice that their vile behavior now leads swiftly and magically to rather startling consequences. Her influence also extends to the family's deeper problems including Mr. Brown's sudden and seemingly inexplicable attempts to find a new wife; an announcement by the domineering Aunt Adelaide (Angela Lansbury) that she intends to take one of the children away; and the sad and secret longings of their scullery maid Evangeline (Kelly Macdonald). As the children's behavior begins to change Nanny McPhee's arresting face and frame appear to change as well creating even more questions about this mysterious stranger whom the children and their father have come to love.
Steve Carell returns as TV newsman Evan Baxter in this sequel to Jim Carrey hit "Bruce Almighty".
Starring Academy Award Nominee John Hawkes, Academy Award Nominee William H. Macy and Academy Award Winner Helen Hunt, the film is based on the true story of California-based journalist and poet Mark O'Brien. Portrayed by the exceptionally gifted John Hawkes - who gives a career-defining performance, O'Brien's story is the immensely poignant and surprisingly funny tale of a man, paralyzed by polio who - at age 38 – is determined to finally lose his virginity.
A widowed man's life turns upside down when he embarks on a journey to find a dying man's long lost love.
From the Academy Award-winning Coen brothers (Fargo, True Grit), The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named…The Dude. Jeff “The Dude” Lebowski doesn’t want any drama in his life…heck, he can’t even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in the “#1 cult film of all time!” (The Boston Globe). Special Features: The Dudes Life The Dude Abides: The Big Lebowski Ten Years Later Flying Carpets and Bowling Pin Dreams: The Dream Sequences of the Dude Interactive Map Jeff Bridges Photo Book An Exclusive Introduction Making of the Big Lebowski The Lebowski Fest: An Achiever's Story Photo Gallery Scene Companion PIP U-Control: The Music Of The Big Lebowski Mark It Dude PIP Worthy Adversaries: Whats My Line Trivia
Jennifer (Leelee Sobieski) is a 17-year-old Goth with multiple face-piercings and a fondness for graveyards. Randall (Albert Brooks) is a middle-aged salesman with an obsessively tidy life and a fear of anything new. When these two opposites collide the chain reaction sparks a life-altering meltdown for them both in this wickedly perceptive critically acclaimed comedy from director and actress Christine Lahti. Desperate to escape the world of her infuriatingly cheery mother (Carol
John Lennon: Rare And Unseen
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