Clockers: Strike who is the hardest-working drug dealer on the street. Time is beginning to run out for him when a deal with an evil drug boss results in the death of a rival dealer... Jungle Fever: A black architect begins an affair with his Italian secretary which lands them both in isolation from their respective communities. Do The Right Thing: On one block in the Brooklyn district of Bedford-Stuyvesant the story follows the events which take place on one very hot summer day. Events which would normally go un-noticed but because of the fierce heat are magnified to dangerous proportions revealing the under-belly of racism.
"Me And You And Everyone We Know" is a poetic and penetrating observation of how people struggle to connect with one another.
Now and forever a favourite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realises he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries Home Alone. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh
A thick fog rolls into the sleepy town of Antonio Bay concealing the ghosts of murdered sailors desperate to seek revenge on the descendants of their killers. In one night the inhabitants of this town will pay the ultimate price for their forefathers' murderous greed...
Advertised in 1970 as "the first electric Western", Zachariah is an endearingly pretentious effort that prefigures such genre oddities as Jodorowsky's El Topo and Alex Cox's Straight to Hell. The story is the archetypal one about two friends who become gunslingers and must inevitably face off against each other in the finale, but it's treated here as if it Meant Something Deeper--which means that after enjoying 75 minutes of violence we can all agree that peace and love and harmony is on the whole better for children and other living things. Curly haired farmboy Zachariah (John Rubinstein) and eternally grinning apprentice blacksmith Matthew (Don Johnson) are the fast friends who run away from home to join up with a gang of outlaws known as the Crackers (played by hippie folk-rock collective Country Joe and the Fish). These apparent 19th-century Westerners tote electric guitars and are given to staging free festival freak-outs at one end of town to distract from the bank robbery at the other. The boys soon hook up with Job Cain (Elvin Jones), an all-in-black master gunfighter who is also an ace drummer (his solo is impressive), but then drift apart as Zachariah has a liaison with Old West madame Belle Starr (Pat Quinn) in a town that consists of fairground-style brightly painted wooden cut out buildings (a gag reused in Blazing Saddles), then gets rid of his outrageous all-white cowboy outfit to settle down on a homestead and grow his own dope and vegetables. Matthew, of course, goes for the black leather look after outdrawing Cain, and comes a gunning for the only man who might be faster than him, but the hippie-era message is once these kids have killed everyone else they can still make peace with each other and the desert or something, man. Aside from a Beatle-haired teenage Johnson making a fool of himself by over-emoting to contrast with Rubinstein's non-performance, the film offers a lot of beautiful "acid Western" scenery and excellent prog rock and bluegrass music from the James Gang, White Lightnin' and the New York Rock Ensemble. Comedy troupe the Firesign Theatre (huge on album in 1970) provided the script, which explains satirical touches like the horse-and-buggy salesman (Dick Van Patten) spieling like a used car dealer and the madame's claim to have had affairs with gunslingers from Billy the Kid to Marshal McLuhan. The DVD extras are skimpy, but the print quality is outstanding. --Kim Newman
A local plumber (Romano) is plunged into the national spotlight when in a local election he takes on the former President of the United States (Hackman) who can't believe he's running against the man installing his toilet! To make matters worse the former premier is trying to steal the election and the affection of the handyman's girlfriend (Maura Tierney)... Whoever wins one thing's for sure: this town isn't small enough for the both of them!
Roman Polanski adapted Thomas Hardy's novel Tess of the D'Urbervilles and came up with this moody, haunting film starring Nastassia Kinski as the farm girl who is misused by the aristocrat for whom she works and who is then caught in a marriage where her initial happiness soon turns to grief. Fans of the novel may feel unpersuaded by Polanski's effort to marry Hardy's Dorset vision with his own fascination with psychosexual impulses toward survival, but the film is an often stunning thing to see, and Kinski's sensitive, intelligent performance lingers in the memory. --Tom Keogh
Frasier returns with Season 11 - the final season of the smash hit comedy! Emmy Award-winner Kelsey Grammer is Frasier - the hilarious psychiatrist first seen on TV's Cheers and subsequently the star of this smash-hit comedy series.
Media madness reigns supreme in screenwriter Paddy Chayefsky's scathing satire about the uses and abuses of network television. But while Chayefsky's and director Sidney Lumet's take on television may seem quaint in the age of "reality TV" and Jerry Springer's talk-show fisticuffs, Network is every bit as potent now as it was when the film was released in 1976. And because Chayefsky was one of the greatest of all dramatists, his Oscar-winning script about the ratings frenzy at the cost of cultural integrity is a showcase for powerhouse acting by Peter Finch, Faye Dunaway and Beatrice Straight (who each won Oscars), and Oscar nominee William Holden in one of his finest roles. Finch plays a veteran network anchorman who's been fired because of low ratings. His character's response is to announce he'll kill himself on live television two weeks hence. What follows, along with skyrocketing ratings, is the anchorman's descent into insanity, during which he fervently rages against the medium that made him a celebrity. Dunaway plays the frigid, ratings-obsessed producer who pursues success with cold-blooded zeal; Holden is the married executive who tries to thaw her out during his own seething midlife crisis. Through it all, Chayefsky (via Finch) urges the viewer to repeat the now-famous mantra "I'm as mad as hell, and I'm not gonna take it anymore!" to reclaim our humanity from the medium that threatens to steal it away. --Jeff Shannon
When there's murder on the streets everyone is a suspect. A gritty realistic adaptation of Richard Price's best-selling novel director Spike Lee examines the violent world of urban drug dealing through the eyes of Strike (Mekhi Phifer) a 19-year-old ""clocker "" short for round-the-clock pusher. Strike agrees to kill a fellow employee of his boss Rodney Little (Delroy Lindo) an influential popular drug lord. But when the hit goes down it is Strike's moral law-abiding brother V
John Simm and Jim Broadbent give compelling performances in this Paul Abbott-created Danny Brocklehurst-written claustrophobic drama about father-son relationships and many other things. The marvellous Olivia Colman provides fine support proving she does drama as brilliantly as comedy.
Based on a retro-styled comic book hit of the 80s, this Disney film was meant to launch a whole line of Rocketeer films--but the series began and ended with this one. That's too bad because this underrated Joe Johnston film has a certain loopy charm. The story centres on a pre-World War II stunt pilot (Bill Campbell) who accidentally comes into possession of a rocket-propelled backpack much coveted by the Nazis. With the aid of his mechanic pal (Alan Arkin), he gets it up and running, then uses it to foil a plot by a gang of vicious Nazi spies (is there any other kind?) led by Timothy Dalton. Jennifer Connelly is on hand as the love interest but the real fun here is when the Rocketeer takes off. There's also a nifty battle atop an airborne blimp. --Marshall Fine
Rock's premier metalmen Led Zeppelin whose blend of gutsy blue and scathing rock catapulted them into the music world's pantheon take you on a spellbinding journey of song and imagination. This high-impact movie captures the group's legendary 1973 Madison Square Garden concert and uncorks a freewheeling mix of scenes showing group members at home and in elaborate fantasy settings. Robert Plant's raw lead vocals Jimmy Page's explosive riffery and the sonic-boom rhythm wall of bassist John Paul Jones and drummer John Bonham all swirl clash and collide - on classic tunes like Stairway to Heaven Dazed and Confused Whole Lotta Love and many others. No one goes down heavier than Zep!
1950's nautical comedy starring John Gregson and June Thorburn as a newlywed couple embarking on a hastily planned honeymoon on board a yacht, the Turtle'. Tony Hudson (John Gregson) asks his new wife Jane (June Thorburn) to go on a cruise on to France the ageing yacht Turtle'. The yacht's skipper is the cantankerous Dudley Partridge (Cecil Parker) an important customer of Tony's. Along with the rest of the crew the newlyweds encounter a series of hilarious mishaps on their trip which leave them all at sea
An in-depth examination of the ways in which the U.S. Vietnam War impacts and disrupts the lives of people in a small industrial town in Pennsylvania.
Ian Hendry June Ritchie John Hurt and future Randall and Hopkirk stars Annette Andre and Mike Pratt feature among an outstanding cast in this mid-sixties realist drama from noted director Sidney Hayers. This Is My Street is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Jubilee Close a drab street of decaying houses in London's Battersea is home to a cross-section of working-class families. Yearning to escape from this depressing environment is the pretty ambitious Margery Graham; the victim of an enforced marriage she is tied to a lazy boorish husband and young daughter Cindy. Margery lives next door to her widowed mother who in order to make ends meet has taken in a lodger Harry - a slick unscrupulous salesman with a roving eye and a more-than-neighbourly interest in Margery... Special Features: Original Theatrical Trailer Image Gallery Original Pressbook PDF
John Barrie is Sergeant Cork, one of the early members of London's Metropolitan Police C.I.D. plain-clothes detectives tasked with maintaining law and order in the seething metropolis of Victorian London. Assisted by Bob Marriott (William Gaunt) from his attic office at Old Scotland Yard, Cork has to contend with the heavy crimewave created by the massive population boom, industrial expansion and an ever-widening gap between the rich and poor. Devised by Dixon of Dock Green creator Ted Willis and produced by Jack Williams best known for the classic series Within These Walls and New Scotland Yard Sergeant Cork features inventive scripts from Willis, Man in a Suitcase contributor Richard Harris, Police Surgeon co-creator Richard Bond, and Timeslip contributor Bruce Stewart, among others. This complete set features all six series, comprising 66 episodes.
Be afraid. Be very afraid... This frightening but extremely moving and romantic horror film stars Jeff Goldblum as an over-ambitious scientist who accidentally merges with a housefly while conducting a bizarre teleporting experiment. A journalist (Geena Davis) who has fallen in love with him while covering his scientific endeavours suddenly finds herself caring for a horrific creature whose insect half gradually begins to take over.
Umberto Lenzi delivers a completely unhinged, and totally torrid tale of terror mixing copious amounts of gore and nudity in this peeper-popping experience known as Eyeball. Part slasher part giallo, Lenzi commands a high body count and plenty of ocular destruction as this murder mystery unfolds in stunning Spanish locations where a bus load of American tourists are picked off one-by-one by a figure sporting a red cape and hood. Exploitation at its juiciest, this is prime giallo from a true master of the genre.
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