Filmed during the dark days of 1942 this is the immortal story of the Spitfire which had helped to win the Battle of Britain the previous year. Leslie Howard stars as R.J. Mitchell the inventor of the Spitfire whose aircraft designs were turned down for funding by Whitehall because they were too revolutionary. A chance meeting with Messerschmitt in the early 1930's gives Mitchell the inspiration to build Britain's fastest and deadliest fighter plane. But first he must find a devil may- care pilot to risk his life on the test flights. Salvation comes in the form of Geoffrey Crisp (David Niven) an out of work veteran fighter pilot from the First World War. Together they build the aircraft that so many will owe their lives to. However as Mitchell strives to perfect his fighter plane he is rocked by the news that he has only one-year to live unless he stops working. His stark choice is to save himself or save his country.
After becoming enchanted by a young exotic dancer, Christine Keeler (Joanne Whalley), an English doctor (John Hurt) invites her to live with him. Through his contacts and parties she and her friend (Bridget Fonda) meet and begin to date various members of the ruling Conservative Party. When Christine's affair with the Secretary of State for War John Profumo (Ian McKellan) goes public, scandal tears through the government and threatens the lifestyles and freedom of those involved. From producer Stephen Woolley and director Michael Caton-Jones (Rob Roy) this 30th Anniversary Edition is newly restored from original film materials. Special Features: Presented in High Definition and Standard Definition Worldwide Blu-ray debut Original theatrical trailer **FIRST PRESSING ONLY** Fully illustrated booklet with new writing on the film and full film credits Other extras TBC
Ant-Man: Marvel Studios introduces the newest member of the Avengers: Marvel's Ant-Man. Armed with the amazing ability to shrink in scale but increase in strength, master thief Scott Lang joins forces with his new mentor Dr. Hank Pym to protect the secret behind his spectacular Ant-Man suit from ruthless villains! With humanity's fate in the balance, Pym and Lang must pull off a daring heist against insurmountable odds. This action-packed adventure takes you to new levels of pulsepounding excitement! Ant-Man And The Wasp: From the Marvel Cinematic Universe comes Ant-Man and the Wasp. Still reeling from the aftermath of Captain America: Civil War, Scott Lang is enlisted by Dr. Hank Pym for an urgent new mission. He must once again put on the suit and learn to fight alongside the Wasp as they join forces to uncover secrets from the past. Features: Ant-Man: Featurettes: Making Of An Ant-Sized Heist: A How To Guide Let's Go To The Macroverse WHIH News Front Deleted & Extended Scenes - Audio Commentary By Peyton Reed And Paul Rudd Gag Reel Audio Commentary by Peyton Reed And Paul Rudd Ant-Man And The Wasp: Play Movie With Intro By Director Peyton Reed Making Of Featurettes: Back In The Ant Suit: Scott Land A Suit Of Her Own: The Wasp Subatomic: Super Heroes: Hank & Janet Quantum Perspective: The VFX And Production Design Of Ant-Man And The Wasp Gag Reel And Outtakes: Gag Reel, Stan Lee Outtakes, Tim Heidecker Outtakes Deleted Scenes: Worlds Upon Worlds, Worlds Upon Worlds With Commentary, Sonny's On The Trail, Sonny's On The Trail With Commentary Audio Commentary
In Russ Meyer's BEYOND THE VALLEY OF THE DOLLS all-girl rock band the Kelly Affair moves to Los Angeles in pursuit of fame and fortune. Upon meeting wealthy rock scenester Ronnie ""Z-Man"" Barzell (John Lazar) at one of his lavish parties they believe they've met the man who can bring them fame. Changing their name to The Carry Nations they navigate their way through a maze of sexual misadventures drugs and brushes with some very unpleasant characters only to find that fame comes a
In the Quad, a planetary system on the brink of a bloody interplanetary class war, a fun loving trio of bounty hunters attempt to remain impartial as they chase deadly warrants.
For its fourth season, Cheers served up a new bartender. Following the death of Nicholas Colasanto, who had played Coach, the season premiere introduced Woody Boyd (Woody Harrelson), the Indiana hick who certainly didn't raise the bar's collective IQ but had his own brand of endearing goofiness. That episode, "Birth, Death, Love and Rice", also explained what happened at the end of season 3 when Sam (Ted Danson) chased Diane (Shelley Long) and Frasier (Kesley Grammer) to Italy in hopes of preventing their marriage. The end result is that Diane returns to work at the bar and resumes her sexually charged flirtation with Sam, and Frasier becomes a brooding presence always looking for a way to win her back. Jennifer Tilly guest-stars as one of Sam's ex-girlfriends who actually hits it off with the petulant psychiatrist, but stealing the show in the same episode ("Second Time Around") was Dr. Lilith Sternin (Bebe Neuwirth), in what was supposed to be a five-minute one-shot role. The impossibly buttoned-up Sternin was such a perfect match for Frasier that she later became a regular cast member and won two Emmys. In other memorable episodes, Andy Andy (Derek McGrath) returns to terrorize Diane ("Diane's Nightmare"), the gang tries to turn the tables on Gary's Old Town Tavern in a bowling match ("From Beer to Eternity"), and Frasier sets up a night at the opera ("Diane Chambers Day"). In the three-part season finale ("Strange Bedfellows"), Sam begins dating a politician (Kate Mulgrew, later of Star Trek: Voyager) running for reelection. Diane decides to work for her opponent before taking a more drastic step, leading to Sam's memorable telephone call that served as a cliffhanger leading to season 5. Unlike previous seasons, the DVD set has no extras. --David Horiuchi
When a double homicide happens in a Florida community, the chief of police finds himself in a race against time to solve the murders before he himself falls under suspicion in this modern noir thriller.
American businessman Jay Wagner (Duvall) is being held in a Mexican prison having been framed for murder by his own father-in-law. But Jay's wife takes matters into her own hands hiring a maverick pilot named Nick (Bronson) to help Jay escape. Will the daring breakout attempt be successful? Or have Nick and Jay bitten more off than they can chew?
Assemble a collection of cons, arm them heavily and drop them on the enemyinfused island of Corto Maltese. If anyone's laying down bets, the smart money is against themall of them.
Al Pacino (The Godfather), Jack Warden (Shampoo), and John Forsythe (The Trouble with Harry) lead the ensemble cast of ...And Justice for All, a brutal indictment of the American legal system from director Norman Jewison (A Soldier's Story).Firebrand defence attorney Arthur Kirkland (Pacino) finds that the demands of his job are at odds with his conscience. When he is forced to defend a judge (Forsythe) who is accused of a terrible crime, he plunges into a moral crisis.Written by Barry Levinson (Rain Man) and Valerie Curtin, and with acting support from Lee Strasberg (The Godfather Part II) and Jeffrey Tambor (The Larry Sanders Show), ...And Justice for All is a riveting and powerful exploration of hypocrisy and injustice.INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURESHigh Definition remasterOriginal mono audioAudio commentary with director Norman Jewison (2001)Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson (2025)Norman Jewison: The Testimony of the Director (2008): archival interviewBarry Levinson: Cross-Examining the Screenwriter (2008): archival interviewBarry Levinson at the BFI (2000): archival audio recording of the writer-turned-director in conversation at BFI Southbank, LondonOriginal theatrical trailerImage gallery: promotional and publicity materialNew and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Sergio Angelini, archival interviews with Al Pacino, Barry Levinson, and Norman Jewison, and full film creditsUK premiere on Blu-rayLimited edition of 3,000 copies for the UKAll features subject to change
Those who remember the children's animation Bod from the 13 episodes broadcast by the BBC in 1975 generally recall, with considerable precision, not stories but images. This is because the stories that constitute Bod, created by Joanne and Michael Cole, are mere wisps of narrative, in which, almost always, almost nothing happens (in "Bod and the Cake", for example, no cake arrives), serene anti-dramas which are elusive and thus hard to remember as stories. Its images, by contrast, are the heart of its minimalist charm and its unforgettable strangeness, from narrator John Le Mesurier's unvarying announcement, "Here comes Bod", to the moment the unvarying fivefold cast sashay towards the horizon at the end. Bod is small and bald, with a yellow dress and a Buddha-like imperturbability. He and his four eternal companions--Aunt Flo, Farmer Barleymow, Frank the Postman, PC Copper--are animated as sparely as a 60s cartoon from the Eastern bloc. In each episode, the five gather one by one, each arriving to their own characteristic perky jazz-folky theme, in their own characteristic gait (indeed, like a zen riddle, the walk itself is far more important than where they're walking to, or why). Some viewers consider the cartoon's mysterious pastoral stillness alarming, as if something terrible were going on that we're never told about or shown--"Waiting for Bodot", as it were--but most found its calmness both beguiling and addictive. As in the original Watch with Mother format, Bod is paired with Alberto Frog and his Amazing Animal Band (in which an all-animal orchestra plays the classics, then guesses what flavour milkshake their frog conductor will reward himself with). Who knows how tots so exposed to the over-active kids-fare of today will respond, but the grown-ups in their charge will find The Complete Bod soothing, seductive and bizarre. --Honey Glass On the DVD: the DVD contains all 13 episodes of Bod. Five of these are extended, as originally broadcast, to feature animal identification games, counting songs, Bod snap and Alberto Frog and his Amazing Animal Band.
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own nouveau riche brood. The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get. Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful, and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed. The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
Delicious students who we can only assume are studying for a masters degree in stripping head off for a vacation to a location remote enough to ensure undisturbed carnage should a killer be lurking nearby. Luckily for fans of psycho sexual thrillers a black gloved saw-wielding nutter has followed them to their bordello of nudity and soon starts effective slayer multi-tasking by molesting and mutilating his way through a cast of fine beauties including the ever delicious Suzy Kendall!
Trouble is brewing as a merger between Grange Hill, Brookdale & Rodney Bennet looms large on the horizon. New pupils Luke 'Gonch' Gardner & Paul Hollo' Holloway cause havoc & the burning question this term . does Mr Bronson wear a wig? This boxed set features all 36 episodes from series 7 & 8, originally broadcast in 1984 and 1985. ALSO INCLUDED for the very first time The 1981 Christmas Special Episode (First broadcast 28th December 1981 pre series 5) Grange Hill Series 7 - First broadcast on 3rd January 1984 It's a new term & Zammo has a girlfriend (Jackie Wright) who goes to rival school Brookdale. Well-meaning pupil Janet makes it her mission to help Roland, but he finds her constant nagging irritating. A poolside prank during a swimming lesson has fatal consequences. N3's countryside orienteering course descends into panic as Roland & Mr Baxter get hopelessly lost. Miss Gordon's Art club experiences a flurry of new recruits (including Pogo Patterson) as news spreads about a nude model. The term ends with a School Disco where Mrs McClusky slow dances with Mr McGuffy. Grange Hill Series 8 - First broadcast on 18th February 1985 Grange Hill has now merged with Rodney Bennett & Brookdale causing tensions to rise; can Mrs McClusky & new Deputy Head Teacher Mr Bronson keep order? A love triangle develops as Stewpot two-times Claire with Annette; Zammo & Jackie hit a rough patch as Banksie arrives on the scene. French exchange students visit & Roland finds a friend in Fabienne. Entrepreneurial pupil pairing Gonch' & Hollo' devise a number of ill-fated money-making schemes during the term & Mr Bronson's wig goes missing DVD Extra Feature: 1981 Christmas Special Episode It's the end of term School Disco & Tucker sees the event as an opportunity to make some money. All seems well until some pupils from Brookdale crash the party & attempt to steal both the takings & the Disco itself! Fortunately, Tucker, Benny, Alan & Tommy see what's going on & step in to save the day. As the punches fly even arch-enemy Michael Doyle steps in to help the lads; flippin eck it must be Christmas!! Special Features: The 1981 Christmas Special Episode (24 mins)
John Travolta (Face/Off Phenomenon) gives another brilliant performance in a suspenseful true story that's been praised as the greatest legal thriller of all time! Jan Schlichtmann (Travolta) is a cynical high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward Schlichtmann soon becomes entangled in an epic legal battle...one where he's willing to put his career reputation and a
George and Mildred are the ultimate odd couple the popular landlord and landlady from Man About The House who became a household name with Thames Television in the 1970's and 80's. Mildred is vain snobbish and domineering; George is shy timid frigid and henpecked. Together they make a great partnership! This box set features all ten episodes from the first series. Moving On:When George and Mildred plan a move to middleclass suburbia Mildred is
Experience the dazzling story of cinematography as seen through the lenses of the world's greatest filmmakers and captured in classic scenes from over 125 immortal movies. Discover Gordon Willis's secrets of lighting Marlon Brando in The Godfather and Greg Toland's contributions to Citizen Kane. Hear William Fraker on filming Rosemary's Baby; Vittorio Storaro on his use of colour and light in Apocalypse Now; and much much more. From black and white to Te
Grandpa Pig puts up a tent in the garden so Peppa and her friends decide to stage a circus inside it. 10 all new episodes!
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
Considered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something of a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likeable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating in Always, he forgets to back off and let the movie breathe on its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work and Audrey Hepburn makes her final screen appearance as an angel. --Tom Keogh, Amazon.com
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