The eccentric Hollywood Billionaire Howard Hughes produced and directed Hell's Angels the most expensive film made at the time. Hughes spared no expense in capturing an exciting dogfight between R.A.F. and German fighter planes using 137 pilots in all. Hell's Angels is perhaps more notable for introducing Jean Harlow to the screen in her first major film role. Set during World War I Hell's Angels is the story of three Oxford buddies: two brothers (Ben Lyon and Jam
Jeff Bridges, Jessica Lange and Charles Grodin star in this remake of the adventure classic from director John Guillermin. Oil executive Fred Wilson (Grodin) sees the chance to make his fortune when he stumbles upon a remote island whose inhabitants worship a giant ape-god named Kong. Capturing the mighty beast, Wilson brings Kong back to New York, earmarking him as the greatest attraction to come to Broadway. The ape has other ideas, however, as he looks to escape and goes on the rampage through the streets of the Big Apple.
The Step Brothers are reunited this time playing the world's greatest consulting detective and his loyal biographer as Will Ferrell and John C. Reilly star as Holmes & Watson.
In this sweeping pioneer adventure a courageous young scout leads hundreds of settlers across treacherous cliffs through brutal snowstorms Indian attacks and buffalo stampedes to their destiny out west. Along the way he loses his heart to a beautiful pioneer woman and never stops trying to win her love. Tyrone Power co-stars in this visually spectacular epic from Raoul Walsh.
Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humour with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon
FBI agent Cathy Weaver (Winger) goes undercover to investigate a suspect in the murder of a local radio personality. As she becomes romantically interested in the apparently innocent Simmons (Berenger) Weaver uncovers an extremist group armed for murder. A horrifying network of violence stretches from the ordinary man in the street to high level government officials. What follows is a shockwave of discovery as Weaver confronts the man she thought she loved and the criminal she mus
If you like big fake dinosaurs--and who doesn't?--then The People That Time Forgot is the movie for you. The third in a loosely themed trilogy of Edgar Rice Burroughs adaptations from director Kevin Connor, all of which starred Doug McClure, this one also features Patrick Wayne (son of John) as the intrepid Major Ben McBride, searching the Arctic for his lost friend (McClure). Sarah Douglas is at his side as Charly, the spunky lady photographer with a dainty puckish streak. As luck would have it, they come across a tropical zone that is home to big fake dinosaurs, surly Neanderthals and nubile cavewomen with truly astonishing cleavages. Ah, but if only it were that simple. An evil rival tribe has been exterminating the gentle cave people and must be stopped. Whatever else you may want to say about producers Samuel Z Arkoff and John Dark, they simply do not skimp on explosions. The People That Time Forgot has a detonation-filled corker of an ending that leaves the cast absolutely showered with dirt clods. Highly entertaining. --Ali Davis
Jimmy Dworski is a happy-go-lucky convict who breaks out of prison and finally gets a life - somebody else's! When Dworski finds the daily planner that literally runs the life of ultra-organized executive Spencer Barnes (Charles Grodin) all hell breaks loose! With newfound cash credit cards and the keys to a Malibu mansion the imposter Dworski embarks on an all-expenses-paid trip to ""Easy Street"" while posing as the high-powered Barnes. Meanwhile Spencer's life is turned upside down as he hunts through the jungles of Los Angeles for his beloved book: when these oddball opposites finally meet it's a comedic collision you won't soon forget!
John Simm stars as Sam Tyler a driven and ambitious young detective determined to keep the streets of 21st Century Manchester safe. But after a near fatal car accident he wakes up dazed and confused in 1973. Has he gone back in time? Is he in a coma? Or has he simply gone insane? What follows is Sam's 21st century account of 1970s life where he feels like a fish out of water. He must come to terms with an unfamiliar environment and an archaic CID unit. There using his modern know-how he becomes integral to the unit. But he must adapt to their old-fashioned technologies and etiquettes. Sam works on some of the hardest cases he's ever been involved with. It's a world where witnesses are regularly intimidated it takes two weeks to process forensics and his colleagues will nail their suspect whether they have the evidence or not... Created and written by Mathew Graham Tony Jordan and Ashley Pharoah (who all worked on Hustle) directed by Bharat Nalluri (Spooks Hustle) John McKay (Canterbury Tales) John Alexander (Cutting It) and SJ Clarkson (Footballers' Wives).
Of all the Philip Marlowes, Robert Mitchum's in Farewell, My Lovely resonates most deeply. That's because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler's legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum's renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he's disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) --Bill Desowitz, Amazon.com
John Simm continues into a second thrilling series as Sam Tyler a driven and ambitious young detective determined to keep the streets of 21st Century Manchester safe. But after a near fatal car accident he has waken up dazed and confused in 1973. Has he gone back in time? Is he in a coma? Or has he simply gone insane? In an archaic CID unit he still must adapt to their old-fashioned technologies and etiquettes while working on some of the hardest cases in which he's ever been involved...
Narrated by on-screen observer Maugham (Herbert Marshall) this intriguing tale centers on a soul-searching World War I veteran (Tyrone Power) who finds he can not settle back into the world of the upper class. Shunning his planned marriage and career he travels abroad to seek the meaning of life and career he travels abroad to seek the meaning of life and causes his distraght fiancee (Gene Tierney) to seek solace with another man (John Payne)...
When a Harvard-educated CIA agent is killed during an operation, the secret agency reluctantly recruit his streetwise twin brother to take his place.
Sharpe's Justice The Peninsular War is over and Sharpe returns to England with his reputation fully restored. He is soon ordered to the North of England to take command of a local militia force in his home town as it is troubled with unrest and machine-breakers. Sharpe finds that he is torn between two sides - that of the corrupt gentry and that of his own people the rough tough and spirited masses who are kept down by their superiors. He finds himself faced with one of the
John Simm continues into a second thrilling series as Sam Tyler a driven and ambitious young detective determined to keep the streets of 21st Century Manchester safe. But after a near fatal car accident he has waken up dazed and confused in 1973. Has he gone back in time? Is he in a coma? Or has he simply gone insane? In an archaic CID unit he still must adapt to their old-fashioned technologies and etiquettes while working on some of the hardest cases in which he's ever been involved...
John Simm stars as Sam Tyler a driven and ambitious young detective determined to keep the streets of 21st Century Manchester safe. But after a near fatal car accident he wakes up dazed and confused in 1973. Has he gone back in time? Is he in a coma? Or has he simply gone insane? What follows is Sam's 21st century account of 1970s life where he feels like a fish out of water. He must come to terms with an unfamiliar environment and an archaic CID unit. There using his modern know-how he becomes integral to the unit. But he must adapt to their old-fashioned technologies and etiquettes. Sam works on some of the hardest cases he's ever been involved with. It's a world where witnesses are regularly intimidated it takes two weeks to process forensics and his colleagues will nail their suspect whether they have the evidence or not... Created and written by Mathew Graham Tony Jordan and Ashley Pharoah (who all worked on Hustle) directed by Bharat Nalluri (Spooks Hustle) John McKay (Canterbury Tales) John Alexander (Cutting It) and SJ Clarkson (Footballers' Wives).
An earthquake is about to hit L.A. It's called Detective Rita Rizoli. Some cops have buttons you really shouldn't push! Academy Award winner Whoopi Goldberg stars as a hard-as-nails wise-crackin' undercover cop who wages a blistering personal war against a ruthless Los Angeles drug ring in this action-packed shoot-'em-up action comedy. A lethal drug called 'Fatal Beauty' has hit the mean streets of Los Angeles - and Rita Rizzoli (Goldberg) the city's toughest undercover co
When the totalitarian planet of Mongo decides on a whim to obliterate Earth, it's up to the quarterback Flash Gordon and his oddball companions to make the universe safe for democracy. Based on the classic (and infinitely more reputable) comic strip and its 1930s screen serialisation, this candy-coloured trash classic deserves immortality for Queen's unforgettably pulsating soundtrack alone. The legendary Max von Sydow appears to be having a blast as the evil Ming the Merciless, while Ornella Muti, as his daughter, is the living embodiment of what attracts adolescent boys to comics in the first place. (She makes Barbarella look mundane.) One of the most shamelessly entertaining movies ever made, this is a knowingly absurd sensory freak-out that'll have the viewer blissfully checking the sky afterward for signs of Hawkmen. --Andrew Wright
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
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