Master filmmaker Robert Wise began his career with horror classics The Curse of the Cat People and The Body Snatcher for producer Val Lewton. His career would go on to include westerns, thrillers, science fiction and musicals, earning him two Academy Awards for Best Director. In 1963 he returned to his Lewtonian roots with the classic ghost story The Haunting; In 1977 he returned once more with the supernatural thriller Audrey Rose.All Bill and Jane Templeton wish for is a quiet, peaceful life with their 11-year-old daughter Ivy. But their dreams turn to nightmares as Ivy is besieged first by terrifying 'memories' of events that never occurred... and then by a mysterious stranger who stalks her every move, and claims that Ivy was in fact his daughter in another life.Released in the wake of The Exorcist and The Omen, Audrey Rose is an intelligent, heartfelt drama that approaches its subject with an open mind and seriousness of intent that caught many off guard but typifies Wise's previous genre forays. Sensitively played by a sterling cast at the top of their game, this underseen gem deserves a place on the shelf of any fan of classic horror.Product FeaturesBrand new 2K restoration by Arrow Films from a new 4K scan of the original 35mm camera negativeHigh Definition (1080p) Blu-Ray presentationOriginal lossless mono audioOptional English subtitles for the deaf and hard of hearingBrand new audio commentary by film critic Jon TowlsonFaith and Fraud, a brand new interview with magician Adam Cardone about reincarnation and belief in Audrey RoseThen and Now, a brand new featurette looking at the New York locations used in the filmI've Been Here Before, archive visual essay by Lee Gambin looking at reincarnation in cinemaInvestigator: The Paranormal World of Frank De Felitta, an archive interview with the author and scriptwriter of Audrey RoseThe Role of a Mother, an archive Interview with Marsha MasonHypnotist: Inside the score for Audrey Rose, an archive interview with film music historian Daniel SchweigerTheatrical trailerImage galleryReversible sleeve featuring original and newly commissioned artwork by Christopher ShyFIRST PRESSING ONLY: fully illustrated collectors booklet featuring new writing by critics Kimberly Lindbergs and Johnny Mains
Nothing is as it seems behind the well-trimmed hedges of the picturesque cottages in the idyllic English county of Midsomer. Beneath the tranquil surface of sleepy village life exist dark secrets scandals and downright evil. John Nettles stars as the humorous thoughtful and methodical Detective Chief Inspector Barnaby. This Christmas Collection includes four fantastic episodes! Ghosts Of Christmas Past: It is Christmas in Midsomer. A shot rings out from Draycott House. Nine years later the whole Villiers family come together again. At the police station DCI Barnaby heads home and asks Sgt Scott to contact him if anything happens warning him that: 'Things have a habit of happening around Christmas time.' Death Of A Stranger: Detective Chief Inspector Barnaby and Sergeant Troy investigate a murder. DCI Barnaby returns from a winter holiday to discover an unidentified tramp has been beaten to death in the woods near the village of Marshwood. While he was away Supt Ronald Pringle just before his retirement quickly arrested a local young man. But Barnaby suspects that he is innocent which is only reinforced when there is an apparent suicide at the same spot. A Talent For Life: In Malham Bridge former socialite and feisty pensioner Isobel Hewitt is accused of assault by fellow fly fisher Margaret Seagrove. When Barnaby and Troy investigate the allegations they discover that all is not well on the Midsomer riverbanks. The investigation takes a more serious turn when two bodies are discovered in the river. Are they the victims of an uncalculated attack by poachers or was there a more sinister motive? Shot At Dawn: The Court Marshall and execution of Tommy Hicks for desertion during World War I ignites a feud between the Hammonds and the Hicks which lasts for 90 years. Duggie Hammond always felt guilty about his forced involvement in Tommy's unjust death. During a ceremony at the village war memorial Tommy's son Lionel unveils a plaque for his father. Colonel Henry Hammond who supported the execution finds the ceremony farcical and lets his feelings be known. When Henry is later executed Barnaby and Jones investigate.
Academy Award® nominee Benedict Cumberbatch (The Imitation Game, Sherlock) stars alongside Kelly Macdonald (Boardwalk Empire, Trainspotting), Stephen Campbell Moore (The History Boys, The Go-Between) and Saskia Reeves (Luther, Shetland) in Stephen Butchard's adaptation of Ian McEwan's award-winning novel, THE CHILD IN TIME. Set two years after his daughter went missing, THE CHILD IN TIME follows Stephen Lewis (Benedict Cumberbatch), a children's author, as he struggles to find purpose in his life without her. His wife Julie (Kelly Macdonald) has left him, and his best friends Charles (Stephen Campbell-Moore) and Thelma (Saskia Reeves) have retired to the countryside, battling demons of their own. With tenderness and insight, the movie explores the dark territory of a marriage devastated, the loss of childhood, the fluidity of time, grief, hope, and acceptance. THE CHILD IN TIME is a lyrical and heart-breaking exploration of love, loss, and the power of things unseen.
It's better than the 1994 remake starring Kim Basinger and husband Alec Baldwin, but this 1972 thriller relies too heavily on the low-key star power of Steve McQueen and Ali MacGraw, and the stylish violence of director Sam Peckinpah, reduced here to a mechanical echo of his former glory. McQueen plays a bank robber whose wife (MacGraw) makes a deal with a Texas politician to have her husband released from prison in return for a percentage from their next big heist. But when the plan goes sour, the couple must flee to Mexico as fast as they can, with a variety of gun-wielding thugs on their trail. MacGraw was duly skewered at the time for her dubious acting ability, but the film still has a raw, unglamorous quality that lends a timeless spin to the familiar crooks-on-the-lam scenario. As always, Peckinpah rises to the occasion with some audacious scenes of action and suspense, including a memorable chase on a train that still grabs the viewer's attention. Getaway is not a great film, but a must for McQueen and Peckinpah fans. --Jeff Shannon
QB VII was a five-hour mini-series, which was hailed as both a critical triumph and a milestone "television event" when it originally aired in 1974. Based on a Leon Uris novel, which itself was based on a libel trial that arose after Uris published Exodus, this fictionalised drama is essentially the story of two men, Dr. Adam Kelno, a Polish doctor who was imprisoned by the Nazis in a concentration camp, and Abe Cady, a successful Hollywood writer who publishes a serious book on the Holocaust that exposes Kelno's past. Playing Dr Kelno, Anthony Hopkins steals the show, and the nuances he brings to the character keep the audience guessing whether he is in fact a dedicated healer or a diabolical villain intent on papering over a fiendish past. Ben Gazzara is credible as the tough-talking Cady, but when Hopkins leaves the action for a time the film sags and begins to resemble an ordinary TV film. Eventually the two men's lives come into conflict when Kelno sues for libel. The trial, in a London courtroom (the "Queen's Bench VII" of the title), seeks to sort out the truth about the past of Dr Kelno. His precise activities during the war, and how the world deals with his past, receives intelligent and dramatic treatment. A cracking Jerry Goldsmith score keeps the drama centre stage. --Robert J McNamara, Amazon.com
Nothing is quite as it seems behind the well trimmed hedges if the picturesque cottages in the idillic English county of Midsomer. Beneath the tranquil surface of sleepy village life exist dark secrets scandals and downright evil. John Nettles stars as the humourous thoughtful and methodical Detective Chief Inspector Barnaby. David Heartley-Reade the son of a local Archaeologist has written a book which tells of a golden chalice and a ritual spear found in Midsomer Barrow. David
This thrilling box set contains a further ten investigations for the two detectives DCI Barnaby and DC Ben jones in a special gift box. Episodes Comprise: 1. Secret For The Goose 2. Midsomer Rhapsody 3. The House In The Woods 4. Dead Letters 5. Vixen's Run 6. Down Among The Dead Men 7. Death In Chorus 8. Country Matters 9. Last Years Model 10. Four Funerals & A Wedding
Nothing is quite as it seems behind the well trimmed hedges if the picturesque cottages in the idillic English county of Midsomer. Beneath the tranquil surface of sleepy village life exist dark secrets scandals and downright evil. John Nettles stars as the humourous thoughtful and methodical Detective Chief Inspector Barnaby. The Midsomer Literary Festival is being held in Midsomer St. Michael and is being sponsored by Sam Callaghan's publishing company. Each year a prize of 20 00
David Arquette (Scream) and Jonny Lee Miller (Canterbury Tales) head a stellar cast in this wonderful prequel to Lonesome Dove by the same writer of Brokeback Mountain. Based on Larry McMurty's novel in Dead man's Walk Gus (Arquette) and Call (Miller) are young men coming of age in the days when Texas was still an independent republic. We follow the two men as they embark on their first great adventure. They sign up as Texas Rangers under the command of Caleb Cobb an unpredictable bandit who wants to seize Santa Fe from the Mexicans. This untamed frontier and the wild men who live there - the Indians defending it with unrelenting savagery the Texans attempting to seize and 'civilize' it and the Mexicans threatened by both - are at the heart of this gripping story.
Based on Caroline Graham's novels and featuring the stolid crime-solving skills of Detective Chief Inspector Barnaby, Midsomer Murders made their television debut in 1997 and continue to keep viewers happy with that potent whodunnit ingredient: spectacularly bloody murders in the most tranquil rural settings the Shires have to offer. Midsomer is a vaguely defined area of villages and hamlets with charming names like Badger's Drift and Goodman's Land. It also has the highest number of violent deaths per capita outside the average war zone. Serial killings abound to test the nerve of Barnaby (John Nettles) and his sidekick Sergeant Troy (Daniel Casey), a dullard easily perplexed by a world which refuses to stick to his black and white view of things. Nettles is excellent; there's a hint of Bergerac still, now heavier of jowl and broader of beam, though the chasing is necessarily limited and the DCI enjoys the home comforts of an understanding wife and a spirited daughter. "Every time I go into any Midsomer village, it's always the same thing", he huffs. "Blackmail, sexual deviancy, suicide and murder." Ain't it the truth? The murders are astonishing. Family feuds, jealousy, incest, industrial espionage, all erupt at regular intervals leaving a trail of bodies with throats slashed, limbs dismembered and blood absolutely everywhere. Rivers of sheer nastiness run deep beneath the superficially pastoral perfection of Midsomer. Thank goodness there are still men like dependable Barnaby to get to the bottom of things. Eventually. Sure of Barnabys eventual success, Midsomer Murders make for a cosy, even comforting, couple of hours curled up in front of the television. And they make a great showcase for star turns from the great stable of British character actors, too, from Celia Imrie and Elizabeth Spriggs to Imelda Staunton and Duncan Preston, who invariably turn this whimsical stuff into the tastiest possible ham.--Piers Ford
Two examples of British Second World War films, We Dive at Dawn (1943) and Reach for the Sky (1956), are here stylishly packaged as a World War II Classics pack. We Dive at Dawn tells of the encounter between a British submarine and a German warship in the Baltic Sea. John Mills gives a dependable performance as the submarine commander, with Eric Portman the pick of a strong supporting cast. Director Anthony Asquith finds the balance between action sequences and "in situ" dialogue, and there's an evocative score from Louis Levy. The movie was an underrated film that deserves reappraisal, whereas Reach for the Sky (1956) was a box-office hit and remains a fondly regarded classic. Kenneth More is ideally cast as Douglas Bader, the gifted pilot who loses both legs in a pre-war air crash, only to play a major role in the Battle of Britain, rise to the rank of Group Captain and become a war hero. Based on Paul Brickhill's biography, this is an "official" history maybe, but Lewis Gilbert's screenplay and direction are historically accurate and informed by that very British humour of which More was a natural. The film is graced by a decent supporting cast, and a typically "widescreen" score from John Addison. On the DVD: The black and white prints look and sound excellent. Whereas We Dive at Dawn has 4:3 video aspect ratio, 15 chapter points and no subtitles, the later Reach for the Sky has vivid 16:9 anamorphic reproduction, 20 chapter points, subtitles and detailed biographies of More, Gilbert and Barder. The original theatrical trailer is included, but it would also have made sense to include an interview or documentary footage of Bader himself. Even so, this is an excellent starting-point for investigating a key area of British cinema.--Richard Whitehouse
Successful New York advertising executive Bill Templeton and his wife Janice are living a happy existence with their daughter 11-year-old Ivy. However Janice and Bill begin to notice a strange man has been closely observing Ivy when she walks to school. They eventually find out he is Elliot Hoover (Hopkins) a man who says that he lost his wife and daughter in a car crash and that Ivy is really his daughter Audrey Rose reincarnated. They refuse to believe him until one night whils
Chaplin, Sir Richard Attenborough's biographical film of the life and times of the famous comic, is a little thin as a narrative, but it is so charmingly creative and ultimately moving that it's hard to worry about the deficits. Robert Downey Jr does an excellent job re-creating Chaplin's graceful slapstick and getting inside the silent-film superstar's head over the years of triumph, defeat, scandal, official persecution, exile and inner peace. A huge cast portray the allies, friends, lovers and enemies in Chaplin's life, including Moira Kelly as his final, long-time wife Oona, Kevin Kline as Douglas Fairbanks, Geraldine Chaplin as Charlie's mother and James Woods as a prosecutor working hard to nail Chaplin for anti-American sentiments. Attenborough declines to tell the story in a flat, linear way, employing such clever techniques as detailing one chapter in Chaplin's life as a silent comedy. The climactic scene set at an Oscar tribute for Chaplin will get the tears flowing. --Tom Keogh, Amazon.com
This special collection contains John Nettles' four favourite hand-picked investigations taken from the hugely popular series. Starring John Nettles as the humorous thoughtful and methodical Detective Chief Inspector Barnaby this set features: Blue Herrings Murder on St. Malley's Day Sins of Commission Picture of Innocence
In New South Wales, Jared surfs with his mates and has a first girl. He hosts a beach party for his older pal, Ricko, and witnesses four of his mates gang-rape a 15 year old. He does nothing, and the next day, she's found murdered. At school, the boys and the girls react: the girls with anger at the perpetrators, the boys with jeering at the dead girl's morality. The students' parents have their own responses. Jared retreats into angry silence, disgusted that he did nothing to help the dead girl. Meanwhile, his mother wants to talk to him about her impending cancer surgery, the police want to know what he saw, and his friend Ricko wants an alibi. Jared's cracking under the pressure.
In the Fletcher's Cross Village Hall Rosetta Price is seated with her eyes closed watched by an eager audience. She is the medium of the Spirit of Friendship group and issues a warning of impending sorrow for someone that evening. Shortly afterwards the body of renowned skinflint and local funeral director Patrick Pennyman is discovered by his wife. Is this a coincidental case of suicide? To unravel the mystery Barnaby and Scott must delve into the mystical goings on at the spiritua
Barnaby and Scott are called in when Nick Turner a local solicitor falls from the roof of a house. Nick had money problems and rival lawyer Otto Benham was spreading rumours that he was stealing from clients. One night Otto is drugged and made into a human target in the middle of his croquet lawn then fired on with bottles of vintage wine using his replica Roman catapult. The elaborate murder looks like revenge - but what for?
The two detectives are called in to investigate the death of a retired music teacher.
Ex-nightclub owner Alan Clifford has bought the local manor and is at loggerheads with the church about the use of the chapel. He has transformed the building into a leopard skin and red velvet boudoir. The villagers are re-enacting a pagan celebration where witches were burned at the stake. Liz Francis a young teacher who is new to the village is organising the children's song and dance. As the bonfire is lit there is a piercing scream.
Barnaby and Scott investigate a death in Midsomer Mere where villagers seem to have the ability to predict future events. John Ransom's head was covered in scorch marks the result of his brother Max's research into second sight. Is his death due to a pub brawl with his brother-in-law Ben Kirby over plans for a baptism or is he a casualty of the bizarre experiments? In the battle between faith and science even Barnaby thinks he has seen a man somewhere before. It's time to delve in
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