This pleasant, lightweight live-action version of the popular cartoon is about as good as you might expect. The kids should love the broad humour and the Henson Studios creatures but like The Addams Family movies, the look and the cast are the best things going for it. Considering that the nature of the material is so sparse, the thinly plotted story works better than other TV-to-movie fare. Our fabulous Stone Age man is promoted per a calculated move by a scheming exec (Kyle MacLachlan, whose casting ensured at least one cute guy). As a comedy, the humour is one-note and flat for anyone older than 12. The special-effects creatures look wondrous, though not as seamless as in other movies, such as in Roger Rabbit. The most joyous moments come during the full-scale re-creations of the famous credits. The Flintstones provided a major launching pad for Halle Berry as a vamping secretary. --Doug Thomas
In her fist dramatic role screen superstar Goldie Hawn gives a critically acclaimed performance as Adrienne Saunders a woman whose perfect life as a wife and mother disintegrates into a waking nightmare of betrayal and deception. Adriennes's world begins to unravel when her husband Jack (John Heard Home Alone; Awakenings) is apparently killed in a freak car accident After his mysterious death she discovers the shocking truths about the man she loved and chilling evidence of mu
When Sally inherits a country house, her young brother Ronald, an aspiring journalist, hits on a sensational way to make his first big scoop: Sally will 'disappear', and he will be arrested for her murder! At his trial she will reappear, his acquittal will follow, and he will be able to supply his paper with an exclusive story. Sally and her fiance, Bill, fall in with the scheme. However, there are complications which they had not foreseen...This humorous thriller was among several '30s films featuring Aileen Marson, a tragically short-lived British actress whose career briefly flourished on both sides of the Atlantic. Marson's co-stars include impeccable comedic actor and singer Billy Milton, and veteran screen villain Noah Beery; the film is directed by leading silent-era director/actor/writer Herbert Brenon nominated for Best Director at the very first Academy Awards ceremony in 1927. Someone at the Door is presented here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.
A 4 disc box set featuring a quartet of the finest films starring motormouth funnyman Richard Pryor! R.I.P Ritchie... Car Wash ((Dir. Michael Schultz 1976): An earthy irreverent but affectionate look at a typical day in Los Angeles car wash! An ensemble piece which interweaves the lives of employees customers and passers-by Car Wash stars a galaxy of gifted actors most of whom are relatively unknown to movie goers and spotlights an array of guest stars in vivid cameo rol
The Flintstones: After an aptitude test mix-up Fred Flintstone (John Goodman) trades his job as Slate & Company Bronto-crane operator for a vice presidency. But there's trouble brewing in Bedrock: An evil executive (Kyle MacLachlan) and his sinister secretary (Halle Berry) are now plotting to use Fred as the fall guy in an embezzlement scheme! (Dir. Brian Levant 1994) The Flintstones Viva Rock Vegas: Best pals Fred (Mark Addy) and Barney (Stephen Baldwin) down tools at Bedrock Mining Company to woo Wilma (Kristen Johnston) and Betty (Jane Krakowski) during a long vacation in Rock Vegas. All goes well until Fred's gambling addiction gets the better of him and he is framed for stealing Wilma's prized pearl necklace by love rival Chip Rockerfeller (Thomas Gibson) who oozes malice out of every prehistoric pore. Meanwhile Wilma's high fallutin mother Pearl (Joan Collins taking over from Elizabeth Taylor) thinks that Fred is too downmarket for her daughter and does everything within her power to push Wilma and Chip together... (Dir. Brian Levant 2000)
audio in italiano18 anni dopo elwood blues (aykroyd) esce di prigione. suo fratello jake (belushi) e' morto e la loro orchestra non c'e' piu'. se n'e' andato anche curtis, loro padre spirituale, lasciando un figlio poliziotto duro e puro. insieme con un nuovo partner, il gioviale mighty mack mcteer (goodman) e con buster, orfanello di 10 anni (bonifant), elwood si rimette in marcia. dovra' fare i conti con la mafia russa. tentativo parzialmente riuscito di continuare un film di culto che nel 1980, con l'aereo piu' pazzo del mondo inauguro' il genere catacomico: ludico, demenziale, goliardico, frenetico, buffonesco, tutto ma non rassicurante e mistificatorio. quel che c'e' di divertente e' gia' visto e quel che ha di nuovo non diverte. c'e' tanta musica, d'accordo. troppa.
Superstar is a big-screen vehicle for Molly Shannon, the latest comic from the American sketch show Saturday Night Live to have a movie built around her. She isn't exactly funny--in fact, she's a little unsettling. Her creation, the neurotic Catholic schoolgirl Mary Katherine Gallagher, invites laughter because she's a little too close to the bone for anyone who grew up feeling ugly and unloved, which is a lot of people. Mary lives with her grandmother (Glynis Johns), who insists that Mary study business. Mary herself yearns to be famous and admired, though for what isn't exactly clear; she envisions some vague combination of singing, dancing, and acting that will make her a superstar. A talent show promises to be her ticket to stardom (the winning prize is a role in "a movie with positive moral values"), and she won't let her loser status or any hostile cheerleaders stand in her way. Meanwhile, Mary acts out dating fantasies with trees and signposts, envisions the school lunch room bursting into a Fame-like dance number, and longs for the biggest jock in school. What makes Superstar more than just a collection of bad high school memories is that, though the formulaic plot redeems Mary, the movie as a whole isn't so sure. Mary completely loses herself in her obsessive fantasies--many inspired by cheesy made-for-TV movies--but there's always someone watching, aghast, as Mary acts out her inner thoughts. Is she misunderstood or freakish? Superstar never commits to one side or the other, which makes it both comic and uncomfortable. --Bret Fetzer, Amazon.com
Pete (Mike Myers) is a streetwise ex-junkie on the run from the mob. After his two best friends die, he feels obliged to help raise their three children who now live with their grandmother (Brenda Fricker).When a meteorite crashes into the kids' garden they believe that it was sent by their parents and go to dangerous lengths to recover it from the wealthy scientist (Alfred Molina) who took possession of it. Their lives converge in this funny, thrilling and bittersweet film.
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