Includes Jailhouse Rock Trouble With Girls Spinout and Double Trouble. Jailhouse Rock: Elvis stars as Vince Everett a small-time convict introduced to the music business by his cellmate a former country music singer who also teaches Vince the guitar. On his release Vince tastes success as a performer but becomes disillusioned by the record industry until he is advised to set up his own label. He is a sensation but now that he is a superstar will he forget the people who
A biopic of one of the first true greats of boxing in the 20th century this film is interspersed with footage from the real Joe Louis in action. The fact that Louis is treated on equal par with the white characters in the story led to the film being banned in certain parts of southern America when originally released!
Using unprecedented degrees of violence young Joey Tai becomes the head of Chinese mafia in New York and undisputed leader of Chinese community. Stanley White the most decorated cop in New York who hates Asian people since his service in Vietnam is put in charge of Chinatown. Both men are prone to breaking long-established rules and both men are unlikely to make compromises with each other which leads to unavoidable and bloody conflict.
Includes the following five great Clint Eastwood movies: Tightrope: By day Wes Block is a conscientious cop raising his two daughters alone. By night he indulges his bizarre sexaul tastes in the sleazy New Orleans twilight world. When a psychopathic sex murderer invades his dark domain Block's profession and personal lives violently conflict... The Rookie: Undercover cop David Ackerman is delighted with his promotion; that is until he meets his partner Nick Pulov
The coming together of the influential Python team is regarded as a milestone for modern absurdist comedy, though each of the six members had been doing similar sketch work prior to this first 1969 series, of whose highlights this video consists. The most revolutionary aspect of Python was its eschewal of punch lines, preferring as they did bizarre, surreal links and quantum leaps into the imagination of animator Terry Gilliam. Inevitably, Python has dated. Sketches such as "The Upper Class Twit of the Year" and the "Wink-wink, nudge nudge" man are worn down by familiarity. There's some clunky stereotyping and "Oo, ducky"-style gay references. That said, much of this still stands up. "Hells Grannies" and the race to find the world's funniest joke are fine, the Eric Idle-driven documentary spoofs are witty while the Batley Townswomen's Guild's re-enactment of Pearl Harbour is intelligently ridiculous. John Cleese, however, stands literally and metaphorically head and shoulders above the rest. His and Chapman's sketches, involving a mountaineering expedition leader with double vision and an arts TV interviewer who can't get past the etiquette of how to refer to his guest ("Eddie baby...") are pursued to their absurd non-conclusions with the remorseless logic of a top-drawer barrister. --David Stubbs
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
He's the smartest student at Angel Grove High School; a genius inventor able to solve any problem by relying on his brain before resorting to his brawn. He's loyal to his friends and is always there when he's needed. You know him as Billy Cranston, but the world knows him best as the Blue Ranger, and these are his most morphinominal stories! Episodes: Peace, Love And Woe Dark Warrior Switching Places Something Fishy Grumble Bee Blue Ranger Gone Bad Bonus Feature: An Interview With The Blue Ranger, David Yost
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Nudge-nudge wink-wink say no more... it's a 4 disc box set including a feast of Monty Python sketches such as The Dead Parrot Sketch The 127th Upperclass Twit of the Year Competition From Hurlingham Park Bicycle Repair Man Vicious Gangs of Old Ladies The Lumberjack Song The Man With Three Buttocks The Joke That Kills People The Bishop It's In The Mind Nobody Expects The Spanish Inquisition The Finals of the All-England Summarise Proust Competition The Fifteenth Ideal Loon Exhibition The Cheese Shop Sketch Stand and Deliver The Ministry of Silly Walks Whicker Island Sam Peckinpah's Salad Days... and many more!
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
The most interesting--and entertaining--aspect of Battle Cry, a long, episodic World War II drama, is that it marked the debut of one Justus E McQueen, who subsequently took the name of the good ol' Arkansas boy he played in the movie: LQ Jones. He's only one of eight or nine marine recruits who divide the screen time with commanding officer Van Heflin and James Whitmore as a lifer sergeant named Mac, "just Mac", who ramrods their squad and also delivers the movie's overbearing narration. Unfortunately, the narration is necessary to maintain continuity as the CinemaScope production galumphs its way from rounding up the melting-pot cast to seeing them through basic training and sundry, mostly amatory misadventures in San Diego, to further training in New Zealand and finally to baptism of fire on Guadalcanal. Trouble is, among the recruits only McQueen/Jones (whose job is mostly comic relief) and Aldo Ray (as a brawling lumberjack who's never known family life) have any charisma or acting chops--and that's not forgetting Tab Hunter, whose matinee-idol status at the time does not speak well for the 50s. Battle Cry is also a cardinal example of Hollywood's penchant for buying big, lusty, profane bestsellers (by Leon Uris, in this case) and then bowdlerising all the lustiness and profanity to appease the censors. Raoul Walsh, the poet laureate of lowdown gusto, does what he can in the circumstances, and as one of the first guys ever to direct a widescreen movie (1930's The Big Trail), he makes the battle scenes roar. --Richard T. Jameson
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
This is the life story of one of the most influential and controversial film directors in the history of Hollywood John Milius. From his childhood aspirations to join the military to his formative years at the USC Film School his legendary work on films such as ‘Apocalypse Now’ ‘Jaws’ ‘Conan The Barbarian’ ‘Dirty Harry’ and ‘Red Dawn’ to his ultimate dismissal from Hollywood due to his radical beliefs and controversial behaviour.
Charles Dickens' immortal tale here revels in a delightful adaptation for dance drama in three acts by Christopher Gable distinguished choreographer actor and former Royal Ballet star who died in 1998. The work is laced with Carl Davis' sparkling Christmas music which also requires the dancers to sing at various points. The featured company is the renowned Northern Ballet Theatre who here dance with infectious ebullience and vivacity.
Sgt. Bilko: Sgt. Bilko is back and up to his old tricks. The arrival of Major Thorn threatens to put a stop to the casino under-the-table deals and Bilko's other illicit businesses... Housesitter: When architect Newton Davis' girlfriend Becky (Dana Delany) turns down his marriage proposal his newly-built dream house suddenly becomes nothing more than an empty monument to her rejection. That is until a chance encounter with Gwen (Hawn) turns his life upside-down. Intrigued by Newton's story Gwen visits the house and decides to move in on her own. Resourceful and creative Gwen is soon fixing up the house and charming Newton's family and neighbors - all the while passing herself off as his new wife! Gwen even befriends Becky who begins to see a Newton she never knew existed. Horrified at the deception yet unable to stop it Newton finds himself playing along with her preposterous stories her attempts at reconciling differences within his family and her campaign for his promotion at work. Finally he convinces Gwen to fabricate their 'divorce' so he can still get married to Becky - until he has a change of heart... Roxanne: Small town fire chief CD Bales (Steve Martin) falls madly in love with the new girl in town a gorgeous astronomer (Daryl Hannah). But there's an enormous problem - CD has an amazingly big nose and is convinced that such a beauty could never love a man with such a gargantuan appendage. Roxanne proves him right when she falls for Chris a hunky and good looking fireman. The mayhem continues when CD agrees to ghost-write Chris's love letters in which he pours out his own secret feelings. In this charming modersnisation of the Cyrano de Bergerac story will CD's nose (and Chris's body) come between him and true love?
Timecop Set in the year 2004 where time travel is a reality and a new breed of crime has emerged. It is now possible to alter history and the Time Enforcement Commission has ruled that no-one goes back in time. But someone has broken the rule and Timecop Max Walker must prevent a change in history - and prevent the murder of his wife... Cyborg 1 When a mysterious package arrives on his doorstep Jack Ryan a former member of the DEA immediately suspects that something is wrong. He discovers that the package contains a plea for help from his brother Phillip on a DEA assignment on the Caribbean Island of St. Keith. Cyborg 2 The new generation of Cyborgs are more lethal powerful dangerous and smarter than the computers that programmed them. So intelligent they are capable of regenerating themselves without human control - a chilling prospect for the civilized world. Cyborg 3 Enter the dark world of sythentic humanoids where ruthless recyclers scavenge cyborg parts and sell them to the highest bidder. Moon 44 The year is 2038. Giant intergalactic corporations have taken control of the universe locked in a ruthless battle for planets where men and robots mine the priceless chemicals that are now Earth's only source of fuel. Space pirates are systematically hijacking the vital space shuttle from the moon 44 mining base which is also the location of an experimental defence programme using highly advanced helicopter gunships. It is undercover investigator Felix Stone's task to hunt down the hijackers. But if Moon 44 base is attacked the orders are to sacrifice the men and save the robots. Apex Black Moon Rising Tommy Lee Jones is Quint a shrewd and tough professional thief working for the government. He has hidden a computer disc containing vital evidence in a sleek fast prototype automobile which is stolen by a sophisticated car theft ring in Los Angeles. Quint the owners of the car and the killers who want the disc back are forced into a high-risk raid on the impenetrable fortress of the car thieves in this taut action-filled suspense adventure. Earth Alien Salena Incident Roswell was just the beginning... During a routing transport exercise a group of prisoners overpower their guards and take them captive. But their well executed escape plan turns into something far more menacing. When they enter the supposedly peaceful town of Salena the prisoners and guards are faced with an alien threat far more powerful than anything imaginable! The Sender
From the director of THE BLAIR WITCH PROJECT comes Lovely Molly, a hauntingly terrifying account of one woman's struggle to overcome a dark presence that haunts her. When newlywed Molly returns to her long-abandoned family home, she is plagued by a series of disturbing events that leave her shaken and defenceless. Reminders of a nightmarish childhood lead her to the shocking conclusion that, somewhere in the house, lies an supernatural spirit that will pull Molly and all those around h...
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