In this season of The Librarians, our heroes embark on new, action-packed adventures, risking their lives once again to save the world. They face off against Santa s brother the Patron Saint of Thieves, try to save a town plagued by ghosts from the Civil War, battle a casino that steals luck, and endure a body switching fiasco. But, their greatest challenge will come from within the Library itself. With Charlene no longer tethered to the Library, which keeps it grounded to humanity, one Librarian and one Guardian must step up and take the mantle. As Jenkins organizes the Tethering Ceremony, the high ritual that will bond the pair to the Library forever, thus granting them immortality, Flynn and Baird seem poised to make this sacrifice. Until a woman from Flynn s past reveals herself to be one of the Library s dirty little secrets. Confronted with a dark mystery about the Library, every Librarian must ask themselves some tough questions: Is the Library itself good or evil? After millennia of one Librarian at a time, is it dangerous to have multiple Librarians working together? Can a Librarian ever live a normal life filled with love, friends and family? The Librarians have a lot of research to do, but this time, they ll need to find the answers inside themselves without any books or prophecies. Episodes: 1. And the Dark Secret 2. And the Steal of Fortune 3. And the Christmas Thief 4. And the Silver Screen 5. And the Bleeding Crown 6. And the Grave of Time 7. And the Disenchanted Forest 8. And the Hidden Sanctuary 9. And a Town Called Feud 10. And Some Dude Named Jeff 11. And the Trial of the One 12. And the Echoes of Memory
Academy Award winning director and master storyteller James Cameron journeys back to the site of his greatest inspiration -- the legendary wreck of the Titanic.
The Librarians find themselves fighting a war on two fronts. First, Apep, the Egyptian God of Chaos, is released from a museum in Egypt and is revealed to be bent on releasing pure evil into the world to create a chaotic apocalypse. Naturally, the Librarians must stop him... but must do so while also avoiding the new black-ops government agency D.O.S.A. (the Department of Statistical Anomalies). D.O.S.A. s investigation of magic has the agency and their determined leader, General Cynthia Rockwell believing the Librarians are home-grown terrorists. Accordingly, the Librarians must take on the dual roles of hunter and hunted, as Flynn, Baird, Stone, Cassandra, Ezekiel, and Jenkins fight, mission by mission, to save the world... but also get one step closer to losing The Library itself. It s a conflict that forces the Librarians to confront the cost of using magic, as well as their true feelings for each other, this time, once and for all.
A Nightmare On Elm Street Nancy (Heather Langenkamp) is having grisly nightmares. Meanwhile her high-school friends who are having the very same dreams are being slaughtered in their sleep by the hideous fiend of their shared nightmares. When the police ignore her explanation she herself must confront the killer in his shadowy realm. From modern horror master Wes Craven (Scream Scream 2) comes a timeless shocker that remains the standard bearer for terror. Featuring Jo
As Treme opens, a group of New Orleans residents are celebrating their first "second-line parade" since Hurricane Katrina blew through the city and across the Gulf Coast just three months earlier. Folks are strutting and dancing, a brass band is blowing a joyful noise--it's a celebration of "NOLA's" resilience and proud spirit ("Won't bow--don't know how," as they say). But there's darkness just below this shiny surface, and anyone familiar with The Wire, cocreator-writer David Simon's last show, won't be a bit surprised to find that he and fellow Treme writer-producer Eric Overmyer aren't shy about going there. The New Orleans we see is a city barely starting to recover from what one character calls "a man-made catastrophe of epic proportions and decades in the making." Many people's homes are gone, and insurance payments are a rumor. Other locals haven't come back, and still others are simply missing. The people have been betrayed by their own government, and New Orleans's reputation for corruption is hardly helped by the fact that the police force is in such disarray that the line between cop and criminal is sometimes so fine as to be nonexistent. Bad, but not all bad. NOLA still has its cuisine, its communities, and best of all its music, which permeates every chapter, from the Rebirth Brass Band's "I Feel Like Funkin' It Up" in episode 1 to Allen Toussaint and "Cha Dooky-Doo" in episode 10. There's Dixieland and zydeco, natch, but also hip-hop and rock; there are NOLA stalwarts like Dr. John, Ernie K-Doe, Lee Dorsey, and the Meters (as well as appearances by Elvis Costello, Steve Earle, and others), but plenty of younger, lesser knowns, too. Whether we hear it in the street, in a club or a recording studio, at home, or anywhere, music is the lifeblood of the city and this series, and it's handled brilliantly. Treme has a lot of characters and their stories to keep up with. There's trombonist Antoine Batiste (Wendell Pierce), a wonderful player but kind of a dog, especially to his current baby mama and his ex-wife, LaDonna (Khandi Alexander), a bar owner who's desperately searching for her missing brother. There's Creighton Bernette (John Goodman), a writer preoccupied with telling the world what's really going on in the city, and his wife Toni (Melissa Leo), a lawyer and thorn in the side of the authorities. There's Davis McAlary (Steve Zahn), a well-meaning but annoyingly clueless radio DJ, his occasional girlfriend Janette (Kim Dickens), who's struggling to keep her restaurant open, and Albert Lambreaux (Clarke Peters), who returns from Houston, finds his house in ruins, and sets about rebuilding it. You might not like all of them. Not all get through the series unscathed, or even alive. But that's part of the deal. The show feels authentic: dialogue (natural, plain, and profane), story lines, locations, camera work, the utter lack of gloss and glamour--this is no Chamber of Commerce travelogue. It's not a documentary either, but there are moments when it's just down and dirty enough to pass for one. --Sam Graham
Complete collection of the worldwide phenomenon Fifty Shades of Grey Sam Taylor-Johnson directs this drama based on the best-selling book of the same name by British author E. L. James. Dakota Johnson stars as demure literature student Ana Steele, who, as a favour to her friend Kate (Eloise Mumford), meets up with the handsome and enigmatic businessman Christian Grey (Jamie Dornan) for an interview. Very quickly, an attraction grows between the pair and Ana realises a need to become close to Grey. Fifty Shades Darker Expanding upon events set in motion in 2015's blockbuster film, the new installment invites you to slip into something a shade darker. When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian's past start to circle the couple, determined to destroy their hopes for a future together. Fifty Shades Freed Jamie Dornan and Dakota Johnson return as Christian Grey and Anastasia Steele in Fifty Shades Freed, the climactic chapter based on the worldwide bestselling Fifty Shades phenomenon. Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardise their happy ending before it even begins. Bonus Features Deleted Scene The Last Journey Christian and Ana by Jamie and Dakota Limited edition: Comes with a bonus disc packed with even more sensuous special features!
Quincy M.E. the trailblazing series that almost single-handedly created the medical investigation genre comes to DVD for the first time in this gripping double pack featuring all the episodes from Seasons One and Two! Television icon Jack Klugman is the crusading and headstrong medical examiner Dr. Quincy in the the distinguished role that earned him 4 Emmy nominations. Aided by his loyal lab assistant Sam Fujiyama (Robert Ito) Quincy's not afraid to stand up fo
In the year 2257 a planet-sized sphere of supreme evil is approaching the earth at relentless speed threatening to exterminate every living organism unless four ancient stones representing the elements of earth wind fire and water are united with the mysterious fifth element.From Luc Besson the acclaimed director of 'Leon' and 'Nikita' comes a film that turns science fiction inside out.
You won't find many television series whose defining event occurred before the first episode of the first season. Then again, there aren't many, if any, series like HBO's Treme. Created by writer-producers David Simon (of The Wire) and Eric Overmyer, this show has as its driving force, its raison d'être, Katrina, the hurricane that decimated New Orleans and the Gulf Coast in 2005. The debut season began a couple of months after the storm passed through, leaving misery and chaos in its wake; the first of 11 episodes in this, the second season, starts about a year after that. Most of the action still centers around NOLA, where the locals are continuing to pick up the pieces and get on with their lives in a city now plagued with violence and disorder. Some of those who left are returning, but some may be gone for good (several scenes throughout the season take place in New York City). Some are trying to rebuild their homes (which means the endless wait for federal funds continues); others, hewing to a mantra that "no disaster should go to waste," include venal businessmen looking to capitalize on the city's pain by rebuilding New Orleans "properly." And as one character puts it, "Everybody is out of their minds." As before, there are numerous characters and story lines to keep track of. Trombonist Antoine Batiste (Wendell Pierce) takes a job teaching music to schoolkids while also putting together a hot new band, the Soul Apostles. His former wife, bar owner LaDonna (Khandi Alexander), spends much of the season suffering from the effects of a brutal assault. Chef Janette Desautel (Kim Dickens) now lives and plies her trade in Manhattan, while her former boyfriend, DJ and aspiring rapper-music exec Davis McAlary (Steve Zahn), has taken up with up-and-coming fiddler Annie Tee (Lucia Micarelli). Activist lawyer Toni Bernette (Oscar winner Melissa Leo) tries to get to the bottom of a killing that may have involved police misconduct, while daughter Sofia (India Ennenga) struggles to adapt to life without her dad, who died in the previous season. Part of the show's appeal is the fact that these folks and the others whose story lines we follow are not superheroes or world-beaters; they're just people dealing with life's daily, if not exactly ordinary, vicissitudes. But as before, it's the music that remains the show's soul and constant heartbeat, whether it's provided by regulars like Antoine, Annie, and trumpeter Delmond Lambreaux (Rob Brown), who's trying to simultaneously update and honor the traditional New Orleans sound, or guest artists including John Hiatt and Shawn Colvin. You might tune in for the writing and acting (both excellent), but in the end, it's the sounds of Treme that will keep you coming back. --Sam Graham
A dazzling action movie from South Korea, Shiri follows two South Korean government agents, Ryu and Lee, as they pursue a female super-assassin from North Korea. Meanwhile, an elite paramilitary squad from North Korea has stolen a shipment of CTX, an undetectable liquid explosive of enormous power, which they've planted all over the city of Seoul. As their investigations are successively foiled, Ryu and Lee begin to suspect that there is a mole within the ranks of the agency--and it may be one of them. Both hyperstylish and hyperrealistic, Shiri rips along as a smooth fusion of Hong Kong and American action movies. Ryu's troubled romance with his alcoholic fiancée adds a striking emotional counterpoint to the blazing gunfights and high-speed chases; the ending is unexpectedly moving. It's not surprising that this film beat Titanic's box-office records in Korea. --Bret Fetzer
In Better off Dead, Lane Myer (John Cusack) is stuck in a personal hell. A compulsive adolescent everyman growing up in Suburbia, USA; not only does he fail to make the prestigious high-school ski team (again), but his beloved sweetheart, Beth, also leaves him for Roy, the team's popular arrogant captain. If this isn't bad enough, he's stuck with a mother who frighteningly experiments--rather than cooks--with food, a brother who builds rockets out of models, and a best friend so desperate for drugs that he settles for snorting powdered snow. Faced with these prospects, Lane opts to end it all... until he comes up with a ridiculous plan to gain acceptance and win Beth back. Director Savage Steve Holland warps this simple, clichéd premise, letting his wacky imagination twist it into a fairly original, slightly dark, and completely hilarious 80s teen comedy. Not as serious a "suicide-attempt" movie as, say, Harold and Maude but just as funny, the film is more a collection of screwball sketches than a narrative. Holland enlivens the high jinks with surrealistic fantasy touches, including Jell-O that crawls, a hamburger that sings Van Halen, drawings that mock its creator, and a psychotic paperboy seeking blood over a missing two dollars. Cusack puts the whole thing on his shoulders and carries the insanity with another one of his touching, obsessively romantic performances, which along with Say Anything, The Sure Thing and One Crazy Summer, made him the quintessential (and appealing) personification of lovestruck adolescence and suffering. --Dave McCoy
Series 1: The first episode begins at midnight on the day of the California Presidential Primary. Jack Bauer (Kiefer Sutherland) heads up the government's Counter-Terrorist Unit. He discovers that there's going to be an assassination attempt on Senator Palmer (Dennis Haysbert) an African-American presidential candidate. Bauer faces a battle against the clock to avert disaster. The series follows several characters as they live through a day that none of them will forget. For Kimberly (Elisha Cuthbert) a night on the town takes an unexpected turn. Teri (Leslie Hope) sets out to find Kimberly and encounters more danger than she ever imagined possible. Senator Palmer unaware there's going to be an attempt on his life faces the threat of a long buried scandal resurfacing. Meanwhile Jack with help from his Chief-of-Staff Nina Myers (Sarah Clarke) is charged with the responsibility of stopping the assassination. But who can he trust when it appears a rogue element inside the Agency is in on the hit? And all the time the clock keeps ticking... Series 2: Jack Bauer (Kiefer Sutherland) and the Counter Terrorist Unit (CTU) race to prevent a nuclear bomb being detonated by terrorists in Los Angeles in the second season of 24. Series 3: When the head of a Mexican drug cartel is imprisoned by Jack Bauer (Sutherland) a plot ensues to blackmail the US Government with the threat of a released bio-weapon that will kill millions to ensure his release. With Palmer seeking re-election to a second term will Jack survive this day? Series 4: 18 months after day 3 CTU has a new leader Erin Driscoll a steely government agent who made firing Jack one of her first priorities. After the explosion of a commuter train Jack who is now working for Secretary of Defense James Heller and also is romantically involved with Heller's married daughter Audrey Raines suddenly finds himself heading back to CTU for a meeting with Driscoll. Jack believes that the train explosion is a prelude for bigger things to come...
Written by David Leland and directed by Alan Clarke, Made in Britain is a slice of horrible but not inaccurate life from 1982. It holds a terrific early performance from Tim Roth as a skinhead with a swastika caste-mark tattoo, who constantly bares shark-like teeth as he spits embittered, articulate defiance at caring social workers and truncheon-wielding policemen alike. Sixteen-year-old Trevor (Roth) is remanded to an assessment centre before sentencing, but remains determined to disobey the rules imposed on him by any authority figures and spends the whole 73-minute play challenging the system to smack him back down, by vandalising the Job Centre, using his case-file as a toilet, stealing cars, victimising members of the "immigrant community" and shouting bile at people. The cycle that will lead him to an adult life in prison is explained to him with blackboard diagrams, but he believes he's better off keeping his hatred burning than toeing the line to end up as a no-hoper in a society that prizes obedience over conscience. It was originally televised as one of four Leland-filmed dramas about different aspects of the British education system, which made it seem less monomaniacal in its focus on an extreme case. There's no denying that it's an honest portrait of a monster calculated to terrify even the most concerned liberals which still manages to celebrate his self-destructive defiance. A film for television rather than a TV play, it has very strong language but the violence is all in Roth's face.On the DVD: No extra features here, but it does come with optional English sub-titles, and the theme song by the Exploited over the menu. --Kim Newman
There's nowhere to turn nowhere to hide no way to stop... A monstrous black sedan roars out of the desert without warning and mercilessly begins to terrorize the residents of a small New Mexico town. Is it a phantom a demon...or even the Devil himself?
Dr. Alan Aisling an antiquities professor has lost his wife and struggles to keep his children's spirits high and his lonliness at bay. His daughter Cassie daydreams about the mythical world her illustrator mother left behind in her drawings and annoys her sister Miranda. Then something magical happens. The family find themselves fleeing a plague of monster trolls by boarding a mysterious ship called The Unicorn and they are given a quest to find the benevolent dragon that once ruled the legendary faerie isles before the demon trolls arrived. A quest that shows them the wonder of the mythological worlds: firebreathing dragons the mermaids' siren songs and the Minotaur's labyrinth and tries to re-ignite an exuberance for life within the family.
Even when it misses a dramatic opportunity in favour of generic action, Set It Off benefits from a sharp understanding of its well-drawn central characters. They are a quartet of young African American women in Los Angeles (Jada Pinkett, Queen Latifah, Vivica A. Fox, Kimberly Elise), all struggling against a system that seems designed to prevent them from realising their dreams. The movie establishes their plight with credible attention to emotional detail, making their decision to rob banks believable enough to give the ensuing plot its inevitably tragic momentum. Co-written by the screenwriter of What's Love Got to Do With It?, the film conveys genuine compassion for its characters, and the ensemble cast is uniformly strong--especially Queen Latifah as a brash lesbian whose fate is as certain as her forceful attitude.Set It Off expresses a real sense that these women have been close friends for years, and that gives the film additional impact, even when their transition to crime and violence feels somewhat forced and superficial. A romantic subplot involving Pinkett and a social-climbing banker (Blair Underwood) is too contrived to be convincing, and director F. Gary Gray (Friday) tries too hard to combine hard-hitting action with social relevance (a weakness shared by Gray's following film, The Negotiator). Still, Set It Off effectively avoids passing judgement; its emotional complexity transcends simple notions of right and wrong, injecting vitality--and a kind of renegade integrity--into the traditions of a familiar plot. --Jeff Shannon
When their academy's existence is threatened by local developers military cadets take extreme measures to protect their honour...
Previously Banned!; ; In this former Video Nasty title, escaped mental patient George (Baird Stafford) repeatedly suffers a graphic nightmare that depicts the axe murders of a couple making love. In Florida, a prowler stalks a babysitter - when she is attacked the youngest child she is looking after just sits and laughs... George begins a journey of brutal murder, death and destruction until the final moment of truth when his nightmares come to frightening life!
Fifteen Minutes partners Robert De Niro and Saving Private Ryan's Edward Burns in a thriller satire on America's "reality TV" industry. De Niro plays celebrity detective Eddie Fleming, who must reluctantly work with arson investigator Jordy Warsaw (Burns) when a grisly fire is discovered to conceal a murder. This is the work of Emil (Karel Roden) and Oleg (Oleg Taktarov), East European psychos bent on a maniacal spree of killings. All of these are videotaped by Emil, who renames himself after his hero Frank Capra, in a perverse tribute to the US of A, where "no one is responsible for what they do!". Soon the duo decide to sell their footage to Kelsey Grammer's creepily shameless frontline TV journalist. As a pair of loons whose scariness is just the right side of cardboard villainy, Roden and Taktarov steal the movie as well as their camcorder. However, the central theme of voyeurism and video murder was dealt with far more effectively in the 1992 Belgian movie Man Bites Dog and, while the action tears along in explosive fashion, it does so at the expense of both plausibility and the anti-media satire, which seems hitched crudely onto the bumper of what is essentially a satisfying but conventional blockbuster thriller. --David Stubbs
It took them 20 years to fall in love at first sight: two strangers whose paths are always crossing finally meet when fate steps in.
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