Leonard and Sheldon are brilliant physicists - geniuses in the laboratory, but socially challenged everywhere else. Enter beautiful, street-smart neighbor, Penny, who aims to teach them a thing or two about life. Despite their on-again, off-again relationship in the past, Leonard and Penny have finally gotten married. Even Sheldon has found a female companion, entering into a Relationship Agreement with neurobiologist Amy Farrah Fowler. In their free time, Leonard and Sheldon enjoy fantasy role-playing games with their ever-expanding universe of friends, including fellow scientists Raj, Howard and Howard's adorable microbiologist wife, Bernadette, who recently learned that they will soon be parents.
All the episodes and Christmas Specials.
John Candy has one of his finest opportunities in this film by John Hughes (The Breakfast Club) about a perpetual screw-up (Candy) who gets his act together enough to watch over his brother's kids effectively. The late actor scores big points resurrecting elements of his more decadent persona from SCTV days, but he also has some persuasively touching, sentimental moments. Hughes's direction is not as focused as it was only a few years before, but there's no mistaking his touch. The DVD release has a widescreen presentation, production notes, biographies, Dolby sound, optional Spanish and French soundtracks. --Tom Keogh
A high point of Hitchcock's pre-Hollywood career, 1935's The Thirty-Nine Steps is the first and best of three film versions of John Buchan's rather stiff novel. Robert Donat plays Richard Hannay, who becomes embroiled in a plot to steal military secrets. He finds himself on the run; falsely accused of murder, while also pursuing the dastardly web of spies alluded to in the title. With a plot whose twists and turns match the hilly Scottish terrain in which much of the film is set, The Thirty-Nine Steps combines a breezy suavity with a palpable psychological tension. Hitchcock was already a master at conveying such tension through his cinematic methods, rather than relying just on situation or dialogue. Sometimes his ways of bringing the best out of his actors brought the worst out in himself. If the scene in which Donat is handcuffed to co-star Madeline Carroll has a certain edge, for instance, that's perhaps because the director mischievously cuffed them together in a rehearsal, then left them attached for a whole afternoon, pretending to have lost the key. The movie also introduces Hitchcock's favoured plot device, the "McGuffin" (here, the military secret), the unexplained device or "non-point" on which the movie turns. --David Stubbs
The creators of the beloved Toy Story films re-open the toy box and bring moviegoers back to the delightful world of our favorite gang of toy characters in TOY STORY 3.
Between 1968 and 1977, the BBC broadcast 84 television episodes of 'Dad's Army'. Across nine seasons and seven Christmas specials, the programme continues to be one of the most beloved of all British sitcoms. However, not every episode of 'Dad's Army' still survives in its original format. Five episodes were never formally archived by the BBC and are today presumed lost. No footage is known to exist from any of these episodes. They are collectively some of the most sought-after of all lost television programmes. Happily, audio-only recordings have survived of all five of these lost classics. These audio recordings (starring Arthur Lowe, John Le Mesurier and Clive Dunn) have been painstakingly reassembled and restored and are now used as the basis for a series of new animated episodes of 'Dad's Army' - featuring all new hand-drawn black and white animation, synced up to the words of the original actors. These new animated episodes give audiences a chance to enjoy five original episodes of this much-loved comedy classic for the first time in over fifty-years.
Footnotes in film books are likely to reduce this swashbuckling adventure down to a simple description: it was the first movie to star Leonardo DiCaprio after the phenomenal success of Titanic. As such, The Man in the Iron Mask automatically attracted a box-office stampede of Leo's young female fans, but critical reaction was deservedly mixed. Having earned his directorial debut after writing the Oscar-winning script for Mel Gibson's Braveheart, Randall Wallace wrote and directed this ambitious version of the often-filmed classic novel by Alexandre Dumas. DiCaprio plays dual roles as the despotic King Louis XIV, who rules France with an iron fist, and the king's twin brother, Philippe, who languishes in prison under an iron mask, his identity concealed to prevent an overthrow of Louis' throne. But Louis' abuse of power ultimately enrages Athos (John Malkovich), one of the original Four Musketeers, who recruits his former partners (Gabriel Byrne, Gérard Depardieu, and Jeremy Irons) in a plot to liberate Philippe and install him as the king's identical replacement. Once this plot is set in motion and the Musketeers are each given moments in the spotlight, the film kicks into gear and offers plenty of entertainment in the grand style of vintage swashbucklers. But it's also sidetracked by excessive length and disposable subplots, and for all his post-Titanic star power, the boyish DiCaprio just isn't yet "man" enough to be fully convincing in his title role. Still, this is an entertaining film, no less enjoyable for falling short of the greatness to which it aspired. --Jeff Shannon
In 1974, Stephen King published his first novel, the story of Carrie White, a troubled young girl, bullied by her peers and daughter to a fanatical fundamentalist mother, who discovers she has telekinetic powers. In 1976, it became the first of his works to be adapted for the big screen and, to this day, remains one of the very best. Carrie marked Brian De Palma's arrival as a major director, following smaller cult films such as Sisters, Phantom of the Paradise and Obsession, and provided a key early role for Sissy Spacek (Badlands), one that would earn her a Best Actress nomination at the Academy Awards. Piper Laurie would also pick up a nomination, for Best Supporting Actress, as Carrie's mother, while future stars such as Amy Irving, John Travolta and Nancy Allen were give their first major parts in a big-screen production. Restored in 4K from the original negative, this collector's edition provides the definitive release of a horror classic. Extras: 4K restoration from the original negative High Definition (1080p) presentation DTS-HD 5.1 Master Audio and uncompressed 1.0 mono soundtracks Optional subtitles for the deaf and hard-of-hearing Commentary by Lee Gambin, author of Nope, Nothing Wrong Here: The Making of Cujo, and Alexandra Heller-Nicholas, author of Cultographies: Ms. 45 and Devil's Advocates: Suspiria, recorded exclusively for this release Brand-new visual essay comparing the various versions and adaptations of Carrie across the years Acting Carrie, archive featurette containing interviews with director Brian De Palma, actors Sissy Spacek, Piper Laurie, Amy Irving, William Katt and others More Acting Carrie, additional interviews with the cast of the film Visualising Carrie: From Words to Images, archive featurette containing interviews with De Palma, writer Lawrence D. Cohen, editor Paul Hirsch and art director Jack Fisk Singing Carrie: Carrie the Musical, archive featurette on the stage musical adaptation of King's novel Writing Carrie, an interview with writer Lawrence D. Cohen Shooting Carrie, an interview with cinematographer Mario Tosi Cutting Carrie, an interview with editor Paul Hirsch Casting Carrie, an interview with casting director Harriet B. Helberg Bucket of Blood, an interview with composer Pino Donaggio Horror's Hallowed Grounds, a look back at the locations of Carrie Gallery Trailer TV spots Radio spots Carrie trailer reel Reversible sleeve featuring original and new artwork by Laz Marquez
""Why I can smile and murder while I smile And cry 'Content' to that which grieves my heart And wet my cheeks with artificial tears And frame my face to all occasions..."" Soon after Edward IV is crowned King his brother Richard a hunchback twisted in mind as well as body starts scheming for the throne of England. He woos and wins Lady Anne and then poisons Edward's mind against their brother Clarence later organising his death. But even after his coronation
John Candy has one of his finest opportunities in this film by John Hughes (The Breakfast Club) about a perpetual screw-up (Candy) who gets his act together enough to watch over his brother's kids effectively. The late actor scores big points resurrecting elements of his more decadent persona from SCTV days, but he also has some persuasively touching, sentimental moments. Hughes's direction is not as focused as it was only a few years before, but there's no mistaking his touch. The DVD release has a widescreen presentation, production notes, biographies, Dolby sound, optional Spanish and French soundtracks. --Tom Keogh
Strap on your pantaloons and prepare to travel with Jim Hawkins and Blind Pew to one of the most famous fictional islands in history, Treasure Island. Walt Disney's 1950 adaptation of Robert Louis Stevenson's swashbuckling masterpiece has held up extremely well, with action and characterisations that feel freshly minted (although it's unlikely that the Mouse of today would sanction the high level of booze flowing throughout the picture). Great fun, with nary a wasted frame and, in the character of Robert Newton's much-imitated Long John, one of cinema's most boisterously crowd-pleasing villains ever. (Proving that you can't keep a good--er, bad man down, Newton would return with director Byron Haskins for the enjoyable sequel, Long John Silver.) Watching this classic is like having a flashback to some perfect Technicolor childhood. --Andrew Wright
Get mindless for awhile with this 1997 disaster flick, starring the La Brea Tar Pits in Los Angeles as a funky place for lava to spew, plus Tommy Lee Jones and Anne Heche as the brave souls who know how to shut off the spout. Director Mick Jackson (The Bodyguard) wastes no time getting to the good stuff--it's happening in Volcano even before opening credits are over--and neither should anyone in the mood for technical efficiency without the burden of art. --Tom Keogh
Far too many film versions of the The Four Feathers have been made over the years, which is especially surprising considering that this 1939 Korda brothers production is surely definitive. The film simultaneously celebrates and pokes fun at British imperialism, showing the kind of dogged stiff-upper-lippery that forged an empire, but also the blinkered attitudes and crass snobbishness of the ruling classes (and those plummy accents--did people ever really talk like that?). Whatever political subtext may or may not be read into it, though, the film is best celebrated for its magnificent vistas: partially made on location in the Sudan, as well as at the famous Denham Studios, this is British cinema from the days when it thought to rival Hollywood for sheer spectacle. Vincent Korda's production design and the glorious early colour cinematography are helped greatly by fellow Hungarian émigré Miklos Rozsa's epic score. John Clements is the notional hero, the man who is determined to show the world he is not a coward after resigning his commission (even though it would surely have saved everyone a lot of bother if he had just stuck with it) but the film is stolen by Ralph Richardson, magnificent as an officer struck blind and led to safety by Clements' Harry Faversham. The latter scenes when Richardson's Captain Durrance realises the truth and its implications are the most poignant and emotionally truthful in the film. C Aubrey Smith is delightful as the old buffer who relives his battles on the dinner table; to a modern audience, however, the "blackface" casting of John Laurie as the Khalifa strikes a discordant note. But adjusting some expectations for its vintage, this is a triumph of derring-do and far and away the most gripping version of this oft-told story on film. --Mark Walker
Classic TV comedy from the Home Guards at Walmington-On-Sea who are both bumbling and ineffectual as well as incompetent which makes life chaotic for all around! Originally transmitted in 1968 (and recently voted no.4 in Britain's Best Sitcom) this DVD release contains all of the first series followed by the surviving episodes of the second series. Unfortunately the other three instalments remain missing and presumed lost forever... Episodes from Series 1: The Man And The Hour:
From the cult director of Bone Tomahawk and Brawl in Cell Block 99, and starring Mel Gibson, Vince Vaughn and Tory Kittles, Dragged Across Concrete follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows.
The toys celebrate their 10th birthday with this amazing double pack set.
In the 1970s the British film industry went through a craze for turning hit TV comedies into big screen features. From On the Buses (1971) to Porridge (1979), Dad's Army was one of the few which made the transition with style. Set in the small south coast town of Walmington-on-Sea in 1940, the film does have the structure of three TV episodes remade and sequenced together. Beginning with the formation of the local Home Guard, the company has a self-contained adventure on military manoeuvres, before a finale which allows for some heroism as three German officers take over the church hall. Dad's Army has all the gentle character comedy of the classic BBC TV series, benefiting enormously by retaining the entire television cast, headed by the incomparable Arthur Lowe as the blustering Captain Mainwaring and supported by the equally wonderful John Le Mesurier and Clive Dunn. The cinema budget allows far superior production values to the original series, with a loving re-creation of 1940's England and some surprisingly beautiful cinematography. Above all, the film is both funny and a nostalgic reminder of a time when ordinary middle-aged and old men could be both real and movie heroes. --Gary S. Dalkin
Episodes Comprise: 1. A happy wartime Christmas often meant pooling coupons even for simple festive fare such as shortbread biscuits and shelter cake. 2. Captain Mainwaring arranges for a sherry party for local dignitaries but during the festivities an unwelcome guest arrives. 3. As Christmas is coming the Vicar decides to hold a bazaar to raise money for comforts for troops on active duty and he asks for contributions from the troop.
An Officer And A Gentleman (Dir. Taylor Hackford 1981): Zack Mayo is a young loner with a bad attitude. Tempted by the glamour and admiration of the life of a Navy pilot he decides to sign up for Officer Candidate School. After thirteen tortuous weeks under Gunnery Sergeant Emil Foley (Gossett Jnr.) he slowly begins to learn the importance of discipline love and friendship. Foley warns Zack about the local girls who will do anything to catch themselves a pilot for a husband
Please wait. Loading...
This site uses cookies.
More details in our privacy policy