Director JIM JARMUSCH followed up his brilliant breakout Stranger Than Paradise with another, equally beloved portrait of loners and misfits in America. When fate lands three hapless menan unemployed disc jockey (Short Cuts' TOM WAITS), a small-time pimp (Fishing with John's JOHN LURIE), and a strong-willed Italian tourist (Life Is Beautiful's ROBERTO BENIGNI)in a Louisiana prison, a singular adventure begins. Described by Jarmusch as a neo-Beat noir comedy, Down by Law is part nightmare and part fairy tale, featuring sterling performances and crisp black-and-white photography by esteemed cinematographer ROBBY MÃLLER (Paris, Texas) Special Features High-definition digital restoration, with uncompressed monaural soundtrack Thoughts and reflections on the making of the film from director Jim Jarmusch in 2002 Interview with director of photography Robby Müller from 2002 Footage from the 1986 Cannes Film Festival, including a press conference featuring Jarmusch and actors John Lurie, Roberto Benigni, and Nicoletta Braschi, and an interview with Lurie, with commentary Sixteen outtakes Music video for Tom Waits's cover of Cole Porter's It's All Right with Me, directed by Jarmusch Q&A with Jarmusch in which he responds to fans' questions Recordings of phone conversations between Jarmusch and Waits, Benigni, and Lurie Production Polaroids and location stills Isolated music track Optional French dub track, featuring Benigni Trailer PLUS: An essay by critic Luc Sante
A Blu-Ray Boxset of Jim Jarmusch’s first six films: Permanent Vacation Stranger Than Paradise Down By Law Mystery Train Night on Earth and Dead Man.
Jim Jarmusch's Down by Law is in the same minimalist, oddball, black-and-white groove as his classic of American independent cinema, Stranger than Paradise (1984). The setting is Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this film is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Italian comedian Benigni, (Life is Beautiful), and he lights it up with his effervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train (1989)--a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton, Amazon.com
Jim Jarmusch's Down by Law is in the same minimalist, oddball, black-and-white groove as his classic of American independent cinema, Stranger than Paradise (1984). The setting is Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this film is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Italian comedian Benigni, (Life is Beautiful), and he lights it up with his effervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train (1989)--a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton, Amazon.com
Jim Jarmusch's Down by Law is in the same minimalist, oddball, black-and-white groove as his classic of American independent cinema, Stranger than Paradise (1984). The setting is Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this film is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Italian comedian Benigni, (Life is Beautiful), and he lights it up with his effervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train (1989)--a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton, Amazon.com
Jim Jarmusch's black and white indie hit starring John Lurie. Willie (Lurie) is a New York hipster of Hungarian origin. When his relatives ask him to look after his 16-year-old cousin, Eva (Eszter Balint), he reluctantly agrees. Initially hostile to one another, it isn't long before the cousins develop an affectionate bond, but after ten days Eva leaves to stay with her Aunt Lotte (Cecillia Stark). A year later Willie and his friend Eddie (Richard Edson) head off to Cleveland to visit the two women...
Jim Jarmusch's black and white indie hit starring John Lurie. Willie (Lurie) is a New York hipster of Hungarian origin. When his relatives ask him to look after his 16-year-old cousin, Eva (Eszter Balint), he reluctantly agrees. Initially hostile to one another, it isn't long before the cousins develop an affectionate bond, but after ten days Eva leaves to stay with her Aunt Lotte (Cecillia Stark). A year later Willie and his friend Eddie (Richard Edson) head off to Cleveland to visit the two women...
Film-maker Jim Jarmusch makes his feature debut with this early 1980s drama. The story follows Allie (Chris Parker), a twenty-something layabout, as he wanders aimlessly around the streets of New York City meeting a host of unusual characters and looking for some meaning in life.
Permanent Vacation (1980): In downtown Manhattan Allie a twenty-something guy (Chris Parker) whose Father is not around and whose Mother is institutionalized is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few strange and surreal characters along the way. Stranger Than Paradise (1984): Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival Stranger Than Paradise not only launched Jim Jarmusch's career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Lounge Lizard musician John Lurie stars as Willie a disenchanted New Yorker who along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint) decides it's time to leave behind their boring lives in search of ""paradise."" But as their unforgettable road trip to Florida unfolds they find that amidst the sunshine blue skies and palm trees their pursuit of happiness is constantly road-blocked by the very thing they can't run away from... themselves. Down By Law (1986): In one of the hippest comedies ever made three misfits find themselves thrown together in a New Orleans jail cell. There's Zach the unemployed DJ Jack the small-time pimp and Bob the crazy Italian tourist. Unavailable for many years this cult hit stars Tom Waits John Lurie and the Oscar-winning director and star of Life is Beautiful Roberto Benigni. A film that firmly established Jim Jarmusch as the coolest director on the American independent scene.
A feature film starring the legendary American artist Jean-Michel Basquiat (1960-1988) that follows him around NYC. Along the way he has encounters with Vincent Gallo Debbie Harry Melly Mel and a host of other Andy Warhol players. Downtown 81 not only captures one the most influential artists of the late twentieth century as he is poised for fame but also captures one of the most vital periods of American culture with the explosion of new wave music new painting hip hop and graffiti.
Two classic films from auteur(!) director Jim Jamursch. Down By Law: 'It's not where you start - it's where you start again...' In one of the hippest comedies ever made three misfits find themselves thrown together in a New Orleans jail cell. There's Zach the unemployed DJ Jack the small time pimp and Bob the crazy Italian tourist. Unavailable for many years this cult hit stars Tom Waits John Luries and the Oscar-winning director and star of 'Life Is Beautiful' Roberto Be
Linda can't wait to have a baby. But according to their doctor her husband Charlie is not as virile as he appears. Wild times begin when Linda hops into bed with Gordon and his cousin Ray. Then Charlie begins having flings of his own in this bawdy and raucous comedy...
Film-maker Jim Jarmusch makes his feature debut with this early 1980s drama. The story follows Allie (Chris Parker), a twenty-something layabout, as he wanders aimlessly around the streets of New York City meeting a host of unusual characters and looking for some meaning in life.
In downtown Manhattan Allie a twenty-something guy (Chris Parker) whose Father is not around and whose Mother is institutionalized is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few strange and surreal characters along the way.
Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival Stranger Than Paradise not only launched Jim Jarmusch's career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Lounge Lizard musician John Lurie stars as Willie a disenchanted New Yorker who along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint) decides it's time to leave behind their boring lives in search of ""paradise."" But as their unforgettable road trip to Florida unfolds they find that amidst the sunshine blue skies and palm trees their pursuit of happiness is constantly road-blocked by the very thing they can't run away from... themselves.
A woman hires a private investigator to follow her husband, whom she suspects is having an affair. When he returns with photographic evidence of her husband's infidelity she decides to take revenge by having many affairs herself...
Permanent Vacation (1980): In downtown Manhattan Allie a twenty-something guy (Chris Parker) whose Father is not around and whose Mother is institutionalized is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few strange and surreal characters along the way. Stranger Than Paradise (1984): Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival Stranger Than Paradise not only launched Jim Jarmusch's career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Lounge Lizard musician John Lurie stars as Willie a disenchanted New Yorker who along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint) decides it's time to leave behind their boring lives in search of ""paradise."" But as their unforgettable road trip to Florida unfolds they find that amidst the sunshine blue skies and palm trees their pursuit of happiness is constantly road-blocked by the very thing they can't run away from... themselves. Down By Law (1986): In one of the hippest comedies ever made three misfits find themselves thrown together in a New Orleans jail cell. There's Zach the unemployed DJ Jack the small-time pimp and Bob the crazy Italian tourist. Unavailable for many years this cult hit stars Tom Waits John Lurie and the Oscar-winning director and star of Life is Beautiful Roberto Benigni. A film that firmly established Jim Jarmusch as the coolest director on the American independent scene.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy