Titles Comprise: Pale Rider: In Pale Rider Clint Eastwood returned to the saddle after nine years and Western movies were riding high again. After corporate mining boss Coy LaHood (Richard Dysart) begins a campaign of terror to drive independent pan miners out of the area a nameless stranger called Preacher (Eastwood) rides into the underdog's camp. He becomes their avenger. The tycoon then hires a badge-wearing killer and his duster-shrouded deputies men loyal to whoever pays the most. LaHood pays gold. But in a climactic shootout to remember Preacher pays in lead. The Searchers: With The Searchers John Wayne and director John Ford forged an indelible saga of the frontier and the men and women who challenged it. Wayne plays Ethan Edwards an ex-Confederate who sets out to find his niece captured by Comanches who massacred his family. He won't surrender to hunger thirst the elements or loneliness. And in his obsessive quest Ethan finds something unexpected: his own humanity. One of the most influential movies ever made. Outlaw Josey Wales: As the Outlaw Josey Wales Clint Eastwood is ideal as a wary fast drawing loner akin to the Man with No Name from his European Westerns. But unlike that other mythic outlaw Josey Wales has a name and a heart. That heart open up as the action unfolds. After avenging his family's brutal murder Wales is pursued by a pack of killers. He prefers to travel alone but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected. One of the top Westerns ever. The Wild Bunch: They came too late and stayed too long. Director Sam Peckinpah's film The Wild Bunch a powerful tale of hangdog desperados bound by a code of honor rates as one of the all-time greatest Westerns. In 1994 it was restored to a complete pristine condition unseen since its July 1969 theatrical debut - and this digitally remastered anamorphic transfer showcases it to renewed blood-and-thunder effect. Watch William Holden Ernest Borgnine Robert Ryan and more great stars saddle up for the roles of a lifetime. Pat Garrett And Billy The Kid: Best of enemies. Deadliest of friends. They are fast friends and worse foes. One is Billy the Kid (Kris Kristofferson) a law unto himself. The other is the law: Sheriff Pat Garrett (James Coburn) who once rode with Billy. Set to a bristling score by Bob Dylan (who also plays Billy's sidekick Alias) and with a `Who's Who' of iconic Western players Sam Peckinpah's saga of one of the West's great legends is now restored to its intended glory. For the first time since it left the cutting room the film has the balance of action and character development Peckinpah wanted a mix of fury and elegy based on the director's notes and the insights of colleagues.
A brother is faced with an impossible proposition in this period Australian thriller.
Michael Caine is Jack Carter, the London gangland enforcer who returns to his hometown of Newcastle to avenge his brother's death. Rarely has the criminal underworld been so realistically portrayed as in this 1971 masterpiece. Shot on location, resulting in a devastatingly authentic snapshot of life in the north east of England in the late-industrial period, Get Carter remains arguably the grittiest and greatest of all British crime films. Newly restored in 4K from the original camera negative by the BFI, and approved by director Mike Hodges, Get Carter is back, and looking and sounding better than ever. Product Features Limited edition 2-disc set Newly restored and presented in High Definition Newly recorded introduction by Michael Caine (2022) Audio commentary featuring Mike Hodges, Michael Caine and Wolfgang Suschitzky (2000) Newly recorded audio commentary featuring Kim Newman and Barry Forshaw Isolated score by Roy Budd Mike Hodges in Conversation (2022, 60 mins): the director discusses his career in this interview recorded at BFI Southbank The Sound of Roy Budd (2022, 17 mins): film music expert Jonny Trunk explores the varied career of Roy Budd, and revisits Budd's iconic, minimalist score for Get Carter Roy Budd Plays Get Carter' (1971, 4 mins) BBC Look North location report (1970, 5 mins): surviving footage of a 1971 report on Get Carter's making, from the BBC's regional news programme Don't Trust Boys (2022, 22 mins): actor Petra Markham reflects upon her career on stage and screen, and recalls her role in Get Carter Klinger on Klinger (2022, 24 mins): Tony Klinger recalls and evaluates the career of his father, Michael Klinger, Producer of Get Carter The Ship Hotel - Tyne Main (1967, 33 mins): Philip Trevelyan's evocative documentary film about a pub on the banks of the River Tyne International trailer (1971) Rerelease trailer (2022) Michael Caine's message to premiere attendees (1971, 1 min) Script gallery 80-page book featuring new writing by Mark Kermode, Tim Pelan, John Oliver and Jason Wood. Also includes Alex Cox's intro to the film's Moviedrome screening in 1990, stills, and notes on the restoration by the BFI's Douglas Weir Double-sided poster featuring the original UK quad A set of four postcards featuring iconic scenes from the film Newly created English subtitles for the Deaf and partial hearing Newly created audio description track **All extras are TBC and subject to change**
Val Kilmer stars in The Ghost and the Darkness as Lt Col John Patterson, a 19th-century Irish engineer drafted by Britain's railroad bosses to build a trestle bridge over an African river, thus expanding the empire a tiny bit more. In Tsavo, Patterson is instantly hailed for killing a man-eating lion that had been making life hell for native workers. But morale sinks when two more unstoppable big cats devour more men and destroy the project. Along comes an, expatriate American hunter (Michael Douglas) to help Patterson face the almost preternatural powers of the two killers. The script by William Goldman (Butch Cassidy and the Sundance Kid) is based on fact, though the film owes more to Steven Spielberg (specifically to Jaws) than history. There are also suggestive echoes of Kipling and Conrad in the material and characters, and there are hints of emotional complexity and psychological nuance that make one wish this could have been a great film instead of a merely fun one.--Tom Keogh, Amazon.com
WWE: Royal Rumble 2010
A cleverly conceived eerily atmospheric sci-fi chiller Unearthly Stranger stars future Baron Munchausen John Neville as a scientist engaged in an experimental project like no other; Gabriella Licudi is his beautiful but otherworldly wife who becomes the subject of great interest for his government superiors. This original intelligent and compelling feature from award-winning Avengers director John Krish is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. TP91 is a secret and highly complex formula which will enable man to project himself through time and space; work in the field is conducted with the utmost security using the finest scientific brains in the country. When Dr Munro succeeds in solving the first part of the formula he is found dead before he is able to pass on the invaluable result with the all-important paper bearing his calculations in ashes on his desk. His successor government scientist Dr Mark Davidson quickly senses that both he and his new wife are now in grave danger... Special Features: Original Theatrical Trailer Image Gallery Promotional Material PDF
In the melting pot of 1890s London Sergeant Cork works for Scotland Yard’s newly formed Criminal Investigation Department enthusiastically employing the pioneering techniques of the new science of forensics to tackle crimes born of poverty and deprivation passion vengeance and greed. Ably assisted by youthful detective Bob Marriott Cork is astute years ahead of his time and knows that even the most convincing evidence can all too often deceive.
Torchwood follows the adventures of a team of investigators led by the enigmatic Captain Jack. Set in the UK in the present day the team use scavenged alien technology in a very real world to solve crime; both alien and human. Separate from the government. Outside the police. Beyond the United Nations. Everyone who works for Torchwood is young under 35. Some say that's because it's a new science. Others say it's because they die young... Episodes Comprise: 6. Countrycide 7. Greeks Bearing Gifts 8. They Keep Killing Susie 9. Random Shoes
She's the One is actor-writer-director Edward Burns' second film, following the widely acclaimed The Brothers McMullen. Given a slightly larger budget to play with ($3m as against his debut project's $25,000), Burns revisits much the same territory--love and sibling rivalry within a New York Irish-American family--but rather more expansively. This time, too, he can run to a few stars-in-the-making (Cameron Diaz, Jennifer Aniston, and John Mahoney from Frasier) to jazz up his cast of relative unknowns. Burns himself plays Mickey, a cab-driver in the Big Apple, with Mike McGlone as his yuppie stockbroker brother, and Maxine Bahns as Hope, the girl Mickey falls for and impulsively marries, much to the romantic delight of Francis' neglected wife Renee (Aniston). Francis, meanwhile, is having a clandestine affair with Heather (Diaz), Mike's former girlfriend--something Mike has yet to learn. Dispensing flawed wisdom and generally muddying the waters yet further is the lads' blunt-spoken father (Mahoney). Plotwise that's about it. Burns relies on his appealing cast and some amiably barbed repartee to hold our interest in what's essentially a dialogue-driven movie. He makes shrewd and sometimes unexpected use of his New York locations, too--it's a fair bet most people's mental image of Brooklyn wouldn't include a waterfront fishing community. This is a good-natured, slightly old-fashioned movie whose benevolent view of the battle of the sexes (where the women are invariably smarter than the men) never digs too deep or hits too hard. On the DVD: She's the One is presented on disc in its original widescreen ratio (1.85:1) and Dolby 4.0 sound that does the movie fair justice. Along with the original trailer, we get a seven-minute "making-of" featurette and a music video of the title song "Walls" from Tom Petty, who composed the film's score. Burns provides an unpretentious voice-over commentary, dealing mainly with matters of casting and the problems of shooting on location. --Philip Kemp
Set in 1899, this musical drama from director Baz Luhrmann ("Romeo + Juliet") stars Ewan McGregor as a young poet who begins a passionate but doomed affair with the most famous courtesan in Paris (Nicole Kidman).
The great war has ended. Unicron has been defeated the Decepticons have fled and the Autobots are victorious under the command of a new leader. In the midst of the celebrations the Autobots are suddenly attacked leaving the Decepticons the obvious suspects. But the Decepticons are in bad shape low in energy without a leader and fighting amongst themselves. Who are the mysterious attackers? Find out in these five epic episodes as the Transformers face a new enemy and the truth of their creation!
MONTY PYTHON'S FLYING CIRCUS FULLY RESTORED IN HIGH DEFINITION FOR THE FIRST TIME! To celebrate the 50th anniversary of a genuinely iconic series, we present Monty Python s Flying Circus, starring Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin, in all its HD glory! This pre-eminent restoration has been produced from the best available materials, painstakingly restored, and terror and destruction are sure to follow. Previously edited sketches have been returned to their original length, while filmed sequences and Terry Gilliam s animations have been newly scanned in High Definition, adding unimaginable depth and clarity to classic moments. From the archive come genuine rarities including previously unseen studio outtakes and extended versions of filmed sketch material, making this the ultimate in television restoration and a must-have for every generation of Python fan! Features: The Golden Age of Ballooning: Extended Barry Zeppelin filmed material Michael Ellis: Deleted Icelandic Honey Week filmed material, extended Toupee Department and Football Pundits filmed material LE War: Repeats extended voiceover & unused M2 filmed material, When Does a Dream Begin (clean closing titles) Hamlet: Extended Queen Victoria Handicap filmed material Mr Neutron: Reinstated content, extended Mr Neutron Takes Tea filmed material Party Political Broadcast: Extended Fanshawe-Chumleigh Dinner Party filmed material, deleted Ursula Hitler filmed material Restoring Flying Circus with Terry Gilliam In Vision archive interview from December 1974 Birds Eye Peas, Harmony Hairspray and Close-Up Toothpaste product relaunches
Collection of five classic British comedies. In 'Kind Hearts and Coronets' (1949) an embittered aristocrat sets out to murder the eight heirs that stand between him and succession to the family title. Louis Mazzini (Dennis Price) holds no love for the family he counts as relations, the D'Ascoynes. The D'Ascoynes cast his mother out when she decided to marry a commoner, Louis's father, and on her death refused to allow her to be buried in the family vault. An outraged Louis vows revenge and begins working his way into the trust of the family to provide him with the opportunity to bump off the male heirs (all played by Alec Guinness) one by one. However, complications arise when he becomes romantically entangled with one of the widows of his victims, Edith D'Ascoyne (Valerie Hobson). Will Louis be able to stay the course and murder his way to a dukedom? In 'Passport to Pimlico' (1949) an unexploded bomb goes off in Pimlico, uncovering documents which reveal that this part of London in fact belongs to Burgundy in France. An autonomous state is set up in a spirit of optimism, but the petty squabbles of everyday life soon shatter the utopian vision of a non-restrictive nation. In 'Whisky Galore!' (1949), set during the Second World War, the inhabitants of a small Hebridean island are wilting under a chronic shortage of whisky. When a ship is wrecked on the shore, it is discovered to contain 50,000 cases of malt, which are promptly appropriated by the men of the island. All is well until an English Home Guard commander - determined to see the whisky restored to its rightful owners - calls in Her Majesty's Customs, and the islanders make frantic attempts to hide their treasured alcoholic booty! In 'The Man in the White Suite' (1951) Sidney Stratton (Guinness) is a laboratory cleaner in a textile factory who invents a material that will neither wear out nor become dirty. Initially hailed as a great discovery, Sidney's astonishing invention is suffocated by the management when they realise that if it never wears out, people will only ever have to purchase one suit of clothing. Finally, in 'The Ladykillers' (1955) a group of bank robbers struggle to silence the eccentric old lady who discovers their crime. Mrs Wilberforce (Katie Johnson) lives alone in King's Cross with her parrots. She has been led to believe that the group of men renting rooms from her, Professor Marcus (Guinness), the Major (Cecil Parker), Louis (Herbert Lom), Harry (Peter Sellers) and One-Round (Danny Green), are classical musicians. However, when one of the group's cases gets caught in the door and opens to reveal, not a musical instrument, but a plethora of banknotes, the virtuous Mrs Wilberforce vows to go to the police with the identities of the men. The criminals agree that the old lady has to be killed to silence her, but will this be as straightforward as it sounds?
Much like Richard Adams' wonderful novel this animated tale of wandering rabbits is not meant for small children. It is, however, rich storytelling, populated with very real individuals inhabiting a very real world. The animation is problematic, sometimes appearing out of proportion or just below par; but it seems to stem from an attempt at realism, something distinguishing the film's characters from previous, cutesy, animated animals. A band of rabbits illegally leave their warren after a prophecy of doom from a runt named Fiver (voiced by Richard Briers). In search of a place safe from humans and predators, they face all kinds of dangers, including a warren that has made a sick bargain with humankind, and a warren that is basically a fascist state. Allegories aside, Down is engaging and satisfying, and pulls off the same amazing trick that the novel did--you'll forget that this is a story about rabbits. --Keith Simanton, Amazon.com
John Thaw is Harry Jenkins in this brand new ITV film a gruff self-obsessed estate agent used to getting his own way. Until that is he returns from a game of golf to find the police on his doorstep with news of his estranged daughter's death and discovers for the first time that he is the grandfather of a mixed-race little girl. Saffron his spirited and strong-willed granddaughter proves to be quite a match for him and a trip to London in search of her father forces Harry to face up to a few home truths. He realises that things need to change if he is to play a part in Saffron's life. Brilliantly acted this powerful and moving drama evokes Harry's inner struggle for salvation.
In his first effort at directing a feature-length film William (Ted) Kotcheff best-known for movies like The Apprenticeship of Duddy Kravitz does an excellent job in making this drama effective. He is helped in no small part by James Mason as Brett Aimsley a sophisticated at-ease former junior partner in a brokerage firm and John Mills as Lt. Col. Clifford Southey a former clerk in that same company. During the war the lieutenant carries his sense of inferiority from his peacetime job as a clerk with him. So when he has a chance to nail Brett (a junior officer now) for trying to bring some censored goods back into London he takes the chance and Brett is drummed out of service. Brett heads for Tahiti and a pretty good life in the sun until Clifford shows up on the island with big plans to build a hotel -- bringing with him the same defensive attitude.
One of the most singular auteurs of the horror and science fiction genres, David Cronenberg has wowed audiences with his depictions of body transformations and explorations of society, this collection of his early short and feature films shows a master learning his craft and exploring many of the themes that would dominate his most celebrated work. Transfer (1966), Cronenberg's first short film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a larger budget, where we find the House of Skin clinic director (Ronald Mlodzik, returning from Stereo) searching for his mentor, Antoine Rouge, who has disappeared following a catastrophic plague. Cronenberg's early amateur feature films, shot in and around his university campus, prefigure his later films' concerns with strange institutions, male/female separation and ESP, echoing the likes of Videodrome, Dead Ringers and Scanners.
TT 2010 Review
Taking its lead from Jonathan Demme's Oscar-winning pulse-raiser The Silence Of the Lambs, Copycat strives for intelligence over gristle and carnage. It's a terse, involving thriller that swings away from the usual cinematic notion of violence as a means to an end by forgoing brawn for brains. Young San Francisco police inspector Ruben Goetz (Dermot Mulroney) is teamed with brilliant force vet, M J Monahan (Holly Hunter), a diplomatic, no-nonsense cop who must buck the system in order to find a killer who is copying the crimes of history's most notorious serial killers. Ruben would rather shoot to kill than merely wound a suspect; Monahan labours to help him think more diplomatically. Everything changes when crank calls arrive at the station from serial-killer pin-up girl psychiatrist Helen Hudson (Sigourney Weaver). She's been housebound for 13 months, ever since murderer Daryll Lee Cullum (Harry Connick Jr.) nearly made her his next victim because she testified against him in court. Though he's in prison, he's still mentor and muse to every loose cannon walking the streets--one of whom is killing people with a vengeance and hoping to finish the job Cullum began. Cop and doc team up to solve the case in this stylish, plot-driven movie. Though Copycat loses steam in the end, it still makes a point. And it serves as a cautionary tale for people everywhere, tossing in street smart warnings against victimisation. The teaming of Hunter and Weaver works well, the short and the tall forging a terrific and friction-filled relationship that leads to grudging respect. Establishing an ominous atmosphere reminiscent of his classic British TV miniseries The Singing Detective, director Jon Amiel has an eye for the dark and the unusual and it gives this film an edge that eludes most other mainstream filmmakers. --Paula Nechak
The Disney Studio was built on innovation in animation, so it seems ironic that Atlantis is both a bold departure and highly derivative, borrowing heavily from anime, video games and graphic novels. Instead of songs and fuzzy little animals, the artists offer an action-adventure set in 1914: nerdy linguist Milo Thatch (Michael J Fox) believes he's found the location of the legendary Lost Continent. An eccentric zillionaire sends Milo out to test his hypothesis with an anachronistic crew that includes tough Puerto Rican mechanic Audrey (Jacqueline Obradors), demolition expert Vinnie (Don Novello), and butt-kicking blonde adventurer Helga (Claudia Christian). When they find Atlantis, its culture is dying because the people can no longer read the runes that explain their mysterious power source--but Milo can. Nasty Commander Rourke (James Garner) attempts to steal that power source, leading to the requisite all-out battle. Atlantis offers some nifty battle scenes, including an attack on a Jules Verne-esque submarine by a giant robotic trilobites and fishlike flying cars. But the film suffers from major story problems. If Princess Kida (Cree Summer) remembers her civilisation at its height, why can't she read the runes? Why doesn't Milo's crew notice that the Atlanteans live for centuries? The angular designs are based on the work of comic book artist Mike Mignola (Hellboy), and the artists struggle with the characters' stubby hands, skinny limbs and pointed jaws. The result is a film that will appeal more to 10-year-old boys than to family audiences. --Charles Solomon, Amazon.com
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