Sumptuous in every way, visually magnificent, with grandiose sets, panoramic Spanish vistas and intricately detailed costumes, possessor of one of cinema's greatest music scores, boasting vast and astonishingly kinetic battles, and breathing heroic virtue in every scene, El Cid is the very epitome of epic. For this reworking of the medieval legend of the Cid (Arabic for "Lord") who united warring factions and saved 11th-century Spain from invasion, producer Samuel Bronston and director Anthony Mann insisted every set had to be created from scratch, every costume specially made for this movie alone; they also shot entirely on location in La Mancha and along the Mediterranean coast of Spain to enhance the film's authenticity. The cinematography is saturated with the burnished hues of the Spanish landscape, as are the palatial sets and rich costumes; Miklos Rozsa's resplendent score is also the result of painstaking research into medieval Spanish sources. The screenplay is imbued with knightly gravitas and more than a little salvation imagery, from the opening scene of the young Rodrigo rescuing a cross from a burning church, to the movie's indelible finale as The Cid rides "out of the gates of history into legend". Charlton Heston is at his most indomitable as Rodrigo, "The Cid", a natural leader of men and the embodiment of every manly virtue (note that he fathers twins--a sure token of his virility); Sophie Loren is ravishing as Chimene, the woman whose love for Rodrigo conflicts with her filial instincts after he kills her father, the king's champion, over a point of honour. Their scenes together create a humane warmth at the heart of this vast movie: the moment when Chimene finally declares her love (beneath a shrine of three crosses--more symbolism) to the exiled Rodrigo forms a pivotal and very intimate centrepiece. Shortly thereafter he must rise from their rural marriage bed to lead his followers into battle, and the tension between his public and private lives adds a piquancy to the film's stunning battle sequences. The international supporting cast sometimes look like makeweights, especially when chewing on the occasionally stilted dialogue, but any such faults are easily forgiven as the scale and spectacle of El Cid carries the viewer away on a tide of chivalry. --Mark Walker
The Land Before Time: In a long-ago age of rumbling volcanoes and perilous earthquakes a young bracheosaurus named Little Foot suddenly finds himself on his own. Setting to find the lush feeding grounds of the legendary Great Valley he meets up with four other young dinosaurs who agree to join his quest. On their daring trek across a landscape filled with excitement and danger the brave little band encounters hungry predators and daunting challenges as they discover new lessons in life and the importance of teamwork. Presented by Steven Spielberg and George Lucas with direction by Don Bluth The Land Before Time is a brilliantly imaginative delightfully animated tale of friendship loyalty and love certain to capture the hearts of viewers young and old. (Dir. Don Bluth 1988) Land Before Time 2: The Great Valley Adventure Everybody's favourite prehistoric pals are back! Join Littlefoot Cera Spike Ducky and Petrie in this delightful all-new feature-length movie. It's an exciting treat filled with original songs brilliant animation and the beloved dinosaurs from the family classic The Land Before Time. The enchanting tale continues in the beautiful peaceful Great Valley where Littlefoot and his plant-eating friends live and play under the watchful eyes of their parents. But when mischievous Cera coaxes the group into the forbidden 'Mysterious Beyond' they soon find themselves in big trouble! The excitement begins when they encounter two egg-snatching struthiomimuses named Ozzie and Strut a thundering landslide a pair of ferocious Sharpteeth and most amazing at all a mysterious egg that's just about to hatch! In the course of their surprising adventure Littlefoot and company learn just how hard it is to be a grown up - and how nice it is to be a kid! - in this captivating story of hope love and trust. (Dir. Roy Allen Smith 1994) The Land Before Time 3: The Time Of The Great Giving Join your favourite prehistoric pals Littlefoot Cera Ducky Spike and Petrie - plus three mischievous new dinosaurs - for another exciting adventure in The Land Before Time. This heartwarming tale features dazzling animation sparkling new songs written by Amanda McBroom (The Rose) and Michelle Brourman and a memorable message about cooperation and team spirit. A huge meteorite has plunged into the Great Valley cutting off the water supply and causing tension among the once-peaceful dinosaurs. Eager to help Littlefoot and his friends search for more water and find a large pool trapped between the Great Valley and the 'Mysterious Beyond' home of the dreaded Sharpteeth! The adventure unfolds as the youngsters tangle with neighbour dinosaur bullies dodge a fierce fire and encounter angry velociraptors. Even though danger seems close at hand Littlefoot learns together with family and friends that when you work together you can move mountains. This colorful song-filled story will charm children and grown-ups alike with its hopeful upbeat theme of sharing and caring set against the lush backdrop of a fantastic primeval world. (Dir. Roy Allen Smith 1995)
The first series of Farscape was a revitalising tonic for TV SF. An ambitious coproduction of Jim Henson's Creature Shop, Australia's Channel 9 and Hallmark Entertainment, Farscape launched itself with a refreshing mix of CGI, prosthetics and state-of-the-art puppetry to take a visual leap beyond other genre shows. The witty scripts, too, peppered with double-entendres and pop-culture references, are light years away from the staid style of Star Trek. Admittedly, the first season's basic premise is simply Buck Rogers updated (American astronaut John Crichton, played by Ben Browder, is catapulted to a far-flung galaxy populated by strange aliens), while the crew initially have something of Blake's 7 about them (a motley bunch of escaped convicts pursued by a relentless foe), and ideas like the living ship are borrowed from Babylon 5, but the Farscape concept has a freshness that makes it all look and feel completely original. --Mark Walker
An innocent women is jailed for smuggling cocaine. During her sentence she is at the mercy of the warden and her inmates forcing her to find a way out...
Terror has surfaced.... Meet the fiercest killer evolution has ever known.... Twenty-four million years ago Megalodon was a 20 tonne killing machine with a 10 foot gaping bite. When two researchers discover a colossal shark tooth off the Mexican coast their worst fears surface. The most menacing beast to ever rule the waters is still alive and mercilessly feeding on anything that crosses its path. Now they must hunt the fierce killer and destroy it... before there is no one left to stop its reign of terror.
When a professional couple who have lived & worked together for many years finally decide to marry, their sudden betrothal causes many unexpectedly funny and awkward difficulties.
The death of her loving father shatters 16-year-old Crystal's (Jennie Garth) happy life on a remote ranch. Abused by her bitter mother she's first raped then blamed for the tragic shooting of her younger brother and finally banished from the family home. Alone and penniless she flees to San Francisco and takes a job as a waitress in a night club. Her unique singing talents are soon noticed however and before long she's carving out a sparkling recording career. By chance Crystal meets up with her one true childhood love Spencer Hill (Craig Bierko) who's now engaged to a powerful society beauty. Though infatuated with each other they realise they must go their separate ways - both eventually reaching the pinnacle of their careers. But fame and fortune can never eclipse true love. So when fate finally brings them together again will more than a decade of triumphs and tragedies once more stand in the way of happiness and love?
World Heavyweight Championship Elimination Chamber Match: Undertaker vs. CM Punk vs. John Morrison vs. Rey Mysterio vs. R-Truth vs. Chris Jericho Intercontinental Championship: Drew McIntyre vs. Kane WWE Championship Elimination Chamber Match: Sheamus vs. John Cena vs. Triple H vs. Randy Orton vs. Ted DiBiase vs. Kofi Kingston Divas Championship Match: Gail Kim vs. Maryse
Conceived by Dr Who's Terry Nation Survivors is a groundbreaking and startlingly realistic television drama series. First aired in 1975 at the height of the Cold War the post-apocalyptic storylines immediately gripped the imagination of the British public and remains compelling viewing to this day. This digitally remastered DVD release includes all eleven hours of the second series.
Strangler's Wood is a gruesomely enjoyable entry in the darkly witty Midsomer Murders series. Detective Chief Inspector Barnaby is on the case again, this time in pursuit of a serial murderer who has apparently resurfaced after nearly a decade of quiet. The story is a thoroughly absorbing one, full of nasty crawling secrets that come out when Barnaby begins poking below the village's surface, and the solution is genuinely satisfying. As in other programmes in the series, Strangler's Wood also pays realistic attention to the way Barnaby's job affects his home life, making his tenacity at pursuing a case exasperating without getting melodramatic. Fans of Daniel Casey's Sergeant Troy will be pleased to see him prominently featured in the episode as well. This is a terrific, stand-alone chapter in an excellent series. --Ali Davis
McLintock: Cattle baron banker and model citizen George McLintock has the world in his hands. The only thing missing is his wife Katherine who left him two years earlier suspecting him of adultery. In an effort to get on with his life McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifestyle comes to a crashing halt
Follow the Blues on their journey to the 2005 Carling Cup final! This DVD features the final in its entirety including extra time cup presentation and post-match celebrations plus highlights from each round on the road to Cardiff with exclusive interviews with Jose Mourinho Frank Lampard and John Terry.
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Alias Mr. Hackenbacker", "Lord Parker's 'Oliday", "Ricochet" and "Give or Take a Million". Amazon.com
The Borrowers: Follows the adventures of the dauntless tiny Clock family parents Pod (Jim Broadbent) Homily (Celia Imrie) and their kids Peagreen and Arrietty - a family of tiny four inch tall people who live under the floorboards of a big house surviving by ""borrowing"" from the ""Human Bean"" family upstairs. The Borrowers turn dental floss into tightropes toaster handles into catapults socks into beds stamps into wall posters and when their world is facing extinction - in the form of Ocious P. Potter (John Goodman) their resourcefulness knows no bounds. A Simple Wish: tells the sweet-natured story of Murray a bumbling fairy godfather who has good intentions but not much else. Technically Murray is a fairy godmother--the only male member of the North American Fairy Godmother Association. After barely passing his godmother's exam he is sent to New York City to watch after Anabel a young girl who wishes that her father Oliver will land a part in a Broadway musical so that the family won't have to move to Nebraska. But when the district's previous godmother a nefarious spellcaster named Claudia arrives with her wacky sidekick Boots her plans to cripple Murray and Anabel's magical association and monopolize the wish market wreak havoc on the already unstable Murray. It's up to Murray and Anabel to pool their resources and get rid of Claudia and Boots once and for all. Director Michael Ritchie turns the fairytale knob up a notch with A Simple Wish also taking the time to poke fun at Broadway musicals. Featuring spectacular special effects and an extremely engaging performance by Wilson this is a children's fable with a fresh twist.
On the surface, it is a seamless caper. A beautiful bank robbery staged by a veteran expert and two exuberant heirs apparent.
The last film completed by Bruce Lee before his untimely death, Enter the Dragon was his entrée into Hollywood. The American-Hong Kong co-production, shot in Asia by American director Robert Clouse, stars Lee as a British agent sent to infiltrate the criminal empire of bloodthirsty Asian crime lord Han (Shih Kien) through his annual international martial arts tournament. Lee spends his days taking on tournament combatants and nights breaking into the heavily guarded underground fortress, kicking the living tar out of anyone who stands in his way. The mix of kung fu fighting (choreographed by Lee himself) and James Bond intrigue (the plot has more than a passing resemblance to Dr. No) is pulpy by any standard, but the generous budget and talented cast of world-class martial artists puts this film in a category well above Lee's primitive Hong Kong productions. Unfortunately he's off the screen for large chunks of time as American maverick competitors (and champion martial artists) John Saxon and Jim Kelly take centre stage, but once the fighting starts Lee takes over. The tournament setting provides an ample display of martial arts mastery of many styles and climaxes with a huge free-for-all, but the highlight is Lee's brutal one-on-one with the claw-fisted Han in the dynamic hall-of-mirrors battle. Lee narrows his eyes and tenses into a wiry force of sinew, speed and ruthless determination. --Sean Axmaker
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