50 years on from its first transmission, the BBC's Play for Today anthology series remains one of British television's most influential and celebrated achievements. Between 1970 and 1984, plays which combined some of the era's finest writing, acting and directing talents were broadcast direct to living rooms, regularly challenging viewers and pushing the boundaries of TV drama. Featuring plays by the likes of Ingmar Bergman, Julia Jones and Colin Welland and featuring a roster of eminent British actors, Play for Today: Volume One brings together seven iconic dramas on Bluray for the very first time, in a collection that exemplifies the breadth and brilliance of this groundbreaking series. The set includes five plays which have been restored from the original negatives held in the BBC archive. The Plays: The Lie (Written by Ingmar Bergman | Dir. Alan Bridges, 1970) Shakespeare or Bust (Written by Peter Terson | Dir. Brian Parker, 1973) Back of Beyond (Written by Julia Jones | Dir. Desmond Davis, 1974) Passage to England (Written by Leon Griffiths | Dir. John Mackenzie, 1975) Our Flesh and Blood (Written by Mike Stott | Dir. Pedr James, 1977) A Photograph (Written by John Bowen | Dir. John Glenister, 1977) Your Man from Six Counties (Written by Colin Welland | Dir. Barry Davis, 1976)
Dr Alan Grant (Sam Neill) returns in this sequel, and after a plane crash finds himself once again leading a team of people as they try to avoid all sorts of deady new dinosaurs.
Fawlty Towers remains a timeless example of comic writing acting and characterisation at its very best. This fantastic complete collection set features all 12 episodes from this classic series. Episodes titles: 1. A Touch of Class 2. The Builders 3. The Wedding Party 4. The Hotel Inspectors 5. Gourmet Night 6. The Germans 7. Communication Problems 8. The Psychiatrist 9. Waldorf Salad 10. The Kipper and the Corpse 11. The Anniversary 12. Basil the Rat
The decision a group of men make on a fishing trip has far reaching effects in this acclaimed drama.
First time on Blu-Ray in the UK. The film spin-off from the much-loved TV comedy series starring Arthur Lowe as the commander of an incompetent Home Guard platoon in wartime Britain. With the trusted comedy genius from the TV series shining through, Mainwaring and company save the day when a crew of a German aircraft take the vicar and villagers hostage in the church.
Hitchcock's most notorious work remains terrifying after all these years, digitally presented, this reissue marks this milestone work's 50th Anniversary.
From the creators of the smash hit Angels In The Outfield comes a high-spirited comedy equally triumphant - THE BIG GREEN. When a new teacher introduces soccer to her uncoordinated students it kicks off the wildest and wackiest sports tournament anyone has ever seen. With the help of their out-of-shape town sheriff (hilarious Steve Guttenberg - Three Men And A Baby) the kids gain confidence and turn themselves into winners. Suddenly the residents of their sleepy country town bec
From Henry Selick, the director of The Nightmare Before Christmas and James And The Giant Peach, comes a visually stunning stop-motion feature!Coraline Jones is bored in her new home until she finds a secret door that leads into a world that's just like her own but better! But when this fantastical adventure turns dangerous and her other mother tries to keep her forever, Coraline must count on her resourcefulness and bravery to get home. BONUSInside LAIKA Discovering The Characters Of Coraline Featuring Test FootageInside LAIKA Revisiting The Puppets With LAIKA's Animation TeamCharacter, Concept Art And Behind-The-Scenes Photo GalleriesAudio Commentary With Director Henry Selick And Composer Bruno Coulais The Making Of CoralineOriginal Featurettes Deleted Scenes Feature-Length StoryboardsImage: 1080p | 16:9Audio: English, French, Spanish Subtitles: English SDH, French, SpanishRuntime: 101 minutes
Is there anything scarier than clowns? Of course not. And who knows scary better than Stephen King? You see where we're going. It puts a malevolent clown (given demented life by a powdered, red-nosed Tim Curry) front and center, as King's fat novel gets the TV-movie treatment. Even at three hours plus, the action is condensed, but an engaging Stand by Me vibe prevails for much of the running time. The seven main characters, as adolescents, conquered a force of pure evil in their Maine hometown. Now, the cackling Pennywise is back, and they must come home to fight him--or, should we say, It--again. Admitting the TV-movie trappings and sometimes hysterical performances, this is a genuinely gripping thriller. As so often with King, the basic idea (the bond formed during a childhood trauma) is clean and powerful, a lifeline anchored in reality that leads us to the supernatural. --Robert Horton
When Joaquin Phoenix's Baltimore fire fighter gets trapped in the worst blaze of his career, his fellow firemen do all they can to rescue him.
A grim, gritty South London housing estate makes an unlikley setting for a romantic fairy-tale, but Hetti MacDonald's gay teenage love story all but brings it off. Adapted by screenwriter Jonathan Harvey from his own stage play, Beautiful Thing tells how teenage loner Jamie falls for next-door neighbour Ste, one of the tough kids who bullies him at school. Amazingly, he finds his feelings reciprocated, and the two progress to a tender, tentative affair. Sidestepping conventional notions of working-class homophobia, the film succeeds in presenting its central relationship not as anything startlingly different, but simply as a teenage romance--with all the joy and heartbreak it implies--that happens to be between two 15-year-old guys. Problems of brutality and deprivation are acknowledged but never allowed to dominate, and under the influence of love even the harsh walkways and terraces of the estate take on a sunlit glow. --Philip Kemp
The Peanut Butter Falcon is a modern Mark Twain-esque adventure starring Shia LeBeouf (American Honey, Fury) as a small time outlaw turned unlikely coach who joins forces with Zak, a young man with Down Syndrome on the run from a nursing home with the dream of becoming a professional wrestler with Dakota Johnson (Susperia, Fifty Shades of Grey) as Zak's loving, but stubborn, carer. From writer/director duo Tyler Nilson and Michael Shwartz the film also stars Jon Bernthal (Baby Driver, Fury), Thomas Hayden Church (Sideways), Bruce Dern (Nebraksa), John Hawkes (Three Billboards Outside Ebbing, Missouri) and introducing Zack Gottsagen as Zack.
The Holy Grail (1974): Yoiks! Here be the Python's tale of good King Arthur (Graham Chapman) and his knights as they quest for the Holy Grail. Watch as they face great odds and silly sods. See them wage battle against the fierce Killer Rabbit (""Run Away! Run Away!"") and (oh horrors!) see them confront the dreaded Knights Who Say ""Ni!"". Oh these be trying times. Can these good knights pass the test of valour and cut down yon tree with herring? Or will they blow themselves to smithereens with the Holy Hand Grenade? Courage Lancelot! Onward Galahad! A hysterical historical tour-de-farce from Terry Gilliam and Terry Jones. The Life Of Brian (1979): You could say this is one of the greatest comedies ever but the Monty Python team said it first! Life of Brian is all about (and here's the big surprise) the life of Brian who was born in a Bethlehem manger next door to Jesus. Three wise men believe he is the messiah but it becomes apparent that he is only Brian. It's written and performed by the Monty Python lads so you know what you're in for; if you don't put this disc down and go out while it's safe! The Meaning Of Life (1983): Those six pandemonium-mad Pythons are back with their craziest adventure ever! These naughty lads offer the usual tasteful sketches involving favorite bodily parts and functions the wonders of war the miracle of birth and a special preview of what's waiting for us in Heaven. Nothing is too sacred for the probing Python crew. After seeing them in action you'll never look at life in quite the same way again. It's far-out frank and jolly good fun!
BRAND NEW 4K RESTORATION She was an experienced climber, she trusted him to rescue her, but something went wrong high above the valley ï¬oor and Gabe Walker (Sylvester Stallone) has been blaming himself for her death ever since. Unable to deal with the tragedy, Gabe quit his job with the Rocky Mountain Rescue team and ï¬ed from his cherished mountains, leaving behind his self-esteem, his friends and the woman he loves. Now he must return to those dreaded peaks, where he ï¬nds himself trapped in a desperate battle against ruthless criminals, unforgiving nature and himself in Cliffhanger. Features: Commentary with Director Renny Harlin and Sylvester Stallone Technical Crew Commentary Personal Introduction from Renny Harlin Deleted Scenes Stallone on the Edge: The Making of Cliffhanger Special Effects: Sarah's Fall & The Helicopter Explosion Storyboard Comparisons Trailer Introduction from Renny Harlin
The definitive American television series of the 1990s. The X-Files comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realised in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonise Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans. --David Chute
Ealing Police Drama - The True Inside Story Of Scotland Yard's Crime Busters.
E.R. (Emergency Room): Season 14
From the director of "This Year's Love", a romantic comedy about single Londoners looking for love, against a backdrop of Salsa.
Whether or not you can sympathise with its fascistic/vigilante approach to law enforcement, Dirty Harry (directed by star Clint Eastwood's longtime friend and directorial mentor, Don Siegel) is one hell of an American cop thriller. The movie makes evocative use of its San Francisco locations as cop Harry Callahan (Eastwood) tracks the elusive "Scorpio killer" who has been terrorising the city by the Bay. As the psychopath's trail grows hotter, Harry becomes increasingly impatient and intolerant of the frustrating obstacles (departmental red tape, individuals' civil rights) that he feels are keeping him from doing his job. A characteristically taut and tense piece of filmmaking from Siegel (Invasion of the Body Snatchers, The Shootist, Escape from Alcatraz), it also remains a fascinating slice of American pop culture. It was a big hit (followed by four sequels) that obviously reflected--or exploited--the almost obsessive or paranoid fears and frustrations many Americans felt about crime in the streets. At a time when "law and order" was a familiar slogan for political candidates, Harry Callahan may have represented neither, but from his point of view his job was simple: stop criminals. To him that end justified any means he deemed necessary. --Jim Emerson
An out of work actor (Richard Lewis) and a just-jilted woman (Sean Young) find they are competing to return a lost dachshund to it's owner and collect the $5,000 reward. They go from Rome to Monte Carlo together but when they find the owner, he has been murdered and they are the prime suspects, along with a compulsive gambler (John Candy) and a hideous American (James Belushi).
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