When it was announced that Tom Cruise would play the vampire Lestat in Interview with a Vampire, the film adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicised objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal blood lust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honouring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, Interview is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon
Tom Hanks teams up with the Coen brothers for a remake of the classic 1955 Ealing comedy about a group of thieves trying to bump off their landlady.
Ireland, 1209. A group of monks including a young novice (Tom Holland, Spider-Man: Homecoming, The Lost City of Z) and a mute lay-brother (Jon Bernthal, The Punisher, The Wolf of Wall Street) are tasked with transporting an ancient relic across the wilderness. As the true significance of the relic becomes apparent; their path becomes increasingly fraught with danger. The monks quickly realise that in this wild land of ancient superstitions, the faith that binds them together may ultimately lead to their destruction.
When it was announced that Tom Cruise would play the vampire Lestat in this adaptation of Anne Rice's bestselling novel, even Rice chimed in with a highly publicised objection. The author wisely and justifiably recanted her negative opinion when she saw Cruise's excellent performance, which perceptively addresses the pain and chronic melancholy that plagues anyone cursed with immortal bloodlust. Brad Pitt and Kirsten Dunst are equally good at maintaining the dark and brooding tone of Rice's novel. And in this rare mainstream project for a major studio, director Neil Jordan compensates for a lumbering plot by honouring the literate, Romantic qualities of Rice's screenplay. Considered a disappointment while being embraced by Rice's loyal followers, Interview with the Vampire is too slow to be a satisfying thriller, but it is definitely one of the most lavish, intelligent horror films ever made. --Jeff Shannon
Ireland, 1209. A group of monks including a young novice (Tom Holland, Spider-Man: Homecoming, The Lost City of Z) and a mute lay-brother (Jon Bernthal, The Punisher, The Wolf of Wall Street) are tasked with transporting an ancient relic across the wilderness. As the true significance of the relic becomes apparent; their path becomes increasingly fraught with danger. The monks quickly realise that in this wild land of ancient superstitions, the faith that binds them together may ultimately lead to their destruction.
Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival Gus Van Sant's realistic drama takes us inside an American high school on one single ordinary day that very rapidly turns tragic...
Elephant (2003): Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival Gus Van Sant's realistic drama takes us inside an American high school on one single ordinary day that very rapidly turns tragic... Last Days (2005): Introspective artist Blake is buckling under the weight of fame professional obligations and a mounting feeling of isolation. Many people are looking for Blake - his friends his managers and record label even a private
The 13th Sign is a no-budget horror-action flick in which a solar-eclipse provides the backdrop for all manner of cultish goings-on in rural England. Obvious fans of The Wicker Man, directors Adam Mason and Jonty Acton gamely try to imbue the action with that film's sinister tones, most notably through the creepy rural setting and the appearance of a suave, philosophy-spouting country lord. Sadly they don't stop there, also throwing in (among a plethora of other jarring and disparate elements) a copious dose of supernatural mumbo-jumbo and a trio of cyberpunk hitmen. The film's miniscule budget is an Achilles' heel that cannot be disguised by enthusiasm alone. It is all very well staging a Desperado-style face-off to wow your audience, but its impact will inevitably be dampened somewhat if it has to take place outside the village Co-op. What we are left with then is a buxom, blood-drenched heroine gamely fighting a losing battle against bizarre bounty-hunters, lazily possessed rednecks, unconvincingly fiery-eyed demons and production values that make The 13th Sign look like the goriest and most convoluted You've Been Framed clip of all time. --Paul Philpott
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