High above the city of LA a team of terrorists has seized a building taken hostages and declared war. But one man has managed to escape detection.. An off-duty cop. He's alone..tired..and the only chance anyone has. Bruce Willis stars as New York City Detective John McClane newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as McClane waits for his wife's office party to break-up terrorists seize control of the building. While the terrorist leader Hans Gruber (Alan Rickman) and his savage henchman (Alexander Godunov) round up hostages McClane slips away unnoticed. Armed with only a service revolver and his wits. McClane launches his own one-man war. A crackling thriller from beginning to end Die Hard explodes with heartstopping suspense.
Not since Don Quixote has Spain had so much fun! Buddies Thomas (Jackie Chan) and David (Yuen Biao) drive a high-tech lunch truck in Spain where they get mixed up with a femme fatale and a novice detective (Sammo Hung) setting the stage for lightning-fast martial arts and wild car chases through the streets of Barcelona! One of the first films to star the '3 Brothers' (Jackie Chan Yuen Biao Sammo Hung) Wheels On Meals is definitely a fan favourite for the b
A story 50 years in the making that will resonate deeply with anyone captivated by the magic of John Lennon and the complexities of human relationships. 'The Lost Weekend: A Love Story' explores the romantic relationship between John Lennon and his assistant turned lover May Pang, a naive 23-year-old experiencing her first unforgettable love. Featuring amazing, never-seen-before archival footage, and exclusive interviews with a huge list of global superstars including Elton John, Alice Cooper, Mick Jagger and Paul McCartney, this is a fascinating insight into a lesser-known chapter in Lennon's life and the relationship that shaped a prolific period for him post-Beatles, a time which included the hit albums 'Mind Games' and 'Walls and Bridges'.
Burt Lancaster stars in an action-packed western based on a thrilling true story. After years of bloody fighting with settlers on the American frontier Apache Chief Geronimo is forced to submit to a humiliating surrender. But his fiercest warrior Massai refuses to accept defeat. With enormous strength and razor-sharp cunning Massai battles the relentless U.S. Cavalry struggling to stay one step ahead of the highly-trained soldiers who have sworn to track him down. The pride of hi
From the makers of "Hey Dude Where's My Car?" comes the story of two twenty-something stoner room mates who set out on a quest for the perfect hamburger that turns into the trip of their lives.
Written and directed by Bruce Robinson (Withnail and I), this fast-moving potboiler finds its creator getting about as far from Withnail's fine wines and London and Lake District settings as it's possible to get, and into the world of bloody homicides, narrative red herrings and emotionally damaged policemen. John Berlin (Andy Garcia) is a big-city cop and, yes, that means he drinks a lot of coffee and has a terrible personal life (in this case, signified by a wife who just can't stop cheating on him). Leaving town to visit his understanding brother-in law and fellow detective Freddy Ross (Lance Henriksen), he promptly finds himself embroiled in the hunt for a serial killer with a grisly modus operandi for murdering blind women. As you might expect, it's not long before he's bumbling his way into a number of confrontations with the hick cops around him and an affair with Helena (Uma Thurman), the blind room-mate of one of the killer's victims. Slick and pacey, Jennifer 8 throws out so many plot that it eventually winds up falling over them in its haste to get to the overblown climax. Nothing here makes a great deal of sense and yet, despite its inherent cosmic silliness, Robinson handles the suspense-and-relief routine with a flashy aplomb, and the cast do well in the face of the material's shortcomings. (John Malkovich's brief appearance is a redemptive highlight, even if you do have to wait almost 90 minutes for it). --Danny Leigh
From John Travolta's electrifying Oscar®-nominated* performance to the unforgettable dancing, SATURDAY NIGHT FEVER is nothing less than a movie sensation. Travolta catapulted to fame as Tony Manero, a restless Brooklyn rebel who escapes problems at home and an uncertain future every Saturday night when he shines as king of the disco dance floor. Pulsing with the beat of its timeless, best-selling soundtrack, looking better than ever on 4K Ultra-HD⢠with HDR-10 and Dolby Vision, and featuring a bonus Blu-ray⢠with the Director's Cut and hours of extensive special features, this is essential cinema. Product Features Commentary by Director John Badham (Theatrical Version only) 70s Discopedia (Theatrical Version) Catching the Fever HD Back to Bay Ridge HD Dance Like Travolta with John Cassese HD Fever Challenge! HD Deleted Scene - Tony & Stephanie in the Car HD
Knebworth Hertfordshire Saturday June 30th 1990. 120 000 fans gathered for an historic event featuring a legendary combination of British artists... Tears For Fears: Change / Badman's Song / Everybody Wants To Rule The World Cliff Richard & The Shadows: On The Beach / Good Golly Miss Molly / We Don't Talk Anymore Phil Collins & The Serious Band: In The Air Tonight / Sussudio Paul McCartney: Coming Up / Birthday / Hey Jude / Can't Buy Me Love Status Quo: Whatever You Want /
Quirt Evens an all round bad guy is nursed back to health and sought after by Penelope Worth a quaker girl. He eventually finds himself having to choose from his world or the world from which Penelope lives by.
Although it eventually runs out of smart ideas and resorts to a typically explosive finale, this above-average thriller rises above its formulaic limitations on the strength of powerful performances by Samuel L Jackson and Kevin Spacey. Both play Chicago police negotiators with hotshot reputations, but when Jackson's character finds himself falsely accused of embezzling funds from a police pension fund, he's so thoroughly framed that he must take extreme measures to prove his innocence. He takes hostages in police headquarters to buy time and plan his strategy, demanding that Spacey be brought in to mediate with him as an army of cops threatens to attack, and a media circus ensues. Both negotiators know how to get into the other man's thoughts, and this intellectual showdown allows both Spacey and Jackson to ignite the screen with a burst of volatile intensity. Director F Gary Gray is disadvantaged by an otherwise predictable screenplay, but he has a knack for building suspense and is generous to a fine supporting cast, including Paul Giamatti as one of Jackson's high-strung hostages, and the late JT Walsh in what would sadly be his final big-screen role. The Negotiator should have trusted its compelling characters a little more, probing their psyches more intensely to give the suspense a deeper dramatic foundation, but it's good enough to give two great actors a chance to strut their stuff. --Jeff Shannon
Even by the standards of a genre not characterised by restraint, the 1974 rock opera Tommy is endearingly barmy, a bizarre combination of Pete Townshend's disturbed inspiration and director Ken Russell's wildly eccentric vision. Even if you gamely try and read allegorical meaning into it, the story is frankly odd: a child becomes psychosomatically deaf, dumb and blind after witnessing the murder of his father by his stepdad and goes on to become rich and famous as the world pinball champion (since when was pinball a world-class competitor sport?), before setting himself up as a latter-day messiah. It's about the travails of the post-war generation, the disaffection of youth, the trauma of childhood abuse, the sham nature of new-age cults, and many other things besides. At least, that's what Townshend and Russell would have you believe. But what's really important is the many wonderful, utterly bonkers set-pieces--effectively a string of pop videos--that occur along the way, performed by great guest stars: Tina Turner as the Acid Queen, Eric Clapton as the Preacher, Keith Moon as Uncle Ernie, Elton John's mighty rendition of "Pinball Wizard", even Jack Nicholson doing a turn as a suave specialist. Roger Daltrey is iconic in his signature role, and Oliver Reed makes up for a complete inability to sing with a bravura performance as his sleazy stepdad, but best of all is Ann-Margret as Tommy's mother Nora: her charismatic presence holds the loose narrative together and she richly deserved her Academy Award nomination; the sight of her in a nylon cat suit being drenched in baked beans and chocolate from an exploding TV set is worth the price of admission alone. On the DVD: Tommy comes to DVD in a two-disc set, with the feature on disc one accompanied by three audio tracks: Dolby Stereo or 5.1 surround, as well as the original "Quintaphonic" surround mix--a unique experience with effectively two pairs of stereo tracks plus a centre track for the vocals. The anamorphic picture adequately recreates the original theatrical ratio. The second disc has a series of lengthy and illuminating new interviews with the main (surviving) players: Townshend, Russell, Daltrey and Ann-Margret, in which we learn among other things, that Daltrey wasn't Townshend's first choice for the role, that Stevie Wonder was the original preference for the Pinball Wizard, and that Ken Russell had never heard of any of these rock stars before agreeing to helm the movie. There's also a feature on the original sound mix and its restoration for DVD. All in all, a satisfying package for fans of one of the daftest chapters in the annals of rock music. --Mark Walker
Blade's back and this time he's facing the greatest vampire of them in with just Jessica Alba and Ryan Reynolds for back up.
Born Yesterday was the box-office comedy hit of 1950 and won a Best Actress Oscar for the exceptional Judy Holliday, recreating her long-running Broadway triumph as Billie Dawn, the quintessential dumb blonde who finally gets herself some smarts. The film resonates with the sophisticated sparring in Garson Kanin's script and there are tightly controlled performances from William Holden as the cynical journalist hired to polish Billie up for Washington society and Broderick Crawford as Harry Brock, her rough, crooked and ambitious boyfriend. But Born Yesterday is Holliday's picture, as she runs the gamut from brassy insouciance to tentative, vulnerable enlightenment. She hasn't thought of her estranged father in five years: "It's nothing against him. I haven't thought of anything in five years." Her gradual awakening to the realisation that she is a stooge for Brock's corrupt business deals, and the way she sheds her chorus girl's intellect in the face of growing political awareness, are brilliantly traced. Holliday's dead-pan delivery makes the pathos of her self-discovery both hilarious and deeply touching; it's the hallmark of a comic genius, which makes the sparseness of her subsequent film appearances all the more regrettable. On the DVD: Born Yesterday is presented in full screen (1.33:1) ratio. Like the mono soundtrack, the black and white picture quality has triumphantly survived its more than half century. Extras include a gallery of vintage advertisements and an original theatrical trailer, plus filmographies and welcome, comprehensive booklet notes. --Piers Ford
Simply Media are delighted to announce the DVD release of the critically acclaimed dystopian drama 1990: The Complete Collection, on 20th November 2017. This collection contains all 16 episodes from series 1 and 2, originally broadcast on BBC Two in 1977. 1990 has been lauded as a TV landmark by Junsui Films Limited, a minor miracle it has been finally released by We Are Cult, and a well-crafted British character drama by Archive TV Musings. The Guardian has described the series creator Wilfred Greatorex (Secret Army) as one of the most prolific and assured television script-writers and editors from the 1960s into the 1980s. 1990 tells a chilling tale of a bleak and nightmarish future Britain where individual rights have been replaced by rights only for the common good. Government bureaucracy is out of control. The lives of ordinary citizens are in the hands of the Home Office's corrupt and overbearing Public Control Department (PCD), which has its watchful eye on everyone to monitor and expose all possible and imaginary threats to the country. Greatorex described his series as Nineteen Eighty-Four plus six because of the parallel themes with Orwell's prophetic novel. The PCD uses sophisticated surveillance systems to expose anyone threatening the status quo. Special State-sanctioned brainwashing units, cunningly disguised as caring rest-homes, are ruthlessly used to suppress independent thought and cure dissidents. A strict rationing of food, alcohol and travel is imposed, and ID cards are required to work, which can be withdrawn by the state at any time. Free speech is forbidden, censorship is rife, and with no rule of law to protect the vulnerable, all citizens are left at the mercy of the state's tyrannical control. Or so it seems.... 1990 stars Golden Globe winner Edward Woodward (The Wicker Man) in the lead role as the calm, witty and charming rebel Jim Kyle. He's a journalist working for one of the last remaining independent newspapers, and a secret dissident who is fighting the corrupt establishment by covertly helping others escape. He risks prison or even death if identified. Woodward leads a strong supporting cast including Robert Lang (Othello (1965)), who gives an unforgettable performance as the PCD's ruthless controller Herbert Skardon; and Barbara Kellerman (The Sea Wolves) shines as his provocatively alluring deputy, Delly Lomas. Series two sees Lynn Blake (Lisa Harrow) join the cast as Kyle's ex-lover, who becomes the new Deputy Controller of the PCD. She's even more determined to expose his informer and finally get her man. 1990 also takes a rare and fascinating original spin on the dystopian fiction genre, unusually depicting a totalitarian regime where the government follows a socialist agenda, instead of the more usual fascist regime. In a society today where the Snoopers Charter has been passed by the British Government, justified as a means of combating terrorism, Greatorex's fictional vision of the future may not be so different from our real present.
Moulin Rouge (1 Disc Edition): A spectacle beyond anything you've ever witnessed. An experience beyond everything you've ever imagined. Behind the red velvet curtain the ultimate seduction of your senses is about to begin. Welcome to the Moulin Rouge! Nicole Kidman and Ewan McGregor sing dance and scale the heights of passionate abandon in this most talked-about movie from visionary director Baz Luhrmann (William Shakespeare's Romeo + Juliet Strictly Ballroom). Enter a tanta
Exceptionally well-directed by John McTiernan, Die Hard made Bruce Willis a star back in 1988 and established a new template for action stories. Here the bad guys, led by the velvet-voiced Alan Rickman, assume control of a Los Angeles high-rise with Willis's visiting New York cop inside. The attraction of the film has as much to do with the sight of a barefoot mortal running around the guts of a modern office tower as it has with the plentiful fight sequences and the bond the hero establishes with an LA beat cop. Bonnie Bedelia plays Willis's wife, Hart Bochner is good as a brash hostage who tries negotiating his way to freedom, Alexander Godunov makes for a believable killer with lethal feet and William Atherton is slimy as a busybody reporter. Director Renny Harlin took the reins for the 1990 sequel, Die Harder, which places Willis's New York City cop in harm's way again with a gaggle of terrorists. This time, Willis awaits his wife's arrival at Dulles Airport in Washington, DC when he gets wind of a plot to blow up the facility. Noisy, overbearing and forgettable, the film has none of the purity of its predecessor's simple story; and it makes a huge miscalculation in allowing a terrible tragedy to occur rather than stretch out the tension. Where Die Hard set new precedents in action movies, Die Hard 2 is just an anything-goes spectacle --Tom Keogh The second sequel, Die Hard with a Vengeance brings Detective John McClane to New York City to face a better villain than in Die Hard 2. Jeremy Irons is the brother of Alan Rickman's Germanic terrorist-thief from the original film. But this bad guy has his sights set higher: on the Federal Reserve's cache of gold. As a distraction, he sets McClane running fool's errands all over New York--and eventually, McClane attracts an unintentional partner, a Harlem dry cleaner (Samuel L Jackson) with a chip on his shoulder. Some great action sequences can't obscure the rather large plot holes in the film's final 45 minutes. --Marshall Fine
This spin off to Upstairs Downstairs follows the trials and tribulations of Sarah - a parlour made - and Thomas - the chauffer - some time after leaving service with the Bellamys. Episodes Comprise: 1. Birds Of A Feather 2. The Silver Ghost 3. The Biters Bit 4. The Vanishing Lads 5. Made In Heaven 6. Alma Mater 7. A Day At The Metropole 8. The Poor Younf Widow Of Peckham 9. There Is A Happy Land 10. Return To Gethyn 11. Putting On The Ritz 12. The New Rich 13. Love Into Three Won't Go
Please wait. Loading...
This site uses cookies.
More details in our privacy policy