This gripping giallo from director Ferdinando Baldi is a prime and gritty example of the celebrated movie genre. On a small island in the Mediterranean, an annual vacation turns into a bloody nightmare for one rich family as each one is brutally murdered by an unknown executioner. Filled with nudity and violence this is a gripping and breathless experience and pushes the twisted on screen events to their limit. The stunning location adds a decadent yet daring atmosphere to the movie and Baldi's keen eye for exposed flesh keeps the pace hot, steamy and extremely dangerous.
Yes Minister: (1980 - 1984) From the minds of Jonathan Lynn and Antony Jay comes the complete box set of all three series of Yes Minister. First-class political satire and a worldwide favourite seen in over 80 countries Yes Minister is well-known for being closer to the truth than those in the political arena would like to admit. Re-live the exploits of the amiable and honourable Jim Hacker and his permanent Secretary the urbane but evasive Sir Humphrey Appleby as they balance the intricacies of government bureaucracy. The four-disc set contains the complete Yes Minister collection from Hacker's arrival on the political arena as Minister of Administrative Affairs through to the extraordinary events that turned Jim Hacker MP into Jim Hacker PM. Yes Prime Minister (1986 - 1988): Following his stout stand against the Eurosausage The Rt Hon James Hacker was propelled along the corridors of power to the very pinnacle of politics - No. 10. Fortunately for the country however his scheming adversary Sir Humphrey Appleby finds himself in the exalted position of Cabinet Secretary. Appleby is more than willing to steer the unsteady ship of state through the perilous waters of government... Features every episode from both seasons of Yes Prime Minister.
Newly restored and remastered in Dolby Vision, all three films in the landmark saga are released together on 4K Ultra HD Blu-ray⢠for the first time ever. The 4K Ultra HD Blu-ray set will include The Godfather, The Godfather: Part II, and three versions of The Godfather: Part III: the theatrical cut (first time ever on home media), Coppola's 1991 cut, and Coppola's recently re-edited version of the final film, Mario Puzo's The Godfather Coda: The Death of Michael Corleone. The disc set includes commentaries by Coppola on The Godfather, The Godfather: Part II and the 1991 cut of The Godfather: Part III. Plus special features on a blu-ray disc. The Godfather Regarded as one of the best American films ever by the American Film Institute, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar®-winning* role as the patriarch of the Corleone family. The Godfather⢠is a violent and chilling portrait of the Sicilian family's struggle to stay in power in a post-war America of corruption, deceit and betrayal. Coppola begins his legendary trilogy, masterfully balancing the story of the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award® nominations, and won three including Best Picture of 1972. The Godfather Part II In what is undeniably one of the best sequels ever made, Francis Ford Coppola continues his epic Godfather trilogy with this saga of two generations of power within the Corleone family. Coppola, working once again with the author Mario Puzo, crafts two interwoven stories that work as both prequel and sequel to the original. One shows the humble Sicilian beginnings and New York rise of a young Don Vito, now played in an Oscar®-winning* performance for Best Supporting Actor by Robert De Niro. The other shows the ascent of Michael (Al Pacino) as the new Don. Reassembling many of the cast members who helped make The Godfatherâ¢, Coppola has produced a movie of staggering magnitude and vision; the film received eleven Academy Awards® nominations, winning six including Best Picture of 1974. Mario Puzo's The Godfather Coda: The Death Of Michael Corleone Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy Mario Puzo's THE GODFATHER Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola, A more appropriate conclusion to The Godfather and The Godfather: Part II.
Aaron Sorkin's American political drama The West Wing is more than mere feel-good viewing for sentimental US patriots. It is among the best-written, sharpest, funniest and most moving American TV series of all time. In its first series, The West Wing established the cast of characters comprising the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The issues broached in the first series have striking, often prescient contemporary relevance. We see the President having to be talked down from a "disproportionate response" when terrorists shoot down a plane carrying his personal doctor, or acting as broker in a dangerous stand-off between India and Pakistan. Gun control laws, gays in the military and fundamentalist pressure groups are all addressed--the latter in a most satisfying manner ("Get your fat asses out of the White House!")--while the episode "Take This Sabbath Day" is a superb dramatic meditation on capital punishment. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. This is wonderful and addictive viewing. --David Stubbs
First, J.K. Rowling's delightful bestseller, then an unforgettable movie: Harry Potter and the Sorcerer's Stone is sheer screen enchantment. At its center is Harry, orphaned, unloved, rescued, enrolled as a wizard-in-training at Hogwarts Academy and as his telltale forehead scar shows, destined for great things. Enter into the world of Hogwarts and experience the rich characters, lavish surroundings, wizardly tools and customs, the high-flying sport of Quidditch ... and much more beyond imagining. For the most magic ever to visit your house, see you on Platform 9-3/4!
Cars fly, trees fight back and a mysterious elf comes to warn Harry Potter at the start of the second year of his amazing journey into the world of wizardry. This year at Hogwarts, spiders talk, letters scold and Harry's own unsettling ability to speak to snakes turns his friends against him. From dueling clubs to rogue Bludgers, it's a year of adventure and danger when bloody writing on a wall announces: The Chamber of Secrets has been opened. To save Hogwarts will require all of Harry, Ron and Hermione's magical abilities and courage in this spellbinding adaptation of J.K. Rowling's second book. Get ready to be amused and petrified as Harry Potter shows he's more than a wizard, he's a hero!
Set in 1899, this musical drama from director Baz Luhrmann ("Romeo + Juliet") stars Ewan McGregor as a young poet who begins a passionate but doomed affair with the most famous courtesan in Paris (Nicole Kidman).
The Godfather: (1972) Considered by many to be the greatest movie ever made Francis Ford Coppola's epic masterpiece features Oscar winner Marlon Brando as the head of the Corleone family. Coppola paints a chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from a father to a son who was previously uninvolved in the business. Godfather Part II: (1974) The Godfather Part II is one of the rare breed of cinematic sequels which is as good as and perhaps better than the original. Al Pacino heads the star cast as Michael Corleone heir to the criminal empire established by his Mafioso father the late Don Corleone. Michael is now in charge of all gambling activities in Nevada making certain that any and all political or mob enemies are quickly bought off compromised or disposed of. Throughout the film Michael's travails are paralleled with the early experiences of his father played in flashbacks by Robert DeNiro. The Godfather III: (1990) In the final instalment of the Godfather Trilogy an aging Don Michael Corleone seeks to legitimise his crime family's interests and remove himself from the violent underworld. Now in his sixties Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hopes of business legitimacy into an inferno of mob violence.
A timeless classic comes alive in this enchanting movie based on the best-selling novel by Richard Adams. Nestled among the rolling hills and peaceful meadows of England lives a community of rabbits. When their warren is threatened a small group of brave rabbits escapes into the unknown countryside in search of a new home. Led by the visionary Fiver the courageous Bigwig the clever Blackberry and the honourable Hazel they face daunting challenges and use their strength and cunning to survive while pursuing their dreams. Along their trek they make an unlikely friend - a loony seagull named Kehaar - and battle the vicious General Woundwort the cruel leader of another warren. Film director Martin Rosen frames the tale largely from the viewpoint of the rabbits so that we identify with each one. Packed with excitement and adventure Watership Down is an engaging thrilling tale that celebrates traditional values of loyalty courage and spirit. Special Features: A Conversation with the Film Makers Defining the Style Documentary Storyboard Comparisons
Splash was big news in 1984. It was the sole reason for a renewed Disney Studios forming its Touchstone Pictures subsidiary. This was so they could get away with displaying Daryl Hannah's nude bottom! It was also big news for launching the film career of Tom Hanks, who immediately became a massive box-office comedy draw in the 80s. For Ron Howard, it was the breakaway success that guaranteed he'd be able to pursue as diverse a directorial career path as he wanted to. It's a simple romance tale, spiced up by making the female lead a mermaid. The stroke of brilliance in the script was in making the comedy happen around the two leads, while letting them believably convey they are hopelessly lost in love. The comedy comes from the ever-reliable John Candy as a larger-than-life womanising older brother, and Eugene Levy as a scatty scientist. Although New York looks a little different today, the movie has hardly aged at all. Which is just as well since it boldly begins "This morning." On the DVD: Splash offers a transfer that has some defects, but colours and dark areas seem just about right. We're spoiled for extras, with a warmly nostalgic Howard joining a key production crew commentary in reminiscing on how much fun they had making the movie. There's a half-hour documentary ("Making a Splash") interviewing everyone involved, including some archival footage of the late Candy. Best of all are the original Audition Tapes for Hanks and Hannah, which reveal the consummate professionals these once-hungry stars really are. --Paul Tonks
Adapted from Colin Dexter's best-selling novels Inspector Morse took to our screens in 1987 with John Thaw in the lead role as the talented but cynical and lonely Inspector and Kevin Whately as his partner Detective Robert Lewis. Throughout its thirteen year run Morse repeatedly solved difficult murder cases with his old-fashioned methods and Lewis's help. A touching and emotional drama that touched the hearts of its audience.
An apocalyptic vision pushes a group of rabbits to abandon their warren in search of a new home, in this landmark British animation. Richard Adams' timeless novel is brought brilliantly to life as Hazel, Fiver and Bigwig tackle the brutal realities of the rural world - and mankind's devastating impact on it - as they lead their colony to the utopian Watership Down. Featuring an acclaimed voice cast (including John Hurt and Denholm Elliott), a powerful score by composer Angela Morley and the hit single Bright Eyes' by Art Garfunkel, Watership Down is a thrilling tale of adventure, courage and resilience that continues to enthral new and old audiences alike. Newly restored in 4K by the BFI and Silver Salt Restoration, using the original 35mm negative and stereo audio tracks, this landmark animation is presented in Ultra High Definition for the very first time. Newly restored and presented in High Definition Newly recorded audio commentary by film and animation experts Catherine Lester and Sam Summers Defining a Style (2005): short featurette about the film's aesthetic A Conversation with the Filmmakers (2005, 17 mins): Archive featurette in which director Martin Rosen and editor Terry Rawlings discuss the production history of the film Storyboard comparison (2005, 15 mins): a look at four sequences from the film Super 8 version of the film (20 mins) Humberstone Super 8 footage (3 mins): Footage shot by Arthur Humberstone, one of the senior animators on Watership Down Designing Watership Down (2024, 5 mins): a gallery containing some of the materials related to Watership Down courtesy of The Arthur Humberstone Animation Archive Trailers, teasers & TV spots Once We Were Four (1942, 9 mins): a bunny quartet face an onslaught of badgers, bombs and birds of prey in this black comedy masquerading as a nature film, directed by Mary Field Rabbits or Profits? (1969, 15 mins): public information film providing a potted history of rabbits in the UK Bolly in A Space Adventure (1968, 5 mins): a short Halas & Batchelor animation about the adventures of Bolly and his friends on imaginary planets, featuring animation by Tony Guy, animation director on Watership Down Make Believe (1948, 17 mins): Anson Dyer tells 'The Tale of Ronnie Rabbit' in this documentary showing the various stages of making a cartoon bunny Newly created optional English descriptive subtitles Newly created audio description track for the blind and visually impaired Double-sided poster featuring the original UK quad and the 2024 rerelease artwork A set of four postcards featuring iconic scenes from the film Perfect-bound book featuring writing by Jez Stewart, Catherine Lester, Nigel and Clive Humberstone, Angela Morley, Charlie Brigden, Lillian Crawford, Vic Pratt, Tony Dykes and Michael Brooke
Forest Whitaker makes an unlikely modern samurai with his laser-sighted pistols, shabby street clothes, and oddly graceful gait--but then Ghost Dog: The Way of the Samurai is an unusual film. Quirky, contemplative and at times absurd, it is just the kind of offbeat vision we have come to expect from the fiercely independent Jim Jarmusch (Stranger than Paradise, Dead Man). Whitaker is Ghost Dog, a mysterious New York hit man who lives simply on a tenement rooftop and follows a code of behaviour outlined in : Hagakure: The Book of the Samurai (passages of this book are interspersed throughout the film). When the local mob marks him for death in a complicated code of Mafiosi-style honour, Ghost Dog sends a cryptic message to his foes. "That's poetry. The poetry of war", remarks mobster Henry Silva, with sudden respect upon reading the verse. He could be describing the ethereal beauty of Jarmusch's vision, full of wonderful imagery (a night drive across town seems to float in time) and off-centre humour. Though it briefly stalls in a series of assassinations (Jarmusch is no action director), it settles back into character-driven drama in a quietly epic showdown, equal parts samurai adventure, spaghetti western and existential crime movie. The film is likely too unconventional and offbeat for general audiences, but cult-movie buffs and Jarmusch fans will appreciate his idiosyncratic vision. He finds a strange sense of honour in the clash of Old World traditions, and salutes his heroes with a skewed but sincere respect. --Sean Axmaker
Meet Joe Black seemed almost fated to fail when it was released in 1998, but this romantic fantasy--a remake of 1934's Death Takes a Holiday--deserves a chance at life after box-office death. Although many moviegoers were turned off by director Martin Brest's overindulgent three-hour running time, those who gear into its deliberate pace will find that Meet Joe Black offers ample reward for your attention. Brad Pitt plays Death with a capital D, enjoying some time on Earth by inhabiting the body of a young man who'd been killed in a shockingly sudden pedestrian-auto impact. Before long, Death has ingratiated himself with a wealthy industrialist (Anthony Hopkins) and pursues romance with the man's beautiful daughter (newcomer Claire Forlani), whom he'd briefly encountered while still an earthbound human. Under the assumed identity of "Joe Black", he samples all the pleasures that corporeal life has to offer--power, romance, sex and such enticing pleasures as peanut butter by the spoonful. But Death has a job to do, and Meet Joe Black addresses the heart-wrenching dilemma that arises when either father or daughter (the plot keeps us guessing) must confront his or her inevitable demise. The film takes its own sweet time to establish this emotional crisis and the love that binds Hopkins's semi-dysfunctional family so closely together. But if you've stuck with the story this far, you may find yourself surprisingly affected. And if Meet Joe Black has really won you over, you'll more than appreciate the care and affection that gives the film a depth and richness that so many critics chose to ignore. --Jeff Shannon
The Carnival has come to town and it's a chance to see all sorts of exciting things! There is Mr. Bull's Jazz Band, Miss Rabbit as the Carnival Queen and even a very special appearance from Mr. Potato, showing off his very large balloon! Peppa and her family are also going on some exciting days out! They visit Tiny Land, where they see their favourite tiny landmarks, and go on a trip to the caves where Daddy pig braves the scary Ride of Doom'! Plus more fun stories
Exiled from their home nations, four strangers from separate corners of the earth agree to undertake a dangerous mission to transport unstable dynamite through the dense jungle of South America in order to earn their passage home. When the slightest bump in the road could equal instant death, the real question is not whether these men will survive this nerve-shredding ordeal but who will they have become if they return at all? After the success of The French Connection and The Exorcist, William Friedkin began work on his biggest project to date. Seizing the moment, he embarked on an ambitious and lengthy shoot in the dense jungles of the Dominican Republic and like Werner Herzog with Fitzcoraldo and Francis Ford Coppola on Apocalypse Now, Friedkin battled the elements, came face-to-face with nature and emerged victorious. Now, 40 years since its release, Sorcerer is regarded by critics and ï¬lmmakers alike as a true lost cinematic masterpiece a feat of ï¬lmmaking that encapsulates the revolutionary artistry of 1970s American cinema that is a triumph to behold Special Features: Sorcerers A Conversation with William Friedkin and Nicolas Winding Refn (74 mins) The Mystery of Fate A letter from director William Friedkin Newly commissioned artwork to celebrate the 40th Anniversary Reversible sleeve containing the newly commissioned and original theatrical artwork
Perhaps the most stately of Fritz Lang's two-part epics, the five-hour Die Nibelungen is a courageous and hallucinatory work. Its extraordinary set-pieces, archetypal themes, and unrestrained ambition have proved an inspiration for nearly every fantasy cycle that has emerged on-screen since - from Star Wars to The Lord of the Rings.In Part One, Siegfried, the film's eponymous hero acquires the power of invincibility after slaying a dragon and bathing in the creature's blood. Later, an alliance through marriage between the hero and the royal clan of the Nibelungen turns treacherous, with Siegfried's sole weakness exploited. In Part Two, Kriemhilds Rache [Kriemhild's Revenge], Siegfried's widow travels to the remote land of the Huns to wed the monstrous Attila, and thereby enlist his forces in an act of vengeance that culminates in massacre, conflagration, and, under the auspices of Lang, one of the most exhilarating and terrifying end-sequences in all of cinema.Adapted from the myth that was also the basis for Wagner's Ring cycle of operas, Lang's epic offers its own startling expressionistic power - a summit of the director's artistry. The Masters of Cinema Series is proud to present Die Nibelungen in a spectacular new HD restoration.
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